Learn about the most important milestones in Black history in The Black History Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Black History in this overview guide to the subject, brilliant for novices looking to find out more and experts wishing to refresh their knowledge alike! The Black History Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Black History, with: - Covers the most important milestones in Black and African history - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Black History Book is a captivating introduction to the key milestones in Black History, culture, and society across the globe - from the ancient world to the present, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Explore the rich history of the peoples of Africa and the African diaspora, and the struggles and triumphs of Black communities around the world, all through engaging text and bold graphics. Your Black History Questions, Simply Explained Which were the most powerful African empires? Who were the pioneers of jazz? What sparked the Black Lives Matter movement? If you thought it was difficult to learn about the legacy of African-American history, The Black History Book presents crucial information in a clear layout. Learn about the earliest human migrations to modern Black communities, stories of the early kingdoms of Ancient Egypt and Nubia; the powerful medieval and early modern empires; and the struggle against colonization. This book also explores Black history beyond the African continent, like the Atlantic slave trade and slave resistance settlements; the Harlem Renaissance and Jazz Age; the Windrush migration; civil rights and Black feminist movements. The Big Ideas Series With millions of copies sold worldwide, The Black History Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.

This book gives a social anthropological account of whaling culture in Japan. When originally published this was the first comprehensive account in English of the history of Japanese whaling, showing how it has given rise to a particular culture. The volume discusses what happens when that culture is threatened. At the same time as explaining the work organization of those involved in whaling, the role of whaling companies in local and national economies, and the role of the whale in the establishment and maintenance of local community identity (ritual, food, gift-giving), the authors address the wider political and so-called "environmental" issues surrounding whaling in general, and Japanese whaling in particular.

Audience, Agency and Identity in Black Popular Culture analyses black cultural representations that appropriate anti-black stereotypes. Using examples from literature, media, and art, Worsley examines how these cultural products do not rework anti-black stereotypes into seemingly positive images. Rather, they present anti-black stereotypes in their original forms and encourage audiences not to ignore, but to explore them. Shifting critical commentary from a need to censor these questionable images, Worsley offers a complex consideration of the value of and problems with these alternative anti-racist strategies in light of stereotypes' persistence. This book furthers our understanding of the historical circumstances that are influencing contemporary representations of black subjects that are purposefully derogatory and documents the consequences of these images.

Using the "the Negro Problem" in African American literature as a point of departure, this book focuses on the profound impact that racism had on the literary imagination of black Americans, specifically those in the South. Although the South has been one of the most enduring sites of criticism in American Studies and in American literary history, Johnson argues that it is impossible to consider what the "South" and what "southernness" mean as cultural references without looking at how black women have contributed to and contested any unified definition of that region. Johnson challenges the homogeneity of a "white" South and southern cultural identity by recognizing how fictional and historical black women are underacknowledged agents of cultural change. Johnson regards the South as a cultural region that (re)constructs black womanhood, but she also considers how black womanhood have transformed the South. Specialists in nineteenth and twentieth century American literature will find this book a necessary addition, as will scholars of African American Literature and History.

In examining the forces that made the Indo-Pakistani relationship prone to conflict, Dr. Ganguly focusses first on the nature of the British colonial disengagement policy, a hasty and ill-conceived procedure that served to exacerbate the ideological differences between India's major political parties, the Congress and the Muslim League. Their competing views-the Congress espoused a secular polity while the League drew its inspiration from Islamic tenets-formed the basis of the two polities that emerged from the collapse of the British Indian empire. Disputes also arose over the uncertain status of Kashmir. With the lapse of the British doctrine of paramountcy (recognition of the British as the sovereign power in India), the so-called princely states had to join either India or Pakistan on the basis of geographic location and demographic composition. Kashmir posed a problem because of its location and because it had a Hindu monarch ruling a Muslim majority population. This peculiar status made it the center of a Pakistani irredentist claim. This claim was rejected by India, iintent upon demonstrating that all minorities could thrive under the aegis of secular government. Once set in motion by the interplay of domestic, regional, and systematic factors, these three forces--disengagement, ideological differences, and the conflict over Kashmir--brought the subcontinent to war in 1947-1948, 1965, and 1971. Dr. Ganguly provides a comprehensive and comparative analysis of these three Indo-Pakistani conflicts as well as an assessment of both the impact of the Soviet invasion of Afghanistan on the security of South Asia and the changes in the perceptions of that security.

When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television-a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema's history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency. Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoe in Firefly are inspiring a generation of fans, just as Uhura did.

This book offers a creative and unique approach to the history of African American religion. Tracing what it has meant to be African American and religious within the context of the United States, it provides a vital snapshot of some of the traditions that have shaped the religious imagination of the country. Major themes and problems encountered by African Americans involved in a variety of traditions are depicted in a clear and engaging fashion. The chapters move from the period of slavery and the early arrangement of religious thought and practice within communities of enslaved Africans to the more recent growth in the number of African American "Nones". Drawing on cultural developments such as hip hop, Anthony Pinn links the language and activities of African American religious experience to the cultural worlds in which African Americans live. Introducing African American Religion includes illustrations, summaries, discussion questions and suggestions for further reading as well as a glossary and chronology, helping students to become familiar with the main terms of the traditions discussed and to place their development in historical context. Additional resources can be found on the companion website: www.routledge.com/cw/pinn

New in paperback, this groundbreaking biography captures the full sweep and epic dimensions of Marcus Garvey's life, the dazzling triumphs and the dreary exile. As Grant shows, Garvey was a man of contradictions: a self-educated, poetry-writing aesthete and unabashed propagandist, an admirer of Lenin, and a dandy given to elaborate public displays. Above all, he was a shrewd promoter whose use of pageantry evoked a lost African civilization and fired the imagination of his followers. Negro With a Hat restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century.
"A searching, vivid, and (as the title suggests) complex account of Garvey's short but consequential life."
--Steve Hahn, The New Republic
"The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated."
--New York Times Book Review
"Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders."
--Kirkus Reviews (Starred Review)
"This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both."
--Publishers Weekly (Starred Review)
"Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspiredevotion and hatred, adulation and fear."
--Chicago Tribune
"A monumental, nuanced and broadly sympathetic portrait."
--Financial Times

Until today, Western, European sociology contributes to the social reality of colonial modernity, and gender knowledge is a paradigmatic example of it. Multiple Gender Cultures, Sociology, and Plural Modernities critically engages with these 'Western eyes' and shifts the focus towards the global variety of gendered socialities and hierarchically entangled social histories. This is conceptualised as multiple gender cultures within plural modernities. The authors examine the multifaceted realities of gendered life in varying contexts across the globe. Bringing together different perspectives, the volume provides a rereading of the social fabric of gender in contrast to androcentrist-modernist as well as orientalist representations of 'the' gendered Other. The key questions explored by this volume are: which social mechanisms lead to conflicting or shifting gender dynamics against the backdrop of global entanglements and interdependencies, and to what extent are neocolonial gender regimes at work in this regard? How are varying gender cultures sociohistorically and culturally structured, and how are they connected within (global) power relations? How can established hierarchies and asymmetries become an object of criticism? How can historical, cultural, social, and political specificities be analysed without gendered and other reifications? That way, the volume aims to promote border thinking in sociological understanding of social reality towards multiple gender cultures and plural modernities.

In the late 1860s the U.S. federal government initiated the most abrupt transition from slavery to citizenship in the Americas. The transformation, of course, did not stick, but it did permanently alter the terms of American citizenship and initiated a century long struggle over the place of African Americans in the American polity. Southern Progressives, crucial in this account, were faced with a significant ideological challenge: how to reconcile their liberal principles with their commitments to racial hierarchy. The ideological work performed by Southern Progressives was instrumental to the establishment of white supremacist institutions in the heart of a putatively liberal democracy and illuminate how combinations of liberal and illiberal principles have affected the history of American political thought. In this work, Marek Steedman demonstrates how Southern Progressives combined commitments to liberal, even democratic, politics with equally strong commitments to the maintenance of racial hierarchy. He shows that there are systematic features of the traditions of liberal and republican thought, on the one hand, and ideologies of race, on the other, that facilitate their combination. Jim Crow Citizenship relates familiar developments in American state-building, legal development, and political thought to race, thus showing how race intertwines with these developments, often shaping them in decisive fashion.

First published in 1980, this groundbreaking Routledge Revival is a reissue of an original and authentic anthropological account of Pukhtun society by Professor Akbar Ahmed. Combining extensive fieldwork data collected among the Mohmand tribe in the Northwest Frontier Province of Pakistan with historical and literary sources, Professor Ahmed's study seeks to construct an ideal-type model of Pukhtun society based on the ideal Code of the Pukhtuns and to analyse the conditions of its maintenance and transformation. The author's thesis is that this ideal model exists within Pukhtun society when interaction with larger state systems is minimal and in poor economic zones. In this way he posits an opposition between the Tribal Agencies along the border with Afghanistan, where ecological conditions are poor and state influence minimal, and the Settled Areas under state administration where Pukhtun society is forced away from its ideals.

The U.S. Armed Forces started integrating its services in 1948, and with that push, more African Americans started rising through the ranks to become officers, although the number of black officers has always been much lower than African Americans' total percentage in the military. Astonishingly, the experiences of these unknown reformers have largely gone unexamined and unreported, until now. The Black Officer Corps traces segments of the African American officers' experience from 1946-1973. From generals who served in the Pentagon and Vietnam, to enlisted servicemen and officers' wives, Isaac Hampton has conducted over seventy-five oral history interviews with African American officers. Through their voices, this book illuminates what they dealt with on a day to day basis, including cultural differences, racist attitudes, unfair promotion standards, the civil rights movement, Black Power, and the experience of being in ROTC at Historically Black Colleges. Hampton provides a nuanced study of the people whose service reshaped race relations in the U.S. Armed Forces, ending with how the military attempted to control racism with the creation of the Defense Race Relations Institute of 1971. The Black Officer Corps gives us a much fuller picture of the experience of black officers, and a place to start asking further questions.

The U.S. Armed Forces started integrating its services in 1948, and with that push, more African Americans started rising through the ranks to become officers, although the number of black officers has always been much lower than African Americans' total percentage in the military. Astonishingly, the experiences of these unknown reformers have largely gone unexamined and unreported, until now. The Black Officer Corps traces segments of the African American officers' experience from 1946-1973. From generals who served in the Pentagon and Vietnam, to enlisted servicemen and officers' wives, Isaac Hampton has conducted over seventy-five oral history interviews with African American officers. Through their voices, this book illuminates what they dealt with on a day to day basis, including cultural differences, racist attitudes, unfair promotion standards, the civil rights movement, Black Power, and the experience of being in ROTC at Historically Black Colleges. Hampton provides a nuanced study of the people whose service reshaped race relations in the U.S. Armed Forces, ending with how the military attempted to control racism with the creation of the Defense Race Relations Institute of 1971. The Black Officer Corps gives us a much fuller picture of the experience of black officers, and a place to start asking further questions.

Sojourner Truth and Intersectionality investigates how the story of the 19th-century abolitionist and women's rights advocate Sojourner Truth has come to be an iconic feminist story, and explores the continued relevance of this story for contemporary feminist debates in general, and intersectionality scholarship in particular. Tracing various academic reception histories of the story of Sojourner Truth and the famous "Ain't I a Woman?" speech, the book gives insight into how this story has been taken up by feminist scholars in different times, places, and political contexts. Exploring in particular how and why the story of Sojourner Truth has become a key reference for the theoretical and political framework of intersectionality, the book examines what the consequences of this connection are both for how intersectionality is understood today, and how the story of Sojourner Truth is approached. The book examines key intersecting dimensions within the story of Truth and its reception, including gender, race, class and religion. This book will be of interest to students and scholars in gender, women's and feminist studies. In particular, the book will be of interest to those wishing to learn more about intersectionality and Sojourner Truth.

The Modern African American Political Thought Reader compiles the work of great African American political thinkers throughout the twentieth century and up through today to show the development of black political thought and trace the interconnectedness of each person's ideas through their own words. From abolition, through civil rights, Black nationalism, radical feminism, neo-conservativism, and the new Black Moderate, Angela Jones has collected the key readings of the most important figures in black political history.

Each chapter includes an introduction to the themes of the chapter, a biographical sketch of the person profiled, and some of their greatest works, chosen to show the range of political subjects of interest to African Americans. From Radicals like Angela Y. Davis to Conservatives such as Michael Steele, this anthology showcases the diversity of political thought within the African American community. It is a must for anyone interested in African American history and politics.

Northeast India is a multifaceted and dynamic region that is constantly in focus because of its fragile political landscape characterized by endemic violence and conflicts. One of the first of its kind, this reader on Northeast India examines myriad aspects of the region - its people and its linguistic and cultural diversity. The chapters here highlight the key issues confronted by the Northeast in recent times: its history, politics, economy, gender equations, migration, ethnicity, literature and traditional performative practices. The book presents interlinkages between a range of socio-cultural issues and armed political violence while covering topics such as federalism, nationality, population, migration and social change. It discusses debates on development with a view to comprehensive policies and state intervention. With its a nuanced and wide-ranging overview, this volume makes new contributions to understanding a region that is critical to the future of South Asian geopolitics. The book will be of great interest to scholars and researchers of contemporary Northeast India as well as history, political science, area studies, international relations, sociology and social anthropology. It will also appeal to those interested in public administration, regional literature, cultural studies, population studies, development studies and economics.

The 20th century witnessed the large-scale displacement and dispersal of populations across the world because of major political upheavals, among them the two European wars, decolonization and the Cold War. These major events were followed by globalization which accelerated free trade and the mobility of capital, new technologies of communication, and the movement of people, commodities, ideas, and cultures across the world. This book explores the complexity of African migration and diaspora, the discourse of 'diaspora engagement' and new models of citizenship and transnationalism in the context of these issues. This book was originally published as a special issue of African and Black Diaspora: An International Journal.

The election of 2008 brought onto the national stage complexitiesarising when the member of a minority group assumes power over national political institutions. It also underlined the limits placed on that power by the double accountability such a figure faces. The question posed in this volume of the "NPSR" is: Might the ascendancy of President Obama lead to a deracialization of American politics or its opposite? The contributions to this volume" "examine this question in a variety of ways. David Wilson and Khalilah Brown-Dean analyze black attitudes towards the candidates for the Democratic Party nomination in the presidential race of 2008. Lorenzo Morris asks how perceptions of race have defined expectations of the African American ambassadors to the United Nations. Horace Bartilow and Kihong Eom use a game theoretic approach to examine US drug strategies in the Caribbean. A works-in-progress section follows with personal reflections by Michael C. Dawson and Andra Gillespe. They relate how personal concerns and curiosities guide their research. A book review section provides a discussion about works of interest to scholars studying black politics.

Contours of African American Politics chronicles the systematic study of African American politics and its subsequent recognition as an established field of scholarly inquiry. African American politics emanates from the demands of the prolonged struggle for black liberation and empowerment. Hence, the study of African American politics has sought to track, codify, and analyze the struggle that has been mounted, and to understand the historic and changing political status of African Americans within American society. This two-volume set presents a selection of scholarship on African American politics as it appeared in "The National Political Science Review" from its initial launch in 1989 to the spring of 2009. Represented are contributions from some of the leading scholars of African American politics, who have helped to establish and sustain the field. The volumes are organized around themes that derive from the unfolding real-life drama of African American politics and its subsequent scholarly treatment.

The result is a window into the political efforts that meld the historically disparate strands of black political expressions into a reconstructed and strategically nimble, electoral-based mass mobilization necessary for optimizing the impact of the African American vote. Sections in the volumes also chronicle the evolution of the National Conference of Black Political Scientists as a professional organization. The two volumes illuminate a pivotal epoch in black political empowerment and provide a context for the future of black politics.

This work examines and analyzes how the cinematic image of African Americans became a fixed image with strict rules of depiction both written and unwritten. And, how those very limited and under-informed images would not and could not be challenged or transformed until the power relations in the American film industry began to change and afforded blacks the opportunity at the very least to tell stories from an informed position.

The late Chicagoan George Nesbitt could perhaps best be described as an ordinary man with an extraordinary gift for storytelling. In his newly uncovered memoir-written fifty years ago, yet never published-he chronicles in vivid and captivating detail the story of how his upwardly-mobile Midwestern Black family lived through the tumultuous twentieth century. Spanning three generations, Nesbitt's tale starts in 1906 with the Great Migration and ends with the Freedom Struggle in the 1960s. He describes his parents' journey out of the South, his struggle against racist military authorities in World War II, the promise and peril of Cold War America, the educational and professional accomplishments he strove for and achieved, the lost faith in integration, and, despite every hardship, the unwavering commitment by three generations of Black Americans to fight for a better world. Through all of it-with his sharp insights, nuance, and often humor-we see a family striving to lift themselves up in a country that is working to hold them down. Nesbitt's memoir includes two insightful forewords: one by John Gibbs St. Clair Drake (1911-90), a pioneer in the study of African American life, the other a contemporary rumination by noted Black studies scholar Imani Perry. A rare first-person, long-form narrative about Black life in the twentieth century, Being Somebody and Black Besides is a remarkable literary-historical time capsule that will delight modern readers.

Diversity and Philanthropy at African American Museums is the first scholarly book to analyze contemporary African American museums from a multifaceted perspective. While it puts a spotlight on the issues and challenges related to racial politics that black museums collectively face in the 21st century, it also shines a light on how they intersect with corporate culture, youth culture, and the broader cultural world. Turning the lens to philanthropy in the contemporary era, Banks throws light on the establishment side of African American museums and demonstrates how this contrasts with their grassroots foundations. Drawing on over 80 in-depth interviews with trustees and other supporters of African American museums across the United States, this book offers an inside look at the world of cultural philanthropy. While patrons are bound together by being among the distinct group of cultural philanthropists who support black museums, the motivations and meanings underlying their giving depart in both subtle and considerable ways depending on race and ethnicity, profession, generation, and lifestyle. Revealing not only why black museums matter in the eyes of supporters, the book also complicates the conventional view that social class drives giving to cultural nonprofits. It also paints a vivid portrait of how diversity colors cultural philanthropy, and philanthropy more broadly, in the 21st century. Diversity and Philanthropy at African American Museums will be a valuable resource for scholars and practitioners engaged with African American heritage. It will also offer important insights for academics, as well as cultural administrators, nonprofit leaders, and fundraisers who are concerned with philanthropy and diversity.

This volume examines the evolution of higher education opportunities for African Americans in the early and mid-twentieth century. It contributes to understanding how African Americans overcame great odds to obtain advanced education in their own institutions, how they asserted themselves to gain control over those institutions, and how they persisted despite discrimination and intimidation in both northern and southern universities. Following an introduction by the editors are contributions by Richard M. Breaux, Louis Ray, Lauren Kientz Anderson, Timothy Reese Cain, Linda M. Perkins, and Michael Fultz.

Contributors consider the expansion and elevation of African American higher education. Such progress was made against heavy odds--the "separate but equal" policies of the segregated South, less overt but pervasive racist attitudes in the North, and legal obstacles to obtaining equal rights.

Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the significance of race for elite blacks, and illuminates recent art world developments. In doing so, Banks documents how the salience of race extends into the cultural life of even the most socioeconomically successful blacks.