Hell Without Fires examines the spiritual and earthly results of conversion to Christianity for African-American antebellum writers. Using autobiographical narratives, the book shows how black writers transformed the earthly hell of slavery into a "New Jerusalem," a place they could call home. Yolanda Pierce insists that for African Americans, accounts of spiritual conversion revealed "personal transformations with far-reaching community effects. A personal experience of an individual's relationship with God is transformed into the possibility of liberating an entire community." The process of conversion could result in miraculous literacy, "callings" to preach, a renewed resistance to the slave condition, defiance of racist and sexist conventions, and communal uplift. These stories by five of the earliest antebellum spiritual writers--George White, John Jea, David Smith, Solomon Bayley, and Zilpha Elaw--create a new religious language that merges Christian scripture with distinct retellings of biblical stories, with enslaved people of African descent at their center. Showing the ways their language exploits the levels of meaning of words like master, slavery, sin, and flesh, Pierce argues that the narratives address the needs of those who attempted to transform a foreign god and religion into a personal and collective system of beliefs. The earthly "hell without fires"--one of the writer's characterizations of everyday life for those living in slavery--could become a place where an individual could be both black and Christian, and religion could offer bodily and psychological healing. Pierce presents a complex and subtle assessment of the language of conversion in the context of slavery. Her work will be important to those interested in the topics of slave religion and spiritual autobiography and to scholars of African American and early American literature and religion.

Enlightenment thinkers such as Rousseau and Montesquieu are best known for their humanist theories and liberating influence on Western civilization. But as renowned French intellectual Louis Sala-Molins shows, Enlightenment discourses and scholars were also complicit in the Atlantic slave trade, becoming instruments of oppression and inequality.
Translated into English for the first time, "Dark Side of the Light "scrutinizes Condorcet's "Reflections on Negro" "Slavery" and the works of Montesquieu, Rousseau, and Diderot side by side with the "Code Noir" (the royal document that codified the rules of French Caribbean slavery) in order to uncover attempts to uphold the humanist project of the Enlightenment while simultaneously justifying slavery. Wielding the pen of both the ironist and the moralist, Sala-Molins demonstrates the flawed nature of these attempts and the reasons given for this denial of rights, from the imperatives of public order to the incomplete humanity of the slave (and thus the need for his progressive humanization through slavery), to the economic prosperity that depended on his labor. At the same time, Sala-Molins uses the techniques of literature to give equal weight to the perspective of the "barefooted, the starving, and the slaves" through expository prose and scenes between slave and philosopher, giving moral agency and flesh-and-blood dimensions to issues most often treated as abstractions.
Both an urgent critique and a measured analysis, "Dark Side of the Light" reveals the moral paradoxes of Enlightenment philosophies and their world-changing consequences.
Louis Sala-Molins is a moral and political philosopher and emeritus professor at the University of Toulouse. He is the author of many books, including "Le Code Noir, ou Le calvaire de Canaan" and "L'Afrique aux Ameriques."
John Conteh-Morgan is associate professor of French and Francophone, African-American, and African studies at Ohio State University. He is the author of "Theatre and Drama in Francophone Africa: A Critical Introduction. "

Using slave trials from antebellum Virginia, Christopher H. Bouton offers the first in-depth examination of physical confrontations between slaves and whites. These extraordinary acts of violence brought the ordinary concerns of enslaved Virginians into focus. Enslaved men violently asserted their masculinity, sought to protect themselves and their loved ones from punishment, and carved out their own place within southern honor culture. Enslaved women resisted sexual exploitation and their mistresses. By attacking southern efforts to control their sexuality and labor, bondswomen sought better lives for themselves and undermined white supremacy. Physical confrontations revealed the anxieties that lay at the heart of white antebellum Virginians and threatened the very foundations of the slave regime itself. While physical confrontations could not overthrow the institution of slavery, they helped the enslaved set limits on their owners' exploitation. They also afforded the enslaved the space necessary to create lives as free from their owners' influence as possible. When masters and mistresses continually intruded into the lives of their slaves, they risked provoking a violent backlash. Setting Slavery's Limits explores how slaves of all ages and backgrounds resisted their oppressors and risked everything to fight back.

An important book of epic scope on America's first racially integrated, religiously inspired movement for change

The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies as romantic a place in the nation's imagination as the Lewis and Clark expedition. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce clash of values that was nothing less than a war for the country's soul. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only challenged prevailing mores but also subverted federal law.

Bound for Canaan tells the stories of men and women like David Ruggles, who invented the black underground in New York City; bold Quakers like Isaac Hopper and Levi Coffin, who risked their lives to build the Underground Railroad; and the inimitable Harriet Tubman. Interweaving thrilling personal stories with the politics of slavery and abolition, Bound for Canaan shows how the Underground Railroad gave birth to this country's first racially integrated, religiously inspired movement for social change.

While the plantation accounts for 90% of slave ownership and experience in the Americas, its centrality to the common conceptions of slavery has arguably led to an oversimplified understanding of its multifarious forms and complex dynamics in the region. The Many Faces of Slavery explores non-traditional forms of slavery that existed outside the plantation system to illustrate the pluralities of slave ownership and experiences in the Americas, from the 17th to the 19th century. Through a wide range of innovative and multi-disciplined approaches, the book's chapters explore the existence of urban slavery, slave self-hiring, quasi-free or nominal slaves, domestic slave concubines, slave vendors, slave soldiers and sailors, slave preachers, slave overseers, and many other types of "societies with slaves." Moreover, it documents unconventional forms of slave ownership like slave-holding by poor whites, women, free blacks, Native Americans, Jewish Americans, corporations and the state. The Many Faces of Slavery broadens our traditional conception of slavery by complicating our understanding of slave experience and ownership in slavery-practising societies throughout Atlantic history.

Five months after the election of Abraham Lincoln, which had revealed the fracturing state of the nation, Confederates fired on Fort Sumter and the fight for the Union began in earnest. This documentary reader offers a firsthand look at the constitutional debates that consumed the country in those fraught five months. Day by day, week by week, these documents chart the political path, and the insurmountable differences, that led directly-but not inevitably-to the American Civil War. At issue in these debates is the nature of the U.S. Constitution with regard to slavery. Editor Dwight Pitcaithley provides expert guidance through the speeches and discussions that took place over Secession Winter (1860-1861) in Congress, eleven state conventions, legislatures in Tennessee and Kentucky, and the Washington Peace Conference of February, 1861. The anthology brings to light dozens of solutions to the secession crisis proposed in the form of constitutional amendments 90 percent of them carefully designed to protect the institution of slavery in different ways throughout the country. And yet, the book suggests, secession solved neither of the South's primary concerns: the expansion of slavery into the western territories and the return of fugitive slaves. What emerges clearly from these documents, and from Pitcaithley's incisive analysis, is the centrality of white supremacy and slavery-specifically the fear of abolition-to the South's decision to secede. Also evident in the words of these politicians and statesmen is how thoroughly passion and fear, rather than reason and reflection, drove the decision making process.

"Whilst others scarcely put a toe in the water, in The Black Atlantic Gilroy goes in deep and returns with riches." Guardian Afrocentrism, Eurocentrism, Caribbean Studies. To the forces of cultural nationalism trapped in their respective camps, this bold book sounds like a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once; a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also enriches our understanding of modernism.

Argentina has spectacular natural wonders, exceptional landscapes and is a unique country but it is known as "The Whitest Nation in South America". Why is this? What is the truth of the popular phrase of "There Are No Black People Here"? What is the "Blanqueamiento" of Black people and why do Argentine officials say Black people have "disappeared"? When, why and how many Africans were taken to Argentina? How did the enslave contribute towards Argentina's nation-building and why have they been "forgotten"? Focussing on the era between 16th and 19th century, this fascinating fact-filled introductory book answers all these questions plus lots more in an easy-to-read style. The Black History Truth aims to promote knowledge, understanding and the truth of Black History in an important but often overlooked former Spanish colony of Argentina. With over 200 activity ideas and over 80 illustrations to bring Black History Truth events to life, be on the voyage of self-discovery because Black History is an essential element of World History.

From its founding, Martinique played an integral role in France's Atlantic empire. Established in the mid-seventeenth century as a colonial outpost against Spanish and English dominance in the Caribbean, the island was transformed by the increase in European demand for sugar, coffee, and indigo. Like other colonial subjects, Martinicans met the labor needs of cash-crop cultivation by establishing plantations worked by enslaved Africans and by adopting the rigidly hierarchical social structure that accompanied chattel slavery. After Haiti gained its independence in 1804, Martinique's economic importance to the French empire increased. At the same time, questions arose, both in France and on the island, about the long-term viability of the plantation system, including debates about the ways colonists--especially enslaved Africans and free mixed-race individuals--fit into the French nation."Sweet Liberty" chronicles the history of Martinique from France's reacquisition of the island from the British in 1802 to the abolition of slavery in 1848. Focusing on the relationship between the island's widely diverse society and the various waves of French and British colonial administrations, Rebecca Hartkopf Schloss provides a compelling account of Martinique's social, political, and cultural dynamics during the final years of slavery in the French empire. Schloss explores how various groups--Creole and metropolitan elites, "petits blancs," "gens de couleur," and enslaved Africans--interacted with one another in a constantly shifting political environment and traces how these interactions influenced the colony's debates around identity, citizenship, and the boundaries of the French nation.Based on extensive archival research in Europe and the Americas, "Sweet Liberty" is a groundbreaking study of a neglected region that traces how race, slavery, class, and gender shaped what it meant to be French on both sides of the Atlantic.