A masterful survey based on Ottoman and European sources, this book is a major contribution to the comparative study of slavery. Erdem explores the distinguishing feature of the Ottoman institution of slavery, most interestingly from the perspective of the slaves themselves. One of the book's chief contribution lies in its treatment of the community of freed slaves in Istanbul. Organized in lodges, presided over by a matriarch who also served as spiritual head of cult whose practices, disparaged by the Muslim orthodoxy, might well be traced back to the Yoruba in West Africa. By this discovery, Erdem links one of the sub-cultures of Ottoman slavery to the broader study of African slavery.' - Dr Eugene Rogan, St Antony's College, Oxford

These are fascinating stories of the memories of ex-slaves, fourteen of which have never been published before. Although many African Americans had relocated in Oklahoma after emancipation in1865, some of the interviewees had been slaves of Cherokees, Chickasaws, Choctaws, or Creeks in the Indian territory.

Sweet Chariot is a pathbreaking analysis of slave families and household composition in the nineteenth-century South. Ann Malone presents a carefully drawn picture of the ways in which slaves were constituted into families and households within a community and shows how and why that organization changed through the years. Her book, based on massive research, is both a statistical study over time of 155 slave communities in twenty-six Louisiana parishes and a descriptive study of three plantations: Oakland, Petite Anse, and Tiger Island. Malone first provides a regional analysis of family, household, and community organization. Then, drawing on qualitative sources, she discusses patterns in slave family household organization, identifying the most significant ones as well as those that consistantly acted as indicators of change. Malone shows that slave community organization strongly reflected where each community was in its own developmental cycle, which in turn was influenced by myriad factors, ranging from impersonal economic conditions to the arbitrary decisions of individual owners. She also projects a statistical model that can be used for comparisons with other populations. The two persistent themes that Malone uncovers are the mutability and yet the constancy of Louisiana slave household organization. She shows that the slave family and its extensions, the slave household and community, were far more diverse and adaptable than previously believed. The real strength of the slave comunity was its multiplicity of forms, its tolerance for a variety of domestic units and its adaptability. She finds, for example, that the preferred family form consisted of two parents and children but that all types of families and households were accepted as functioning and contributing members of the slave community. ""Louisiana slaves had a well-defined and collective vision of the structure that would serve them best and an iron determination to attain it, "" Malone observes. ""But along with this constancy in vision and perseverance was flexibility. Slave domestic forms in Louisiana bent like willows in the wind to keep from shattering. The suppleness of their forms prevented domestic chaos and enabled most slave communities to recover from even serious crises."" | Sweet Chariot is a pathbreaking analysis of slave families and household composition in the nineteenth-century South. Ann Malone presents a carefully drawn picture of the ways in which slaves were constituted into families and households within a community and shows how and why that organization changed through the years. Her book, based on massive research, is both a statistical study over time of 155 slave communities in twenty-six Louisiana parishes and a descriptive study of three plantations: Oakland, Petite Anse, and Tiger Island.

Originally published in 1856, "The Kidnapped and the Ransomed" is the personal recollection of Peter Still, a black slave. He was stolen as a child from his home in New Jersey, yoked to servitude for more than forty years in Kentucky and Alabama, and finally freed with the help of a pair of Jewish brothers. It is the only nineteenth-century slave narrative to show the participation of the Jews in the antislavery movement before the Civil War. The reader follows Still through a succession of brutal masters, a clandestine courtship, marriage involving separation, births and deaths, the formation of a daring plan for freedom, and harrowing action. No stage drama could be as wrenching as this true rendering of a slave's experience in America. Kate E. R. Pickard was in contact with Still while she taught at the Female Seminary in Tuscumbia, Alabama. Maxwell Whiteman was the archival and historical consultant for the Union League of Philadelphia and coauthor, with Edwin Wolf II, of The History of the Jews of Philadelphia from Colonial Times to the Age of Jackson. The original introduction by Rev. Samuel J. May, an abolitionist, has been retained.

This long overdue, vivid and wide-ranging examination of the significance of the resistance of the enslaved themselves - from sabotage and running away to outright violent rebellion - shines fresh light on the end of slavery in the Atlantic World. It is high time that this resistance, in addition to abolitionism and other factors, was given its due weight in seeking to understand the overthrow of slavery. Fundamentally, as Walvin shows so clearly, it was the implacable hatred of the enslaved for slavery and their strategies of resistance that made the whole system unsustainable and, ultimately, brought about its downfall. Walvin's approach is original, too, in looking at the Atlantic world as a whole, including the French and Spanish Empires and Brazil, as well as Britain's colonies. In doing so, he casts new light on one of the major shifts in Western history: in the three-hundred years following Columbus's landfall in the Americas, slavery had become a widespread and critical institution. It had seen twelve million Africans forced onto slave ships; a forced migration that had had seismic consequences for Africa. It had transformed the Americas and materially enriched the Western world. It had also been largely unquestioned - in Europe at least, and among slave owners, traders and those who profited from the system. Yet, within a mere seventy-five years during the nineteenth century, slavery had vanished from the Americas: it had declined, collapsed and been destroyed by a complexity of forces that, to this day, remains disputed. As Walvin shows so clearly here, though, it was in large part overthrown by those it had enslaved.

In the post-Cold War era, economic globalization has resulted in the buying and selling of human beings. Poverty, social instability, lawlessness, gender biases, and ethnic hostility have entrapped millions in the world of modern day slavery, with the result that human trafficking is one of the fastest growing criminal industries in the world. Every year, men, women, and children from across the globe are transported within or across borders for the purpose of forced labor and sexual exploitation. Despite the plethora of journalistic articles written on human trafficking there is a need for more rigorous academic analysis of the phenomenon. Although groups from many different ideologies have embraced policies to end human trafficking, there are still many gaps and unanswered questions, particularly with regard to the amount of, and nature of the phenomenon. This book provides an insight into the complexity of human trafficking by addressing both how the scope of globalization impacts the sex industry and forced labor, and how vulnerability is a growing cause of human trafficking, affecting traditional diasporic and migratory patterns. This book was originally published as a special issue of the Journal of Intercultural Studies.

Much has been written about John Brown and his ill-fated raid on Harpers Ferry, but as Brown himself recognized, his power would be greater in death than in life. This is the first book length examination of Brown's legacy: what different segment of American society, with their differing aspirations, fears, and purposes, made of Brown's attempt to foment a slave rebellion and his subsequent trial and execution.

In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. Drawing on thirty years of research in maritime archives, court records, diaries, and firsthand accounts, "The Slave Ship" is riveting and sobering in its revelations, reconstructing in chilling detail a world nearly lost to history: the ?floating dungeons? at the forefront of the birth of African American culture.

Piracy and Captivity in the Mediterranean explores the early modern genre of European Barbary Coast captivity narratives from the sixteenth to the nineteenth century. During this period, the Mediterranean Sea was the setting of large-scale corsairing that resulted in the capture or enslavement of Europeans and Americans by North African pirates, as well as of North Africans by European forces, turning the Barbary Coast into the nemesis of any who went to sea. Through a variety of specifically selected narrative case studies, this book displays the blend of both authentic eye witness accounts and literary fictions that emerged against the backdrop of the tumultuous Mediterranean Sea. A wide range of other primary sources, from letters to ransom lists and newspaper articles to scientific texts, highlights the impact of piracy and captivity across key European regions, including France, Italy, Germany, the Netherlands, Portugal, Spain, Scandinavia, and Britain, as well as the United States and North Africa. Divided into four parts and offering a variety of national and cultural vantage points, Piracy and Captivity in the Mediterranean addresses both the background from which captivity narratives were born and the narratives themselves. It is essential reading for scholars and students of early modern slavery and piracy.

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

So central was labor in the lives of African-American slaves that it has often been taken for granted, with little attention given to the type of work that slaves did and the circumstances surrounding it. Cultivation and Culture brings together leading scholars of slavery - historians, anthropologists, and sociologists - to explore when, where, and how slaves labored in growing the New World's great staples and how this work shaped the institution of slavery and the lives of African-American slaves. Selected from a conference on comparative slavery at the University of Maryland that set the agenda for the next decades' research in this field, the essays focus on the inter-relationship between the demands of particular crops, the organisation of labour, the nature of the labour force and the character of agricultural technology. They reveal the full complexity of the institution of chattel bondage in the New World and suggest why and how slavery varied from place to place and time to time. What these scholars show is that although work in the slave owners' fields accounted for most of the slaves' labouring time, slaves also worked for themselves and their independent economic activities had far reaching consequences. By producing food for themselves and others, tending cash crops, raising livestock, manufacturing finished goods, marketing their own products, consuming and saving the proceeds, and bequething property to their descendents, slaves took control of a large part of their lives. In many ways their independent economic endeavours offered a foundation for their domestic and commuity life, determining the social structure of slave society and providing a material basis for their distinctive culture. In exploring both the work that slaves performed for their owners and the work they did for themselves, Cultivation and Culture sheds new light on the origins and development of African-American culture and provides a new understanding of the African-American experience in slavery.

Archetypal Grief: Slavery's Legacy of Intergenerational Child Loss is a powerful exploration of the intergenerational psychological effects of child loss as experienced by women held in slavery in the Americas and of its ongoing effects in contemporary society. It presents the concept of archetypal grief in African American women: cultural trauma so deeply wounding that it spans generations. Calling on Jungian psychology as well as neuroscience and attachment theory, Fanny Brewster explores the psychological lives of enslaved women using their own narratives and those of their descendants, and discusses the stories of mothering slaves with reference to their physical and emotional experiences. The broader context of slavery and the conditions leading to the development of archetypal grief are examined, with topics including the visibility/invisibility of the African female body, the archetype of the mother, stereotypes about black women, and the significance of rites of passage. The discussion is placed in the context of contemporary America and the economic, educational, spiritual and political legacy of slavery. Archetypal Grief will be an important work for academics and students of Jungian and post-Jungian studies, archetypal and depth psychology, archetypal studies, feminine psychology, women's studies, the history of slavery, African American history, African diaspora studies and sociology. It will also be of interest to analytical psychologists and Jungian psychotherapists in practice and in training.

Anticolonial theorists and revolutionaries have long turned to dialectical thought as a central weapon in their fight against oppressive structures and conditions. This relationship was never easy, however, as anticolonial thinkers have resisted the historical determinism, teleology, Eurocentrism, and singular emphasis that some Marxisms place on class identity at the expense of race, nation, and popular identity. In recent decades, the conflict between dialectics and postcolonial theory has only deepened. In Decolonizing Dialectics Geo Maher breaks this impasse by bringing the work of Georges Sorel, Frantz Fanon, and Enrique Dussel together with contemporary Venezuelan politics to formulate a dialectics suited to the struggle against the legacies of colonialism and slavery. This is a decolonized dialectics premised on constant struggle in which progress must be fought for and where the struggles of the wretched of the earth themselves provide the only guarantee of historical motion.

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

**Winner of the Pulitzer Prize in History** "Extraordinary...a great American biography" (The New Yorker) of the most important African-American of the nineteenth century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era. As a young man Frederick Douglass (1818-1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery. Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights. In this "cinematic and deeply engaging" (The New York Times Book Review) biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass's newspapers. "Absorbing and even moving...a brilliant book that speaks to our own time as well as Douglass's" (The Wall Street Journal), Blight's biography tells the fascinating story of Douglass's two marriages and his complex extended family. "David Blight has written the definitive biography of Frederick Douglass...a powerful portrait of one of the most important American voices of the nineteenth century" (The Boston Globe). In addition to the Pulitzer Prize, Frederick Douglass won the Bancroft, Parkman, Los Angeles Times (biography), Lincoln, Plutarch, and Christopher awards and was named one of the Best Books of 2018 by The New York Times Book Review, The Wall Street Journal, The Boston Globe, The Chicago Tribune, The San Francisco Chronicle, and Time.

This volume is an account of the development and destruction of slavery in St Thomas, St John and St Croix, the Caribbean islands which today comprise the US Virgin Islands. The book sees slavery as fundamental to the entire fabric of colonial society, and pays particular attention to the social and political life of the whites and freedmen in interaction with the slaves. The Danish West Indian colonies contained a small but significant part of the slave population of the Caribbean. Each of the islands had a distinct history during the period of slavery: St Croix was the scene of a full-blown sugar plantation economy; St Thomas served as a major entrepot, with a small plantation sector and a large role in the transatlantic slave trade; St John developed as a plantation economy, but for various reasons the slaves came to engage in relatively independent economic activity. Resistance to slavery was persistent, with important rebellions occurring in St John and St Croix. Although Denmark was the first European nation to abolish the slave trade, emancipation did not come until 1848, so that the gap between abolition and emancipation was longer than in most territories. Thus, the study of slave society in the Danish West Indies has much to tell about the nature of Caribbean history generally. Based on extensive research in the Copenhagen archives, this book makes an original contribution to the understanding of slave societies throughout the Americas.

The Wolf by the Ears is a book-length treatment of Thomas Jefferson's attitudes toward slavery. Through a close examination of Jefferson's personality and the influences of his social and political environment, John Chester Miller provides clear, well-reasoned answers to such plaguing questions as: Why Jefferson did not play a more forceful role in the antislavery movement? To what extent was the Declaration of Independence intended to serve as a charter of freedom for the slaves? Why did he couple the emancipation of slaves with the removal of the black population from the United States? Why did he insist upon measuring the intelligence of illiterate, disadvantaged black slaves by criteria applicable to free white Americans? And foremost, why did Jefferson remain a slaveholder throughout his lifetime and even fail to direct that his slaves be freed after his death?

Volume 1 in the new Cambridge World History of Slavery surveys the history of slavery in the ancient Mediterranean world. Although chapters are devoted to the ancient Near East and the Jews, its principal concern is with the societies of ancient Greece and Rome. These are often considered as the first examples in world history of genuine slave societies because of the widespread prevalence of chattel slavery, which is argued to have been a cultural manifestation of the ubiquitous violence in societies typified by incessant warfare. There was never any sustained opposition to slavery, and the new religion of Christianity probably reinforced rather than challenged its existence. In twenty-two chapters, leading scholars explore the centrality of slavery in ancient Mediterranean life using a wide range of textual and material evidence. Non-specialist readers in particular will find the volume an accessible account of the early history of this crucial phenomenon.

In the Atlantic World, different groups were aromatically classified in opposition to other ethnic, gendered, and class assemblies due to an economic necessity that needed certain bodies to be defined as excremental, which culminated in the creation of a progressive tautology that linked Africa and waste through a conceptual hendiadys born of capitalist licentiousness. The African subject was defined as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. Embodied cultural knowledge was potent enough to alter the biological function of the five senses to create a European olfactory consciousness made to sense the African other as foul. Fascinating, informative, and deeply researched, The Smell of Slavery exposes that concerns with pungency within the Western self were emitted outward upon the freshly dug outhouse of the mass slave grave called the Atlantic World.

A Slave's Place, A Master's World, based on original field research, evaluates the transition from slave to free labour in rural Brazil, highlighting the ways in which slaves, free farmers, freedmen and planters shaped the labour markets of an agrarian economy. Documentation from two areas in the Rio de Janeiro hinterland provides the foundation for comparisons between slavery in Vassouras, a highland town where coffee was produced for the export market, and Rio Bonito, a lowland town where coffee and foodstuffs were marketed regionally. The book examines the settlement processes in both towns, the marginalization of indigenous tribes, the onset of slave labour, and the de facto and de jure claims to land, as planters, small producers and slaves forged the bases of rural society. A feature of the book is the detailed study of the link with the African past during the transition process, when African languages, customs and religion, and social and work-related networks were increasingly juxtaposed with 'master class' practices on the fazendas.

The island nation of Iceland is known for many things majestic landscapes, volcanic eruptions, distinctive seafood but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels. In The Man Who Stole Himself, Gisli Palsson lays out Jonathan's story in stunning detail. Born into slavery in St. Croix in 1784, Jonathan was brought as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that not only was he due freedom because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. Jonathan was the subject of one of the most notorious slavery cases in European history, which he lost. Then, he ran away never to be heard from in Denmark again, his fate unknown for more than two hundred years. It's now known that Jonathan fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America. The Man Who Stole Himself brilliantly intertwines Jonathan's adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Jonathan literally led a life like no other. His is the story of a man who had the temerity the courage to steal himself.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

This book is a study of the literature and visual arts concerned with the many and diverse forms of slaveries produced by globalisation in Britain since the early 1990s. Starting from the sociological and political analyses of the issue, it combines postcolonial and Holocaust studies in a twin perspective based on the recurrent images of the ghost and the concentration camp, whose manifold shapes populate today's Britain. Discussions focuses on a wide range of works: novelists and crime writers (Chris Abani, Chris Cleave, Marina Lewycka, Ian Rankin, Ruth Rendell), film directors (Nick Broomfield), photographers (Dana Popa), playwrights (Clare Bayley, Cora Bissett and Stef Smith, Abi Morgan, Lucy Kirkwood) and dystopian artists such as Alfonso Cuaron, P. D. James and Salman Rushdie. The book will appeal to both students and scholars in English, postcolonial, Holocaust, globalisation and slavery studies. -- .

#1 NEW YORK TIMES BESTSELLER A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New American Origin Story offers a profoundly revealing vision of the American past and present. ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine's award-winning "1619 Project" issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation's founding and construction-and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Featuring contributions from: Leslie Alexander Michelle Alexander Carol Anderson Joshua Bennett Reginald Dwayne Betts Jamelle Bouie Anthea Butler Matthew Desmond Rita Dove Camille Dungy Cornelius Eady Eve L. Ewing Nikky Finney Vievee Francis Yaa Gyasi Forrest Hamer Terrance Hayes Kimberly Annece Henderson Jeneen Interlandi Honoree Fanonne Jeffers Barry Jenkins Tyehimba Jess Martha S. Jones Robert Jones, Jr. A. Van Jordan Ibram X. Kendi Eddie Kendricks Yusef Komunyakaa Kevin Kruse Kiese Laymon Trymaine Lee Jasmine Mans Terry McMillan Tiya Miles Wesley Morris Khalil Gibran Muhammad Lynn Nottage ZZ Packer Gregory Pardlo Darryl Pinckney Claudia Rankine Jason Reynolds Dorothy Roberts Sonia Sanchez Tim Seibles Evie Shockley Clint Smith Danez Smith Patricia Smith Tracy K. Smith Bryan Stevenson Nafissa Thompson-Spires Natasha Trethewey Linda Villarosa Jesmyn Ward