Birth-based citizenship is widely considered to be the most secure claim to political belonging. Despite the general belief that liberal democracies are formed through consent, in fact, most people are members of a political community by virtue of the circumstances of their birth. In Canadian Club, Lois Harder tracks the development of Canada's Citizenship Act from its first iteration in 1947 to the provisions governing the citizenship of children born abroad to Canadian parents with the assistance of reproductive technologies. Reviewing a range of cases, Harder reveals how membership in the Canadian political community relies on norms surrounding gender, family, and sexuality, as well as presumptions regarding the constitution of "authentic" national identity, racial hierarchy, and the rightness of settler colonialism. Canadian Club concludes with a consideration of alternative approaches to forming political communities. Ultimately, it asks whether birth-based citizenship is the best we can do and what a more democratic and socially just alternative might look like.

Data has never mattered more. Our lives are increasingly shaped by it and how it is defined, collected and used. But who counts in the collection, analysis and application of data? This important book is the first to look at queer data - defined as data relating to gender, sex, sexual orientation and trans identity/history. The author shows us how current data practices reflect an incomplete account of LGBTQ lives and helps us understand how data biases are used to delegitimise the everyday experiences of queer people. Guyan demonstrates why it is important to understand, collect and analyse queer data, the benefits and challenges involved in doing so, and how we might better use queer data in our work. Arming us with the tools for action, this book shows how greater knowledge about queer identities is instrumental in informing decisions about resource allocation, changes to legislation, access to services, representation and visibility.

Transforming Saints explores the transformation and function of the images of holy females within wider religious, social, and political contexts of Old Spain and New Spain from the Spanish conquest to Mexican independence. The chapters here examine the rise of the cults of the lactating Madonna, St. Anne, St. Librada, St. Mary Magdalene, and the Suffering Virgin. Concerned with holy figures presented as feminine archetypes, images that came under Inquisition scrutiny, as well as cults suspected of concealing indigenous influences, Charlene VillaseNor Black argues that these images would come to reflect the empowerment and agency of women in viceregal Mexico. Her close analysis of the imagery additionally demonstrates artists' innovative responses to Inquisition censorship and the new artistic demands occasioned by conversion. The concerns that motivated the twenty-first century protests against Chicana artists Yolanda LOpez in 2001 and Alma LOpez in 2003 have a long history in the Hispanic world-anxieties about the humanization of sacred female bodies and fears of indigenous influences infiltrating Catholicism. In this context Black also examines a number of important artists in depth, including El Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and Naples and Baltasar de Echave IbIa, Juan Correa, CristObal de Villalpando, and Miguel Cabrera.

In China less-qualified young migrants are living in subaltern condition and young migrants graduates have strongly internalised the idea of being the "heroes". Young internal and international migrants from China produce through top-dow and bottom-up globalisation. The young Chinese migrant incarnates the Global Individual, what we labeled here as the Compressed Individual.

This edited volume offers a contemporary rethinking of the relationship between love and care in the context of neoliberal practices of professionalization and work. Each of the book's three sections interrogates a particular site of care, where the affective, political, legal, and economic dimensions of care intersect in challenging ways. These sites are located within a variety of institutionally managed contexts such as the contemporary university, the theatre hall, the prison complex, the family home, the urban landscape, and the care industry. The geographical spread of the case studies stretches across India, Vietnam, Sweden, Brazil, South Africa, the UK and the US and provides broad coverage that crosses the divide between the Global North and the Global South. To address this transnational interdisciplinary field of study, the collection utilises insights from across the humanities and social sciences and includes contributions from literature, sociology, cultural and media studies, philosophy, feminist theory, theatre, art history, and education. These inquiries build on a variety of conceptual tools and research methods, from data analysis to psychoanalytic reading. Love and the Politics of Care delivers an attentive and widely relevant examination of the politics of care and makes a compelling case for an urgent reconsideration of the methods that currently structure and regulate it.

Disability and Dissensus is a comprehensive collection of essays that reflects the interdisciplinary nature of critical cultural disability studies. The volume offers a selection of texts by numerous specialists in different areas of the humanities, both well-established scholars and young academics, as well as practitioners and activists from the USA, the UK, Poland, Ireland, and Greece. Taking inspiration from Critical Disability Studies and Jacques Ranciere's philosophy, the book critically engages with the changing modes of disability representation in contemporary cultures. It sheds light both on inspirations and continuities as well as tensions and conflicts within contemporary disability studies, fostering new understandings of human diversity and contributing to a dissensual ferment of thought in the academia, arts, and activism. Contributors are: Rosemarie Garland-Thomson, Dan Goodley, Marek Mackiewicz-Ziccardi, Malgorzata Sugiera, David T. Mitchell, Sharon L. Snyder, Maria Tsakiri, Murray K. Simpson, James Casey, Agnieszka Izdebska, Edyta Lorek-Jezinska, Dorota Krzeminska, Jolanta Rzeznicka-Krupa, Wiktoria Siedlecka-Dorosz, Katarzyna Ojrzynska, Christian O'Reilly, and Len Collin.

An Anthology of Death, Dying, and the Living offers students a multifaceted, cross-disciplinary, and intellectual exploration of death, what it means to be human, and what it means to truly live. Through a historic and anthropological lens, students read articles that address diverse domestic and international events and convene a variety of perspectives in terms of culture and identity as they relate to death, dying, and living. The anthology is divided into five distinct sections: Should We Fear Death? To Die is to Have Lived!; Existential Death-Suicide?; Death and the Family; Death and the Self (Grief, Mourning, and Elegies); and Biomedical Death-What Does it Mean to Die with Dignity?. Each section features articles from a variety of sources that draw from the disciplines of anthropology, philosophy, psychology, sociology, biology, politics, government and law, and religious studies. Students experience a holistic and complete examination of various understandings, interpretations, and viewpoints about life, death, and the interplay between the two. The revised first edition includes two new readings. The first is an article by the editor, Atiba Rougier, that considers the national-and personal-impacts of 9/11 and COVID-19, and the second is a piece by a gastroenterologist and chronicles how their role at a hospital changed during the pandemic. An accessible, emotional, and thought-provoking collection, An Anthology of Death, Dying, and the Living is well suited for courses that explore death and dying from a sociological, psychological, philosophical, or anthropological perspective.

Naomi "Omie" Wise was drowned by her lover in the waters of North Carolina's Deep River in 1807, and her murder has been remembered in ballad and story for well over two centuries. Mistakes, romanticization and misremembering have been injected into Naomi's biography over time, blurring the line between reality and fiction. The authors of this book, whose family has lived in the Deep River area since the 18th century, are descendants of many of the people who knew Naomi Wise or were involved in her murder investigation. This is the story of a young woman betrayed and how her death gave way to the folk traditions by which she is remembered today. The book sheds light on the plight of impoverished women in early America and details the fascinating inner workings of the Piedmont North Carolina Quaker community that cared for Naomi in her final years and kept her memory alive.

Transforming Saints explores the transformation and function of the images of holy females within wider religious, social, and political contexts of Old Spain and New Spain from the Spanish conquest to Mexican independence. The chapters here examine the rise of the cults of the lactating Madonna, St. Anne, St. Librada, St. Mary Magdalene, and the Suffering Virgin. Concerned with holy figures presented as feminine archetypes, images that came under Inquisition scrutiny, as well as cults suspected of concealing indigenous influences, Charlene VillaseNor Black argues that these images would come to reflect the empowerment and agency of women in viceregal Mexico. Her close analysis of the imagery additionally demonstrates artists' innovative responses to Inquisition censorship and the new artistic demands occasioned by conversion. The concerns that motivated the twenty-first century protests against Chicana artists Yolanda LOpez in 2001 and Alma LOpez in 2003 have a long history in the Hispanic world-anxieties about the humanization of sacred female bodies and fears of indigenous influences infiltrating Catholicism. In this context Black also examines a number of important artists in depth, including El Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and Naples and Baltasar de Echave IbIa, Juan Correa, CristObal de Villalpando, and Miguel Cabrera.