Practical Social Justice brings together the mentorship experiences of a diverse group of leaders across business, academia, and the public sector. They relay the lessons they learned from Dr. Joseph L. White through personal narratives, providing a critical analysis of their experience, and share their best practices and recommendations for those who want to truly live up to their potential as leaders and mentors. As one of the founding members of the Association of Black Psychologists, the Equal Opportunity Program, and the 'Freedom Train' this book focuses on celebrating Dr. White's legacy, and translating real world experience in promoting social justice change. Experiential narratives from contributors offer a framework for both the mentee and the mentor, and readers will learn how to develop people and infrastructure strategically to build a sustainable legacy of social justice change. They will be presented with ways to pragmatically focus social justice efforts, favoring results over ego. This is a unique and highly accessible book that will be useful across disciplines and generations, in which the authors illustrate how to build relationships, inspire buy-in, and develop mutually beneficial partnerships that move people and systems towards a more equitable, inclusive, and just future. Providing a personal guide to developing an infrastructure for institutional change, Practical Social Justice is based on over half a century of triumph, translated through the lenses of leaders who have used these lessons to measurable and repeatable success. This book will be essential reading for undergraduate and graduate students in the fields of Psychology, Social Work, Ethnic Studies, Sociology, Public Policy, Leadership, Communications, Business, and Educational Administration. It is also important reading for professionals including leaders and policy makers in organisations dealing with issues around diversity, equity, and inclusion, and anyone interested in promoting social justice.

A collection of essential quotations from the renowned fashion designer, DJ, and stylist Abloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who was a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West's creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh's work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh's unique perspective as a trailblazer in his fields. Select quotations from the book: "I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it." "Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair-one person, one idea, no one else involved." "Black influence has created a new ecosystem, which can grow and support different types of life that we couldn't before."

Black Women's Bodies and the Nation develops a decolonial approach to representations of iconic Black women's bodies within popular culture in the US, UK and the Caribbean and the racialization and affective load of muscle, bone, fat and skin through the trope of the subaltern figure of the Sable-Saffron Venus as an 'alter/native- body'.

First published in 1853, 12 Years a Slave is the riveting true story of a free black American who was sold into slavery, remaining there for a dozen years until he finally escaped. This powerfully written memoir details the horrors of slave markets, the inhumanity practiced on southern plantations, and the nobility of a man who persevered in some of the worst of conditions, a man who never ceased to hope that he would find freedom and see his beloved family again. This edition has been slightly edited--for spelling and punctuation only--for easier reading by a modern audience. It also includes two helpful appendixes not found in the original book. Now a major motion picture

Randall Joseph, award winning advertising writer and child of affirmative action has a grudge against Madison Avenue--he's been blackballed. Believing that the relevant word here is black and that Mad Ave caused the suicide of one of his buddies, Randall decides to get even. He devises a genius plot to systematically extort millions from the good ole boys who blackballed him. But while stacking up cash he unintentionally begins to stack up bodies as well. On the run from New York to Chicago all the way to Monte Carlo, Mad Man is a fast, furious, page turning adventure from a writer that has redefined modern action thrillers

In the last few decades, the people of the African diaspora have intensified their struggles against racial discrimination and for equality. Here is an account of these social movements in Latin America, the Indian Ocean World, Europe, Canada and the United States, that includes analyses of land claims, environmental justice efforts, union organizing, electoral participation and hip hop as social critique. Contributors include Carolyn Fluehr-Lobban, Manning Marable, Premilla Nadasen, George Priestley, Mark Sawyer, and Julia Sudbury.

This book explores the reproduction of colonialism at the International Criminal Court (ICC) and examines international criminal law (ICL) vs the black body through an immersive format of art, music, poetry, and architecture and post-colonial/critical race theory lens. Taking a multi-disciplinary approach, the book interrogates the operationalisation of the Rome Statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial, and warns that it has ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract resources. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake is power, not justice. This power has been hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law and, ultimately, the over-representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African court that utilises non-colonising African norms which are uniquely suited to address local conflicts. Multidisciplinary in nature, this book will be of great interest to students and scholars of international criminal law, criminal justice, human rights law, African studies, global social justice, sociology, anthropology, postcolonial studies, and philosophy.

Lorraine Hansberry's "A Raisin in the Sun" (1959) was a major dramatic success and brought to the world's attention the potential talent of African American women playwrights. But in spite of Hansberry's landmark contribution, both the theater and the literary world have often failed to include contemporary African American female playwrights within the circle of production, publication, and criticism. In African American drama anthologies, female playwrights are seldom given the degree of attention that is accorded their male counterparts. And because of space constraints, anthologies of works by women playwrights are forced to exclude numerous female dramatists, including African Americans. Meanwhile, some scholars have argued that the works of African American female playwrights are seldom produced in the mainstream theater because these plays frequently challenge the views of white America. But as "A Raisin in the Sun" demonstrates, plays by African American women dramatists can have a powerful message and are worthy of attention.

A comprehensive research tool, this annotated bibliography sheds light on the often neglected works of contemporary African American female playwrights. Included within its scope are those dramatists who have had at least one work published since 1959, the year of Hansberry's monumental achievement. The first section provides a listing of anthologies that include one or more plays written by an African American female dramatist. The second gives entries for reference works and for scholarly and critical studies of the dramatists and their plays. The third presents a listing of published plays by individual dramatists, along with a summary of each drama; the works of each playwright that are related to drama; and secondary sources that treat the dramatists and their plays. Entries are accompanied by concise but informative annotations, and the volume closes with a list of periodicals that frequently publish criticism of African American female playwrights, a section of brief biographical sketches of the dramatists, and extensive indexes.

A revealing volume that portrays the lives of African Americans in all its variety across the entire 19th century-combining coverage of the pre- and post-Civil War eras. Uniquely inclusive, African Americans in the Nineteenth Century: People and Perspectives offers a wealth of insights into the way African Americans lived and how slave-era experiences affected their lives afterward. Coverage goes beyond well-known figures to focus on the lives of African American men, women, and children across the nation, battling the oppression and prejudice that didn't stop with emancipation while they tried to establish their place as Americans. The book ranges from the African origins of African American communities to coverage of slave communities, female slaves, slave-slave holder relations, and freed persons. Additional chapters look at African Americans in the Civil War, Reconstruction, and Jim Crow eras. An alphabetically organized "mini-encyclopedia," plus additional information sources round out this eye-opening work of social history. Primary sources illustrate the experience of the African American social cohorts discussed in each chapter A chronology of historic economic, military, political, and social events impacting African American communities and societies during the 19th century is included

Using a sociological, historical, and psychological approach, this work offers a multidisciplinary perspective and fills the research gap about the Harlem community and urban black life during the Jazz Age and the Great Depression. This book proposes that Harlem was an intricate domain of competing ideologies, needs, and interests wherein there were many cross-cutting forms of power and exclusion. Such competition placed the community at the intersection of complicated power relations in which local, citywide and nationwide power, policies, and commitments overlapped. Changing economic circumstances that characterized the interwar period combined with the shifting municipal politics including community reliance on government support and the political strength of medical societies that left Harlem residents politically and economically circumscribed in their efforts to build and fortify institutions focused on maintaining community wellness. In this larger circumscription, citywide, statewide, and nationwide politics made health for black people a politicized affair during the early twentieth century. This work further reveals that in conjunction with the political economy of race, health was a major issue of debate that residents of Harlem could enter into despite systematic efforts by politicians and medical professionals to simultaneously limit residents' political agency and regulate health services and institutions in New York City. Such fissures and cracks within the political structure allowed for community engagement and empowerment. This study provides for a more comprehensive understanding of the connections among black morbidity, mortality, health-care delivery, and black political engagement in Harlem, New York, and aims to expand the historical understanding of race and politics, as well as the lived experiences of black people in New York City in the early twentieth century. As a scholarly work in the field of African American urban history, Building a Healthy Black Harlem is accessible to upper-division undergraduate and graduate students in courses in post-1865 United States history, African American history, and urban history. It also possesses the insight and rigor for specialists in the field of New York City history and African American urban history.

In 2008, the United States made history when it elected the first African American to serve as its country's president. This was a momentous occasion for both black and white Americans. "In Somebody in the White House Looks like me," author Rosetta L. Hopkins shares interviews of average people in the black community to reveal how they felt about the election of a black president and his inauguration and what their expectations of the new president-elect were at the time.

Ms. Hopkins interviewed ordinary black people ages sixteen to ninety-three of both sexes and from a broad occupational spectrum to capture their feelings and thoughts about the election of the first black president. Including original poetry and photos, "Somebody in the White House Looks like Me" documents the interviewees' emotions of joy or disbelief as they discuss their recollections on the state of America today and in the past.

Recording the silent and unheard voices of everyday black people whose opinions are often neglected, "Somebody in the White House Looks like Me" recognizes that moment in time when the division among the races was minimized for a greater good.

101 Contemporary Artists Volume 1 features 101 of the most exciting contemporary artists from around the World. Curator Terrence Sanders-Smith has compiled a relevant and important survey of emerging and mid-career artists of the 21st century. 101 Contemporary Artists book has its finger on the pulse of the landscape of Contemporary Art. 101 Contemporary Artists is the go-to guide for collectors, curators, art professionals and enthusiasts interested in the now and next generation of Contemporary Art.

This book was written based on Betty Knight's ability to balance and critically analyze three of these orators' speeches made during three different eras of American history. Her insights allow readers to see what I saw immediately after speaking with on her on many occasions: her unique way of interpreting the past, present, and the future. The deposit that Knight has made to her readers' lives will demonstrate that she is not among the many but among the few; "for many are called, but few are chosen." After reading her other book "W.H.O.L.E.," I realized that Betty Knight had something to say to the class of 2010 and her colleagues in the ministry. So I asked her to be the keynote speaker at her own graduation in Chicago, Illinois on September 11, 2010. She agreed. Her keynote address was entitled "If you can wait your time, you will have your turn." Knight has received her Doctorate of Philosophy in Ministry. After reading her thesis, I truly understand why God has equipped her to have an impact on her audience as well as keep it present throughout this experience.In this book, Knight addresses how Christianity and the United States Constitution stand somewhat at odds with each other while sometimes forming a bond, those of creative mind and genius that make it possible for them to deal together with key problems of American history. Knight's writing brings this theme center stage, including the many contradictions within Christianity as a religious institution and interpretations of its sacred text, the Bible, from which, a way of life was drawn by those who attempted to understand and practice Christianity within Western culture. This book enables the reader to understand when and how to reconcile these contradictions. In addition, the book identifies basic essentials for life, its governance, and its survival - all to be viewed from the perspective of numerous identifying principles that have caused alienation within American life. When you finish reading this book you will completely understand why God called these African Americans orators Douglass, King, and Obama center stage.

The authors of this work use a novel strategy that combines record linkage and demographic/statistical analysis to produce an internally consistent and robust set of estimates of the African-American population during the period 1930-1990. They interpret the record that emerges, with special reference to longevity trends and differentials. This work is for demographers, sociologists and students of ethnic studies.

Every year, over 1,000 public schools are permanently closed across the United States. And yet, little is known about their impacts on American democracy. Closed for Democracy is the first book to systematically study the political causes and democratic consequences of mass public school closures in the United States. The book investigates the declining presence of public schools in large cities and their impacts on the Americans most directly affected - poor Black citizens. It documents how these mass school closure policies target minority communities, making them feel excluded from the public goods afforded to equal citizens. In response, targeted communities become superlative participators to make their voices heard. Nevertheless, the high costs and low responsiveness associated with the policy process undermines their faith in the power of political participation. Ultimately, the book reveals that when schools shut down, so too does Black citizens' access to, and belief in, American democracy.

This project proposes to look at the emergence of Black theology as a discipline within the academy and how Black theology may serve as a resource for excellence in teaching.

Mazrui examines the importance of Africa--historically, culturally, and economically--in the development of the West, particularly the United States. And he contrasts this demonstrable importance with the combination of neglect and malice directed at Africa and those of African descent by the West and by the United States in particular. As Mazrui illustrates throughout, this is a tale of two Edens: Africa as the Eden of Lost Innocence and America as the Eden of Current Power and Future Fulfillment. People of African ancestry have been part of the vanguard for the Edenization of America. But America is also influencing the first Eden: Africa. America is a major force in the liberalization of black people in Africa; and black people are a major force in the democratization of all people in America.