In De instauranda Aethiopum salute (1627)--the earliest known book-length study of African slavery in the colonial Americas--Jesuit priest Alonso de Sandoval described dozens of African ethnicities, their languages, and their beliefs, and provided an exposA (c) of the abuse of slaves in the Americas. This collection of previously untranslated selections from Sandoval's book is an invaluable resource for understanding the history of the African diaspora, slavery in colonial Latin America, and the role of Christianity in the formation of the Spanish Empire; it also provides insights into early modern European concepts of race. A general Introduction and headnotes to each selection provide cultural, historical, and religious context; copious footnotes identify terms and references that may be unfamiliar to modern readers. A map and an index are also provided.

The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants-Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertoes (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luis Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.

This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, "Saltwater Slavery" details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how the trade in human bodies came to define the life of the Gold Coast. Smallwood takes us into the ports and stone fortresses where African captives were held and prepared, and then through the Middle Passage itself. In extraordinary detail, we witness these men and women cramped in the holds of ships, gasping for air, and trying to make sense of an unfamiliar sea and an unimaginable destination. Arriving in America, we see how these new migrants enter the market for laboring bodies, and struggle to reconstruct their social identities in the New World.Throughout, Smallwood examines how the people at the center of her story-merchant capitalists, sailors, and slaves-made sense of the bloody process in which they were joined. The result is both a remarkable transatlantic view of the culture of enslavement, and a painful, intimate vision of the bloody, daily business of the slave trade.

This book argues that conflicts over slavery and abolition in the early American Republic generated a mode of constitutional interpretation that remains powerful today: the belief that the historical spirit of founding holds authority over the current moment. Simon J. Gilhooley traces how debates around the existence of slavery in the District of Columbia gave rise to the articulation of this constitutional interpretation, which constrained the radical potential of the constitutional text. To reconstruct the origins of this interpretation, Gilhooley draws on rich sources that include historical newspapers, pamphlets, and congressional debates. Examining free black activism in the North, Abolitionism in the 1830s, and the evolution of pro-slavery thought, this book shows how in navigating the existence of slavery in the District and the fundamental constitutional issue of the enslaved's personhood, Antebellum opponents of abolition came to promote an enduring but constraining constitutional imaginary.

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.

Seamlessly entwining archival research and sociological debates, The Last Abolition is a lively and engaging historical narrative that uncovers the broad history of Brazilian anti-slavery activists and the trajectory of their work, from earnest beginnings to eventual abolition. In detailing their principles, alliances and conflicts, Angela Alonso offers a new interpretation of the Brazilian anti-slavery network which, combined, forged a national movement to challenge the entrenched pro-slavery status quo. While placing Brazil within the abolitionist political mobilization of the nineteenth century, the book explores the relationships between Brazilian and foreign abolitionists, demonstrating how ideas and strategies transcended borders. Available for the first time in an English language edition, with a new introduction, this award-winning volume is a major contribution to the scholarship on abolition and abolitionists.

Informed by the global history of slavery, Kostas Vlassopoulos avoids traditional approaches to slavery as a static institution and instead explores the diverse strategies and various contexts in which it was employed. In doing so he offers a new historicist approach to the study of slave identity and the various networks and communities that slaves created or participated in. Instead of seeing slaves merely as passive objects of exploitation and domination, his focus is on slave agency and the various ways in which they played an active role in the history of ancient societies. Vlassopoulos examines slavery not only as an economic and social phenomenon, but also in its political, religious and cultural ramifications. A comparative framework emerges as he examines Greek and Roman slaveries alongside other slaving systems in the Near East, the Mediterranean and the Black Sea.

In this fascinating book, Damian Alan Pargas introduces a new conceptualization of 'spaces of freedom' for fugitive slaves in North America between 1800 and 1860, and answers the questions: How and why did enslaved people flee to - and navigate - different destinations throughout the continent, and to what extent did they succeed in evading recapture and re-enslavement? Taking a continental approach, this study highlights the diversity of slave fight by conceptually dividing the continent into three distinct - and continuously evolving - spaces of freedom. Namely, spaces of informal freedom in the US South, where enslaved people attempted to flee by passing as free blacks; spaces of semi-formal freedom in the US North, where slavery was abolished but the precise status of fugitive slaves was contested; and spaces of formal freedom in Canada and Mexico, where slavery was abolished and runaways were considered legally free and safe from re-enslavement.

"When Lincoln took office, in March 1861, the national government had no power to touch slavery in the states where it existed. Lincoln understood this, and said as much in his first inaugural address, noting: 'I have no purpose, directly or indirectly, to interfere with the institution of slavery in the States where it exists.'" How, then, asks Paul Finkelman in the introduction to Lincoln, Congress, and Emancipation, did Lincoln-who personally hated slavery-lead the nation through the Civil War to January 1865, when Congress passed the constitutional amendment that ended slavery outright? The essays in this book examine the route Lincoln took to achieve emancipation, and how it is remembered both in the United States and abroad. The ten contributors-all on the cutting edge of contemporary scholarship on Lincoln and the Civil War-push our understanding of this watershed moment in US history in new directions. They present wide-ranging contributions to Lincoln studies, including a parsing of the sixteenth president's career in Congress in the 1840s and a brilliant critique of the historical choices made by Stephen Spielberg and writer Tony Kushner in the movie Lincoln, about the passage of the thirteenth amendment. As a whole, these classroom-ready readings provide fresh and essential perspectives on Lincoln's deft navigation of constitutional and political circumstances to move emancipation forward.

Celebrities live their lives in constant dialogue with stories about them. But when these stories are shaped by durable racist myths, they wield undue power to ruin lives and obliterate communities. Black Legend is the haunting story of an Afro-Argentine, Raul Grigera ('el negro Raul'), who in the early 1900s audaciously fashioned himself into an alluring Black icon of Buenos Aires' bohemian nightlife, only to have defamatory storytellers unmake him. In this gripping history, Paulina Alberto exposes the destructive power of racial storytelling and narrates a new history of Black Argentina and Argentine Blackness across two centuries. With the extraordinary Raul Grigera at its center, Black Legend opens new windows into lived experiences of Blackness in a 'white' nation, and illuminates how Raul's experience of celebrity was not far removed from more ordinary experiences of racial stories in the flesh.

A ground-breaking edited collection charting the rise and fall of forms of unfree labour in the ancient Mediterranean and in the modern Atlantic, employing the methodology of comparative history. The eleven chapters in the book deal with conceptual issues and different approaches to historical comparison, and include specific case-studies ranging from the ancient forms of slavery of classical Greece and of the Roman empire to the modern examples of slavery that characterised the Caribbean, Latin America and the United States. The results demonstrate both how much the modern world has inherited from the ancient in regard to ideology and practice of slavery; and also how many of the issues and problems related to the latter seem to have been fundamentally similar across time and space.

Over the last two decades, fighting modern slavery and human trafficking has become a cause celebre. Yet large numbers of researchers, non-governmental organizations, trade unions, workers, and others who would seem like natural allies in the fight against modern slavery and trafficking are hugely skeptical of these movements. They object to how the problems are framed, and are skeptical of the "new abolitionist" movement. Why? This book tackles key controversies surrounding the anti-slavery and anti-trafficking movements head on. Champions and skeptics explore the fissures and fault lines that surround efforts to fight modern slavery and human trafficking today. These include: whether efforts to fight modern slavery displace or crowd out support for labor and migrant rights; whether and to what extent efforts to fight modern slavery mask, naturalize, and distract from racial, gendered, and economic inequality; and whether contemporary anti-slavery and anti-trafficking crusaders' use of history are accurate and appropriate.

How is the slave trade remembered in West Africa? In a work that challenges recurring claims that Africans felt (and still feel) no sense of moral responsibility concerning the sale of slaves, Rosalind Shaw traces memories of the slave trade in Temne-speaking communities in Sierra Leone. While the slave-trading past is rarely remembered in explicit verbal accounts, it is often made vividly present in such forms as rogue spirits, ritual specialists' visions, and the imagery of divination techniques.
Drawing on extensive fieldwork and archival research, Shaw argues that memories of the slave trade have shaped (and been reshaped by) experiences of colonialism, postcolonialism, and the country's ten-year rebel war. Thus money and commodities, for instance, are often linked to an invisible city of witches whose affluence was built on the theft of human lives. These ritual and visionary memories make hitherto invisible realities manifest, forming a prism through which past and present mutually configure each other.

On March 13, 1711, an article appeared in "The Spectator" about Thomas Inkle, a young and aspiring English trader cast ashore in the Americas, who is saved from violent death by Yarico, a beautiful Indian maiden. When he and Yarico become lovers, Inkle promises to clothe her in silks and transport her in carriages when he returns with her to England. Some months later, they are picked up after Yarico succeeds in signaling a passing English ship. But upon reaching Barbados, Inkle immediately sells Yarico into slavery--raising the price he demands when he learns that Yarico is pregnant with his child.

Based on a real life account in Richard Ligon's "History of Barbados" published half a century earlier, the "Spectator" story caused a sensation as debate intensified over slavery in the British colonies--and it would be told and retold for decades as perhaps the most compelling "folk epic" of its age. In "English Trader, Indian Maid," Frank Felsenstein has assembled the main English versions of this once-famous story, including a newly rediscovered poetical epistle by Charles James Fox, one of the leading parliamentary promoters of the cause of abolition. As well as George Colman the Younger's still vibrant comic opera--considered by some the earliest English social problem play--the book contains tantalizing retellings from the Caribbean and from America, where the story has close affinities with the tale of Pocahontas.

Also present are notable works by English women writers, such as Frances Seymour and Anna Maria Porter, and freshly attributed English renditions by Stephen Duck, the Wiltshire "thresher poet," and by "Peter Pindar" (John Wolcot). Felsenstein also suggests an intriguing link with William Wordsworth, who may have had the story in mind while composing his "Lyrical Ballads." This edition restores the story of Inkle and Yarico to its rightful place as a focal narrative in cultural and historical debate of issues of gender, race, and colonialism.

"In Inkle and Yarico we have that rare entity, a perfect example of an intertextual discourse that reflects so much of the diversity and contradictions of the age that fostered it... Its diverse handling of issues of gender and race makes it a lively and highly topical discussion piece in the classroom. Equally, given the regrettable (and actually surprising) shortfall of prominent eighteenth-century literary texts that treat of the subject of slavery, Inkle and Yarico fills a highly significant gap."--from the Introduction p.43]

In this fascinating book, Damian Alan Pargas introduces a new conceptualization of 'spaces of freedom' for fugitive slaves in North America between 1800 and 1860, and answers the questions: How and why did enslaved people flee to - and navigate - different destinations throughout the continent, and to what extent did they succeed in evading recapture and re-enslavement? Taking a continental approach, this study highlights the diversity of slave fight by conceptually dividing the continent into three distinct - and continuously evolving - spaces of freedom. Namely, spaces of informal freedom in the US South, where enslaved people attempted to flee by passing as free blacks; spaces of semi-formal freedom in the US North, where slavery was abolished but the precise status of fugitive slaves was contested; and spaces of formal freedom in Canada and Mexico, where slavery was abolished and runaways were considered legally free and safe from re-enslavement.

Shortlisted for the Wolfson History Prize, Cundill History Prize, Fage and Oliver Prize, the Los Angeles Times Book Prize and the Pius Adesanmi Memorial Award Winner of the Historical Writers' Association Non-Fiction Crown 2020 Winner of the American Historical Association's Jerry Bentley Prize in World History 2020 Winner of the Nayef Al-Rodhan Prize for Global Cultural Understanding 2019 An Observer and Wall Street Journal Book of the Year 2019 A groundbreaking history that will transform our view of West Africa By the time of the 'Scramble for Africa' in the late nineteenth century, Africa had already been globally connected for many centuries. Its gold had fuelled the economies of Europe and Islamic world since around 1000, and its sophisticated kingdoms had traded with Europeans along the coasts from Senegal down to Angola since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies - most importantly shells: the cowrie shells imported from the Maldives, and the nzimbu shells imported from Brazil. Toby Green's groundbreaking new book transforms our view of West and West-Central Africa. It reconstructs the world of kingdoms whose existence (like those of Europe) revolved around warfare, taxation, trade, diplomacy, complex religious beliefs, royal display and extravagance, and the production of art. Over time, the relationship between Africa and Europe revolved ever more around the trade in slaves, damaging Africa's relative political and economic power as the terms of monetary exchange shifted drastically in Europe's favour. In spite of these growing capital imbalances, longstanding contacts ensured remarkable connections between the Age of Revolution in Europe and America and the birth of a revolutionary nineteenth century in Africa. A Fistful of Shells draws not just on written histories, but on archival research in nine countries, on art, praise-singers, oral history, archaeology, letters, and the author's personal experience to create a new perspective on the history of one of the world's most important regions. 'Astonishing, staggering' Ben Okri, Daily Telegraph

Ever since W.E.B. du Bois conceptualized slaves' self-emancipation during the U.S. Civil War as a "general strike," the language of labor history has informed scholarly understandings of slavery. While the analogy of the plantation to the factory has its obvious limitations, historians have understood slaves and slaveholders as engaged in recognizable struggles over the speed of work, the ownership of time and expertise, and the informal rights and privileges that governed the labor process. However, an older materialist history rooted in marxist categories has not always succeeded in capturing the dynamics of racial dominance and human commodification at the heart of the American slave system. A "new history of capitalism" has offered one remedy, namely to embed slavery firmly within a capitalist mode of production whose investment in "free" labor was always more rhetorical than real. A different response may now be emerging through what scholars call "the new materialism"-an approach organized around human/non-human entanglements and drawing on recent theoretical work on things, networks, and assemblages. This talk considers the implications of this "new materialism" for the history of slavery, and by extension, for the field of labor history more generally.

This study examines a network of writers that coalesced around the publication of The History of Mary Prince (1831), which recounts Prince's experiences as an enslaved person in the West Indies and the events that brought her to seek assistance from the Anti-Slavery Society in London. It focuses on the three writers who produced the text - Mary Prince, Thomas Pringle, and Susanna Moodie - with glances at their pro-slavery opponent, James MacQueen, and their literary friends and relatives. The History connects the Black Atlantic, a diasporic formation created through the colonial trade in enslaved people, with the Anglophone Atlantic, created through British migration and colonial settlement. It also challenges Romantic ideals of authorship as an autonomous creative act and the literary text as an aesthetically unified entity. Collaborating with Prince on the History's publication impacted Moodie's and Pringle's attitudes towards slavery and shaped their own accounts of migration and settlement.

An important book of epic scope on America's first racially integrated, religiously inspired movement for change

The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies as romantic a place in the nation's imagination as the Lewis and Clark expedition. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce clash of values that was nothing less than a war for the country's soul. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only challenged prevailing mores but also subverted federal law.

Bound for Canaan tells the stories of men and women like David Ruggles, who invented the black underground in New York City; bold Quakers like Isaac Hopper and Levi Coffin, who risked their lives to build the Underground Railroad; and the inimitable Harriet Tubman. Interweaving thrilling personal stories with the politics of slavery and abolition, Bound for Canaan shows how the Underground Railroad gave birth to this country's first racially integrated, religiously inspired movement for social change.

Winner of the Frederick Jackson Turner Award Winner of the John Hope Franklin Prize Winner of the Avery O. Craven Award Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved. Using recently discovered court records, slaveholders' letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market's slave coffles and showrooms. Traders packaged their slaves by "feeding them up," dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage. Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the "peculiar institution" in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.

Scots were involved in every stage of the slave trade: from captaining slaving ships to auctioning captured Africans in the colonies and hunting down those who escaped from bondage. This book focuses on the Scottish Highlanders who engaged in or benefitted from these crimes against humanity in the Caribbean Islands and Guyana, some reluctantly but many with enthusiasm and without remorse. Their voices are clearly heard in the archives, while in the same sources their victims' stories are silenced reduced to numbers and listed as property. David Alston gives voice not only to these Scots but to enslaved Africans and their descendants to those who reclaimed their freedom, to free women of colour, to the Black Caribs of St Vincent, to house servants, and to children of mixed race who found themselves in the increasingly racist society of Britain in the mid-1800s.As Scots recover and grapple with their past, this vital history lays bare the enormous wealth generated in the Highlands by slavery and emancipation compensation schemes. This legacy, entwined with so many of our contemporary institutions, must be reckoned with. David Alston was one of the first Scottish historians to address the issue of Scotland's involvement with slavery. As a freelance historian and author, he has dedicated the past 20 years to researching the role of northern Scots in the slave-worked plantations of the Caribbean, especially Guyana.

From the Darkness Cometh the Light (1891) is a memoir by Lucy A. Delaney. Published in St. Louis in the last year of Delaney's life, the work is regarded as an essential slave narrative and the only firsthand account of a freedom suit, by which some enslaved African Americans were able to achieve their freedom prior to emancipation. Twentieth century scholars of feminism and African American literature in particular have upheld her work and continue to celebrate her influence on the historical and cultural development of the nation. "On a dismal night in the month of September, Polly, with four other colored persons, were kidnapped, and, after being securely bound and gagged, were put into a skiff and carried across the Mississippi River to the city of St. Louis. Shortly after, these unfortunate negroes were taken up the Missouri River and sold into slavery." Tracing her mother's life back to this tragic event, Lucy A. Delaney tells a story of enslavement, hardship, and perseverance, the story of her family's struggle for freedom. As a young woman, Polly brought two lawsuits to court in St. Louis in the hopes of freeing herself and her daughter from slavery. Following their historic victory, mother and daughter remained together as Lucy attempted to start a family of her own. Despite losing her first husband and several children from her second marriage, Lucy remained dedicated to serving God and her community as a leader in her church and president of several organizations for the empowerment of African American women. With a beautifully designed cover and professionally typeset manuscript, this edition of Lucy Delaney's From the Darkness Cometh the Light is a classic of African American literature reimagined for modern readers.

Prophet against Slavery is an action-packed chronicle of a remarkable and radical individual. It is based on the award-winning biography by Marcus Rediker, which prompted the Quaker community that once disowned Lay to embrace him again after 280 years. Graphic novelist David Lester brings the full scope of Lay's activism and ideas to life. Born in 1682 to a humble Quaker family in Essex, England, Lay was a forceful and prescient visionary. Understanding the fundamental evil that slavery represented, he employed guerrilla theatre tactics and direct action to shame slave owners and traders. The prejudice Lay suffered as a dwarf and a hunchback, as well as his devout faith, informed his passion for human and animal liberation. Exhibiting stamina, fortitude, and integrity in the face of the cruelties practiced against his 'fellow creatures', he was frequently a solitary voice speaking truth to power. Lester's beautiful imagery and storytelling, accompanied by afterwords from Rediker and Paul Buhle, capture the radicalism, the humour, and the humanity of this uncannily modern figure. A testament to the impact each of us can make, Prophet against Slavery brings Lay'' prophetic vision to a new generation of young activists who today echo his call of 300 years ago: 'No justice, no peace!'

Born into but escaped from slavery, Frederick Douglass-orator, journalist, autobiographer; revolutionary on behalf of a just America-was a towering figure, at once consummately charismatic and flawed. His Narrative of the Life of Frederick Douglass (1845) galvanised the antislavery movement and is one of the truly seminal works of African-American literature. In this Lincoln Prize- winning biography, William S. McFeely captures the many sides of Douglass- his boyhood on the Chesapeake; his self-education; his rebellion and rising expectations; his marriage, affairs, and intense friendships; his bitter defeat and transcendent courage-and re-creates the high drama of a turbulent era.

Freedom's Captives is a compelling exploration of the gradual abolition of slavery in the majority-black Pacific coast of Colombia, the largest area in the Americas inhabited primarily by people of African descent. From the autonomous rainforests and gold mines of the Colombian Black Pacific, Yesenia Barragan rethinks the nineteenth-century project of emancipation by arguing that the liberal freedom generated through gradual emancipation constituted a modern mode of racial governance that birthed new forms of social domination, while temporarily instituting de facto slavery. Although gradual emancipation was ostensibly designed to destroy slavery, she argues that slaveholders in Colombia came to have an even greater stake in it. Using narrative and storytelling to map the worlds of Free Womb children, enslaved women miners, free black boatmen, and white abolitionists in the Andean highlands, Freedom's Captives insightfully reveals how the Atlantic World processes of gradual emancipation and post-slavery rule unfolded in Colombia.