'Place in garden, lawn, to beautify landscape.' When Don Featherstone's plastic pink flamingos were first advertised in the 1957 Sears catalogue, these were the instructions. The flamingos are placed on the cover of this book for another reason: to start us asking questions. That's where philosophy always begins. Introducing Aesthetics and the Philosophy of Art is written to introduce students to a broad array of questions that have occupied philosophers since antiquity, and which continue to bother us today-questions like: - Is there something special about something's being art? Can a mass-produced plastic bird have that special something? - If someone likes plastic pink flamingos, does that mean they have bad taste? Is bad taste a bad thing? - Do Featherstone's pink flamingos mean anything? If so, does that depend on what Featherstone meant in designing them? Each chapter opens using a real world example - such as Marcel Duchamp's signed urinal, The Exorcist, and the ugliest animal in the world - to introduce and illustrate the issues under discussion. These case studies serve as touchstones throughout the chapter, keeping the concepts grounded and relatable. With its trademark conversational style, clear explanations, and wealth of supporting features, Introducing Aesthetics and the Philosophy of Art is the ideal introduction to the major problems, issues, and debates in the field. Now expanded and revised for its second edition, Introducing Aesthetics and the Philosophy of Art is designed to give readers the background and the tools necessary to begin asking and answering the most intriguing questions about art and beauty, even when those questions are about pink plastic flamingos.

We ordinarily take it as obvious that we acquire knowledge of our world on the basis of sensory perception, and that such knowledge plays a central cognitive and practical role in our lives. Upon reflection, however, it is far from obvious what perception involves and how exactly it contributes to our knowledge. Indeed, skeptical arguments have led some to question whether we have any knowledge, or even rational or justified belief, regarding the world outside our minds. Investigating the nature and scope of our perceptual knowledge and perceptually justified belief, A Critical Introduction to the Epistemology of Perception provides an accessible and engaging introduction to a flourishing area of philosophy. Before introducing and evaluating the main theories in the epistemology of perception, Ali Hasan sets the stage with a discussion of skepticism, realism, and idealism in early modern philosophy, theories of perceptual experience (sense-datum theory, adverbialism, intentionalism, and metaphysical disjunctivism), and central controversies in general epistemology. Hasan then surveys the main theories in the contemporary debate, including coherentism, abductivism, phenomenal conservatism or dogmatism, reliabilism, and epistemological disjunctivism, presenting the motivations and primary objections to each. Hasan also shows how to avoid confusing metaphysical issues with epistemological ones, and identifies interesting connections between the epistemology and metaphysics of perception. For students in epistemology or the philosophy of perception looking to better understand the central questions, concepts, and debates shaping contemporary epistemology, A Critical Introduction to the Epistemology of Perception is essential reading.

"Morality and religion have failed because they are based on duplicity and fantasy. We need something new." This bold statement is the driving force behind Richard Garner's "Beyond Morality." In his book, Garner presents an insightful defense of moral error theory-the idea that our moral thought and discourse is systemically flawed. Establishing his argument with a discerning survey of historical and contemporary moral beliefs from around the world, Garner critically evaluates the plausibility of these beliefs and ultimately finds them wanting. In response, Garner suggests that humanity must "get beyond morality" by rejecting traditional language and thought about good and bad, right and wrong. He encourages readers to adhere to an alternative system of thought: "informed, compassionate amoralism," a blend of compassion, non-duplicity, and clarity of language that Garner believes will nurture our capability for tolerance, creation, and cooperation. By abandoning illusion and learning to listen to others and ourselves, Garner insists that society can and will find harmony.

Richard Garner's, "Beyond Morality" delves deep into the thoughts and codes that inform the actions of humanity and offers a solution to the embedded error of these forces. An essential text for students of philosophy, "Beyond Morality" provides a groundwork for improving human action and relationships.

Richard Garner is Professor Emeritus of Philosophy at Ohio State University.

"One can discern the influence of the moral skeptic upon philosophy for as far back as one can gather any solid evidence at all, yet all too often the skeptical case has been articulated by opponents only with an eye to its refutation. All the more important it is, then, that forms of moral skepticism are sympathetically developed and advocated in the intellectual community. When first published in 1994, "Beyond Morality" was one of very few books that intelligently championed a radical type of moral skepticism; here Garner threw down the gauntlet in a firm, level-headed, and engaging manner. In so doing, he showed amoralism to have many attractions and a rich cultural history. Garner's position remains very much a live option in metaethics, and the importance of "Beyond Morality" has not diminished."

-Richard Joyce, Professor of Philosophy, Victoria University of Wellington

"This work is a tremendous achievement. The author's erudition is overwhelming, yet it is expressed without overwhelming the reader. He goes easily from modern to ancient thought. Some of the most difficult areas of thought are explored with such clarity that readers unfamiliar with them can grasp them readily. One of the chief virtues of this highly informative book is that it sets the problems of ethics in the context of wider areas of thought and brings them down to earth. Garner's main thesis, referred to as amoralism, is extremely important, not only to philosophy, but to all popular thinking about ethics, both theoretical and applied. He has done a magnificent job defending this important theme. This is a landmark work."

-Richard Taylor, Professor Emeritus of Philosophy, University of Rochester

"Garner is one of the first philosophers since Nietzsche to take seriously the idea that 'morality' might be nothing more than a sham. . . . In his hands, 'amoralism' turns out to be more appealing and humane than many thinkers' versions of 'morality' "

-James Rachels, Professor of Philosophy, University of Alabama at Birmingham

Plants are silent, still, or move slowly; we do not have the sense that they accompany us, or even perceive us. But is there something that plants are telling us? Is there something about how they live and connect, how they relate to the world and other plants that can teach us about ecological thinking, about ethics and politics? Grounded in Thoreau's ecology and in contemporary plant studies, Dispersion: Thoreau and Vegetal Thought offers answers to those questions by pondering such concepts as co-dependence, the continuity of life forms, relationality, cohabitation, porousness, fragility, the openness of beings to incessant modification by other beings and phenomena, patience, waiting, slowness and receptivity.

Nietzsche's famous attack upon established Christianity and religion is brought to the reader in this superb hardcover edition of The Antichrist, introduced and translated by H.L. Mencken. The incendiary tone throughout The Antichrist separates it from most other well-regarded philosophical texts; even in comparison to Nietzsche's earlier works, the tone of indignation and conviction behind each argument made is evident. There is little lofty ponderousness; the book presents its arguments and points at a blistering pace, placing itself among the most accessible and comprehensive works of philosophy. The Antichrist comprises a total of sixty-two short chapters, each with distinct philosophical arguments or angle upon the targets of Christianity, organised religion, and those who masquerade as faithful but are in actuality anything but. Pointedly opposed to notions of Christian morality and virtue, Nietzsche vehemently sets out a case for the faith's redundancy and lack of necessity in human life.

Experimental philosophy has blossomed into a variety of philosophical fields including ethics, epistemology, metaphysics and philosophy of language. But there has been very little experimental philosophical research in the domain of philosophical aesthetics. Advances to Experimental Philosophy of Aesthetics introduces this burgeoning research field, presenting it both in its unity and diversity, and determining the nature and methods of an experimental philosophy of aesthetics. Addressing a wide variety of empirical claims that are of interest to philosophers and psychologists, a team of authors from different disciplines tackle traditional and new problems in aesthetics, including the nature of aesthetic properties and norms, the possibility of aesthetic testimony, the role of emotions and moral judgment in art appreciation, the link between art and language, and the role of intuitions in philosophical aesthetics. Interacting with other disciplines such as moral psychology and linguistics, it demonstrates how philosophical aesthetics can integrate empirical methods and discover new ways of approaching core problems. Advances to Experimental Philosophy of Aesthetics is an important contribution to understanding aesthetics in the 21st century.

The past two decades have witnessed an intensifying rise of populist movements globally, and their impact has been felt in both more and less developed countries. Engaging Populism: Democracy and the Intellectual Virtues approaches populism from the perspective of work on the intellectual virtues, including contributions from philosophy, history, religious studies, political psychology, and law. Although recent decades have seen a significant advance in philosophical reflection on intellectual virtues and vices, less effort has been made to date to apply this work to the political realm. While every political movement suffers from various biases, contemporary populism's association with anti-science attitudes and conspiracy theories makes it a potentially rich subject of reflection concerning the role of intellectual virtues in public life. Interdisciplinary in approach, Engaging Populism will be of interest to scholars and students in philosophy, political theory, psychology, and related fields in the humanities and social sciences.

Edouard Glissant was a leading voice in debates centering on the postcolonial condition and on the present and future of globalisation. Prolific as both a theorist and a literary author, Glissant started his career as a contemporary of Frantz Fanon in the early days of francophone postcolonial thought. In the latter part of his career Glissant's vision pushed beyond the boundaries of postcolonialism to encompass the contemporary phenomenon of globalisation. Sam Coombes offers a detailed analysis of Glissant's thought, setting out the reasons why Glissant's vision for a world of intercultural interaction both reflects but also seeks to provide a correction to some of the leading tendencies commonly associated with contemporary theory today.