While the plantation accounts for 90% of slave ownership and experience in the Americas, its centrality to the common conceptions of slavery has arguably led to an oversimplified understanding of its multifarious forms and complex dynamics in the region. The Many Faces of Slavery explores non-traditional forms of slavery that existed outside the plantation system to illustrate the pluralities of slave ownership and experiences in the Americas, from the 17th to the 19th century. Through a wide range of innovative and multi-disciplined approaches, the book's chapters explore the existence of urban slavery, slave self-hiring, quasi-free or nominal slaves, domestic slave concubines, slave vendors, slave soldiers and sailors, slave preachers, slave overseers, and many other types of "societies with slaves." Moreover, it documents unconventional forms of slave ownership like slave-holding by poor whites, women, free blacks, Native Americans, Jewish Americans, corporations and the state. The Many Faces of Slavery broadens our traditional conception of slavery by complicating our understanding of slave experience and ownership in slavery-practising societies throughout Atlantic history.

Entangled Otherness explores the dynamics of cross-dressing and gender performance in contemporary francophone Caribbean cultures through a range of visual and textual media. Original in its comparative focus on the islands of Haiti, Martinique, Guadeloupe and their diasporic communities in France, this study reveals how opaque strategies of crossing, mimicry and masquerade have enabled resistance to the racialised, gendered and patriarchal classifications of bodies that characterized Enlightenment thought during the French transatlantic slave trade. It engages with archival texts of pre-revolutionary Haiti to offer a historical understanding of current constructions of Caribbean gender most influenced by French colonial legacies. The author argues that cross-dressing, as a form of 'self-fabrication', complicates inherently entangled colonial binaries of identity and resists France's paternalistic gaze. The book's multidisciplinary approach to gender analysis weaves a dialogue between cross-cultural voices garnered from textual and historical analysis, ethnographic interviews and theoretical insight to foreground the continued need to decolonize Eurocentric readings of gender identity in the francophone and creolophone islands, and the Caribbean region more generally. Works of art, film, photography, carnival, performance, and dress, including depictions of fluid identities in the binary-resistant Afro-Creole religion of Vodou, are examined using contemporary performance, gender and social theory from within the region. Entangled Otherness thus makes a unique and timely contribution to the growing body of knowledge and debate in the areas of gender, sexuality and the body in Caribbean Studies.

This book provides a series of pioneering studies, by experts in the field, on resistance to forms of bondage in Africa, Asia and the Indian Ocean world. It analyses the causes, duration and structure of resistance, from go-slows to flight, and theft to sabotage. It also examines the reaction to resistance by the propertied classes and assesses to what degree, if any, resistance was effective in alleviating the nature of bondage. The case studies, drawn from a wide spectrum of geographical areas and historical eras, underscore similarities and contrasts across the Africa-Asian regions. Summaries of these and a comparison with the much more publicized Atlantic system make this volume essential reading for scholars and students across a broad spectrum of disciplines and area studies.
This book was previously published as a special issue of the journal Slavery and Abolition.

The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

The good news about injustice is that God is against it. God is in the business of using the unlikely to bring about justice and mercy. In Good News About Injustice, Gary Haugen offers stories of courageous Christians who have stood up for justice in the face of human trafficking, forced prostitution, racial and religious persecution, and torture. Throughout he provides concrete guidance on how ordinary Christians can rise up to seek justice throughout the world. This landmark work, featuring newly updated statistics, is now part of the IVP Signature Collection, which features special editions of iconic books in celebration of the seventy-fifth anniversary of InterVarsity Press. A five-session companion Bible study is also available.

Modern slavery, in the form of labour exploitation, domestic servitude, sexual trafficking, child labour and cannabis farming, is still growing in the UK and industrialised countries, despite the introduction of laws to try to stem it. This hugely topical book, by a team of high-profile activists and expert writers, is the first to critically assess the legislation, using evidence from across the field, and to offer strategies for improvement in policy and practice. It argues that, contrary to its claims to be 'world-leading', the Modern Slavery Act is inconsistent, inadequate and punitive; and that the UK government, through its labour market and immigration policies, is actually creating the conditions for slavery to be promoted.

The first slaves imported to America did not see themselves as "African" but rather as Temne, Igbo, or Yoruban. In Becoming African in America, James Sidbury reveals how an African identity emerged in the late eighteenth-century Atlantic world, tracing the development of "African" from a degrading term connoting savage people to a word that was a source of pride and unity for the diverse victims of the Atlantic slave trade.
In this wide-ranging work, Sidbury first examines the work of black writers--such as Ignatius Sancho in England and Phillis Wheatley in America--who created a narrative of African identity that took its meaning from the diaspora, a narrative that began with enslavement and the experience of the Middle Passage, allowing people of various ethnic backgrounds to become "African" by virtue of sharing the oppression of slavery. He looks at political activists who worked within the emerging antislavery moment in England and North America in the 1780s and 1790s; he describes the rise of the African church movement in various cities--most notably, the establishment of the African Methodist Episcopal Church as an independent denomination--and the efforts of wealthy sea captain Paul Cuffe to initiate a black-controlled emigration movement that would forge ties between Sierra Leone and blacks in North America; and he examines in detail the efforts of blacks to emigrate to Africa, founding Sierra Leone and Liberia.
Elegantly written and astutely reasoned, Becoming African in America weaves together intellectual, social, cultural, religious, and political threads into an important contribution to African American history, one that fundamentally revises our picture of therich and complicated roots of African nationalist thought in the U.S. and the black Atlantic.

Americans have always defined themselves in terms of their freedoms--of speech, of religion, of political dissent. How we interpret our history of slavery--the ultimate denial of these freedoms--deeply affects how we understand the very fabric of our democracy.
This extraordinary collection of essays by some of America's top historians focuses on how African Americans resisted slavery and how they responded when finally free. Ira Berlin sets the stage by stressing the relationship between how we understand slavery and how we discuss race today. The remaining essays offer a richly textured examination of all aspects of slavery in America. John Hope Franklin and Loren Schweninger recount actual cases of runaway slaves, their motivations for escape and the strains this widespread phenomenon put on white slave-owners. Scott Hancock explores how free black Northerners created a proud African American identity out of the oral history of slavery in the south. Edward L. Ayers, William G. Thomas III, and Anne Sarah Rubin draw upon their remarkable Valley of the Shadow website to describe the wartime experiences of African Americans living on both borders of the Mason-Dixon line. Noah Andre Trudeau turns our attention to the war itself, examining the military experience of the only all-black division in the Army of the Potomac. And Eric Foner gives us a new look at how black leaders performed during the Reconstruction, revealing that they were far more successful than is commonly acknowledged--indeed, they represented, for a time, the fulfillment of the American ideal that all people could aspire to political office.
Wide-ranging, authoritative, and filled with invaluable historicalinsight, Slavery, Resistance, Freedom brings a host of powerful voices to America's evolving conversation about race.

When Barbary pirates captured an obscure Yankee sailing brig off the coast of North Africa in 1812, enslaving eleven American sailors, President James Madison sent the largest American naval force ever gathered to that time, led by the heroic Commodore Stephen Decatur, to end Barbary terror once and for all. Drawing upon numerous ship logs, journals, love letters, and government documents, Frederick C. Leiner paints a vivid picture of the world of naval officers and diplomats in the early nineteenth century, as he recreates a remarkable and little known episode from the early American republic. Leiner first describes Madison's initial efforts at diplomacy, sending Mordecai Noah to negotiate. But when the ruler refused to ransom the Americans-"not for two millions of dollars"-Madison declared war and sent a fleet to North Africa. Decatur's squadron dealt quick blows to the Barbary navy, dramatically fighting and capturing two ships. Decatur then sailed to Algiers. He refused to go ashore to negotiate-indeed, he refused to negotiate on any essential point. The ruler of Algiers signed the treaty-in Decatur's words, "dictated at the mouths of our cannon"-in twenty-four hours. The United States would never pay tribute to the Barbary world again, and the captive Americans were set free. Here then is a real-life naval adventure that will thrill fans of Patrick O'Brian, a story of Islamic terrorism, white slavery, poison gas, diplomatic intrigue, and battles with pirates on the high seas.

Aphra Behn??'s novel Oroonoko (1688) is one of the most widely studied works of seventeenth-century literature, because of its powerful representation of slavery and complex portrayal of ways in which differing races and cultures - European, Black African, and Native American - observe and misinterpret each other. This edition presents a new edition of Oroonoko, with unprecedentedly full and informative commentary, along with complete texts of three major British seventeenth-century works concerned with race and colonialism: Henry Neville??'s The Isle of Pines (1668), Behn??'s Abdelazer (1676), and Thomas Southerne??'s tragedy Oroonoko (1696). It combines these with a rich anthology of European discussions of slavery, racial difference, and colonial conquest from the mid-sixteenth century to the time of Behn??'s death. Many are taken from important works that have not hitherto been easily available, and the collection offers an unrivaled resource for studying the culture that produced Britain??'s first major fictions of slavery.

"A servant of servants shall he be unto his brethren." So reads Noah's curse on his son Ham, and all his descendants, in Genesis 9:25. Over centuries of interpretation, Ham came to be identified as the ancestor of black Africans, and Noah's curse to be seen as biblical justification for American slavery and segregation. Examining the history of the American interpretation of Noah's curse, this book begins with an overview of the prior history of the reception of this scripture and then turns to the distinctive and creative ways in which the curse was appropriated by American pro-slavery and pro-segregation interpreters.

When Rape was Legal is the first book to solely focus on the widespread rape perpetrated against enslaved black women by white men in the United States. The routine practice of sexual violence against enslaved black women by white men, the motivations for this rape, and the legal context that enabled this violence are all explored and scrutinized. Enlightening analysis found that rape was not merely a result of sexual desire and opportunity, or simply a form of punishment and racial domination, but instead encompassed all of these dimensions as part of the identity of white masculinity. This provocative text highlights the significant role that white women played in enabling sexual violence against enslaved black women through a variety of responses and, at times, through their lack of response to the actions of the white men in their lives. Significantly, this book finds that sexual violence against enslaved black women was a widespread form of oppression used to perform white masculinity and reinforce an intersectional hierarchy. Additionally, white women played a vital role by enabling this sexual violence and perpetuating the subordination of themselves and those subordinate to them.

Dutch historiography has traditionally concentrated on colonial successes in Asia. However, the Dutch were also active in West Africa, Brazil, New Netherland (the present state of New York) and in the Caribbean. In Africa they took part in the gold and ivory trade and finally also in the slave trade, something not widely known outside academic circles. P.C. Emmer, one of the most prominent experts in this field, tells the story of Dutch involvement in the trade from the beginning of the 17th century-much later than the Spaniards and the Portuguese-and goes on to show how the trade shifted from Brazil to the Caribbean. He explains how the purchase of slaves was organized in Africa, records their dramatic transport across the Atlantic, and examines how the sales machinery worked. Drawing on his prolonged study of the Dutch Atlantic slave trade, he presents his subject clearly and soberly, although never forgetting the tragedy hidden behind the numbers - the dark side of the Dutch Golden Age -, which makes this study not only informative but also very readable.

My Story: Mary Prince - the thrilling story of the former slave and abolitionist. Born in enslavement in Bermuda, Mary Prince travelled to England, escaped slavery and became a prominent abolitionist whose life story was the first of a Black woman's to be published in Britain. Explore Mary's incredible life with My Story. Perfect for any child wanting to learn more about history's untold stories Great background reading for Key Stage 2 & 3 My Story: exciting stories with reliable and accurate historical detail Experience history first-hand with My Story.

A bold new interpretation of Nat Turner and the slave rebellion that stunned the American South In 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution. Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner's notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Christopher Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron's 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots. A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.

By 1860, the value of the slave population in the United States exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. The slave was not only a commodity to be traded but also a kind of currency and the basis for a range of credit relations. But the value associated with slavery was not destroyed in the Civil War. In Black Market, Aaron Carico reveals how the slave commodity survived emancipation, arguing that the enslaved person--understood here in legal, economic, social, and embodied contexts--still operated as an indispensable form of value in national culture. Through both archival research and lucid readings of literature, art, and law, from the Fourteenth Amendment to the first western, Carico breaks open the icons of liberalism to expose the shaping influence of slavery's political economy in America after 1865. Ultimately, Carico explains how a radically incomplete--and fundamentally failed--abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life.

Thomas Wentworth Higginson is little known today, but during his own lifetime his remarkable activism put him at the very heart of the pivotal social movements reshaping America for the nineteenth century and beyond. Born in Cambridge, he was a fervent abolitionist, running guns to anti-slavery settlers and financing John Brown's raid. During the Civil War, he commanded the first black unit to fight for the Union, and their achievements (publicized in his classic "Army Life in a Black Regiment") opened the way for further black enlistment. He also championed women's rights for sixty years, lecturing and agitating for suffrage. His lifelong correspondence with Emily Dickinson led to his editing her verse for publication, which some have called his greatest literary legacy. But in fact that legacy is here, in the essays he wrote about the many causes to which he dedicated his life. With this volume Meyer has guaranteed the rediscovery of a major American figure whose ideas made him a radical in his society but a visionary in ours.

"Ford's overlap of past and present, narrative and commentary is masterful, and makes this volume all the more valuable to those readers wise enough to allow the past to inform the future. Of Blood and Sweat is a myth-busting work of genius that will stand as the last word on this vital subject for a long time to come."-Elizabeth Dowling Taylor, New York Times bestselling author of A Slave in the White House and The Original Black Elite In this, provocative, timely, and painstakingly researched book, the award-winning author of Think Black tells the story of how Black labor helped to create and sustain the wealth of the white one percent throughout American history. Clyde W. Ford uses the lives of individual Black men and women as a lens to explore the role they have played in creating American institutions of power and wealth-in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and many other fields-while not being allowed to fully participate or share in the rewards. Today, activists have taken the struggle for racial equity and justice to the streets. Of Blood and Sweat goes back through time to excavate the roots of this struggle, from pre-colonial Africa through post-Civil War America. As Ford reveals, in tracing the history of almost any major American institution of power and wealth you'll find it was created by Black Americans, or created to control them. Painstakingly researched and documented, Of Blood and Sweat is a compelling look at the past that holds broad implications for present-day calls for racial equity, racial justice, and the abolishment of systemic racism, and offers invaluable insight into our understanding of Black history and the story of America.

Germany has long entertained the notion that the transatlantic slave trade and New World slavery involved only other European players. Countering this premise, this collection re-charts various routes of German participation in, profiteering from, and resistance to transatlantic slavery and its cultural, political, and intellectual reverberations. Exploring how German financiers, missionaries, and immigrant writers made profit from, morally responded to, and fictionalized their encounters with New World slavery, the contributors demonstrate that these various German entanglements with New World slavery revise preconceived ideas that erase German involvements from the history of slavery and the Black Atlantic. Moreover, the collection brings together these German perspectives on slavery with an investigation of German colonial endeavors in Africa, thereby seeking to interrogate historical processes (or fantasies) of empire-building, colonialism, and slavery which, according to public memory, seem to have taken place in isolation from each other. The collection demonstrates that they should be regarded as part and parcel of a narrative that ingrained colonialism and slavery in the German cultural memory and identity to a much larger extent than has been illustrated and admitted so far in general discourses in contemporary Germany. This book was originally published as a special issue of Atlantic Studies.

In the aftermath of the Civil War, thousands of former slaves made their way from the South to the Kansas plains. Called 'Exodusters,' they were searching for their own promised land. Bryan Jack now tells the story of this American exodus as it played out in St. Louis, a key stop in the journey west.Many of the Exodusters landed on the St. Louis levee destitute, appearing more as refugees than as homesteaders, and city officials refused aid for fear of encouraging more migrants. To the stranded Exodusters, St. Louis became a barrier as formidable as the Red Sea, and Jack tells how the city's African American community organized relief in response to this crisis and provided the migrants with funds to continue their journey. The St. Louis African American Community and the Exodusters tells of former slaves such as George Rogers and Jacob Stevens, who fled violence and intimidation in Louisiana and Mississippi. It documents the efforts of individuals in St. Louis, such as Charlton Tandy, Moses Dickson, and Rev. John Turner, who reached out to help them. But it also shows that black aid to the Exodusters was more than charity. Jack argues that community support was a form of collective resistance to white supremacy and segregation as well as a statement for freedom and self-direction-reflecting an understanding that if the Exodusters' right to freedom of movement was limited, so would be the rights of all African Americans. He also discusses divisions within the African American community and among its leaders regarding the nature of aid and even whether it should be provided. In telling of the community's efforts-a commitment to civil rights that had started well before the Civil War-Jack provides a more complete picture of St. Louis as a city, of Missouri as a state, and of African American life in an era of dramatic change. Blending African American, southern, western, and labor history, The St. Louis African American Community and the Exodusters offers an important new lens for exploring the complex racial relationships that existed within post-Reconstruction America.

The Mind of the Master Class tells of America's greatest historical tragedy. It presents the slaveholders as men and women, a great many of whom were intelligent, honorable, and pious. It asks how people who were admirable in so many ways could have presided over a social system that proved itself an enormity and inflicted horrors on their slaves. The South had formidable proslavery intellectuals who participated fully in transatlantic debates and boldly challenged an ascendant capitalist ('free-labor') society. Blending classical and Christian traditions, they forged a moral and political philosophy designed to sustain conservative principles in history, political economy, social theory, and theology, while translating them into political action. Even those who judge their way of life most harshly have much to learn from their probing moral and political reflections on their times - and ours - beginning with the virtues and failings of their own society and culture.

When Rape was Legal is the first book to solely focus on the widespread rape perpetrated against enslaved black women by white men in the United States. The routine practice of sexual violence against enslaved black women by white men, the motivations for this rape, and the legal context that enabled this violence are all explored and scrutinized. Enlightening analysis found that rape was not merely a result of sexual desire and opportunity, or simply a form of punishment and racial domination, but instead encompassed all of these dimensions as part of the identity of white masculinity. This provocative text highlights the significant role that white women played in enabling sexual violence against enslaved black women through a variety of responses and, at times, through their lack of response to the actions of the white men in their lives. Significantly, this book finds that sexual violence against enslaved black women was a widespread form of oppression used to perform white masculinity and reinforce an intersectional hierarchy. Additionally, white women played a vital role by enabling this sexual violence and perpetuating the subordination of themselves and those subordinate to them.

Re-envisages what we know about African political economies through its examination of one of the key questions in colonial and African history, that of commercial agriculture and its relationship to slavery. This book considers commercial agriculture in Africa in relation to the trans-Atlantic slave trade and the institution of slavery within Africa itself, from the beginnings of European maritime trade in the fifteenth century to theearly stages of colonial rule in the twentieth century. From the outset, the export of agricultural produce from Africa represented a potential alternative to the slave trade: although the predominant trend was to transport enslaved Africans to the Americas to cultivate crops, there was recurrent interest in the possibility of establishing plantations in Africa to produce such crops, or to purchase them from independent African producers. Thisidea gained greater currency in the context of the movement for the abolition of the slave trade from the late eighteenth century onwards, when the promotion of commercial agriculture in Africa was seen as a means of suppressing the slave trade. At the same time, the slave trade itself stimulated commercial agriculture in Africa, to supply provisions for slave-ships in the Middle Passage. Commercial agriculture was also linked to slavery within Africa, since slaves were widely employed there in agricultural production. Although Abolitionists hoped that production of export crops in Africa would be based on free labour, in practice it often employed enslaved labour, so that slaveryin Africa persisted into the colonial period. Robin Law is Emeritus Professor of African History, University of Stirling; Suzanne Schwarz is Professor of History, University of Worcester; Silke Strickrodt is Visiting Research Fellow at the Department of African Studies and Anthropology, University of Birmingham.

The Tudor period remains a source of timeless fascination, with endless novels, TV programmes and films depicting the period in myriad ways. And yet our image of the Tudor era remains overwhelmingly white. This ground-breaking and provocative new book seeks to redress the balance: revealing not only how black presence in Tudor England was far greater than has previously been recognised, but that Tudor conceptions of race were far more complex than we have been led to believe. Onyeka Nubia's original research shows that Tudors from many walks of life regularly interacted with people of African descent, both at home and abroad, revealing a genuine pragmatism towards race and acceptance of difference. Nubia also rejects the influence of the 'Curse of Ham' myth on Tudor thinking, persuasively arguing that many of the ideas associated with modern racism are in fact relatively recent developments. England's Other Countrymen is a bravura and eloquent forgotten history of diversity and cultural exchange, and casts a new light on our own attitudes towards race.