Before Dred Scott draws on the freedom suits filed in the St Louis Circuit Court to construct a groundbreaking history of slavery and legal culture within the American Confluence, a vast region where the Ohio, Mississippi, and Missouri Rivers converge. Formally divided between slave and free territories and states, the American Confluence was nevertheless a site where the borders between slavery and freedom, like the borders within the region itself, were fluid. Such ambiguity produced a radical indeterminacy of status, which, in turn, gave rise to a distinctive legal culture made manifest by the prosecution of hundreds of freedom suits, including the case that ultimately culminated in the landmark United States Supreme Court decision in Dred Scott vs Sandford. Challenging dominant trends in legal history, Before Dred Scott argues that this distinctive legal culture, above all, was defined by ordinary people's remarkable understanding of and appreciation for formal law.

The character Uncle Tom, fr om Harriet Beecher Stowe's bestselling novel, "Uncle Tom's Cabin," is based on the life of Josiah Henson (1789-1882). Born in Maryland, Henson escaped and fled to Dresden, Ontario, Canada in 1830. In 1841, a group of abolitionists, including Henson, created a community/school for runaway slaves called the British-American Institute for Fugitive Slaves. On the 200 acre parcel, Henson and his friends built a grist mill and a saw mill. After emancipation, many of the former slaves returned to the United States, though Henson remained in Canada until his death in 1882.

When it was first published fifteen years ago, this startling--and bestselling--first-person history of slavery was heralded as "powerful and intense" ("Atlanta Journal Constitution") and "invaluable" ("Chicago Tribune"). Drawing from the thousands of interviews conducted with ex-slaves in the 1930s by researchers working with the Federal Writers' Project, this astonishing collection makes available the only known recordings of people who lived through the enormity of slavery. The groundbreaking interviews with former slaves collected in the original book-and-audio set of "Remembering Slavery" are now available for a new generation of readers and listeners in both affordable paperback and enhanced audio e-book.

Today, a century and a half after the abolition of slavery across most of the Americas, the idea of monetary reparations for former slaves and their descendants continues to be a controversial one. Lost among these debates, however, is the fact that such payments were widespread in the nineteenth century-except the "victims" were not slaves, but the slaveholders deprived of their labor. This landmark comparative study analyzes the debates over compensation within France and Great Britain. It lays out in unprecedented detail the philosophical, legal-political, and economic factors at play, establishing a powerful new model for understanding the aftermath of slavery in the Americas.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recast and revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life. The first book in this profound trilogy, The Ordeal of Mansart, chronicles Mansart's early life during the time of Reconstruction through his involvement in black education in Atlanta. Written with lyrical, vivid prose and with accurate historical context, The Ordeal of Mansart offers readers a peek into African American life and struggle through the lens of Mansart's humble life. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.

Royalist Indians and slaves in the northern Andes engaged with the ideas of the Age of Revolution (1780-1825), such as citizenship and freedom. Although generally ignored in recent revolution-centered versions of the Latin American independence processes, their story is an essential part of the history of the period. In Indian and Slave Royalists in the Age of Revolution, Marcela Echeverri draws a picture of the royalist region of Popayan (modern-day Colombia) that reveals deep chronological layers and multiple social and spatial textures. She uses royalism as a lens to rethink the temporal, spatial, and conceptual boundaries that conventionally structure historical narratives about the Age of Revolution. Looking at royalism and liberal reform in the northern Andes, she suggests that profound changes took place within the royalist territories. These emerged as a result of the negotiation of the rights of local people, Indians and slaves, with the changing monarchical regime.

An Akan proverb says, "It is not wrong to go back for that which you have forgotten." This belief underlies historian Amy Tanner Thiriot's work in Slavery in Zion. The total number of those enslaved during Utah's past has remained an open question for many years. Due to the nature of nineteenth-century records, particularly those about enslaved peoples, an exact number will never be known, but while writing this book, Thiriot documented around one hundred enslaved or indentured Black men, women, and children in Utah Territory. Using a combination of genealogical and historical research, the book brings to light events and relationships misunderstood for well over a century. Section One provides an introductory history, chapters on southern and western experiences, and information on life after emancipation. Section Two is a biographical encyclopedia with names, relationships, and experiences. Although this book contains material applicable to legal history and the history of race and Mormonism, its most important goal is to be a treasury of the experiences of Utah's enslaved Black people so their stories can become an integral part of the history of Utah and the American West, no longer forgotten or written out of history.

The Cambridge Companion to Slavery in American Literature brings together leading scholars to examine the significance of slavery in American literature from the eighteenth century to the present day. In addition to stressing how central slavery has been to the study of American culture, this Companion provides students with a broad introduction to an impressive range of authors including Olaudah Equiano, Frederick Douglass, Harriet Beecher Stowe and Toni Morrison. Accessible to students and academics alike, this Companion surveys the critical landscape of a major field and lays the foundations for future studies.

This edited volume aims at exploring a most relevant but somewhat neglected subject in archaeological studies, especially within Latin America: maroons and runaway settlements. Scholarship on runaways is well established and prolific in ethnology, anthropology and history, but it is still in its infancy in archaeology. A small body of archaeological literature on maroons exists for other regions, but no single volume discusses the subject in depth, including diverse eras and geographical areas within Latin American contexts. Thus, a central aim of the volume is to gather together some of the most active, Latin American maroon archaeologists in a single volume. This volume will thus become an important reference book on the subject and will also foster further archaeology research on maroon settlements. The introduction and comments by senior scholars provide a wide-ranging and comprehensive analysis of runaway archaeology that will help to indicate the global importance of this research.

The traditional image of slavery begins with a master and a slave. However, not all slaves had traditional masters; some were owned instead by institutions, such as church congregations, schools, colleges, and businesses. This practice was pervasive in early Virginia; its educational, religious, and philanthropic institutions were literally built on the backs of slaves. Virginia's first industrial economy was also developed with the skilled labor of African American slaves. This book focuses on institutional slavery in Virginia as it was practiced by the Anglican and Presbyterian churches, free schools, and four universities: the College of William and Mary, Hampden-Sydney College, the University of Virginia, and Hollins College. It also examines the use of slave labor by businesses and the Commonwealth of Virginia in industrial endeavors. This is not only an account of how institutions used slavery to further their missions, but also of the slaves who belonged to institutions.

On the cusp of the American Civil War, a new generation of reformers, including Theodore Parker, Frederick Douglass, Harriet Beecher Stowe, Martin Robison Delany and Thomas Wentworth Higginson, took the lead in the antislavery struggle. Frustrated by political defeats, a more aggressive Slave Power, and the inability of early abolitionists like William Lloyd Garrison to rid the nation of slavery, the New Romantics crafted fresh, often more combative, approaches to the peculiar institution. Contrary to what many scholars have argued, however, they did not reject Romantic reform in the process. Instead, the New Romantics roamed widely through Romantic modes of thought, embracing not only the immediatism and perfectionism pioneered by Garrisonians but also new motifs and doctrines, including sentimentalism, self-culture, martial heroism, Romantic racialism, and Manifest Destiny. This book tells the story of how antebellum America's most important intellectual current, Romanticism, shaped the coming and course of the nation's bloodiest - and most revolutionary - conflict.

The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching southern literature. It assumes ideas of the South-global, multicultural, plural: more Souths than South-that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of southern literary studies, it challenges earlier views of antebellum southern literature, as well as, in its discussions of twentieth century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.

Transatlantic Abolitionism in the Age of Revolution offers a fresh exploration of anti-slavery debates in the late eighteenth and early nineteenth centuries. It challenges traditional perceptions of early anti-slavery activity as an entirely parochial British, European or American affair, and instead reframes the abolition movement as a broad international network of activists across a range of metropolitan centres and remote outposts. Interdisciplinary in approach, this book explores the dynamics of transatlantic abolitionism, along with its structure, mechanisms and business methods, and in doing so, highlights the delicate balance that existed between national and international interests in an age of massive political upheaval throughout the Atlantic world. By setting slave trade debates within a wider international context, Professor Oldfield reveals how popular abolitionism emerged as a political force in the 1780s, and how it adapted itself to the tumultuous events of the late eighteenth and early nineteenth centuries.

On January 1, 1863, Abraham Lincoln announced the Emancipation Proclamation, an event that soon became a bold statement of presidential power, a dramatic shift in the rationale for fighting the Civil War, and a promise of future freedom for four million enslaved Americans. But the document marked only a beginning; freedom's future was anything but certain. Thereafter, the significance of both the Proclamation and of emancipation assumed new and diverse meanings, as African Americans explored freedom and the nation attempted to rebuild itself. Despite the sweeping power of Lincoln's Proclamation, struggle, rather than freedom, defined emancipation's broader legacy. The nine essays in this volume unpack the long history and varied meanings of the emancipation of American slaves. Together, the contributions argue that 1863 did not mark an end point or a mission accomplished in black freedom; rather, it initiated the beginning of an ongoing, contested process.

Slavery is a recurring subject in works by the contemporary black writers in Britain Caryl Phillips, David Dabydeen and Fred D'Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. Now available in paperback, this book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK's largely forgotten slave past. In this highly original study of contemporary postcolonial literature, Ward explores a range of novels, poetry and non-fictional works in order to investigate their creative responses to the slave past. This is the first study to focus exclusively on British literary representations of slavery, and thoughtfully engages with such notions as the ethics of exploring slavery, the memory and trauma of this past, and the problems of taking a purely historical approach to Britain's involvement in slavery or Indian indenture. Although all three authors are concerned with the problem of how to commence representing slavery, their approaches to this problem vary immensely, and this book investigates these differences. -- .

Examining the process of abolition on the island of Pemba off the East African coast in the late nineteenth and early twentieth centuries, this book demonstrates the links between emancipation and the redefinition of honour among all classes of people on the island. By examining the social vulnerability of ex-slaves and the former slave-owning elite caused by the abolition order of 1897, this study argues that moments of resistance on Pemba reflected an effort to mitigate vulnerability rather than resist the hegemonic power of elites or the colonial state. As the meaning of the Swahili word heshima shifted from honour to respectability, individuals' reputations came under scrutiny and the Islamic kadhi and colonial courts became an integral location for interrogating reputations in the community. This study illustrates the ways in which former slaves used piety, reputation, gossip, education, kinship and witchcraft to negotiate the gap between emancipation and local notions of belonging.

Detailing the Anti-Slave Trade Act, which became a law in 1807 and made the capture and transport of slaves by British subjects illegal, this study examines the story of the slave trade in the British Empire and investigates the movement to bring it to an end. Subjects covered include the history of slavery, the brutality of the slave trade, resistance by slaves, importance of slave trade to the British economy, the roots of the anti-slave trade society, the strategies of the movement, the push for abolition, and the legacies of the slave trade.

How media shapes our actions and feelings about race Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas about how our feelings about race are governed and normalized by our media landscape. Allison Page examines U.S. media from the 1960s to today, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism. From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media not only as a system of representation but also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. Media and the Affective Life of Slavery delivers compelling, provocative material and includes a wealth of archival research into such realms as news, entertainment, television, curricula, video games, and digital apps, providing new and innovative scholarship where none currently exists.

Some of the most popular stories in nineteenth-century America were sensational tales of whites captured and enslaved in North Africa. "White Slaves, African Masters" for the first time gathers together a selection of these Barbary captivity narratives, which significantly influenced early American attitudes toward race, slavery, and nationalism.
Though Barbary privateers began to seize North American colonists as early as 1625, Barbary captivity narratives did not begin to flourish until after the American Revolution. During these years, stories of Barbary captivity forced the U.S. government to pay humiliating tributes to African rulers, stimulated the drive to create the U.S. Navy, and brought on America's first post-revolutionary war. These tales also were used both to justify and to vilify slavery.
The accounts collected here range from the 1798 tale of John Foss, who was ransomed by Thomas Jefferson's administration for tribute totaling a sixth of the annual federal budget, to the story of Ion Perdicaris, whose (probably staged) abduction in Tangier in 1904 prompted Theodore Roosevelt to send warships to Morocco and inspired the 1975 film "The Wind and the Lion." Also included is the unusual story of Robert Adams, a light-skinned African American who was abducted by Arabs and used by them to hunt negro slaves; captured by black villagers who presumed he was white; then was sold back to a group of Arabs, from whom he was ransomed by a British diplomat.
Long out of print and never before anthologized, these fascinating tales open an entirely new chapter of early American literary history, and shed new light on the more familiar genres of Indian captivity narrative and American slave narrative.
"Baepler has done American literary and cultural historians a service by collecting these long-out-of-print Barbary captivity narratives . . . . Baepler's excellent introduction and full bibliography of primary and secondary sources greatly enhance our knowledge of this fascinating genre."--"Library Journal"

A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.

The Material Life of Roman Slaves is a major contribution to scholarly debates on the archaeology of Roman slavery. Rather than regarding slaves as irretrievable in archaeological remains, the book takes the archaeological record as a key form of evidence for reconstructing slaves' lives and experiences. Interweaving literature, law, and material evidence, the book searches for ways to see slaves in the various contexts - to make them visible where evidence tells us they were in fact present. Part of this project involves understanding how slaves seem irretrievable in the archaeological record and how they are often actively, if unwittingly, left out of guidebooks and scholarly literature. Individual chapters explore the dichotomy between visibility and invisibility and between appearance and disappearance in four physical and social locations - urban houses, city streets and neighborhoods, workshops, and villas.

Jamaica Ladies is the first systematic study of the free and freed women of European, Euro-African, and African descent who perpetuated chattel slavery and reaped its profits in the British Empire. Their actions helped transform Jamaica into the wealthiest slaveholding colony in the Anglo-Atlantic world. Starting in the 1670s, a surprisingly large and diverse group of women helped secure English control of Jamaica and, crucially, aided its developing and expanding slave labor regime by acquiring enslaved men, women, and children to protect their own tenuous claims to status and independence. Female colonists employed slaveholding as a means of advancing themselves socially and financially on the island. By owning others, they wielded forms of legal, social, economic, and cultural authority not available to them in Britain. In addition, slaveholding allowed free women of African descent, who were not far removed from slavery themselves, to cultivate, perform, and cement their free status. Alongside their male counterparts, women bought, sold, stole, and punished the people they claimed as property and vociferously defended their rights to do so. As slavery's beneficiaries, these women worked to stabilize and propel this brutal labor regime from its inception.