A major American thinker of the 20th century muses on anarchism. Winner of the Association of American University Presses (AAUP) Book, Jacket, and Journal Show - Best Scholarly Typography (2002) "That government is best which governs not at all; and when men are prepared for it, that will be the kind of government which they will have." This quote from Henry David Thoreau's Essay on Civil Disobedience is one of thirty quotations from which John Cage created Anarchy, a book-length lecture comprising twenty mesostic poems. Composed with the aid of a computer program to simulate the coin toss of the I Ching, Anarchy draws on the writings of many serious anarchists including Emma Goldman, Peter Kropotkin, and Mario Malatesta, not so much making arguments for anarchism as "brushing information against information," giving the very words new combinations that de-familiarize and re-energize them. Now widely available of the first time, Anarchy marks the culmination of Cage's work as a poet, composer and as a thinker about contemporary society.

Volume One of "Anarchism: A Documentary History of Libertarian Ideas," is a comprehensive and far ranging collection of anarchist writings from the feudal era (300) to 1939. Edited and introduced by noted anarchist scholar Robert Graham, the collection will include the definitive texts from the anarchist tradition of political thought, beginning with some of the earliest writings from China and Europe against feudal servitude and authority.

The collection will then go on to document the best of the anti-authoritarian writings from the English and French Revolutions and the early development of libertarian socialist ideas, including such writers as Gerrard Winstanley, William Godwin, Charles Fourier, Max Stirner, as well as the early anarchist writings of Pierre-Joseph Proudhon, Michael Bakunin, Peter Kropotkin, Errico Malatesta, Elisee Reclus, Leo Tolstoy, and Emma Goldman.

This incomparable volume deals both with the positive ideas and proposals the anarchists tried to put into practice, and with the anarchist critiques of the authoritarian theories and practices confronting them during these years with their revolutionary upheavals.

Robert Graham has written extensively on the history of anarchist ideas. He is the author of "The Role of Contract in Anarchist Ideology," in the Routledge publication, "For Anarchism," edited by David Goodway, and he wrote the introduction to the 1989 Pluto Press edition of Proudhon's "General Idea of the Revolution in the 19th Century," originally published in 1851. He has been doing research and writing on the historical development of anarchist ideas for over 20 years and is a well respected commentator in the field.

Includes original portraits of the anarchists drawn by Maurice Spira specifically for this book Spira's imagery is rooted to the political, his subject matter global. Works such as "Battle of Seattle," "Gulf," and "Refugees" are the visual equivalent of newspaper headlines.

A new collection of essays, largely focussing on the history of informal housing movements - squatters and cotters, plotlanders, travellers and settlers - together with water and the gift relationship, and anarchism in the 21st century. As ever, Ward remains a shining example of one placing his anarchism in an everyday, practical context.

Formal anarchist organizations disappeared in Mexico after the 1910 Revolution, but anarchist principles survive in the popular resistance movements against the post-revolutionary governments. In this book, Donald Hodges offers the first comprehensive treatment of the intellectual foundations, history, politics, and strategy of Mexican anarchism since the Revolution.

Hodges interviewed leading Mexican anarchists, including Monico Rodriguez Gomez, and gained access to documents of numerous guerrilla organizations, such as the previously missing "Plan de Cerro Prieto." Using both original and published sources, he shows how the political heirs of Ricardo Flores Magon, Mexico's foremost anarchist, agitated for workers' self-management and agrarian reform under the cover of the Mexican Communist party, how they played an important role in the student rebellion, and how, in the face of a labor movement that has come under government control, anarchism is currently experiencing a rebirth under another name.

John Adams said that "without the pen of Paine the sword of Washington would have been wielded in vain." Yet of all the great figures of the American Revolution, Thomas Paine has been least understood. Now David Freeman Hawke has written a rich biography of the brilliant propagandist who wrote Common Sense, The Age of Reason, and The Rights of Man. Thomas Paine lived a life of great diversity, from poor beginnings through the dramatic roles he played in the American and French revolutions, his friendship with Benjamin Franklin, his imprisonment in France during the Terror, his trial and banishment from England, and the pathos of his declining years. Temperamental and jealous of his reputation, Paine was nevertheless a gentle and unworldly man. In this portrait he comes to life as one of the great revolutionary idealists.

The first intellectual and social history of American anarchist thought and activism across the twentieth century In this highly accessible history of anarchism in the United States, Andrew Cornell reveals an astounding continuity and development across the century. Far from fading away, anarchists dealt with major events such as the rise of Communism, the New Deal, atomic warfare, the black freedom struggle, and a succession of artistic avant-gardes stretching from 1915 to 1975. Unruly Equality traces US anarchism as it evolved from the creed of poor immigrants militantly opposed to capitalism early in the twentieth century to one that today sees resurgent appeal among middle-class youth and foregrounds political activism around ecology, feminism, and opposition to cultural alienation.

A short polemic, from an anarchist perspective, on challenging facts, and discrediting experts, and expertise.

The anarchist movement had a crucial impact upon the Mexican working class between 1860 and 1931. John M. Hart destroys some old myths and brings new information to light as he explores anarchism's effect on the development of the Mexican urban working-class and agrarian movements.

Hart shows how the ideas of European anarchist thinkers took root in Mexico, how they influenced revolutionary tendencies there, and why anarchism was ultimately unsuccessful in producing real social change in Mexico. He explains the role of the working classes during the Mexican Revolution, the conflict between urban revolutionary groups and peasants, and the ensuing confrontation between the new revolutionary elite and the urban working class.

The anarchist tradition traced in this study is extremely complex. It involves various social classes, including intellectuals, artisans, and ordinary workers; changing social conditions; and political and revolutionary events which reshaped ideologies. During the nineteenth century the anarchists could be distinguished from their various working- class socialist and trade unionist counterparts by their singular opposition to government. In the twentieth century the lines became even clearer because of hardening anarchosyndicalist, anarchistcommunist, trade unionist, and Marxist doctrines. In charting the rise and fall of anarchism, Hart gives full credit to the roles of other forms of socialism and Marxism in Mexican working-class history.

Mexican anarchists whose contributions are examined here include nineteenth-century leaders Plotino Rhodakanaty, Santiago Villanueva, Francisco Zalacosta, and Jose Maria Gonzales; the twentieth-century revolutionary precursor Ricardo Flores Magon; the Casa del Obrero founders Amadeo Ferres, Juan Francisco Moncaleano, and Rafael Quintero; and the majority of the Centro Sindicalista Ubertario, leaders of the General Confederation of Workers.

This work is based largely on primary sources, and the bibliography contains a definitive listing of anarchist and radical working-class newspapers for the period.

Volume One of "Anarchism: A Documentary History of Libertarian Ideas," is a comprehensive and far ranging collection of anarchist writings from the feudal era (300) to 1939. Edited and introduced by noted anarchist scholar Robert Graham, the collection will include the definitive texts from the anarchist tradition of political thought, beginning with some of the earliest writings from China and Europe against feudal servitude and authority.

The collection will then go on to document the best of the anti-authoritarian writings from the English and French Revolutions and the early development of libertarian socialist ideas, including such writers as Gerrard Winstanley, William Godwin, Charles Fourier, Max Stirner, as well as the early anarchist writings of Pierre-Joseph Proudhon, Michael Bakunin, Peter Kropotkin, Errico Malatesta, Elisee Reclus, Leo Tolstoy, and Emma Goldman.

This incomparable volume deals both with the positive ideas and proposals the anarchists tried to put into practice, and with the anarchist critiques of the authoritarian theories and practices confronting them during these years with their revolutionary upheavals.

Robert Graham has written extensively on the history of anarchist ideas. He is the author of "The Role of Contract in Anarchist Ideology," in the Routledge publication, "For Anarchism," edited by David Goodway, and he wrote the introduction to the 1989 Pluto Press edition of Proudhon's "General Idea of the Revolution in the 19th Century," originally published in 1851. He has been doing research and writing on the historical development of anarchist ideas for over 20 years and is a well respected commentator in the field.

Includes original portraits of the anarchists drawn by Maurice Spira specifically for this book Spira's imagery is rooted to the political, his subject matter global. Works such as "Battle of Seattle," "Gulf," and "Refugees" are the visual equivalent of newspaper headlines.

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Selections from the writings of Benjamin R. Tucker.

This extended monograph examines the work of the radical journalist Kotoku Shusui and Japan's anti-imperialist movement of the early twentieth century. It includes the first English translation of Imperialism (Teikokushugi), Kotoku's classic 1901 work. Kotoku Shusui was a Japanese socialist, anarchist, and critic of Japan's imperial expansionism who was executed in 1911 for his alleged participation in a plot to kill the emperor. His Imperialism was one of the first systematic criticisms of imperialism published anywhere in the world. In this seminal text, Kotoku condemned global imperialism as the commandeering of politics by national elites and denounced patriotism and militarism as the principal causes of imperialism. In addition to translating Imperialism, Robert Tierney offers an in-depth study of Kotoku's text and of the early anti-imperialist movement he led. Tierney places Kotoku's book within the broader context of early twentieth-century debates on the nature and causes of imperialism. He also presents a detailed account of the different stages of the Japanese anti-imperialist movement. Monster of the Twentieth Century constitutes a major contribution to the intellectual history of modern Japan and to the comparative study of critiques of capitalism and colonialism.

Literary Nonfiction. Politics. Art History. ARTPOLITIK examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century. Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics. ARTPOLITIK is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics. This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions. "ARTPOLITIK can be the basis of fruitful discussions among artists and activists alike about the role, character and communicative value of art in our struggle for a better world. Each period of artistic expression she analyzes, and specifically those that were consciously political, prod us to think about and rethink today's art through these lenses."--Wayne Nealis

The last third of the nineteenth century saw the world in flux. Science vied with religion to represent the soul of man, and technological advances opened the possibility of new ways of living. Yet as the world sank into a long depression, untrammelled capitalism continued to stretch the gulf between rich and poor. From Russia to America, across Western Europe and beyond, governments already unsettled by major shifts in geopolitical power were threatened by growing social unrest and the rise of socialism. And looming over them was the spectre of the Anarchist and the shadow of international terrorism.
A Tsar and an Empress, Presidents and plutocrats were all vulnerable to the assassin's bombs and bullets, but so too was bourgeois society in its cafes and opera houses. It was a new kind of Terror that could strike anywhere and that permeated deep into the imagination of the times. Its true weapon, though, was not dynamite but fear itself: a fact quickly grasped by those whose job it was to protect the powerful. Yet in a credulous age, when hoaxers and forgers thrived, the fictions spun by police chiefs and their agent provocateurs were often no less beguiling. And out of the short-term actions of these forgotten individuals grew the noxious delusions of worldwide conspiracy that would poison the century to come.
A masterly exploration of the strange twists and turns of history, The World That Never Was follows the interweaving lives of several key anarchists, and of the secret police who tracked them. Framed by the Paris Commune of 1871 and the 1905 revolution in St Petersburg, and spread across five continents, theirs is the story of a generation that saw the dream of Utopia crumble, to be replaced by a dangerous desperation. Here is a revelatory portrait of an era with uncanny echoes of our own.

"From the Hardcover edition."

In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castaneda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castaneda, Jesse Cohn, Sergio Sanchez Collantes, Maria Jose Dominguez, Antonio Herreria Fernandez, Montse Feu, Sonia Hernandez, Jorell A. Melendez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martin Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson

Rudolf Rocker's classic survey of anarcho-syndicalism was written during the Spanish Civil War to explain to the wider reading public the ideology which inspired the social revolution in Spain. It remains unsurpassed as a general introduction to anarchist thought and an authoritative account of the early history of international anarchism by one of the movement's leading figures. The present edition is unique in giving a complete facsimile reproduction of the 1938 edition as well as the corrected transcript of the epilogue to the Indian edition of 1947. It has the addition of a new biographical introduction by Nicolas Walter, in which he quotes from previously unpublished manuscript sources.

Naphtali Lewis and Meyer Reinhold's "Roman Civilization" is a classic. Originally published by Columbia University Press in 1955, the authors have undertaken another revision which takes into account recent work in the field. These volumes consist of selected primary documents from ancient Rome, covering a range of over 1,000 years of Roman culture, from the foundation of the city to its sacking by the Goths.

The selections cover a broad spectrum of Roman civilization, including literature, philosophy, religion, education, politics, military affairs, and economics. These English translations of literary, inscriptional, and papyrological sources, many of which are available nowhere else, create a mosaic of the brilliance, the beauty, and the power of Rome.

The influence of anarchists such as Proudhon and Bakunin is apparent in Jean-Paul Sartres' political writings, from his early works of the 1920s to Critique of Dialectical Reason, his largest political piece. Yet, scholarly debate overwhelmingly concludes that his political philosophy is a Marxist one. In this landmark study, William L. Remley sheds new light on the crucial role of anarchism in Sartre's writing, arguing that it fundamentally underpins the body of his political work. Sartre's political philosophy has been infrequently studied and neglected in recent years. Introducing newly translated material from his early oeuvre, as well as providing a fresh perspective on his colossal Critique of Dialectical Reason, this book is a timely re-invigoration of this topic. It is only in understanding Sartre's anarchism that one can appreciate the full meaning not only of the Critique, but of Sartre's entire political philosophy. This book sets forth an entirely new approach to Sartre's political philosophy by arguing that it espouses a far more radical anarchist position than has been previously attributed to it. In doing so, Jean-Paul Sartre's Anarchist Philosophy not only fills an important gap in Sartre scholarship but also initiates a much needed revision of twentieth century thought from an anarchist perspective.

In Anarchy! An Anthology of Emma Goldman's Mother Earth, Peter Glassgold brings to the page political activist and anarchist Emma Goldman's most radical contribution, Mother Earth, a monthly journal about social science and literature. Glassgold has compiled Mother Earth's most provocative articles, with thematic categories ranging from "The Woman Question" to "The Social War" and features a diverse selection of writers, such as Leo Tolstoy, Margaret Sanger, Peter Kropotkin, and Alexander Berkman.Mother Earth was published from 1906 to 1918, when birth control, the labor movement, sexual freedom, and the arts where common subjects. The supporters of the journal helped form what was the  radical left" in the United States at the turn of the century. Goldman was imprisoned and ultimately deported to her native Russia. This new edition includes the transcripts from the trial and the summations of both Alexander Berkman and Goldman.With a new preface by the editor, this book offers historical grounding to many of our contemporary political movements, from libertarianism to the Occupy! actions. Anarchy! provides unprecedented access to Goldman's beliefs, offering insight to the political activism that existed at the time.