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Books > Social sciences > Warfare & defence
This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Picture Post magazine was made famous by its pioneering
photojournalism, which vividly captured a panorama of wartime
events and the ordinary lives affected. This book is the first to
examine this fascinating primary source as a cultural record of
women's dress history. Reading the magazine's visual narratives
from 1938 to 1945, it weaves together the ways in which design,
style and fashion were affected by, and responded to, the state of
being at war - and the new gender roles it created for women. From
the working class of Whitechapel to the beach sets of the Bahamas,
and from well-heeled Mayfair to middle-class New York, Women in
Wartime takes a wide-angled lens to the fashions and lifestyles of
the women featured in Picture Post. Exploring the nature of
femininity and the struggle to be fashionable during the war, the
book reveals critical connections between clothing and social
culture. Drawing on a unique range of photographs, Women in Wartime
presents a living history of how women's clothing choices reflect
changing perceptions of gender, body, and class during an era of
unprecedented social change.
Few escapades of the Second World War have captured the public's
imagination more than the successful abduction of German General
Kreipe from enemy-occupied Crete in 1944. It was an operation
instigated and daringly executed by two British SOE officers -
Patrick Leigh Fermor and William (Billy) Stanley Moss. The war
didn't stop for Billy Moss after this operation though, and it is
his continuing story that is told here. He reflects movingly on
what it means to fight and deal in death, how the success of
operations behind enemy lines in a foreign country is dependent on
the goodwill of local inhabitants, and, surprisingly, on moments of
high humour that punctuate the turmoil of war. War of Shadows is a
book in three parts - each displaying differing aspects of World
War II and its eventual conclusion, and all told with that
tell-tale blend of poignancy and humour so characteristic of the
time.
This open access book compares the experiences of large-scale
military procurement in Canada and Australia. Focusing on the
recent frigate and jet-fighter programmes, it demonstrates how
delays suffered in delivering weapons systems and platforms in
these countries have been caused by misalignments between the
strategic requirements set out by the armed forces and government
defence policies. By bringing the insights of public management and
administration to those of defence studies, the book presents
policy options that will help improve the nature of future
large-project military procurement. It will appeal to scholars and
students of public administration, public management, and defence
studies, as well as practitioners and policymakers.
Revives the overlooked stories of pioneering women aviators, who
are also featured in the forthcoming documentary film Coming Home:
Fight for a Legacy During World War II, all branches of the
military had women's auxiliaries. Only the Women Airforce Service
Pilots (WASP) program, however, was made up entirely of women who
undertook dangerous missions more commonly associated with and
desired by men. Within military hierarchies, the World War II pilot
was perceived as the most dashing and desirable of servicemen.
"Flyboys" were the daring elite of the United States military. More
than the WACs (Army), WAVES (Navy), SPARS (Coast Guard), or Women
Marines, the WASPs directly challenged these assumptions of male
supremacy in wartime culture. WASPs flew the fastest fighter planes
and heaviest bombers; they test-piloted experimental models and
worked in the development of weapons systems. Yet the WASPs were
the only women's auxiliary within the armed services of World War
II that was not militarized. In Clipped Wings, Molly Merryman draws
upon military documents-many of which weren't declassified until
the 1990s-congressional records, and interviews with the women who
served as WASPs during World War II to trace the history of the
over one thousand pilots who served their country as the first
women to fly military planes. She examines the social pressures
that culminated in their disbandment in 1944-even though a wartime
need for their services still existed-and documents their struggles
and eventual success, in 1977, to gain military status and receive
veterans' benefits. In the preface to this reissued edition,
Merryman reflects on the changes in women's aviation in the past
twenty years, as NASA's new Artemis program promises to land the
first female astronaut on the moon and African American and lesbian
women are among the newest pilot recruits. Updating the story of
the WASPs, Merryman reveals that even in the past few years there
have been more battles for them to fight and more national
recognition for them to receive. At its heart, the story of the
Women Airforce Service Pilots is not about war or planes; it is a
story about persistence and extraordinary achievement. These
accomplished women pilots did more than break the barriers of
flight; they established a model for equality.
The conquest of the air-and beyond
This interesting book, which includes photographs and diagrams,
describes the early years of man's attempts to gain mastery of the
air. It chronicles the first, rudimentary attempts at flight in
balloons to their ultimate development including their use during
the Great War. Next came the age of the dirigible including, of
course, the mighty Zeppelin. Allied dirigibles of the First World
War are also considered. Most significant, however, was the
development of powered, heavier than air, winged, machines and in
this account they are described from their genesis with the Wright
brothers to their use in the first great conflict which led to the
creation of the air forces of the world. German and Allied aircraft
are discussed, together with their various uses, applications and
the deeds of the intrepid young men who flew them. There are not
many accounts of the early days of aviation in peace and war so any
addition to their number is welcome. This book was written before
the potential of the aircraft had been fully realised and is an
interesting perspective on how the first pilots, aircraft
designers, manufacturers and visionaries saw them and their future
in the opening decades of the twentieth century. An essential
addition to any library of early aviation, this book is
recommended.
Leonaur editions are newly typeset and are not facsimiles; each
title is available in softcover and hardback with dustjacket; our
hardbacks are cloth bound and feature gold foil lettering on their
spines and fabric head and tail bands.
Prison Pens presents the memoir of a captured Confederate soldier
in northern Virginia and the letters he exchanged with his fiancee
during the Civil War. Wash Nelson and Mollie Scollay's letters, as
well as Nelson's own manuscript memoir, provide rare insight into a
world of intimacy, despair, loss, and reunion in the Civil War
South. The tender voices in the letters combined with Nelson's
account of his time as a prisoner of war provide a story that is
personal and political, revealing the daily life of those living in
the Confederacy and the harsh realities of being an imprisoned
soldier. Ultimately, through the juxtaposition of the letters and
memoir, Prison Pens provides an opportunity for students and
scholars to consider the role of memory and incarceration in
retelling the Confederate past and incubating Lost Cause
mythology.,br> This book will be accompanied by a digital
component: a website that allows students and scholars to interact
with the volume's content and sources via an interactive map,
digitized letters, and special lesson plans.
While prayer is generally understood as "communion with God" modern
forms of spirituality prefer "communion" that is non-petitionary
and wordless. This preference has unduly influenced modern
scholarship on historic methods of prayer particularly concerning
Anglo-Saxon spirituality. In Compelling God, Stephanie Clark
examines the relationship between prayer, gift giving, the self,
and community in Anglo-Saxon England. Clark's analysis of the works
of Bede, Aelfric, and Alfred utilizes anthropologic and economic
theories of exchange in order to reveal the ritualized, gift-giving
relationship with God that Anglo-Saxon prayer espoused. Anglo-Saxon
prayer therefore should be considered not merely within the usual
context of contemplation, rumination, and meditation but also
within the context of gift exchange, offering, and sacrifice.
Compelling God allows us to see how practices of prayer were at the
centre of social connections through which Anglo-Saxons
conceptualized a sense of their own personal and communal identity.
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