How are natures and animals integrated inclusively into research projects through Multispecies Ethnography? While preceded by a vision that seeks to question holistically how scientists can integrate natures and animals into research projects through Multispecies Ethnography, this book focuses on inter- and multidisciplinary collaboration. From an examination of the interfaces between social and natural science-oriented disciplines, a complex view of natures, humans, and animals emerges. The insights into interdependencies of different disciplines illustrate the need for a Multispecies Ethnography to analyze HumansAnimalsNaturesCultures. While the methodology is innovative and currently not widespread, the application of Multispecies Ethnography in areas of research such as climate change, species extinction, or inequalities will allow new insights. These research debates are closely interwoven, and the methodological inclusion of the agency of natures and animals and the consideration of Indigenous Knowledge allow new insights of holistic multispecies research for the different disciplines. Multispecies Ethnography allows for positivist, innovative, attentive, reflexive and complex analyses of HumansAnimalsNaturesCultures.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.

Social life is in a constant process of change, and sociology can never stand still. As a result, sociology today is a theoretically diverse enterprise, covering a huge range of subjects and drawing on a broad array of research methods. Central to this endeavour is the use of core concepts and ideas which allow sociologists to make sense of societies, though our understanding of these concepts necessarily evolves and changes. This clear and jargon-free book introduces a careful selection of essential concepts that have helped to shape sociology and others that continue to do so. Going beyond brief, dictionary-style definitions, Anthony Giddens and Philip W. Sutton provide an extended discussion of each concept which sets it in historical and theoretical context, explores its main meanings in use, introduces relevant criticisms, and points readers to its ongoing development in contemporary research and theorizing. Organized in ten thematic sections, the book offers a portrait of sociology through its essential concepts, ranging from capitalism, identity and deviance to globalization, the environment and intersectionality. It will be essential reading for all those new to sociology as well as anyone seeking a reliable route map for a rapidly changing world.

This unique and insightful book provides a comprehensive examination of contemporary cultural policy and its discourses, influences, and consequences. It examines the factors that have led to a narrowing of cultural policy and suggests new ways of thinking about cultural policy beyond economics by reconnecting it with the practices of work, value, and the social. With a particular focus on Australia and the UK, and with reference to transnational bodies including UNESCO, this book identifies and examines influential national and international factors that have shaped cultural policy, including its implementation of an economic agenda. Deborah Stevenson retraces the foundations of contemporary cultural policy, with chapters exploring the hierarchies of legitimacy that form the basis of value and excellence, the increased hegemony of the economy within the art world complex, and the notions of class and gender as two key factors of social inequality that shape access to the arts. Analysing cultural value, work, and the social as important points of tension and potential disruption within contemporary cultural policy, this book will be essential reading for students and scholars of arts and cultural management, cultural policy studies, cultural sociology, economics, and leisure and urban studies. It will also be of interest to students, scholars, and practitioners across the humanities and the social sciences.