|
Books > Language & Literature > Language teaching & learning (other than ELT) > Specific skills > Speaking / pronunciation skills
Introduccion a la pronunciacion del espanol familiarizes students
with the sounds of the Spanish language. The text underscores the
importance of accurate Spanish pronunciation for second language
acquisition and mastery. Students are provided with a detailed
articulatory description of each vowel and consonant sound or
segment within the Spanish language, immediately followed by a
review of common mistakes to avoid when trying to produce each
sound. !Pronuncialo bien! boxes throughout the book highlight
errors that can contribute to a strong foreign accent when speaking
Spanish. Readers learn strategies to avoid pronunciation mistakes
and practice correct pronunciation with the help of audio
recordings. Guided transcription exercises throughout the text
provide students with additional opportunities to practice
listening, writing, and identifying phonetic nuances in Spanish.
Developed to help students achieve greater mastery and fluency,
Introduccion a la pronunciacion del espanol is an exemplary
resource for courses and programs in Spanish.
Disruptive pedagogies for archival research In a cultural moment
when institutional repositories carry valuable secrets to the
present and past, this collection argues for the critical,
intellectual, and social value of archival instruction. Graban and
Hayden and 37 other contributors examine how undergraduate and
graduate courses in rhetoric, history, community literacy, and
professional writing can successfully engage students in archival
research in its many forms, and successfully model mutually
beneficial relationships between archivists, instructors, and
community organizations.Combining new and established voices from
related fields, each of the book's three sections includes a range
of form-disrupting pedagogies. Section I focuses on how approaching
the archive primarily as textfosters habits of mind essential for
creating and using archives, for critiquing or inventing
knowledge-making practices, and for being good stewards of private
and public collections. Section II argues for conducting archival
projects as collaboration through experiential learning and for
developing a preservationist consciousness through disciplined
research. Section III details praxis for revealing, critiquing, and
intervening in historic racial omissions and gaps in the archives
in which we all work. Ultimately, contributors explore archives as
sites of activism while also raising important questions that
persist in rhetoric and composition scholarship, such as how to
decolonize research methodologies, how to conduct teaching and
research that promote social justice, and how to shift archival
consciousness toward more engaged notions of democracy. This
collection highlights innovative classroom and curricular course
models for teaching with and through the archives in rhetoric and
composition and beyond.
|
|