An innovative and compelling presentation of world-class Tibetan Buddhist art, elucidating its esoteric themes through visual storytelling Encouraging personal engagement with Tibetan Buddhism, this dynamic book presents spectacular Himalayan art and explores the philosophical tenets encoded in its imagery. Taking as its theme the universally accessible experience of Awakening, the book's main text leads readers along an immersive journey of self-discovery, aided by a virtual guide, or lama, and traditional art meant to support meditative practice. Complementary essays examine Tibetan Buddhism's ritual tools, paintings, symbolic imagery, and artistic traditions. Beautiful color images of all artworks, including three by contemporary Nepalese-American artist Tsherin Sherpa, and selected important details enhance our understanding of their complex iconography. Distributed for the Virginia Museum of Fine Arts Exhibition Schedule: Virginia Museum of Fine Arts, Richmond (04/27/19-08/18/19) Asian Art Museum of San Francisco (01/17/20-04/19/20)

If you take just a moment to explore sacred texts, spiritual teachings, novels, poetry, another cultural, essays from great historians, or travel somewhere because you just felt the need to go or exercise your faith, follow your dream or do something that fires your imagination, stirs your soul, and expands your circle of compassion, you first must believe in yourself and that everything is possible. You want change, look around you, look at every day as a gift. You and only you create your every day world. Everything that happens to you in your life is because of you. Cause and Effect, its real, and is happening now, but you need to recognize its happening. A journey can start for a reason not associated to the"why" factor, its synchronicity. It is like a spiritual practice to live everyday in happiness. And everybody can have this, the only condition is your 100% true decision to want change in your life for happiness. Whenever we give attention to something, this creative energy flows through us and expands, enlivens and charges the object of our attention. The tool we use to focus attention is the mind. Mind itself isn't the creator of well being, but it is the focus, the conduit, the medium through which unlimited creative energy, love, abundance, all that is, can flow through. We use mind power to create everything in our lives, including well being, whether we do it consciously or unconsciously. I hope that after reading this book, you will find a new insight, no matter how small, of understand that change is and always up to you.

SEARCHING FOR THE HEART OF SACRED SPACE is about Landscape, Buddhism and Awakening - spoken in the same breath. The author personally explores ways of being in sacred landscapes, foundations for designing the contemplative garden. The book candidly reveals a path of transformation. Discovering the riches of the woods in Finland, the author investigates the natural environment for local government in Upstate New York and USAID in Nepal. He begins to taste the meaning of a spiritual home. Mentored by Tom Johnson at Cornell University, he designs a Tibetan Buddhist meditation centre, one of the first in North America. During a private audience, H. H. the Dalai Lama questions the basis for the design. Firmly linking the design of landscape to a spiritual path, the author questions, - "What is the truth of design? How deep would I go to draw inspiration? How deeply am I willing to know myself in order to design sacred landscape?" His search for the heart of sacred space points to an astounding historical connection between Kyoto's temple gardens and Pretapuri in Western Tibet, one of Buddhism's twenty-four sacred tantric sites. Guided by Zasep Tulku Rinpoche, he dissects the reference, an old Japanese garden-making text designating the first stones set upright in the landscape - 8,631 stones on the Tibetan Plateau guarded by the Eight Naga Kings. He makes a pilgrimage to Pretapuri, a landscape charged with the power of spiritual agreement between pilgrims and deities, revealed as three layers of discourse. External explanations enrich physical descriptions with tales told by rivers and terraces about the meaning of life. Internal explanations relate stories and legends investing a place with subtle attributes accorded to a sacred landscape. Secret explanations present a landscape produced by the power of the Six Perfections, graced by the purity and wisdom of Buddhas and Bodhisattvas, corresponding to a structured pattern of focal points of energy and subtle channels. As a landscape architect and Buddhist, the author personally speaks with these provocative landscapes and the historical characters who previously addressed their mysteries, calling extensive textual references into the discussion. By disarming the feral conditions left by others, and awakening to the perfection and beauty of sacred landscapes, he uncovers profound tools for designing gardens for contemplation. Discovering layers of subtlety enhanced with hand-drawn maps and sketches in this book, you may never look at landscape the same way again; instead, seeing the world unbound wonder and reverence - naked - in silence ... and the unbearable lightness of space.

The ancient Tibetans devised a unique system to prove, logically, if something is true or not. Learn how to form a correct argument, how to determine whether an argument is true, and what are the follow up strategies on a line of argument. Applications for their techniques extend into every aspect of one's life: job, family, health. The ability to process information and arrive at a correct, logical conclusion is something we can all benefit from

"If you recite this when you arise, then you will accomplish all of your wholesome aims for the day. If you recite it when you go to sleep, then you will have nourishing dreams. If you recite it before you go to into action, you will be virtuous and successful. If you recite it when you begin an activity, then the good that you aspire to will increase. If you recite it daily, then health, longevity, glory, prosperity, auspiciousness, happiness and virtue will accompany you according to your thoughts and actions. All harmful actions and obscurations will be purified. Both the higher realms and the resplendent Buddhahood - all aims will be accomplished. This was said by the Supreme Victor - Jamgon Ju Mipham."

Tsultrim Allione brings an eleventh-century Tibetan woman's practice to the West for the first time with FEEDING YOUR DEMONS, an accessible and effective approach for dealing with negative emotions, fears, illness, and self-defeating patterns. Allione-one of only a few female Buddhist leaders in this country and comparable in American religious life to Pema Chodron-bridges this ancient Eastern practice with today's Western psyche. She explains that if we fight our demons, they only grow stronger. But if we feed them, nurture them, we can free ourselves from the battle. Through the clearly articulated practice outlined in FEEDING YOUR DEMONS, we can learn to overcome any obstacle and achieve freedom and inner peace.

Buddhism is in many ways a visual tradition, with its well-known practices of visualization, its visual arts, its epistemological writings that discuss the act of seeing, and its literature filled with images and metaphors of light. Some Buddhist traditions are also visionary, advocating practices by which meditators seek visions that arise before their eyes. Naked Seeing investigates such practices in the context of two major esoteric traditions, the Wheel of Time (Kalacakra) and the Great Perfection (Dzogchen). Both of these experimented with sensory deprivation, and developed yogas involving long periods of dwelling in dark rooms or gazing at the open sky. These produced unusual experiences of seeing, which were used to pursue some of the classic Buddhist questions about appearances, emptiness, and the nature of reality. Along the way, these practices gave rise to provocative ideas and suggested that, rather than being apprehended through internal insight, religious truths might also be seen in the exterior world-realized through the gateway of the eyes. Christopher Hatchell presents the intellectual and literary histories of these practices, and also explores the meditative techniques and physiology that underlie their distinctive visionary experiences.
The book also offers for the first time complete English translations of three major Tibetan texts on visionary practice: a Kalacakra treatise by Yumo Mikyo Dorje, The Lamp Illuminating Emptiness, a Nyingma Great Perfection work called The Tantra of the Blazing Lamps, and a Bon Great Perfection work called Advice on the Six Lamps, along with a detailed commentary on this by Drugom Gyalwa Yungdrung."

"The Collected Works of Chogyam Trungpa" brings together in eight volumes the writings of one of the first and most influential and inspirational Tibetan teachers to present Buddhism in the West. Organized by theme, the collection includes full-length books as well as articles, seminar transcripts, poems, plays, and interviews, many of which have never before been available in book form. From memoirs of his escape from Chinese-occupied Tibet to insightful discussions of psychology, mind, and meditation; from original verse and calligraphy to the esoteric lore of tantric Buddhism--the impressive range of Trungpa's vision, talents, and teachings is showcased in this landmark series. Volume Seven features the work of Chogyam Trungpa as a poet, playwright, and visual artist and his teachings on art and the creative process, which are among the most innovative and provocative aspects of his activities in the West. While it includes material in which Trungpa Rinpoche shares his knowledge of the symbolism and iconography of traditional Buddhist arts (in "Visual Dharma)," this richly varied volume primarily focuses on his own, often radical creative expressions. "The Art of Calligraphy" is a wonderful showcase for his calligraphy, and "Dharma Art" brings together his ideas on art, the artistic process, and aesthetics. Tibetan poetics, filmmaking, theater, and art and education are among the topics of the selected writings.

Love and Liberation reads the autobiographical and biographical writings of one of the few Tibetan Buddhist women to record the story of her life. Sera Khandro Kunzang Dekyong Chonyi Wangmo (also called Dewe Dorje, 1892-1940) was extraordinary not only for achieving religious mastery as a Tibetan Buddhist visionary and guru to many lamas, monastics, and laity in the Golok region of eastern Tibet, but also for her candor. This book listens to Sera Khandro's conversations with land deities, dakinis, bodhisattvas, lamas, and fellow religious community members whose voices interweave with her own to narrate what is a story of both love between Sera Khandro and her guru, Drime Ozer, and spiritual liberation. Sarah H. Jacoby's analysis focuses on the status of the female body in Sera Khandro's texts, the virtue of celibacy versus the expediency of sexuality for religious purposes, and the difference between profane lust and sacred love between male and female tantric partners. Her findings add new dimensions to our understanding of Tibetan Buddhist consort practices, complicating standard scriptural presentations of male subject and female aide. Sera Khandro depicts herself and Drime Ozer as inseparable embodiments of insight and method that together form the Vajrayana Buddhist vision of complete buddhahood. By advancing this complementary sacred partnership, Sera Khandro carved a place for herself as a female virtuoso in the male-dominated sphere of early twentieth-century Tibetan religion.

The Buddha himself said in a Lesser Vehicle sutra: "Son of the family You are to become expert in the skandhas. You are to become expert in the ayatanas. You are to become expert in the dhatus. You are to become expert in pratityasamutpada. You are to become expert in topics. You are to become expert in non-topics." With these words, the Buddha indicated that there are six topics which must be learned, at least to some extent, by every one of his followers. Although the Buddha gave these teachings in the Lesser Vehicle, they are a necessary foundation for practitioners of all levels, from those studying the Lesser Vehicle to those practising Mahamudra and Great Completion. This book gives a thorough explanation of the six topics using a text written by Zhanphen Chokyi Nangwa, or Khenchen Zhan-ga as he is more commonly known, the greatest of all abbots to have presided over the famous Shri Singha monastic college at Dzogchen Monastery, Tibet. The author of the book, the well-known teacher and translator Tony Duff, supplements the explanations in the text with many clarifications in an extensive introduction. The text is very similar to Mipham Namgyal's famous "mkhas 'jug" or Gateway to Knowledge as it has been called. Unfortunately, Mipham's text is difficult for beginners. Zhan-ga's text is quite different; it was not written merely as a piece of scholarship, but was carefully composed so as not to exclude beginners with excessively difficult explanations and moreover to be helpful to practitioners of all levels. For these reasons, Gangteng Tulku has selected our book rather than Mipham's Gateway of Knowledge in order to teach this topic to students in the second year of his shedra. Extensive explanations of the meaning of the six topics are provided by the author from his own knowledge gathered during forty years of studying with the Gelug, Kagyu, and Nyingma traditions, not to mention his extensive stays at Dzogchen Monastery where he learned the approach of Zhan-ga directly from Zhan-ga's successors. Ample footnotes, an extensive glossary, and a carefully corrected edition of the Tibetan text are also provided.

Dragpa Gyaltsan's writings in Tibetan fill four volumes of almost a thousand pages each. He was a statesman, a physician, an historian, and a poet, not to mention an adept in Buddhist practice, both exoteric and esoteric. The present volume of translations represents a mere sampling of his extraordinary literary acumen. I have made selections from his poetry and historical writings, an account of his dreams, and a few practice related works. These works will be interesting to many kinds of readers, depending on their personal inclinations. I have included one work written by his brother, Sonam Tsemo: The Six Dharmas of Guru Vajrasana. I present these to you as literature for you to enjoy. The practices that are described in some of the works are meant to be pursued under the instruction of a qualified teacher. Readers who find them intriguing are encouraged to seek out such guidance. My translation of a biography of Dragpa Gyaltsan, written by Sakya Pandita, is to be found in the first volume of the Sakya Kongma Series: Sakya Pandita's Poetic Wisdom. A Melody of Experience for Yeshe Dorje, included in this volume, was first published in Melody of Dharma, the official magazine of the Sakya Drolma Podrang.

Other Emptiness is the view of emptiness that goes with wisdom. It has long been thought amongst Westerners that the view of emptiness championed by the Gelug tradition following the views of Tsongkhapa is the one and only view of emptiness in the Buddhist teachings. However, that is not the case. The majority of Tibetan Buddhists accept two approaches to emptiness, a logical approach called empty of self and a non-conceptual approach called empty of other. This book clearly presents all of these views and shows how the empty of other type of emptiness is actually the ultimate teaching of the Buddha, the teaching on how to enter non-dual wisdom. Other emptiness has usually been thought of amongst Westerners who have heard of it as a very complicated and difficult philosophy. It is subtle, that is true, because it describes what it is like to be in wisdom. However, it was not taught as a difficult philosophy. Rather, it was taught as a practical teaching on how to enter non-dual wisdom. The book explores this point at length. The book was written to be useful for all levels of reader. It starts simply, giving a clear explanation of the Buddha's non-dual teaching and how the other emptiness teaching is part of that. Then it goes into details about the history and teaching other emptiness. Finally, it goes in to great technical detail concerning the other emptiness teaching, and supports that with extensive materials from various Tibetan teachers. Unlike many of the books on other emptiness that have appeared, this book does not only present the theory of other emptiness but keeps a proper balance between showing the theory of other emptiness and presenting the practice-based reality of the teaching. The book is divided into four parts, each one a set of presentations from someone knowledgeable of the subject. The first part is several chapters written by the author in plain English in order to get the reader under way. Following that, there are sections embodying the explanations of Dolpopa Sherab Gyaltsen, Khenpo Tsultrim Gyatso, and amgon Kongtrul the great. Ample introductions, glossaries and so on are provided.