Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.

In 1963, Birmingham, Alabama, was the site of one of the Civil Rights Movement's most celebrated victories and one of its most well-known tragedies. As a result, the city looms large in the history of the twentieth-century black freedom struggle. As the nation marks the fiftieth anniversary of those events, though, the Birmingham story remains incomplete. Although many historians have studied Birmingham's role in the Civil Rights Movement, the existing literature still does not extend its focus into the years after 1963. Picking up the story in the mid-1960s, author Robert W. Widell Jr. explores the evolution of black activism as the city (and the country) moved into the 1970s. In so doing, it provides the historical detail that is essential in the effort to understand the 'long' black freedom struggle.

Analysing the transformation in beliefs and practices relating to black beauty in the 1960s and pre-Civil Rights Movement and later black beauty pageants, Ain't I A Beauty Queen? goes into beauty parlours, late-night political meetings, and college campus organisations to study how black women were symbols and participants in the reshaping of black racial identity.

Essays by the foremost labor historian of the Black experience in the Appalachian coalfields.This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia's Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries. From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region's Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.

"Wilder explores cultural expression with and through African societies in New York City. . . . He follows them from their origin, through their heyday, to their decline as capitalist culture overwhelmed the voluntary tradition."
--"Book News"

"In the historiography on blacks in the colonial and antebellum periods, Craig Steven Wilder's "In the Company of Black Men" stands out as one of the finest works of scholarship in the last decade."--"Journal of American Ethnic History

From the subaltern assemblies of the enslaved in colonial New York City to the benevolent New York African Society of the early national era to the formation of the African Blood Brotherhood in twentieth century Harlem, voluntary associations have been a fixture of African-American communities.

In the Company of Black Men examines New York City over three centuries to show that enslaved Africans provided the institutional foundation upon which African-American religious, political, and social culture could flourish. Arguing that the universality of the voluntary tradition in African-American communities has its basis in collectivism--a behavioral and rhetorical tendency to privilege the group over the individual--it explores the institutions that arose as enslaved Africans exploited the potential for group action and mass resistance.

Craig Steven Wilder's research is particularly exciting in its assertion that Africans entered the Americas equipped with intellectual traditions and sociological models that facilitated a communitarian response to oppression. Presenting a dramatic shift from previous work which has viewed African-American male associations as derivative and imitative of white malecounterparts, In the Company of Black Men provides a ground-breaking template for investigating antebellum black institutions.

A unique reference work providing information and resources on the main issues concerning the education of African Americans over the past two decades. From 1954 to the present, from preschool programs like Headstart to historically black colleges and universities, African American Education: A Reference Handbook explores the black educational experience. Statistical analysis and anecdotal evidence, along with interviews with leading black educators, help readers understand the African American perspective on such controversial issues as testing, curriculum choice, institutional approaches, affirmative action, and the effects of desegregation. Readers will also discover how the striking incompatibility between early informal education experiences and later formal education results in a dichotomy that sets African Americans apart from other groups. A detailed chronology charting benchmarks in African American education from 1619-2000 Discussions of relevant constitutional amendments, laws, and court decisions

Because the Holocaust, at its core, was an extreme expression of a devastating racism, the author contends it has special significance for African Americans. Locke, a university professor, clergyman, and African American, reflects on the common experiences of African American and Jewish people as minorities and on the great tragedy that each community has experienced in its history--slavery and the Holocaust. Without attempting to equate the experiences of African Americans to the experiences of European Jews during the Holocaust, the author does show how aspects of the Holocaust, its impact on the Jewish community worldwide, and the long-lasting consequences relate to slavery, the civil rights movement, and the current status of African Americans.

Written from a Christian perspective, this book argues that the implications of the Holocaust touch all people, and that it is a major mistake to view the Holocaust as an exclusively Jewish event. Instead, the author asks whether it is possible for both African Americans and Jewish Americans to learn from the experience of the other regarding the common threat that minority people confront in Western societies. Locke focuses on the themes of parochialism and patriotism and reexamines the role of the Christian churches during the Holocaust in an effort to challenge some of the prevailing views in Holocaust studies.

This Book is about universal human consciousness, supernatural creativity, and spirituality - illustrated with the African. During public lectures in summer of 2008 in the USA, issues emerged that Africans south of the Sahara and their descendants (among other races of the western hemisphere) have lost control of existence and destiny, . Some philosophers claim that Blacks are congenitally stupid; scientists hypothesize that the causes are in their genes. Since some colored persons evidently are achievers, the author (The Oboiro) propounds that the true causes of apparent differences are ingredients in potions regularly consumed during initiation, worship, and funeral rituals. Solution is to "TAKE OVER CONTROL" (without physical violence). From whom? Read the Book.

This book traces the entire story of black baseball, documenting the growth of the Negro Leagues at a time when segregation dictated that the major leagues were strictly white, and explaining how the drive to integrate the sport was a pivotal part of the American civil rights movement. Part of Greenwood's Landmarks of the American Mosaic series, this work is a one-stop introduction to the subject of Negro League baseball that spotlights the achievements and experiences of black ball players during the time of segregation-ones that must not be allowed to fade into obscurity. Telling far more than a story about sports that includes engaging tales of star athletes like "Satchel" Paige and "Cool Papa" Bell, Negro Leagues Baseball documents an essential chapter of American history rooted in the fight for civil rights and human dignity and the battle against racism and bigotry. The book comprises an introduction, chronology, and narrative chapters, as well as biographical profiles, primary documents, a glossary, a bibliography, and an index. The recounting of individual stories and historical events will fascinate general readers, while rarely used documentary material places the subject of Negro League baseball in relation to civil rights issues, making the book invaluable to students of American social history and culture. A historical timeline of events Biographical profiles of important figures in Negro Leagues baseball

The extraordinary story of African American composer Edmond Dede, raised in antebellum New Orleans, and his remarkable career in France In 1855, Edmond Dede, a free black composer from New Orleans, emigrated to Paris. There he trained with France's best classical musicians and went on to spend thirty-six years in Bordeaux leading the city's most popular orchestras. How did this African American, raised in the biggest slave market in the United States, come to compose ballets for one of the best theaters outside of Paris and gain recognition as one of Bordeaux's most popular orchestra leaders? Beginning with his birth in antebellum New Orleans in 1827 and ending with his death in Paris in 1901, Sally McKee vividly recounts the life of this extraordinary man. From the Crescent City to the City of Light and on to the raucous music halls of Bordeaux, this intimate narrative history brings to life the lost world of exiles and travelers in a rapidly modernizing world that threatened to leave the most vulnerable behind.

2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio Lopez uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. Lopez shows how Afro-Cuban writers and performers in the U.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O'Farrill, Eusebia Cosme, Romulo Lachatanere, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an "unbecoming" relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.

Since the earliest days of the nation, US citizenship has been linked to military service. Even though blacks fought and died in all American wars, their own freedom was usually restricted or denied. In many ways, World War II exposed this contradiction. As demand for manpower grew during the war, government officialsand military leaders realized that the war could not be won without black support. To generate African American enthusiasm, the federal government turned to mass media. Several government films were produced and distributed, movies that have remained largely unexamined by scholars. Kathleen M. German delves into the dilemma of race and the federal government's attempts to appeal to black patriotism and pride even while postponing demands for equality and integration until victory was achieved. German's study intersects three disciplines: the history of the African American experience in World War II, the theory of documentary film, and the study of rhetoric. One of the main films of the war era, The Negro Soldier, fractured the long tradition of degrading minstrel caricatures by presenting a more dignifiedpublic image of African Americans. Along with other government films, the narrative within The Negro Soldier transformed the black volunteer into an able soldier. It included African Americans in the national mythology by retelling American history to recognize black participation. As German reveals, through this new narrative with more dignified images, The Negro Soldier and other films performed rhetorical work by advancing the agenda of black citizenship.

"Fame to Infamy: Race, Sport, and the Fall from Grace" follows the paths of sports figures who were embraced by the general populace but who, through a variety of circumstances, real or imagined, found themselves falling out of favor with the public. The contributors focus on the roles played by athletes, the media, and fans in describing how once-esteemed popular figures find themselves scorned by the same public that at one time viewed them as heroic, laudable, or otherwise respectable.

The book examines a wide range of sports and eras, and includes essays on Barry Bonds, Kirby Puckett, Mike Tyson, Mark McGwire and Sammy Sosa, Branch Rickey, Joe Louis and Max Schmeling, Michael Jordan, Wilt Chamberlain, and Jim Brown, as well as an afterword by noted scholar Jack Lule and an introduction by the editors. "Fame to Infamy" is an interdisciplinary volume encompassing numerous approaches in tracing the evolution of each subject's reputation and shifting public image.

Based on the author's personal and professional experience, and interviews with black leaders who speak directly on this issue. Important discussions and implementations. Includes interviews with senior legal and industry figures, including Trevor Phillips, former chairman of the Equality and Human Rights Commission and David Lammy MP.

Black Genders and Sexualities provides a survey of new work by scholars who grapple with the ways gender and sexuality constellate with race. Cutting across the humanities and social sciences, and situated in sites across the black diaspora, the works collectively challenge notions that we are living in a post-racial age and instead argue for the specificity of black cultural experiences as shaped by gender and sex. The volume underscores the ways an array of violence impacts and shapes black life, while also testifying to the resiliency, creativity, and vitality of black people.

African American fugitive slave narratives are receiving growing amounts of attention for their literary and historical value. This book examines the techniques the slave narrative writers used to authorize and rhetorically create themselves in their writings. By examining such issues as voice and identity formation, the volume demonstrates how identity may be seen as a cultural fabrication. Former slave narrators used a series of masking and doubling techniques to address their experiences as African Americans. This book crosses the boundaries between literary criticism and historical study by examining the tensions between generic conventions and the impulses that created and reinforced them. The introduction and opening chapter offer clear and accessible discussions of the social, political, cultural, and literary conditions influencing the slave narrative genre. Subsequent chapters are built on this theoretical framework and present close analytical readings of The Confessions of Nat Turner, Frederick Douglass's Narrative and My Bondage and My Freedom, Harriet Jacobs's Incidents in the Life of a Slave Girl, and Running a Thousand Miles for Freedom, by William and Ellen Craft. The volume probingly traces the relationship between rhetorical self-creation and social ideology to show how that relationship was mediated within the fugitive slave narrative genre.

"The problem of the Twentieth Century is the problem of the color-line." This quote is among the most prophetic in American history. It was written by W. E. B. DuBois for the Exhibition of American Negroes displayed at the 1900 Paris Exposition. They are words whose force echoed throughout the Twentieth Century. W.E.B. DuBois put together a groundbreaking exhibit about African Americans for the 1900 World's Fair in Paris. For the first time, this book takes readers through the exhibit. With more than 200 black-and-white images throughout, this book explores the diverse lives of African Americans at the turn of the century, from challenges to accomplishments. DuBois confronted stereotypes in many ways in the exhibit, and he provided irrefutable evidence of how African Americans had been systematically discriminated against. Though it was only on display for a few brief months, the award-winning Exhibit of American Negroes represents the great lost archive of African American culture from the beginning of the twentieth century.

Deeper Insight into Nigeria's Public Administration is a collection of a wider range of Public Administration topics to which scholars and authors have devoted attention in recent time. Here is a lucidly written and presented book, which selective scholars, researchers and readers would find indispensably useful to procure for personal and institutional librarians.

Black Middle-Class Women and Pregnancy Loss: A Qualitative Inquiry is the first qualitative research case study of its kind on Black Infant Mortality (BIM) to focus on a target group of black American-born middle-class professional married women who have all lived through the experience of infant loss. This target group allows Lisa Paisley-Cleveland to examine the BIM phenomenon outside the poverty paradigm and issues attached to teenage pregnancy, as well as to explore contributing factors attached to the persistent black and white disparity in infant mortality rates, which according to CDC s January 2013 report are 12.40 and 5.35 respectively. This book raised the following question: given the disparity in the infant mortality rates among middle-class black and white women, are there factors attached to the pregnancy experience of middle-class black women that could help us understand the adverse birth outcomes for this target group? While investigating the answer to this question, Paisley-Cleveland provides readers entry into the pregnancy experiences of eight women from pregnancy planning to infant loss, and the book examines feelings, events, circumstances, interactions, behaviors, culture and history embedded in their pregnancy stories to explicate possible factors connected to adverse birth outcomes. It links the women s personal stories to clinical, and psychosocial factors, placing their experiences at the center of the research, and demystifying assumptions. The study s narratives and conclusions are built into a literary structure which helps to make a complex subject relatable and understandable to a wide audience. Black Middle-Class Women and Pregnancy Loss will be an invaluable resource for medical professionals; professionals in public health, mental health, and social work; sociologists; and anyone working or invested in women's health.

In this inspirational volume of spoken word, social commentary, play, essay and memoir, Ros Martin peels apart the onion layers of our deeply fragmented society. By presenting the authors personal journey, the book throws a harrowing spotlight on issues behind racial inequality. It achieves what so many other titles neglect or fail to do: rendering visible the lives of the otherwise unnoticed or stereotyped black woman, man and lowly other. Pushing out from the margins, we find in Ros a writer who is passionate to engage readers in issues that continue to impact those in ethnically diverse communities and other marginalised backgrounds. Every passage rings with the call for social justice and equal empowerment, whilst celebrating lives of struggle in creativity, resistance and survival.

All but ignored, the Black police officer went unseen in a history that has been lost, stolen, and disguised by generations of segregation and discriminatory practices within the New York City Police Department, and city Government. For more than a century, Black police officers walked a lonely beat, and very little was written about their struggled for equality and recognition since the first Black officer entered the Police Department in 1891. The Book the Black Shields, written by an African American Police Detective, is a powerful pictorial history and narrative of the Black police experience that documents the successes and accomplishments shaped by an interconnected series of sociological, political and legal events that continue to take place today.