In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.

In nineteenth-century Santiago de Cuba, the island of Cuba's radical cradle, Afro-descendant peasants forged freedom and devised their own formative path to emancipation. Drawing on understudied archives, this pathbreaking work unearths a new history of Black rural geography and popular legalism, and offers a new framework for thinking about nineteenth-century Black freedom. Santiago de Cuba's Afro-descendant peasantries did not rely on liberal-abolitionist ideologies as a primary reference point in their struggle for rights. Instead, they negotiated their freedom and land piecemeal, through colonial legal frameworks that allowed for local custom and manumission. While gradually wearing down the institution of slavery through litigation and self-purchase, they reimagined colonial racial systems before Cuba's intellectuals had their say. Long before residents of Cuba protested for national independence and island-wide emancipation in 1868, it was Santiago's Afro-descendant peasants who, gradually and invisibly, laid the groundwork for emancipation.

The seven contributions contained in this collection address various forms of manumission throughout the American South as well as the Caribbean. Topics include color, class, and identity on the eve of the Haitian revolution; where free persons of color stood in the hierarchy of wealth in antebellum

In seventeenth-century Spanish America, black linguistic interpreters and spiritual intermediaries played key roles in the production of writings about black men and women. Focusing on the African diaspora in Peru and the southern continental Caribbean, Larissa Brewer-Garcia uncovers long-ignored or lost archival materials describing the experiences of black Christians in the transatlantic slave trade and the colonial societies where they arrived. Brewer-Garcia's analysis of these materials shows that black intermediaries bridged divisions among the populations implicated in the slave trade, exerting influence over colonial Spanish American writings and emerging racial hierarchies in the Atlantic world. The translated portrayals of blackness composed by these intermediaries stood in stark contrast to the pejorative stereotypes common in literary and legal texts of the period. Brewer-Garcia reconstructs the context of those translations and traces the contours and consequences of their notions of blackness, which were characterized by physical beauty and spiritual virtue.

Celebrities live their lives in constant dialogue with stories about them. But when these stories are shaped by durable racist myths, they wield undue power to ruin lives and obliterate communities. Black Legend is the haunting story of an Afro-Argentine, Raul Grigera ('el negro Raul'), who in the early 1900s audaciously fashioned himself into an alluring Black icon of Buenos Aires' bohemian nightlife, only to have defamatory storytellers unmake him. In this gripping history, Paulina Alberto exposes the destructive power of racial storytelling and narrates a new history of Black Argentina and Argentine Blackness across two centuries. With the extraordinary Raul Grigera at its center, Black Legend opens new windows into lived experiences of Blackness in a 'white' nation, and illuminates how Raul's experience of celebrity was not far removed from more ordinary experiences of racial stories in the flesh.

This book is concerned with one of the fundamental problems in the economic and social history of Europe in the early modern period, namely with the bifurcation in its development: in Western Europe, the development of capitalism; in East-Central Europe, the rise of the manorial-serf economy which hampered the development of capitalism. The main motif linking together the studies in this volume is the endeavour to explain this separation. the author evaluates the different theories explaining this, and also provides further analysis of economic life, dealing with the commercial activity, economic regression, especially in Poland.

The winner of the 2021 Cundill History Prize and the 2021 Frederick Douglass Book Prize Named one of the best books of the year by NPR, Blood on the River also won two of the highest honors for works of history, capturing both the Frederick Douglass Prize and the Cundill History Prize in 2021. A book with profound relevance for our own time, Blood on the River "fundamentally alters what we know about revolutionary change" according to Cundill Prize juror and NYU history professor Jennifer Morgan. Nearly two hundred sixty years ago, on Sunday, February 27, 1763, thousands of slaves in the Dutch colony of Berbice--in present-day Guyana--launched a rebellion that came amazingly close to succeeding. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Michael Ignatieff, chair of the Cundill Prize jury, declared that Blood on the River "tells a story so dramatic, so compelling that no reader will be able to put the book down." Drawing on nine hundred interrogation transcripts collected by the Dutch when the rebellion collapsed, and which were subsequently buried in Dutch archives, historian Marjoleine Kars has constructed what Pulitzer Prize-winning historian Eric Foner calls "a gripping narrative that brings to life a forgotten world."

In this fascinating book, Damian Alan Pargas introduces a new conceptualization of 'spaces of freedom' for fugitive slaves in North America between 1800 and 1860, and answers the questions: How and why did enslaved people flee to - and navigate - different destinations throughout the continent, and to what extent did they succeed in evading recapture and re-enslavement? Taking a continental approach, this study highlights the diversity of slave fight by conceptually dividing the continent into three distinct - and continuously evolving - spaces of freedom. Namely, spaces of informal freedom in the US South, where enslaved people attempted to flee by passing as free blacks; spaces of semi-formal freedom in the US North, where slavery was abolished but the precise status of fugitive slaves was contested; and spaces of formal freedom in Canada and Mexico, where slavery was abolished and runaways were considered legally free and safe from re-enslavement.

In this fascinating book, Damian Alan Pargas introduces a new conceptualization of 'spaces of freedom' for fugitive slaves in North America between 1800 and 1860, and answers the questions: How and why did enslaved people flee to - and navigate - different destinations throughout the continent, and to what extent did they succeed in evading recapture and re-enslavement? Taking a continental approach, this study highlights the diversity of slave fight by conceptually dividing the continent into three distinct - and continuously evolving - spaces of freedom. Namely, spaces of informal freedom in the US South, where enslaved people attempted to flee by passing as free blacks; spaces of semi-formal freedom in the US North, where slavery was abolished but the precise status of fugitive slaves was contested; and spaces of formal freedom in Canada and Mexico, where slavery was abolished and runaways were considered legally free and safe from re-enslavement.

A ground-breaking edited collection charting the rise and fall of forms of unfree labour in the ancient Mediterranean and in the modern Atlantic, employing the methodology of comparative history. The eleven chapters in the book deal with conceptual issues and different approaches to historical comparison, and include specific case-studies ranging from the ancient forms of slavery of classical Greece and of the Roman empire to the modern examples of slavery that characterised the Caribbean, Latin America and the United States. The results demonstrate both how much the modern world has inherited from the ancient in regard to ideology and practice of slavery; and also how many of the issues and problems related to the latter seem to have been fundamentally similar across time and space.

'Send Back the Money!' is a thorough and gripping examination of a fascinating and forgotten aspect of Scottish and American relations and Church history. A seminal period of Abolition activity is exposed by Iain Whyte through a study of the fiery 'Send back the Money!' campaign named after 'the hue and cry of the day' that encapsulated the argument that divided families, communities, and the Free Church itself. This examination of the Free Church's involvement with American Presbyterianism in the nineteenth century reveals the ethical furore caused by a Church wishing to emancipate itself from the religious and civil domination supported by the established religion of the state. The Free Church therefore found an affinity with those oppressed elsewhere, but subsequently found itself financially supported by the Southern slave states of America. Whyte sensitively handles this inherent contradiction in the political, ecclesiastical, and theological institutions, while informing the reader of the roles of charismatic characters such as Robert Burns, Thomas Chalmers and Frederick Douglass. These key individuals shaped contemporary culture with action, great oratory, and rhetoric. The author adroitly draws parallels from the twentieth century onwards, bringing the reader to a fuller understanding of the historic and topical issues within global Christianity, and the contentious topic of slavery. 'Send back the Money!' throws light upon nineteenth-century culture, British and American Abolitionists, and ecclesiastical politics, and is written in a clear and engaging style.

Seamlessly entwining archival research and sociological debates, The Last Abolition is a lively and engaging historical narrative that uncovers the broad history of Brazilian anti-slavery activists and the trajectory of their work, from earnest beginnings to eventual abolition. In detailing their principles, alliances and conflicts, Angela Alonso offers a new interpretation of the Brazilian anti-slavery network which, combined, forged a national movement to challenge the entrenched pro-slavery status quo. While placing Brazil within the abolitionist political mobilization of the nineteenth century, the book explores the relationships between Brazilian and foreign abolitionists, demonstrating how ideas and strategies transcended borders. Available for the first time in an English language edition, with a new introduction, this award-winning volume is a major contribution to the scholarship on abolition and abolitionists.

Taken from Africa into slavery by the Portuguese, kidnapped by the British Navy and held captive aboard ship during the French wars of the 1790s before being abandoned in Falmouth, the stranger-than-fiction story of Joseph Emidy deserves telling in its own right. What makes it more remarkable is that Emidy - a violinist and composer - became a prominent figure in the musical scene in Cornwall for the remaining thirty years of his life. This account sets his life against the musical activities of the assemblies, harmonic societies, theatre, church and chapel. By producing comic operas and introducing novelty acts professional theatre companies offered musical entertainment as an integral part of their activities, amateur orchestras flourished, and militia bands became a regular feature of the life of several communities. There were even attempts to create a regular pattern of tours by national and international figures, especially the stars of Italian opera and the London stage. Through the installation of organs and by the work of locally-based composers the Anglican church sought to raise standards of music in services. The richly varied pattern of local activity is illustrated by accounts in local newspapers, as well as by personal memoirs; many of the anecdotes are amusing and always enlightening in the view they offer of a provincial society at a time of great and hitherto unsuspected activity and change.

Medieval slavery has received little attention relative to slavery in ancient Greece and Rome and in the early modern Atlantic world. This imbalance in the scholarship has led many to assume that slavery was of minor importance in the Middle Ages. In fact, the practice of slavery continued unabated across the globe throughout the medieval millennium. This volume - the final volume in The Cambridge World History of Slavery - covers the period between the fall of Rome and the rise of the transatlantic plantation complexes by assembling twenty-three original essays, written by scholars acknowledged as leaders in their respective fields. The volume demonstrates the continual and central presence of slavery in societies worldwide between 500 CE and 1420 CE. The essays analyze key concepts in the history of slavery, including gender, trade, empire, state formation and diplomacy, labor, childhood, social status and mobility, cultural attitudes, spectrums of dependency and coercion, and life histories of enslaved people.

Over the last two decades, fighting modern slavery and human trafficking has become a cause celebre. Yet large numbers of researchers, non-governmental organizations, trade unions, workers, and others who would seem like natural allies in the fight against modern slavery and trafficking are hugely skeptical of these movements. They object to how the problems are framed, and are skeptical of the "new abolitionist" movement. Why? This book tackles key controversies surrounding the anti-slavery and anti-trafficking movements head on. Champions and skeptics explore the fissures and fault lines that surround efforts to fight modern slavery and human trafficking today. These include: whether efforts to fight modern slavery displace or crowd out support for labor and migrant rights; whether and to what extent efforts to fight modern slavery mask, naturalize, and distract from racial, gendered, and economic inequality; and whether contemporary anti-slavery and anti-trafficking crusaders' use of history are accurate and appropriate.

Over the last two decades, fighting modern slavery and human trafficking has become a cause celebre. Yet large numbers of researchers, non-governmental organizations, trade unions, workers, and others who would seem like natural allies in the fight against modern slavery and trafficking are hugely skeptical of these movements. They object to how the problems are framed, and are skeptical of the "new abolitionist" movement. Why? This book tackles key controversies surrounding the anti-slavery and anti-trafficking movements head on. Champions and skeptics explore the fissures and fault lines that surround efforts to fight modern slavery and human trafficking today. These include: whether efforts to fight modern slavery displace or crowd out support for labor and migrant rights; whether and to what extent efforts to fight modern slavery mask, naturalize, and distract from racial, gendered, and economic inequality; and whether contemporary anti-slavery and anti-trafficking crusaders' use of history are accurate and appropriate.

Freedom's Captives is a compelling exploration of the gradual abolition of slavery in the majority-black Pacific coast of Colombia, the largest area in the Americas inhabited primarily by people of African descent. From the autonomous rainforests and gold mines of the Colombian Black Pacific, Yesenia Barragan rethinks the nineteenth-century project of emancipation by arguing that the liberal freedom generated through gradual emancipation constituted a modern mode of racial governance that birthed new forms of social domination, while temporarily instituting de facto slavery. Although gradual emancipation was ostensibly designed to destroy slavery, she argues that slaveholders in Colombia came to have an even greater stake in it. Using narrative and storytelling to map the worlds of Free Womb children, enslaved women miners, free black boatmen, and white abolitionists in the Andean highlands, Freedom's Captives insightfully reveals how the Atlantic World processes of gradual emancipation and post-slavery rule unfolded in Colombia.

'Alex von Tunzelmann is one of the most gifted historians writing today. Brilliant and trenchant, witty and wise, Fallen Idols is a book you will adore, devour, and talk about to everyone you know. Hesitate no longer; buy this book.' Suzannah Lipscomb, author, award-winning historian and broadcaster 'Like all the best historians von Tunzelmann uses the past to explain what the hell is going on today. She does so with a flair, her signature mix of scholarship and succinctness that is so compelling. If you want to make sense of the statues debate, and the coming culture war over our history, this is where you need to start.' Dan Snow 'A timely, sparkling and often hilarious book.' Michael Wood In the past few years, there has been a rush to topple statues. Across the United States of America, the United Kingdom, Belgium and elsewhere, Black Lives Matter protesters defaced and in some cases hauled down statues of slaveholders, Confederate icons, and imperialists. In Bristol, Edward Colston was knocked off his plinth and hurled into the harbour. Robert E. Lee was covered in graffiti in Richmond, Virginia. Christopher Columbus was toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. King Leopold II of the Belgians was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill was daubed with the word 'racist' in London. The backlash from conservatives has been fast and intense. Statues are one of the most visible forms of historical storytelling, maybe the most visible. The stories we tell are vital to how we as societies understand our past and make our future. The ultimate question is: 'who controls history?' FALLEN IDOLS tells the story of twelve toppled statues around the world. It will look at why they were put up in the first place; the stories they were intended to tell; the symbolism they came to embody; and the manner and consequences of their removal. History is not erased when statues are pulled down. If anything, it is made.

A Concise History of the Caribbean offers a comprehensive interpretation of the history of the Caribbean islands from the beginning of human settlement to the present. It narrates processes of early human migration, the disastrous consequences of European colonisation, the development of slavery and the slave trade, the extraordinary profits earned by the plantation economy, the great revolution in Haiti, movements towards political independence, the Cuban Revolution, and the diaspora of Caribbean people. In this second edition, Higman covers the political, social, and environmental developments of the last decade, offering sections on insular politics, Cuban communism, earthquakes, hurricanes, climate change, resource ecologies, epidemics, identity and reparations. Written in a lively and accessible style, and current with the most recent research, the book provides a compelling narrative of Caribbean history essential for students and visitors.

In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author
The Ball family hails from South Carolina--Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In "Slaves in the Family, "Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, "Slaves in the Family" is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word 'family.'"

In 1841, William Lloyd Garrison and Frederick Douglass formed a partnership that would last a decade and forever change the abolitionist movement. Throughout the stages of their extraordinary alliance, anti-slavery mobilization was accelerated, reaching its height between 1841 and 1851. Centering their arguments on emancipation, women's equality, and suffrage, the two men worked tirelessly to publicize and recruit for their cause. Their work initiated a new discourse of social reform and critique, positioning the abolition of slavery at the center of progressive social concerns throughout the first half of the nineteenth century Dismantling Slavery is the first book to address these two giants of abolition-Douglass and Garrison-simultaneously. While underscoring the evolution of abolitionist discourse, Dismantling Slavery unveils the true nature of the friendship between Douglass and Garrison, a key ingredient often overlooked by scholars. Drawing on the writings, speeches, and experiences that shaped the two as abolitionists, Nilgun Anadolu-Okur's groundbreaking study is one account of the ways in which abolitionist discourse was shaped and put to the purposes of moral and democratic reforms. In addition to turning a close eye on the relationship between Douglass and Garrison, Anadolu-Okur also details significant developments that occurred in tandem among other abolitionists and activists of the era, making for a compelling account of this pivotal decade in American history, up until the dissolution of Garrison and Douglass's partnership. Dismantling Slavery represents a significant interdisciplinary contribution to the study of abolitionist discourse and will appeal to a wide range of nineteenth-century scholars.

'More than lives up to the hype' Observer 'Set to become a publishing sensation' Kirsty Lang, BBC Front Row 'An astounding achievement' Sunday Times 'The lost giant of American literature' New Yorker June, 1957. One afternoon, in the backwater town of Sutton, a young black farmer by the name of Tucker Caliban matter-of-factly throws salt on his field, shoots his horse and livestock, sets fire to his house and departs the southern state. And thereafter, the entire African-American population leave with him. The reaction that follows is told across a dozen chapters, each from the perspective of a different white townsperson. These are boys, girls, men and women; either liberal or conservative, bigoted or sympathetic - yet all of whom are grappling with this spontaneous, collective rejection of subordination. In 1962, aged just 24, William Melvin Kelley's debut novel A Different Drummer earned him critical comparisons to James Baldwin and William Faulkner. Fifty-five years later, author and journalist Kathryn Schulz happened upon the novel serendipitously and was inspired to write the New Yorker article 'The Lost Giant of American Literature', included as a foreword to this edition.

Based on sweeping research in six languages, Black Resettlement and the American Civil War offers the first comprehensive, comparative account of nineteenth-century America's greatest road not taken: the mass resettlement of African Americans outside the United States. Building on resurgent scholarly interest in the so-called 'colonization' movement, the book goes beyond tired debates about colonization's place in the contest over slavery, and beyond the familiar black destinations of Liberia, Canada, and Haiti. Striding effortlessly from Pittsburgh to Panama, Toronto to Trinidad, and Lagos to Louisiana, it synthesizes a wealth of individual, state-level, and national considerations to reorient the field and set a new standard for Atlantic history. Along the way, it shows that what haunted politicians from Thomas Jefferson to Abraham Lincoln was not whether it was right to abolish slavery, but whether it was safe to do so unless the races were separated.

In these absorbing accounts of five court cases, Jason A. Gilmer offers intimate glimpses into Texas society in the time of slavery. Each story unfolds along boundaries - between men and women, slave and free, black and white, rich and poor, old and young - as rigid social orders are upset in ways that drive people into the courtroom.,br> One case involves a settler in a rural county along the Colorado River, his thirty-year relationship with an enslaved woman, and the claims of their children as heirs. A case in East Texas arose after an owner refused to pay an overseer who had shot one of her slaves. Another case details how a free family of color carved out a life in the sparsely populated marshland of Southeast Texas, only to lose it all as waves of new settlers "civilized" the county. An enslaved woman in Galveston who was set free in her owner's will - and who got an uncommon level of support from her attorneys - is the subject of another case. In a Central Texas community, as another case recounts, citizens forced a Choctaw native into court in an effort to gain freedom for his slave, a woman who easily "passed" as white. The cases considered here include Gaines v. Thomas, Clark v. Honey, Brady v. Price, and Webster v. Heard. All of them pitted communal attitudes and values against the exigencies of daily life in an often harsh place. Here are real people in their own words, as gathered from trial records, various legal documents, and many other sources. People of many colors, from diverse backgrounds, weave their way in and out of the narratives. We come to know what mattered most to them - and where those personal concerns stood before the law.