Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level.
Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera -- Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focused on Angelo Agostini the "Brazilian Daumier") and some of the greatest photographers of the nineteenth century, led by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mold-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora.

"I was born in Tuckahoe. I have no accurate knowledge of my age, never having seen any authentic record containing it. By far the larger part of the slaves know as little of their ages as horses know of theirs, and it is the wish of most masters within my knowledge to keep their slaves thus ignorant."
So begins the now-classic personal account of Frederick Douglass (1818-1895), who was born into slavery in Maryland and after his escape to Massachusetts in 1838 became an ardent abolitionist and campaigner for women's rights. His Narrative, which was an instant bestseller upon publication in 1845, relates his experience as a slave, the cruelty he suffered at the hands of his masters, his struggle to educate himself, and his fight for freedom.
Written with much passion, and with no small degree of striking biblical imagery, the Narrative came to assume epic proportions as a fundamental anti-slavery text, an accessible record in which the author had carefully crafted both his life story and his persona. The introduction and notes for this new edition fully examine Douglass--the man and the myth--while also considering both his complex relationship with women and the enduring power of his autobiography. Other highlights include extracts from Douglass's primary sources and examples of his writing on women's rights.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

In Slavery Unseen, Lamonte Aidoo upends the narrative of Brazil as a racial democracy, showing how the myth of racial democracy elides the history of sexual violence, patriarchal terror, and exploitation of slaves. Drawing on sources ranging from inquisition trial documents to travel accounts and literature, Aidoo demonstrates how interracial and same-sex sexual violence operated as a key mechanism of the production and perpetuation of slavery as well as racial and gender inequality. The myth of racial democracy, Aidoo contends, does not stem from or reflect racial progress; rather, it is an antiblack apparatus that upholds and protects the heteronormative white patriarchy throughout Brazil's past and on into the present.

When the full abolition of slavery appeared on the political agenda in the Atlantic world the institutional arrangements that underpinned the peculiar institution changed dramatically. Although many have studied these transformations, their urban dimension has remained underappreciated. The contributions to this volume offer an in-depth look at cities in the British and French Caribbean, the United States, West-Central Africa, Brazil, and South Africa. Rather than treating urban slavery as a more benign counterpoint to the brutal plantation complex, the articles explore how cities were part and parcel of slave societies and demonstrate how methods of control as well as routes to emancipation changed in the century before emancipation. Urban slavery has greatly impacted urban landscapes and its legacy as well as practices of remembrance and memorialization can be found in many former slave societies.

This book profiles the port of Charles Town, South Carolina, during the two-year period leading up to the Declaration of Independence. It focuses on the dramatic hanging and burning of Thomas Jeremiah, a free black harbor pilot and firefighter accused by the patriot party of plotting a slave insurrection during the tumultous spring and summer of 1775. To examine the world of this wealthy, slave-holding African American through his trial and execution, William R. Ryan uses a wide array of letters, naval records, personal and official correspondence, memoirs, and newspapers. He shows that the black majority of the South Carolina Low Country managed to assist the British in their invasion efforts, despite patriot attempts to frighten Afro-Carolinians into passivity and submission. Although Whigs attempted, through brutality and violence, to keep their slaves from participating in the conflict, Afro-Carolinians became actively involved in the struggle between colonists and the Crown as spies, messengers, navigators and marauders. The book demonstrates that an understanding of what was going on in this vital seaport during the mid-1770s has broader implications for the study of the Atlantic world, African American history, naval history, urban race relations, labor history, and the turbulent politics of America's move toward independence.

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin's novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison's Beloved was informed by Angela Y. Davis's jail writings on slavery-reminiscent practices in contemporary women's facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson's Middle Passage, and connects slavery's logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines' A Lesson Before Dying. Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society's view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery's system of dehumanization.

Yorkshireman Lionel Abson was the longest surviving European stationed in West Africa in the eighteenth century. He reached William's Fort at Ouidah on the Slave Coast as a trader in 1767, took over the English fort in 1770, and remained in charge until his death in 1803. He avoided the 'white man's grave' for thirty-six years. Along the way he had three sons with an African woman, the eldest partly schooled in England, and a bright daughter named Sally. When Abson died, royal lackeys kidnapped his children. Sally was placed in the king's harem and pined away; her brothers vanished. That king became so unpopular as a result that the people of Dahomey disowned him. Abson also mastered the local language and became an historian. After only two years as fort chief, he was part of the king's delegation to make peace with an enemy, a unique event in centuries of Dahomean history. This singular book recounts the remarkable life of this key figure in an ignominious period of European and African history, offering a microcosm of the lives of Europeans in eighteenth-century West Africa, and their relationships with and attitudes towards those they met there.

A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.

In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdulhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn's transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M'hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.

The Routledge History of Slavery is a landmark publication that provides an overview of the main themes surrounding the history of slavery from ancient Greece to the present day. Taking stock of the field of Slave Studies, the book explores the major advances that have taken place in the past few decades of study in this crucial field. Offering an unusual, transnational history of slavery, the chapters have all been specially commissioned for the collection. The volume begins by delineating the global nature of the institution of slavery, examining slavery in different parts of the world and over time. Topics covered here include slavery in Africa and the Indian Ocean World, as well as the Transatlantic Slave Trade. In Part Two, the chapters explore different themes that define slavery such as slave culture, the slave economy, slave resistance and the planter class, as well as areas of life affected by slavery, such as family and work. The final part goes on to study changes and continuities over time, looking at areas such as abolition, the aftermath of emancipation and commemoration. The volume concludes with a chapter on modern slavery. Including essays on all the key topics and issues, this important collection from a leading international group of scholars presents a comprehensive survey of the current state of the field. It will be essential reading for all those interested in the history of slavery.

There are 27 million slaves living in the world today-more than at any time in history. Three hundred thousand of them are impoverished children in Haiti, who "stay with" families as unpaid and uneducated domestic workers, subject to physical, emotional, and sexual abuse. This practice, known locally as restavek ("staying with"), is so widespread that one in ten Haitian children is caught up in this form of slavery. Jean-Robert Cadet was a restavek in Haiti from the late 1950s until the early 1970s. He told the harrowing story of his youth in Restavec: From Haitian Slave Child to Middle-Class American-a landmark book that exposed ongoing child slavery in Haiti. Now in My Stone of Hope, Cadet continues his story from his early attempts to adjust to freedom in American society to his current life mission of eliminating child slavery through advocacy and education. As he recounts his own struggles to surmount the psychological wounds of slavery, Cadet puts a human face on the suffering that hundreds of thousands of Haitians still endure daily. He also builds a convincing case that child slavery is not just one among many problems that Haiti faces as the Western Hemisphere's poorest nation. Rather, he argues that the systematic abuse of so many of its children is Haiti's fundamental problem, because it creates damaged adults who seem incapable of governing the country justly or managing its economy productively. For everyone concerned about the fate of Haiti, the welfare of children, and the freedom of people around the globe, My Stone of Hope sounds an irresistible call to action.

American Slavery, Atlantic Slavery, and Beyond provides an up-to-date summary of past and present views of American slavery in international perspective and suggests new directions for current and future comparative scholarship. It argues that we can better understand the nature and meaning of American slavery and antislavery if we place them clearly within a Euro-American context. Current scholarship on American slavery acknowledges the importance of the continental and Atlantic dimensions of the historical phenomenon, comparing it often with slavery in the Caribbean and Latin America. However, since the 1980s, a handful of studies has looked further and has compared American slavery with European forms of unfree and nominally free labor. Building on this innovative scholarship, this book treats the U.S. "peculiar institution" as part of both an Atlantic and a wider Euro-American world. It shows how the Euro-American context is no less crucial than the Atlantic one in understanding colonial slavery and the American Revolution in an age of global enlightenment, reformism, and revolutionary upheavals; the Cotton Kingdom's heyday in a world of systems of unfree labor; and the making of radical Abolitionism and the occurrence of the American Civil War at a time when nationalist ideologies and nation-building movements were widespread.

Slavery in Small Things: Slavery and Modern Cultural Habits isthe first book to explore the long-range cultural legacy of slavery through commonplace daily objects. * Offers a new and original approach to the history of slavery by an acknowledged expert on the topic * Traces the relationship between slavery and modern cultural habits through an analysis of commonplace objects that include sugar, tobacco, tea, maps, portraiture, print, and more * Represents the only study that utilizes common objects to illustrate the cultural impact and legacy of the Atlantic slave trade * Makes the topic of slavery accessible to a wider public audience

Examines the history of the Fante people of southern Ghana during the transatlantic slave trade, 1700 to 1807. The history of Ghana attracts popular interest out of proportion to its small size and marginal importance to the global economy. Ghana is the land of Kwame Nkrumah and the Pan-Africanist movement of the 1960s; it has been a temporary home to famous African Americans like W. E. B. DuBois and Maya Angelou; and its Asante Kingdom and signature kente cloth-global symbols of African culture and pride-are well known. Ghana also attracts a continuous flow of international tourists because of two historical sites that are among the most notorious monuments of the transatlantic slave trade: Cape Coast and Elmina Castles. These looming structures are a vivid reminder of the horrific trade that gave birth to the black population of the Americas. The Fante and the Transatlantic Slave Trade explores the fascinating history of the transatlantic slave trade on Ghana's coast between 1700 and 1807. Here authorRebecca Shumway brings to life the survival experiences of southern Ghanaians as they became both victims of continuous violence and successful brokers of enslaved human beings. The era of the slave trade gave birth to a new culture in this part of West Africa, just as it was giving birth to new cultures across the Americas. The Fante and the Transatlantic Slave Trade pushes Asante scholarship to the forefront of African diaspora and Atlantic Worldstudies by showing the integral role of Fante middlemen and transatlantic trade in the development of the Asante economy prior to 1807. Rebecca Shumway is assistant professor of history at the University of Pittsburgh.

By 1870 the sugar plantations of the Reconcavo region in Bahia, Brazil, held at least seventy thousand slaves, making it one of the largest and most enduring slave societies in the Americas. In this new translation of Crossroads of Freedom-which won the 2011 Clarence H. Haring Prize for the Most Outstanding Book on Latin American History-Walter Fraga charts these slaves' daily lives and recounts their struggle to make a future for themselves following slavery's abolition in 1888. Through painstaking archival research, he illuminates the hopes, difficulties, opportunities, and setbacks of ex-slaves and plantation owners alike as they adjusted to their postabolition environment. Breaking new ground in Brazilian historiography, Fraga does not see an abrupt shift with slavery's abolition; rather, he describes a period of continuous change in which the strategies, customs, and identities that slaves built under slavery allowed them to navigate their newfound freedom. Fraga's analysis of how Reconcavo's residents came to define freedom and slavery more accurately describes this seminal period in Brazilian history, while clarifying how slavery and freedom are understood in the present.

The year 2007 marked the bicentenary of the Act abolishing British participation in the slave trade. Representing Enslavement and Abolition on Museums- which uniquely draws together contributions from academic commentators, museum professionals, community activists and artists who had an involvement with the bicentenary - reflects on the complexity and difficulty of museums' experiences in presenting and interpreting the histories of slavery and abolition, and places these experiences in the broader context of debates over the bicentenary's significance and the lessons to be learnt from it. The history of Britain 's role in transatlantic slavery officially become part of the National Curriculum in the UK in 2009; with the bicentenary of 2007, this marks the start of increasing public engagement with what has largely been a hidden history. The book aims to not only critically review and assess the impact of the bicentenary, but also to identify practical issues that public historians, consultants, museum practitioners, heritage professionals and policy makers can draw upon in developing responses, both to the increasing recognition of Britain 's history of African enslavement and controversial and traumatic histories more generally.

The Oxford Handbook of Slavery in the Americas offers penetrating, original, and authoritative essays on the history and historiography of the institution of slavery in the New World. With essays on colonial and antebellum America, Brazil, the Caribbean, the Indies, and South America, the Handbook has impressive geographic and temporal coverage. It also includes a generous range of thematic essays on comparative slavery, the economics of slavery, historical methodology in the field, slavery and the law, for instance.
While obviously indebted to the foundational works of the 1960s and 1970s, current writing on the history of slavery and forms of unfree labor in the Americas has taken decidedly original, new, often ingenious turns. A younger generation of scholars has shown a healthy respect for that tradition while posing new, often interdisciplinary, and theoretically informed questions, considering, for example, the nature and definition of slave resistance in the Americas, evolving meanings of gender and race under slavery, the complicated nature of class formation in unfree societies, the elaboration of proslavery and antislavery ideologies, the origins and subsequent elaboration of race-based slavery, and mechanisms of emancipation.
Written by an international team including some of the field's most eminent historians and the most innovative younger scholars working today, The Oxford Handbook of Slavery in the Americas seeks to explain the enduring importance of the earlier historiography, identify current trends and developments, and offer suggestive but informed commentary on future developments in the field for a global scholarly audience.

The story of the enslaved West Indian women in the struggle for freedom The forgotten history of women slaves and their struggle for liberation. Enslaved West Indian women had few opportunities to record their stories for posterity. In this riveting work of historical reclamation, Stella Dadzie recovers the lives of women who played a vital role in developing a culture of slave resistance across the Caribbean. Dadzie follows a savage trail from Elmina Castle in Ghana and the horrors of the Middle Passage, as slaves were transported across the Atlantic, to the sugar plantations of Jamaica and beyond. She reveals women who were central to slave rebellions and liberation. There are African queens, such as Amina, who led a 20,000-strong army. There is Mary Prince, sold at twelve years old, never to see her sisters or mother again. Asante Nanny the Maroon, the legendary obeah sorceress, who guided the rebel forces in the Blue Mountains during the First Maroon War. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the "peculiar burdens of their sex," their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled from their lost homes. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. A Kick in the Belly makes clear that subtle acts of insubordination and conscious acts of rebellion came to undermine the very fabric of West Indian slavery.

What would it mean to ""get over slavery""? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present - and vice versa - the contributors place slavery's historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination.

The Haitian Revolution (1791-1804) was an event of monumental world-historical significance, and here, in the first systematic literary history of those events, Haiti's war of independence is examined through the eyes of its actual and imagined participants, observers, survivors, and cultural descendants. The 'transatlantic print culture' under discussion in this literary history reveals that enlightenment racial 'science' was the primary vehicle through which the Haitian Revolution was interpreted by nineteenth-century Haitians, Europeans, and U.S. Americans alike. Through its author's contention that the Haitian revolutionary wars were incessantly racialized by four constantly recurring tropes-the 'monstrous hybrid', the 'tropical temptress', the 'tragic mulatto/a', and the 'colored historian'-Tropics of Haiti shows the ways in which the nineteenth-century tendency to understand Haiti's revolution in primarily racial terms has affected present day demonizations of Haiti and Haitians. In the end, this new archive of Haitian revolutionary writing, much of which has until now remained unknown to the contemporary reading public, invites us to examine how nineteenth-century attempts to paint Haitian independence as the result of a racial revolution coincide with present-day desires to render insignificant and 'unthinkable' the second independent republic of the New World.

Winner of the Conference on Latin American History's 2010 Mexican History Book Prize.
"The Black Middle" is the first full-length study of black African slaves and other people of African descent in the Spanish colonial province of Yucatan. Matthew Restall makes expert use of Spanish and Maya language documents from the sixteenth through the nineteenth centuries, found in a dozen different archives. His goal is to discover what life was like for a people hitherto ignored by historians. He explores such topics as slavery and freedom, militia service and family life, bigamy and witchcraft, and the ways in which Afro-Yucatecans (as he dubs them) interacted with Mayas and Spaniards. Restall concludes that, in numerous ways, Afro-Yucatecans lived and worked in a middle space between--but closely connected to--Mayas and Spaniards. The book's "black middle" thesis has profound implications for the study of Africans throughout the Americas.

Mary Prince's narrative was one of the earliest to reveal the ugly truths about slavery in the West Indies to an English reading public that was largely unaware of its atrocities. Prince was born in Bermuda to an enslaved family. She spent her early life in harsh conditions and was eventually sold to John Adams Wood of Antigua, working as his domestic servant. She joined the Moravian Church, where she learned to read, and married Daniel James, a former slave who had bought his freedom. In 1828 she traveled to England with the Woods family and after protracted efforts by abolitionists was able to leave their control. Encouraged by her new employer, Thomas Pringle, who also served as her editor, Prince wrote and published her book in 1831 to wide acclaim. While eighteenth-century slave narratives largely focused on Christian spiritual journeys and religious redemption, Prince was part of a growing trend of abolitionist writers focused on the injustice of slavery. Her work stands alongside better-known narratives such as A Narrative of the Adventures and Escape of Moses Roper and Narrative of the Life of Frederick Douglass. Adding to its importance, few early women's slave narratives exist.

By 1870 the sugar plantations of the Reconcavo region in Bahia, Brazil, held at least seventy thousand slaves, making it one of the largest and most enduring slave societies in the Americas. In this new translation of Crossroads of Freedom-which won the 2011 Clarence H. Haring Prize for the Most Outstanding Book on Latin American History-Walter Fraga charts these slaves' daily lives and recounts their struggle to make a future for themselves following slavery's abolition in 1888. Through painstaking archival research, he illuminates the hopes, difficulties, opportunities, and setbacks of ex-slaves and plantation owners alike as they adjusted to their postabolition environment. Breaking new ground in Brazilian historiography, Fraga does not see an abrupt shift with slavery's abolition; rather, he describes a period of continuous change in which the strategies, customs, and identities that slaves built under slavery allowed them to navigate their newfound freedom. Fraga's analysis of how Reconcavo's residents came to define freedom and slavery more accurately describes this seminal period in Brazilian history, while clarifying how slavery and freedom are understood in the present.

Antislavery white clergy and their congregations. Radicalized abolitionist women. African Americans committed to ending slavery through constitutional political action. These diverse groups attributed their common vision of a nation free from slavery to strong political and religious values. Owen Lovejoy's gregarious personality, formidable oratorical talent, probing political analysis, and profound religious convictions made him the powerful leader the coalition needed. Owen Lovejoy and the Coalition for Equality examines how these three distinct groups merged their agendas into a single antislavery, religious, political campaign for equality with Lovejoy at the helm. Combining scholarly biography, historiography, and primary source material, Jane Ann Moore and William F. Moore demonstrate Lovejoy's crucial role in nineteenth-century politics, the rise of antislavery sentiment in religious spaces, and the emerging congressional commitment to end slavery. Their compelling account explores how the immorality of slavery became a touchstone of political and religious action in the United States through the efforts of a synergetic coalition led by an essential abolitionist figure.

From the early days of the republic, American leaders knew that an unpredictable time bomb-the question of slavery-lay at the heart of national politics. An implicit understanding between North and South helped to keep the issue at bay: northern states, where slavery had been set on course for extinction via gradual emancipation, tacitly agreed to respect the property rights of southern slaveholders; in return, southerners essentially promised to view slave holding as a practical evil and look for ways to get rid of it. By 1819-1820, however, westward expansion had brought the matter to a head. As Thomas Jefferson wrote at the time, a nation dealing with the politically implacable issue of slavery essentially held the "wolf" by the ears-and could neither let go nor hang on forever. In Wolf by the Ears, John R. Van Atta discusses how the sectional conflict that led to the Civil War surfaced in the divisive fight over Missouri statehood. The first organized Louisiana Purchase territory to lie completely west of the Mississippi River and northwest of the Ohio, Missouri carried special significance for both pro- and anti-slavery advocates. Northern congressmen leaped out of their seats to object to the proposed expansion of the slave "empire," while slave-state politicians voiced outrage at the northerners' blatant sectional attack. Although the Missouri confrontation ultimately appeared to end amicably with a famous compromise that the wily Kentuckian Henry Clay helped to cobble together, the passions it unleashed proved vicious, widespread, and long lasting. Van Atta deftly explains how the Missouri crisis revealed the power that slavery had already gained over American nation building. He explores the external social, cultural, and economic forces that gave the confrontation such urgency around the country, as well as the beliefs, assumptions, and fears that characterized both sides of the slavery argument. Wolf by the Ears provides students in American history with an ideal introduction to the Missouri crisis while at the same time offering fresh insights for scholars of the early republic.