A Concise History of the Caribbean offers a comprehensive interpretation of the history of the Caribbean islands from the beginning of human settlement to the present. It narrates processes of early human migration, the disastrous consequences of European colonisation, the development of slavery and the slave trade, the extraordinary profits earned by the plantation economy, the great revolution in Haiti, movements towards political independence, the Cuban Revolution, and the diaspora of Caribbean people. In this second edition, Higman covers the political, social, and environmental developments of the last decade, offering sections on insular politics, Cuban communism, earthquakes, hurricanes, climate change, resource ecologies, epidemics, identity and reparations. Written in a lively and accessible style, and current with the most recent research, the book provides a compelling narrative of Caribbean history essential for students and visitors.

Originally published in 1847, William W. Brown offers a first-person narrative that details his enslavement and the daring escape that ultimately led to his freedom. It's a captivating tale and testament to the perseverance and strength of the human spirit. In this narrative, William W. Brown presents the true story of his birth and life as an enslaved African American. He provides a truthful look at his origins, noting the unfortunate dynamic between his Black mother and white father. Brown goes into great detail explaining the rules and regulations of plantation life. He also discusses working on a steamboat, which eventually leads to his escape. Narrative of William W. Brown is a sobering story that illuminates the horrors of an inhumane institution. It's personal and vital record that gives insight into the darkest time in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Narrative of William W. Brown is both modern and readable.

Josephine Brown presents a detailed biography of her father, William Wells Brown, who was born on a plantation but escaped to become a successful abolitionist. Biography of an American Bondman by His Daughter is a viable supplement to the original Narrative of William W. Brown: A Fugitive Slave Biography of an American Bondman by His Daughter gives new insight into William Wells Brown's eventful life. Josephine Brown presents a vivid account of his origins which began on a Kentucky plantation. She explains the glaring power imbalance between enslaved people, their overseers and plantation owners. She also explains how her father was hired out to perform various odd jobs including innkeeper, steamboat captain and even slave trafficker. It was a brutal existence where patience and persistence were key to survival. An illuminating record of one of the most prominent figures in the abolitionist movement. Josephine Brown provides an updated history of her father's personal and professional achievements. It's an eye-opening account of William Wells Brown's revolutionary life. With an eye-catching new cover, and professionally typeset manuscript, this edition of Biography of an American Bondman by His Daughter is both modern and readable.

The first study to explore the lives of female slaves of the Ottoman imperial court, including the period following their manumission and transfer from the imperial palace. Through an analysis of a wide range of hitherto unexplored primary sources, Betul Ipsirli Argit demonstrates that the manumission of female palace slaves and their departure from the palace did not mean the severing of their ties with the imperial court; rather, it signaled the beginning of a new kind of relationship that would continue until their death. Demonstrating the diversity of experiences in non-dynastic female-agency in the early-modern Ottoman world, Life After the Harem shows how these evolving relationships had widespread implications for multiple parties, from the manumitted female palace slaves, to the imperial court, and broader urban society. In so doing, Ipsirli Argit offers not just a new way of understanding the internal politics and dynamics of the Ottoman imperial court, but also a new way of understanding the lives of the actors within it.

During the eighteenth and nineteenth centuries, the Caribbean was known as the 'grave of Europeans'. At the apex of British colonialism in the region between 1764 and 1834, the rapid spread of disease amongst colonist, enslaved and indigenous populations made the Caribbean notorious as one of the deadliest places on earth. Drawing on historical accounts from physicians, surgeons and travellers alongside literary works, Emily Senior traces the cultural impact of such widespread disease and death during the Romantic age of exploration and medical and scientific discovery. Focusing on new fields of knowledge such as dermatology, medical geography and anatomy, Senior shows how literature was crucial to the development and circulation of new medical ideas, and that the Caribbean as the hub of empire played a significant role in the changing disciplines and literary forms associated with the transition to modernity.

As If She Were Free brings together the biographies of twenty-four women of African descent to reveal how enslaved and recently freed women sought, imagined, and found freedom from the sixteenth through the nineteenth centuries in the Americas. Our biographical approach allows readers to view large social processes - migration, trade, enslavement, emancipation - through the perspective of individual women moving across the boundaries of slavery and freedom. For some women, freedom meant liberation and legal protection from slavery, while others focused on gaining economic, personal, political, and social rights. Rather than simply defining emancipation as a legal status that was conferred by those in authority and framing women as passive recipients of freedom, these life stories demonstrate that women were agents of emancipation, claiming free status in the courts, fighting for liberty, and defining and experiencing freedom in a surprising and inspiring range of ways.

During the nineteenth century and especially after the Civil War, scores of black abolitionists like Frederick Douglass, Moses Roper and Ellen Craft travelled to England, Ireland, Scotland, and parts of rural Wales to educate the public on slavery. By sharing their oratorical, visual, and literary testimony to transatlantic audiences, African American activists galvanised the antislavery movement, which had severe consequences for former slaveholders, pro-slavery defenders, white racists, and ignorant publics. Their journeys highlighted not only their death-defying escapes from bondage but also their desire to speak out against slavery and white supremacy on foreign soil. Hannah-Rose Murray explores the radical transatlantic journeys formerly enslaved individuals made to the British Isles, and what light they shed on our understanding of the abolitionist movement. She uncovers the reasons why activists visited certain locations, how they adapted to the local political and social climate, and what impact their activism had on British society.

'I learned something new on every page of this totally essential book' Sathnam Sanghera In this bold and radical book, award-winning science journalist Angela Saini goes in search of the true roots of gendered oppression, uncovering a complex history of how male domination became embedded in societies and spread across the globe. 'By thinking about gendered inequality as rooted in something unalterable within us, we fail to see it for what it is: something more fragile that has had to be constantly remade and reasserted.' In this bold and radical book, award-winning science journalist Angela Saini goes in search of the true roots of gendered oppression, uncovering a complex history of how male domination became embedded in societies and spread across the globe from prehistory into the present. Travelling to the world's earliest known human settlements, analysing the latest research findings in science and archaeology, and tracing cultural and political histories from the Americas to Asia, she overturns simplistic universal theories to show that what patriarchy is and how far it goes back really depends on where you are. Despite the push back against sexism and exploitation in our own time, even revolutionary efforts to bring about equality have often ended in failure and backlash. Saini ends by asking what part we all play - women included - in keeping patriarchal structures alive, and why we need to look beyond the old narratives to understand why it persists in the present.

The practice of slavery has been common across a variety of cultures around the globe and throughout history. Despite the multiplicity of slavery's manifestations, many scholars have used a simple binary to categorize slave-holding groups as either 'genuine slave societies' or 'societies with slaves'. This dichotomy, as originally proposed by ancient historian Moses Finley, assumes that there were just five 'genuine slave societies' in all of human history: ancient Greece and Rome, and the colonial Caribbean, Brazil, and the American South. This book interrogates this bedrock of comparative slave studies and tests its worth. Assembling contributions from top specialists, it demonstrates that the catalogue of five must be expanded and that the model may need to be replaced with a more flexible system that emphasizes the notion of intensification. The issue is approached as a question, allowing for debate between the seventeen contributors about how best to conceptualize the comparative study of human bondage.

In the Atlantic World, different groups were aromatically classified in opposition to other ethnic, gendered, and class assemblies due to an economic necessity that needed certain bodies to be defined as excremental, which culminated in the creation of a progressive tautology that linked Africa and waste through a conceptual hendiadys born of capitalist licentiousness. The African subject was defined as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. Embodied cultural knowledge was potent enough to alter the biological function of the five senses to create a European olfactory consciousness made to sense the African other as foul. Fascinating, informative, and deeply researched, The Smell of Slavery exposes that concerns with pungency within the Western self were emitted outward upon the freshly dug outhouse of the mass slave grave called the Atlantic World.

The past half-century has produced a mass of information regarding slave resistance, ranging from individual acts of disobedience to massive uprisings. Many of these acts of rebellion have been studied extensively, yet the ultimate goals of the insurgents remain open for discussion. Recently, several historians have suggested that slaves achieved their own freedom by resisting slavery, which counters the predominant argument that abolitionist pressure groups, parliamentarians, and the governmental and anti-governmental armies of the various slaveholding empires were the prime movers behind emancipation. Marques, one of the leading historians of slavery and abolition, argues that, in most cases, it is impossible to establish a direct relation between slaves' uprisings and the emancipation laws that would be approved in the western countries. Following this presentation, his arguments are taken up by a dozen of the most outstanding historians in this field. In a concluding chapter, Marques responds briefly to their comments and evaluates the degree to which they challenge or enhance his view.

In an incisive analysis of over two dozen clauses as well as several 'unwritten' rules and practices, The Constitutional Origins of the American Civil War shows how the Constitution aggravated the sectional conflict over slavery to the point of civil war. Going beyond the fugitive slave clause, the three-fifths clause, and the international slave trade clause, Michael F. Conlin demonstrates that many more constitutional provisions and practices played a crucial role in the bloody conflict that claimed the lives of over 750,000 Americans. He also reveals that ordinary Americans in the mid-nineteenth century had a surprisingly sophisticated knowledge of the provisions and the methods of interpretation of the Constitution. Lastly, Conlin reminds us that many of the debates that divide Americans today were present in the 1850s: minority rights vs. majority rule, original intent vs. a living Constitution, state's rights vs. federal supremacy, judicial activism vs. legislative prerogative, secession vs. union, and counter-majoritarianism vs. democracy.

The first full-length historical study of pre-abolition black British writing, this book challenges established narratives of eighteenth-century black history that focus almost exclusively on slavery and abolition. Ryan Hanley expands our perspectives to encompass the often neglected but important black writers of the time, and highlights their contribution to politics, culture, and the arts. He considers the lives and works of contemporary black literary celebrities alongside largely forgotten evangelical authors and political radicals to uncover how they came to produce such diverse and powerful work. By navigating the social, religious, political and professional networks that surrounded these authors and their writing, he also reveals that black intellectuals were never confined to the peripheries of British culture. From the decks of Royal Navy ships to the drawing rooms of country houses, from the pub to the pulpit, black writers, and the work they produced, helped to build modern Britain.

The personal computer has revolutionized communication, and digitized text has introduced a radically new medium of expression. Interactive, volatile, mixing word and image, the electronic word challenges our assumptions about the shape of culture itself.This highly acclaimed collection of Richard Lanham's witty, provocative, and engaging essays surveys the effects of electronic text on the arts and letters. Lanham explores how electronic text fulfills the expressive agenda of twentieth-century visual art and music, revolutionizes the curriculum, democratizes the instruments of art, and poses anew the cultural accountability of humanism itself. Persuading us with uncommon grace and power that the move from book to screen gives cause for optimism, not despair, Lanham proclaims that electronic expression has come not to destroy the Western arts but to fulfill them. The Electronic Word is also available as a Chicago Expanded Book for your Macintosh(r) . This hypertext edition allows readers to move freely through the text, marking pages, annotating passages, searching words and phrases, and immediately accessing annotations, which have been enhanced for this edition. In a special prefatory essay, Lanham introduces the features of this electronic edition and gives a vividly applied critique of this dynamic new edition.

The Slave Coast, situated in what is now the West African state of Benin, was the epicentre of the Atlantic Slave Trade. But it was also an inhospitable, surf-ridden coastline, subject to crashing breakers and devoid of permanent human settlement. Nor was it easily accessible from the interior due to a lagoon which ran parallel to the coast. The local inhabitants were not only sheltered against incursions from the sea, but were also locked off from it. Yet, paradoxically, it was this coastline that witnessed a thriving long-term commercial relation-ship between Europeans and Africans, based on the trans-Atlantic slave trade. How did it come about? How was it all organised? And how did the locals react to the opportunities these new trading relations offered them? The Kingdom of Dahomey is usually cited as the Slave Coast's archetypical slave raiding and slave trading polity. An inland realm, it was a latecomer to the slave trade, and simply incorporated a pre-existing system by dint of military prowess, which ultimately was to prove radically counterproductive. Fuglestad's book seeks to explain the Dahomean 'anomaly' and its impact on the Slave Coast's societies and polities.

As If She Were Free brings together the biographies of twenty-four women of African descent to reveal how enslaved and recently freed women sought, imagined, and found freedom from the sixteenth through the nineteenth centuries in the Americas. Our biographical approach allows readers to view large social processes - migration, trade, enslavement, emancipation - through the perspective of individual women moving across the boundaries of slavery and freedom. For some women, freedom meant liberation and legal protection from slavery, while others focused on gaining economic, personal, political, and social rights. Rather than simply defining emancipation as a legal status that was conferred by those in authority and framing women as passive recipients of freedom, these life stories demonstrate that women were agents of emancipation, claiming free status in the courts, fighting for liberty, and defining and experiencing freedom in a surprising and inspiring range of ways.

Focusing on U.S. slavery and its aftermath in the nineteenth century, The Archive of Fear explores the traumatic force field that continued to inflect discussions of slavery and abolition both before and after the Civil War. It challenges the long-assumed distinction between psychological and cultural-historical theories of trauma, discovering a virtual dialogue between three central U. S. writers and Sigmund Freud concerning the traumatic response of slavery's perpetrators. A strain of trauma theory and practice comes alive in the temporal and spatial disruptions of New World slavery-and The Archive of Fear shows how key elements of that theory still inform the infrastructure of race relations today. It argues that trauma theory before Freud first involves a return to an overlap between crisis, insurrection, and mesmerism found in the work of Frederick Douglass, Harriet Beecher Stowe, and W. E. B. Du Bois. Mesmer's "crisis state" has long been read as the precursor to hypnosis, the tool Freud famously rejected when he created psychoanalysis. But the story of what was lost to trauma theory when Freud adopted the "talk cure" can be told through cultural disruptions of New World slavery, especially after mesmerism arrived in Saint Domingue where its implication in the Haitian revolution in both reality and fantasy had an impact on the history of emancipation in the United States.

The study of slavery in the Americas generally assumes a basic racial hierarchy: Africans or those of African descent are usually the slaves, and white people usually the slaveholders. In this unique interdisciplinary work of historical archaeology, anthropologist Katherine Hayes draws on years of fieldwork on Shelter Island's Sylvester Manor to demonstrate how racial identity was constructed and lived before plantation slavery was racialized by the legal codification of races. Using the historic Sylvester Manor Plantation site turned archaeological dig as a case study, Hayes draws on artifacts and extensive archival material to present a rare picture of northern slavery on one of the North's first plantations. The Manor was built in the mid-17th century by British settler Nathaniel Sylvester, whose family owned Shelter Island until the early 18th century and whose descendants still reside in the Manor House. There, as Hayes demonstrates, white settlers, enslaved Africans, and Native Americans worked side by side. While each group played distinct roles on the Manor and in the larger plantation economy of which Shelter Island was part, their close collaboration and cohabitation was essential for the Sylvester family's economic and political power in the Atlantic Northeast. Through the lens of social memory and forgetting, this study addresses the significance of Sylvester Manor's plantation history to American attitudes about diversity, Indian land politics, slavery and Jim Crow, in tension with idealized visions of white colonial community.

Slavery casts a long shadow over American history; despite the cataclysmic changes of the Civil War and emancipation, the United States carried antebellum notions of slavery into its imperial expansion at the turn of the twentieth-century. African American, Chinese and other immigrant labourers were exploited in the name of domestic economic development, and overseas, local populations were made into colonial subjects of America. How did the U.S. deal with the paradox of presenting itself as a global power which abhorred slavery, while at the same time failing to deal with forced labour at home? Catherine Armstrong argues that this was done with rhetorical manoeuvres around the definition of slavery. Drawing primarily on representations of slavery in American print culture, this study charts how definitions and depictions of slavery both changed and stayed the same as the nation became a prominent actor on the world stage. In doing so, Armstrong challenges the idea that slavery is a merely historical problem, and shows its relevance in the contemporary world.

"We've railed against injustice for decade upon decade, a lifetime of struggle and progress and enlightenment that we see etched in Fredrick Douglass's mighty, leonine gaze." -Barack Obama "My Bondage and my Freedom, besides giving a fresh impulse to antislavery literature, shows upon its pages the untiring industry of the ripe scholar."-William Wells Brown My Bondage and my Freedom (1845), a classic of American History writing and one of the most influential and ennobling autobiographies ever written, was composed while Fredrick Douglas was at his heights as an orator and writer. At the time of writing, Douglass had also reached the pinnacle of his work as a leader in the abolitionist movement and as an influential newspaper publisher. This incisive and eloquent book is at once an extraordinary story of resilience and a meditation on power, education, and freedom. The depictions of Fredrick Douglass's early life on a Maryland slave plantation, the series of relocations and abuses under various overseers, and his eventual freedom are an extraordinarily vivid portrait of the United States leading up to the beginning of the Civil War. My Bondage and my Freedom is a brilliant account of a singular life and as well as a scathing reproach to one of the darkest episodes of American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of My Bondage and my Freedom is both modern and readable.

This Modern Library Paperback Classics edition combines the two most important African American slave narratives into one volume.
Frederick Douglass's Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass's own triumph over it. Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs's account broke the silence on the exploitation of African American female slaves, and it remains crucial reading. These narratives illuminate and inform each other. This edition includes an incisive Introduction by Kwame Anthony Appiah and extensive annotations.

"From the Trade Paperback edition.

Over the past fifteen years, visitors from the African diaspora have flocked to Cape Coast and Elmina, two towns in Ghana whose chief tourist attractions are the castles and dungeons where slaves were imprisoned before embarking for the New World. This desire to commemorate the Middle Passage contrasts sharply with the silence that normally cloaks the subject within Ghana. Why do Ghanaians suppress the history of enslavement? And why is this history expressed so differently on the other side of the Atlantic?
"Routes of Remembrance" tackles these questions by analyzing the slave trade's absence from public versions of coastal Ghanaian family and community histories, its troubled presentation in the country's classrooms and nationalist narratives, and its elaboration by the transnational tourism industry. Bayo Holsey discovers that in the past, African involvement in the slave trade was used by Europeans to denigrate local residents, and this stigma continues to shape the way Ghanaians imagine their historical past. Today, however, due to international attention and the curiosity of young Ghanaians, the slave trade has at last entered the public sphere, transforming it from a stigmatizing history to one that holds the potential to contest global inequalities.
Holsey's study will be crucial to anyone involved in the global debate over how the slave trade endures in history and in memory.