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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
Carter Godwin Woodson (1875-1950) was an African-American historian, author, journalist and the founder of Black History Month. He is considered the first to conduct a scholarly effort to popularize the value of Black History.
Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a jazz aesthetic; this aesthetic becomes part of a strategy of ethnic identification and provides a medium with which to consider the legacy of trauma in African-American history. These diverse writers are all thoroughly immersed in a socio-cultural context and a literary aesthetic that embodies shifting conceptions of ethnic identity across the twentieth century. The emergence of blues and jazz is, likewise, a crucial product of, as well as catalyst for, this context, and in their own aesthetic explorations of notions of ethnicity these writers consciously engage with this musical milieu. By examining the highly varied manifestations of a jazz aesthetic as possibly the fundamental common denominator which links these writers, this study attempts to identify an underlying unifying principle. As the different writers write against essentializing or organic categories of race, the very fact of a shared engagement with jazz sensibilities in their work redefines the basis of African-American communal identity.
James Campbell provides an in-depth survey of crime, punishment and justice in African American history. Presenting cutting-edge scholarship on issues of criminal justice in African American history in an accessible way for students, he makes connections between black experiences of criminal justice and violence from the slave era to the present.
RIVERS OF WOMEN, THE PLAY by poet and oral performer Shirley Bradley LeFlore is a stage-play of poems accompanied with photographs by award-winning, Chicago-based photographer Michael J. Bracey. Bracey matches his images with LeFlore's poetry, adding a visual dimension that succeeds in endowing every poem with an added sense of depth and emotionality through his unique mode of multilayered conceptualization. RIVERS OF WOMEN is LeFlore's most prolific work of poetry rooted in the stories and voices of womanhood. Readers will hear the music and see the dance as they flip through the pages.
African Americans have come a long way in the difficult upward struggle from slavery to the relatively broad freedoms enjoyed today. Together, as a potent and well-knit group, they have battled endlessly in their march toward freedom. Finally, according to psychologist James Davison Jr, the last step to freedom for black Americans has arrived. But, that last step must be taken as individuals - not as a collective. In this assessment of the problems and potentials facing African Americans, Dr Davison argues that in order for achieving individuals to advance to the final step of freedom, they must break free from the mental shackles created by the black community.The central theme of "Sweet Release" is that the forces that impinge most upon psychological freedom for black Americans come from within. Guilt for being successful, shame in reaction to the misbehaviours of race peers, demands to give back to the community, and accusations of trying to be white are just a few of the mechanisms that thwart psychological freedom for black persons. Dr Davison argues that individual lifestyles, aspirations, even identities are constrained by the spectre of racial unity. As a result, for black advancers, what remains to be overcome is not 'the system' or 'them', but internalised community attitudes that put a choke hold on individual freedom. Unafraid of controversy or candid assessment, Dr Davison addresses these and other thorny issues with psychological insight while offering strategies to move beyond group constrictions toward personal freedom.
Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study. SUSHEILA NASTA is Professor of Modern Literature at the Open University, UK and a renowned critic, broadcaster and literary activist.
With extraordinary clarity, blending world history, paradigms, insights, and food recipes for the communal table, the guided exercises of "Recipe For Peace Now" provide tools and advice for transforming relationships, focusing group energy, and demonstrating how each person has the capacity to transform individual and cultural hatreds, develop compassion, and help create more peace in the world. "Recipe For Peace Now" shows readers how communal consumption and communal discussion encourage healing words and actions that help us acknowledge and dissolve barriers, illuminating the way toward tolerance and peace. Illuminating the way toward insight into a wide range of contemporary topics and concerns, from war and the threat of terrorism, to individual anxiety, and the degradation of community understanding. Illuminating the way for the human spirit to prevail. Illuminating the way for you, and for me.
The major purpose of this book is to examine the interrelationships among knowledge about the transmission of HIV/AIDS, condom use, drug use, history of sexually transmitted diseases, and other relevant factors that affect African-American males and females who engage in risky sexual behaviors. Another aim is to describe how these factors are differentially related to gender and the perceived susceptibility of being exposed to the AIDS virus and testing positive for AIDS. Data has been gathered from a young adult sample of African-American males and females. Information is presented in a readily accessible manner so the reader can understand the variability of risky sexual behaviors. The author offers factual information to draw conclusions that can be used to develop HIV/AIDS prevention programs specifically tailored for the African-American community. The first chapter provides an introduction, rationale, and overview of the study. Basic information about the prevalence of AIDS among various African-American populations are presented. Then, Johnson describes information about the subjects, measures of sexual behaviors, drug use, attitudes about the use of condoms, knowledge about AIDS, and perceived susceptibility of being exposed to HIV/AIDS. Next, Johnson describes the sexual attitudes and behaviors of African-American males and females who are currently involved with multiple partners and those who have been previously treated for sexually transmitted diseases. He then describes the characteristics of African-Americans with HIV/AIDS. The epilogue summarizes the major findings and presents suggestions for AIDS prevention activities for African-American young adults.
Over 250 recipes using small game, big game, game birds, seafood, and exotics Chilies, soups, and stews featuring rabbit, squirrel, beaver, muskrat, opossum, raccoon, armadillo, whitetail, antelope, boar, buffalo, bear, caribou, elk, moose, wild goat, wild sheep, grouse, partridge, squab, quail, pheasant, wild duck, wild geese, wild turkey, crab, salmon, crawfish, clams, oysters, catfish
AmEfrica in Letters brings together new research on Black literary history in the late twentieth and early twenty-first centuries-a period that saw the consolidation of Black power movements and human rights struggles across the Americas. The Black writers examined here have left an enduring legacy on AmEfrica's mainland. Following Brazilian theorist LElia Gonzalez, the volume highlights how their prose and poetry have challenged the overarching theme of mestizo-imagined multiculturalism that endures in the region's mainstream publishing industry.
In a masterful and unique manner, Dr. Ben uses Black Man of the Nile to challenge and expose "Europeanized" African history. Order Black Man of the Nile here.
What does religion have to do with fomenting or transcending violence? In this fascinating work, Kirk-Duggan documents and analyzes religion's involvement in violence -- for good and ill -- in the Bible, slavery, the Civil Rights Movement, and the youth scene of today.
Between Freedom and Bondage looks at the fluctuations of black suffrage in the ante-bellum North, using the four states of New York, Pennsylvania, Massachusetts and Rhode Island as examples. In each of these states, a different outcome was obtained for blacks in their quest to share the vote. By analyzing the various outcomes of state struggles, Malone offers a framework for understanding and explaining how the issue of voting rights for blacks unfolded between the drafting of the Constitution, and the end of the Civil War.
As a young man, John B. Prentis (1788-1848) expressed outrage over slavery, but by the end of his life he had transported thousands of enslaved persons from the upper to the lower South. Kari J. Winter's life-and-times portrayal of a slave trader illuminates the clash between two American dreams: one of wealth, the other of equality. Prentis was born into a prominent Virginia family. His grandfather, William Prentis, emigrated from London to Williamsburg in 1715 as an indentured servant and rose to become the major shareholder in colonial Virginia's most successful store. William's son Joseph became a Revolutionary judge and legislator who served alongside Thomas Jefferson, Patrick Henry, and James Madison. Joseph Jr. followed his father's legal career, whereas John was drawn to commerce. To finance his early business ventures, he began trading in slaves. In time he grew besotted with the high-stakes trade, appeasing his conscience with the populist platitudes of Jacksonian democracy, which aggressively promoted white male democracy in conjunction with white male supremacy. Prentis's life illuminates the intertwined politics of labor, race, class, and gender in the young American nation. Participating in a revolution in the ethics of labor that upheld Benjamin Franklin as its icon, he rejected the gentility of his upbringing to embrace solidarity with "mechanicks," white working-class men. His capacity for admirable thoughts and actions complicates images drawn by elite slaveholders, who projected the worst aspects of slavery onto traders while imagining themselves as benign patriarchs. This is an absorbing story of a man who betrayed his innate sense of justice to pursue wealth through the most vicious forms of human exploitation.
A detailed biography written soon after its subject's tragic death. The appendixes include texts of some of King's most famous speeches.
In this transnational account of black protest, Nicholas Grant examines how African Americans engaged with, supported, and were inspired by the South African anti-apartheid movement. Bringing black activism into conversation with the foreign policy of both the U.S. and South African governments, this study questions the dominant perception that U.S.-centered anticommunism decimated black international activism. Instead, by tracing the considerable amount of time, money, and effort the state invested into responding to black international criticism, Grant outlines the extent to which the U.S. and South African governments were forced to reshape and occasionally reconsider their racial policies in the Cold War world. This study shows how African Americans and black South Africans navigated transnationally organized state repression in ways that challenged white supremacy on both sides of the Atlantic. The political and cultural ties that they forged during the 1940s and 1950s are testament to the insistence of black activists in both countries that the struggle against apartheid and Jim Crow were intimately interconnected.
Based on repeat interviews from a range of generational perspectives, this book explores the nature of contemporary British Chinese households and childhoods, examining the extent to which parents identify themselves as being Chinese and how decisions to uphold or move away from 'traditional' Chinese values impacts on their child-rearing methods.
Berlin uses letters, personal testimonies, official transcripts and other records to unravel the history of emancipation, explaining how people with little power and few weapons secured freedom. Vividly demonstrating how emancipation transformed the lives of both black and white people, this volume represents a collection of some of the most remarkable correspondence ever written. Edited by legendary author Ira Berlin.
The New Red Negro: The Literary Left and African American Poetry, 1930-1946 surveys African American poetry between the onset of the Depression and the early days of the Cold War. The New Red Negro considers the relationship between the thematic and formal choices of African American poets and organized ideology from the "proletarian" early 1930s to the "neo-modernist" late 1940s. This study examines poetry by writers who are canonical, less well-known, and virtually unknown.
At a time of significant change in the precarious world of female individualization, this collection explores such phenomena by critically incorporating the parameters of popular media culture into the overarching paradigm of gender relations, economics and politics of everyday life.
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