This new critique of contemporary African-American fiction explores its intersections with and critiques of the Gothic genre. Wester reveals the myriad ways writers manipulate the genre to critique the gothic's traditional racial ideologies and the mechanisms that were appropriated and re-articulated as a useful vehicle for the enunciation of the peculiar terrors and complexities of black existence in America. Re-reading major African American literary texts-such as Narrative of the Life of Frederick Douglass, Of One Blood, Cane, Invisible Man, and Corregidora-African American Gothic investigates texts from each major era in African American Culture to show how the gothic has consistently circulated throughout the African American literary canon.

Chronicling over forty years of critical changes in African-American expressive and popular culture, covering diverse forms of music, dance, and comedy, the Regal Theater (1928-1968) was the largest and most architecturally splendid movie-stage-show venue ever constructed for a black community. In this history of that theater, Clovis E. Semmes reveals the political, economic, and business realities of cultural production and the institutional inequalities that circumscribed black life.

Leading African American scholars examine the often neglected cultural context in research and policy development in African American higher education in this collection of essays. Past research has most often been conducted by individuals unfamiliar with the historical and cultural considerations of specific ethnic groups. Therefore, the outcomes of research and the development of programs have been based on deficit models, that is, what is wrong with African Americans, or what they cannot achieve. The book examines the questions; what is the relationship between African Americans' culture and experiences, and how should their culture be integrated into research and practice? How do African Americans' intra- and interrelations differ in higher education? How does understanding African American culture as it relates to higher education research enhance policy-making and practice? What role do HBUCs play in African Americans' participation in higher education? What are the policy and practice implications of past and current research? Scholars and practitioners of education, culture, and race relations will find this collection informative and interesting.

In Black Suffering, James Henry Harris explores the nexus of injustices, privations, and pains that contribute to the daily suffering seen and felt in the lives of Black folks. This suffering is so normalized in American life that it often goes unnoticed, unseen, and even--more often--purposely ignored. The reality of Black suffering is both omnipresent and complicated--both a reaction to and a result of the reality of white supremacy, its psychological and historical legacy, and its many insidious and fractured expressions within contemporary culture. Because Black suffering is so wholly disregarded, it must be named, discussed, and analyzed.Black Suffering articulates suffering as an everyday reality of Black life. Harris names suffering's many manifestations, both in history and in the present moment, and provides a unique portrait of the ways Black suffering has been understood by others. Drawing on decades of personal experience as a pastor, theologian, and educator, Harris gives voice to suffering's practical impact on church leaders as they seek to forge a path forward to address this huge and troubling issue. Black Suffering is both a mixtape and a call to consciousness, a work that identifies Black suffering, shines a light on the insidious normalization of the phenomenon, and begins a larger conversation about correcting the historical weight of suffering carried by Black people.The book combines elements of memoir, philosophy, historical analysis, literary criticism, sermonic discourse, and even creative nonfiction to present a "remix" of the suffering experienced daily by Black people.

Tropes ranging from Houston Baker's "bluesman," to Henry Louis Gates' "signifyin'" to Geneva Smitherman's "talkin' and testifyin'" to bell hooks' "talking back" to Cheryl Wall's "worrying the line" all affirm the power of sonance and sound in the African American literary tradition. The collection of essays in Speaking in Tongues and Dancing Diaspora contributes to this tradition by theorizing the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women. Looking to work by such prominent black female authors as Alice Walker, Sherley Anne Williams, Toni Morrison, Zora Neal Hurston, among many others, Mae G. Henderson provides a deeply felt reflection on race and gender and their effects within the discourse of speaker and listener.

The resilient people who lived in these neighborhoods established strong businesses, raised churches, created vibrant entertainment spots and forged bonds among family and friends for mutual well-being. After integration, the neighborhoods eventually gave way to decay and urban renewal, and tales of unquenchable spirit in the face of adversity began to fade.

In this companion volume to "St. Petersburg's Historic 22nd Street South," Rosalie Peck and Jon Wilson share stories of people who built these thriving communities, and offer a rich narrative of hardships overcome, leaders who emerged and the perseverance of pioneers who kept the faith that a better day would arrive.

This compelling book examines the interrelationship between gender, race, narrative, and nationalism in black politics specifically and within American politics as a whole. Nikol Alexander-Floyd's new work highlights the critical role of race and gender, showing how they operate to define political discourse and to determine public policy.

The current state of knowledge of African American language is examined from a broad, multidisciplinary perspective that includes its structure, history, social role and educational implications, as well as the linguistic scholarship from which it derives, as a case study of language planning. Diverse including hip-hop culture, the African American church, and the Ebonics controversy are unified by a pervasive theme of latent conflict between academic knowledge of African American language and "real world" knowledge of the same.

Artist, activist, and influencer Laetitia Ky, known for sculpting her own hair to create powerful and joyful artwork that embraces the beauty of Black hair and style, the fight for social justice, and the journey toward self-love, tells her personal story that fans have been waiting for, through words and photos. Laetitia Ky is a self-described polyvalent artist and a one-of-a-kind creative voice-an up-and-coming model, activist, fashion designer, and visual artist, as well as a hugely popular Instagram and TikTok influencer. Ky uses her own hair (with the help of some extensions, wool, wire, and thread) to make unique and compelling sculptures that celebrate her African heritage, the beauty of Black natural hair, and the power of activism. Love and Justice is Ky's first book, showcasing 125 remarkable photographs interwoven with stories about her Ivory Coast childhood, her strong family ties, her embrace of her African roots, her own journey toward self-love, and her desire to lift up other women-especially Black women. As a passionate advocate for social justice, Ky shines a light on the pressing issues of our time: gender and racial oppression, harmful beauty standards, shame and its corrosive effect on mental health, and more. Part memoir,part art book, part feminist manifesto, Love and Justice is joyful and life-affirming: Ky's striking words and images honestly celebrate women's sexuality and the female body, and call for women's empowerment-extending a generous invitation for us all to love ourselves and to work toward a more just world.

Is everything good in Christianity plagiarized from traditional African religions? What about criticisms of Christianity made by the Nation of Islam? Craig S. Keener and Glenn Usry answer these and other hard questions put to the black church. Craig Keener and Glenn Usry's highly acclaimed Black Man's Religion showed in impressive detail that Christianity and Afrocentricity can go together. Now they turn to specific, nitty-gritty questions put to the black church by non-Christians: Is everything good in Christianity plagiarized from traditional African religions? Isn't it intolerant to say Christ is the only way to God? Is the Bible reliable? What about criticisms of Christianity made by the Nation of Islam? Keener and Usry meet these and other important questions head-on, providing responses relevant to and especially for black men and women.

Salvatore tells the story of C.L. Franklin, father of Aretha, alongside the rise of gospel, blues, and soul music, with a cast of characters including Martin Luther King, Jr., B.B. King, Art Tatum, Coleman Young, Jesse Jackson, Clara Ward, Mahalia Jackson, and many others.

Providing a useful overview of the current state of black British writing and pointing towards future developments in the field, this edited collection examines the formation of a black British Canon including writers, dramatists, filmmakers and artists. The essays included discuss the textual, political and cultural history of black British and the term "black British" itself.

In 2006, the contemporary American Pentecostal movement celebrated its 100th birthday. Over that time, its African American sector has been markedly influential, not only vis-a-vis other branches of Pentecostalism but also throughout the Christian church. Black Christians have been integrally involved in every aspect of the Pentecostal movement since its inception and have made significant contributions to its founding as well as the evolution of Pentecostal/charismatic styles of worship, preaching, music, engagement of social issues, and theology. Yet despite its being one of the fastest growing segments of the Black Church, Afro-Pentecostalism has not received the kind of critical attention it deserves.

Afro-Pentecostalism brings together fourteen interdisciplinary scholars to examine different facets of the movement, including its early history, issues of gender, relations with other black denominations, intersections with popular culture, and missionary activities, as well as the movement's distinctive theology. Bolstered by editorial introductions to each section, the chapters reflect on the state of the movement, chart its trajectories, discuss pertinent issues, and anticipate future developments.

Contributors: Estrelda Y. Alexander, Valerie C. Cooper, David D. Daniels III, Louis B. Gallien, Jr., Clarence E. Hardy III, Dale T. Irvin, Ogbu U. Kalu, Leonard Lovett, Cecil M. Robeck, Jr., Cheryl J. Sanders, Craig Scandrett-Leatherman, William C. Turner, Jr., Frederick L. Ware, and Amos Yong

Washington provides a detailed guide to the philosophy of Alain Locke, one of the most influential African American thinkers of our time. The work gives special attention to what Washington calls Destiny Studies, an approach which allows a people to concentrate on their past, present, and future possibilities, and to view the experience of a race as a coherent unity, rather than a set of fragmented historical happenings. In providing a broad vision of Locke's ideas, Washington considers the views of Booker T. Washington and his contemporaries, the theories of anthropologists concerning race and ethnicity, and many of the social issues current in our own age. By doing so, Washington affirms the importance of Locke as a philosopher and demonstrates the impact of Locke on the destiny of African Americans.

At 17, Curtis "Kojo" Morrow enlisted in the United States Army and joined the 24th Infantry Regiment Combat Team, originally known as the Buffalo Soldiers. Seven months later he found himself fighting a bloody war in a place he had never heard of: Korea. During nine months of fierce combat, Morrow developed not only a soldier's mentality but a political consciousness as well. Hearing older men discussing racial discrimination in both civilian and military life, he began to question the role of his all-black unit in the Korean action. Supposedly they were protecting freedom, justice, and the American way of life, but what was that way of life for blacks in the United States? Where was the freedom? Why were the Buffalo Soldiers laying their lives on the line for a country in which African-American citizens were sometimes denied even the right to vote? Morrow's story of his service in the United States Army is a revealing portrait of life in the army's last all-black unit, a factual summary of that unit's actions in a bloody "police action", and a personal memoir of a boy becoming a man in a time of war.

"This book consists mostly of a title and first-line index, (frequently requested by general readers), supplemented by indexes to authors and to 1,100 subjects." Choice

The Andersons have committed themselves to a 20-year struggle to address wrongs that Denise suffered while employed at GM. Hired in 1982, under the 1973 Rehabilitation Act, a predecessor of the 1990 ADA, she suffered an on-the-job injury, but was disallowed to return to work after her medical release. Their journey was financially & emotionally costly, pursuing redress thru the federal courts, EEOC & the union. The book presents violations of the human/civil rights of a disabled American citizen. It is a testament to the strength & endurance of the Andersons. Dora Anderson, "The Rosa Parks of the Disabled Movement," has become the symbol for the supporter of the American disabled citizen. Endorsers Americans love an "underdog" story, even more, a happy ending, which is so glaringly absent in the Anderson book. The intent of the ADA was to balance the scales of opportunity, but as their saga reveals, those scales are badly tilted. They have been thru too much now to expect a happy ending, but a just one can still be written. All it takes is a nation that prizes the opportunity to do the right thing. Barry Marrow, Oscar Award-Winning Co-Writer for Rain Man & Producer "The Union" has played a key role in the economic life of the American working class. This book highlights the growing patterns of certain "union boses" sacrificing their rank & fiile on the alter of survival & political access, forcing a confrontation. At a time when unions need a stronger member driven leadership, we are in a sensitive moment when the real uniion leadership, the workers, must make their presence known & ensure the future of a much needed source of political strength & economic power in working classcommunities across the country. Odette Machado, Pres., Health/Humanitarian Employees Alliance Rights & Trades

On the morning of November 3, 1979, a group of black and white demonstrators were preparing to march against the Ku Klux Klan through the streets of Greensboro, North Carolina, when a caravan of Klansmen and Nazis opened fire on them. Eighty-eight seconds later, five demonstrators lay dead and ten others were wounded. Four TV stations recorded their deaths by Klan gunfire. Yet, after two criminal trials, not a single gunman spent a day in prison. Despite this outrage, the survivors won an unprecedented civil-court victory in 1985 when a North Carolina jury held the Greensboro police jointly liable with the KKK for wrongful death.
In passionate first-person accounts, Through Survivors' Eyes tells the story of six remarkable people who set out to change the world. The survivors came of age as the "protest generation," joining the social movements of the 1960s and 1970s. They marched for civil rights, against war, for textile and healthcare workers, and for black power and women's liberation. As the mass mobilizations waned in the mid-1970s, they searched for a way to continue their activism, studied Marxism, and became communists.
Nelson Johnson, who grew up on a farm in eastern North Carolina in a family proud of its African American heritage, settled in Greensboro in the 1960s and became a leader of the Black Liberation Movement and a decade later the founder of the Faith Community Church. Willena Cannon, the daughter of black sharecroppers, witnessed a KKK murder as a child and was spurred to a life of activism. Her son, Kwame Cannon, was only ten when he saw the Greensboro killings. Marty Nathan, who grew up the daughter of a Midwestern union organizer and came to the South to attend medical school, lost her husband to the Klan/Nazi gunfire. Paul Bermanzohn, the son of Jewish Holocaust survivors, was permanently injured during the shootings. Sally Bermanzohn, a child of the New York suburbs who came south to join the Civil Rights Movement, watched in horror as her friends were killed and her husband was wounded.
Through Survivors' Eyes is the story of people who abandoned conventional lives to become civil rights activists and then revolutionaries. It is about blacks and whites who united against Klan/Nazi terror, and then had to overcome unbearable hardship, and persist in seeking justice. It is also a story of one divided southern community, from the protests of black college students of the late 1960s to the convening this January of a Truth and Community Reconciliation Project (on the South African model) intended to reassess the Massacre.