The anarchist movement had a crucial impact upon the Mexican working class between 1860 and 1931. John M. Hart destroys some old myths and brings new information to light as he explores anarchism's effect on the development of the Mexican urban working-class and agrarian movements.

Hart shows how the ideas of European anarchist thinkers took root in Mexico, how they influenced revolutionary tendencies there, and why anarchism was ultimately unsuccessful in producing real social change in Mexico. He explains the role of the working classes during the Mexican Revolution, the conflict between urban revolutionary groups and peasants, and the ensuing confrontation between the new revolutionary elite and the urban working class.

The anarchist tradition traced in this study is extremely complex. It involves various social classes, including intellectuals, artisans, and ordinary workers; changing social conditions; and political and revolutionary events which reshaped ideologies. During the nineteenth century the anarchists could be distinguished from their various working- class socialist and trade unionist counterparts by their singular opposition to government. In the twentieth century the lines became even clearer because of hardening anarchosyndicalist, anarchistcommunist, trade unionist, and Marxist doctrines. In charting the rise and fall of anarchism, Hart gives full credit to the roles of other forms of socialism and Marxism in Mexican working-class history.

Mexican anarchists whose contributions are examined here include nineteenth-century leaders Plotino Rhodakanaty, Santiago Villanueva, Francisco Zalacosta, and Jose Maria Gonzales; the twentieth-century revolutionary precursor Ricardo Flores Magon; the Casa del Obrero founders Amadeo Ferres, Juan Francisco Moncaleano, and Rafael Quintero; and the majority of the Centro Sindicalista Ubertario, leaders of the General Confederation of Workers.

This work is based largely on primary sources, and the bibliography contains a definitive listing of anarchist and radical working-class newspapers for the period.

Volume One of "Anarchism: A Documentary History of Libertarian Ideas," is a comprehensive and far ranging collection of anarchist writings from the feudal era (300) to 1939. Edited and introduced by noted anarchist scholar Robert Graham, the collection will include the definitive texts from the anarchist tradition of political thought, beginning with some of the earliest writings from China and Europe against feudal servitude and authority.

The collection will then go on to document the best of the anti-authoritarian writings from the English and French Revolutions and the early development of libertarian socialist ideas, including such writers as Gerrard Winstanley, William Godwin, Charles Fourier, Max Stirner, as well as the early anarchist writings of Pierre-Joseph Proudhon, Michael Bakunin, Peter Kropotkin, Errico Malatesta, Elisee Reclus, Leo Tolstoy, and Emma Goldman.

This incomparable volume deals both with the positive ideas and proposals the anarchists tried to put into practice, and with the anarchist critiques of the authoritarian theories and practices confronting them during these years with their revolutionary upheavals.

Robert Graham has written extensively on the history of anarchist ideas. He is the author of "The Role of Contract in Anarchist Ideology," in the Routledge publication, "For Anarchism," edited by David Goodway, and he wrote the introduction to the 1989 Pluto Press edition of Proudhon's "General Idea of the Revolution in the 19th Century," originally published in 1851. He has been doing research and writing on the historical development of anarchist ideas for over 20 years and is a well respected commentator in the field.

Includes original portraits of the anarchists drawn by Maurice Spira specifically for this book Spira's imagery is rooted to the political, his subject matter global. Works such as "Battle of Seattle," "Gulf," and "Refugees" are the visual equivalent of newspaper headlines.

The first intellectual and social history of American anarchist thought and activism across the twentieth century. In this highly accessible history of anarchism in the United States, Andrew Cornell reveals an astounding continuity and development across the century. Far from fading away, anarchists dealt with major events such as the rise of Communism, the New Deal, atomic warfare, the black freedom struggle, and a succession of artistic avant-gardes stretching from 1915 to 1975. Unruly Equality traces US anarchism as it evolved from the creed of poor immigrants militantly opposed to capitalism early in the twentieth century to one that today sees resurgent appeal among middle-class youth and foregrounds political activism around ecology, feminism, and opposition to cultural alienation.

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Selections from the writings of Benjamin R. Tucker.

In Anarchy! An Anthology of Emma Goldman's Mother Earth, Peter Glassgold brings to the page political activist and anarchist Emma Goldman's most radical contribution, Mother Earth, a monthly journal about social science and literature. Glassgold has compiled Mother Earth's most provocative articles, with thematic categories ranging from "The Woman Question" to "The Social War" and features a diverse selection of writers, such as Leo Tolstoy, Margaret Sanger, Peter Kropotkin, and Alexander Berkman.Mother Earth was published from 1906 to 1918, when birth control, the labor movement, sexual freedom, and the arts where common subjects. The supporters of the journal helped form what was the  radical left" in the United States at the turn of the century. Goldman was imprisoned and ultimately deported to her native Russia. This new edition includes the transcripts from the trial and the summations of both Alexander Berkman and Goldman.With a new preface by the editor, this book offers historical grounding to many of our contemporary political movements, from libertarianism to the Occupy! actions. Anarchy! provides unprecedented access to Goldman's beliefs, offering insight to the political activism that existed at the time.

Histories of the Russian Revolution often present the Bolshevik seizure of power in 1917 as the central event, neglecting the diverse struggles of urban and rural revolutionaries across the heartlands of the Russian Empire. This book takes as its subject one such struggle, the anarcho-communist peasant revolt led by Nestor Makhno in left-bank Ukraine, locating it in the context of the final collapse of the Empire that began in 1914. Between 1917 and 1921, the Makhnovists fought German and Austrian invaders, reactionary monarchist forces, Ukrainian nationalists and sometimes the Bolsheviks themselves. Drawing upon anarchist ideology, the Makhnovists gathered widespread support amongst the Ukrainian peasantry, taking up arms when under attack and playing a significant role - in temporary alliance with the Red Army - in the defeats of the White Generals Denikin and Wrangel. The Makhnovist movement is often dismissed as a kulak revolt, or a manifestation of Ukrainian nationalism; here Colin Darch analyses its successes and its failures, emphasising its revolutionary character. Over 100 years after the revolutions, this book reveals a lesser known side of 1917, contributing both to histories of the period and broadening the narrative of 1917, whilst enriching the lineage of anarchist history.

Literary Nonfiction. Politics. Art History. ARTPOLITIK examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century. Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics. ARTPOLITIK is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics. This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions. "ARTPOLITIK can be the basis of fruitful discussions among artists and activists alike about the role, character and communicative value of art in our struggle for a better world. Each period of artistic expression she analyzes, and specifically those that were consciously political, prod us to think about and rethink today's art through these lenses."--Wayne Nealis

The last third of the nineteenth century saw the world in flux. Science vied with religion to represent the soul of man, and technological advances opened the possibility of new ways of living. Yet as the world sank into a long depression, untrammelled capitalism continued to stretch the gulf between rich and poor. From Russia to America, across Western Europe and beyond, governments already unsettled by major shifts in geopolitical power were threatened by growing social unrest and the rise of socialism. And looming over them was the spectre of the Anarchist and the shadow of international terrorism.
A Tsar and an Empress, Presidents and plutocrats were all vulnerable to the assassin's bombs and bullets, but so too was bourgeois society in its cafes and opera houses. It was a new kind of Terror that could strike anywhere and that permeated deep into the imagination of the times. Its true weapon, though, was not dynamite but fear itself: a fact quickly grasped by those whose job it was to protect the powerful. Yet in a credulous age, when hoaxers and forgers thrived, the fictions spun by police chiefs and their agent provocateurs were often no less beguiling. And out of the short-term actions of these forgotten individuals grew the noxious delusions of worldwide conspiracy that would poison the century to come.
A masterly exploration of the strange twists and turns of history, The World That Never Was follows the interweaving lives of several key anarchists, and of the secret police who tracked them. Framed by the Paris Commune of 1871 and the 1905 revolution in St Petersburg, and spread across five continents, theirs is the story of a generation that saw the dream of Utopia crumble, to be replaced by a dangerous desperation. Here is a revelatory portrait of an era with uncanny echoes of our own.

"From the Hardcover edition."

In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castaneda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castaneda, Jesse Cohn, Sergio Sanchez Collantes, Maria Jose Dominguez, Antonio Herreria Fernandez, Montse Feu, Sonia Hernandez, Jorell A. Melendez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martin Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson

The influence of anarchists such as Proudhon and Bakunin is apparent in Jean-Paul Sartres' political writings, from his early works of the 1920s to Critique of Dialectical Reason, his largest political piece. Yet, scholarly debate overwhelmingly concludes that his political philosophy is a Marxist one. In this landmark study, William L. Remley sheds new light on the crucial role of anarchism in Sartre's writing, arguing that it fundamentally underpins the body of his political work. Sartre's political philosophy has been infrequently studied and neglected in recent years. Introducing newly translated material from his early oeuvre, as well as providing a fresh perspective on his colossal Critique of Dialectical Reason, this book is a timely re-invigoration of this topic. It is only in understanding Sartre's anarchism that one can appreciate the full meaning not only of the Critique, but of Sartre's entire political philosophy. This book sets forth an entirely new approach to Sartre's political philosophy by arguing that it espouses a far more radical anarchist position than has been previously attributed to it. In doing so, Jean-Paul Sartre's Anarchist Philosophy not only fills an important gap in Sartre scholarship but also initiates a much needed revision of twentieth century thought from an anarchist perspective.

This is a defence of libertarian anarchy, presenting a novel perspective on political philosophy and a history of the concept of anarchy. Political philosophy is dominated by a myth, the myth of the necessity of the state. The state is considered necessary for the provision of many things, but primarily for peace and security. In this provocative book, Gerard Casey argues that social order can be spontaneously generated, that such spontaneous order is the norm in human society and that deviations from the ordered norms can be dealt with without recourse to the coercive power of the state. Casey presents a novel perspective on political philosophy, arguing against the conventional political philosophy pieties and defending a specific political position, which he identifies as 'libertarian anarchy'. The book includes a history of the concept of anarchy, an examination of the possibility of anarchic societies and an articulation of the nature of law and order within such societies. Casey presents his specific form of anarchy, undergirded by a theory of human action that prioritises liberty, as a philosophically and politically viable alternative to the standard positions in political theory. "Think Now" is a new series of books which examines central contemporary social and political issues from a philosophical perspective. These books aim to be accessible, rather than overly technical, bringing philosophical rigour to modern questions which matter the most to us. Provocative yet engaging, the authors take a stand on political and cultural themes of interest to any intelligent reader.

In 1971 Dr. Theodore Kaczynski rejected modern society and moved to a primitive cabin in the woods of Montana. There, he began building bombs, which he sent to professors and executives to express his disdain for modern society, and to work on his magnum opus, Industrial Society and Its Future, forever known to the world as the Unabomber Manifesto. Responsible for three deaths and more than twenty casualties over two decades, he was finally identifed and apprehended when his brother recognized his writing style while reading the 'Unabomber Manifesto.' The piece, written under the pseudonym FC (Freedom Club) was published in the New York Times after his promise to cease the bombing if a major publication printed it in its entirety.

Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.

Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.

The first comprehensive collection of Gustav Landauer's writings in English, this valuable addition to the history of anarchism in the early 20th century gathers more than 40 influential works by one of Germany's most prominent radical agitators. The readings presented here cover Landauer's entire political biography, from his early anarchism of the 1890s and his philosophical reflections at the turn of the century to the subsequent establishment of the Socialist Bund and his tireless agitation against the coming Great War. Additional chapters on war and nationalism, the United States and Mexico, and opinion pieces and personal letters reveal the further scope of Landauer's thinking with pieces on corporate capital, education, language, and Judaism.