This collection of essays emerged from a symposium held at Mercer University which examined the ways in which W. E. B. DuBois's theories of race have shaped racial discussion and public policy in the twentieth-century. The essays also examine the application of Du Bois's theories to the new millennium, as well as his contributions to the study of the humanities.

This volume focuses on the challenges faced by Black children in the post-modern age. The authors integrate clinical and developmental psychology with history and culture to address contemporary issues in the field. The issues confronting African American children and parents are unique to this era of unparalleled prosperity. Simultaneous patterns of racial inequality and disparities continue to exist in almost all areas of human activity despite these prosperous times. This book offers an in-depth look at issues and challenges affecting African American children in the 21st century. Topics addressed include quantifying normal behavior, racial identity, racial socialization, acting white, teen fatherhood, poverty, violence, and Black males and sports. This book will be of interest to both academics and professionals in clinical development and family psychology and those involved with legal and social services for Black children.

"The Man Who Changed His Skin" is the first complete biography of John Howard Griffin. Griffin journeyed from Texas to France alone at 15, to study, in 1935. When the Nazis invaded France, he helped get French, German and Austrian Jews to safety. Before he was 21, he was on Gestapo death lists. He returned to the U.S., joined the Air Force and was stationed on a remote island inthe South Pacific. His eyesight was damaged in a Japanese air attack and he became blind for 10 years. Suddenly his eyesight came back. He then turned his skin black and traveled throughout the south in 1959-1960. His subsequent book, "Black Like Me" became an instant American classic and has been published in 65 countries. Griffin's personal diaries and journals are quoted extensively. This biography is published during the 50th anniversary year of "Black Like Me."

After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air.

These shocking accounts of lynching within the Southern States during the late nineteenth century remain no less poignant today than when they were first recorded. A terrible reminder of the violent consequences which ingrained racism has upon society, this book unflinchingly tells of the various laws throughout the USA which allowed crowds to hunt, beat and hang black Americans. This process of lynching persisted for decades, with several communities purposely photographing and publicising their aftermath. Prefaced with a letter from the anti-slavery and black rights campaigner Frederick Douglass, this book describes the various incidents which resulted from authorities turning a blind eye to the violence building in the Southern United States. It is an unabashed exposure of the depravity to which the indulgence of prejudiced attitudes leads by Ida B. Wells-Barnett, in the brutally honest style for which she became both famous and remembered.

Eliza Potter's 1859 autobiography expresses her indignation, abolitionist sentiments, fiery temper, and sheer joy of life as she reveals the private selves of the white women whose heads she "combed." As an insider on the margins, her identity provides a unique vantage point for her story and that of the elites of nineteenth-century Cincinnati society.

Reflections is a collection of my writings through the years in defense of and support for Affirmative Action in the construction industry. It documents a struggle for economic justice that began on July 23, 1969 when Chicago community groups assembled to demand equal participation in local federal construction projects. As these programs became successful, resistance rose at a rapid clip. Who would have thought that our quest for economic justice would eventually reach the Supreme Court as a battle against "reverse discrimination?" Who would have believed that the "affirmative action" programs that integrated an exclusive white workforce, and provided new opportunities for Black firms would be challenged so vigorously that the term would not even be used by the 2008 presidential candidates? We share our experiences for others seeking change by providing examples of how Black businesses can address community problems, including educating elected officials and holding them accountable. It was though my membership in Parren Mitchell's (Maryland's first Black congressman-1971), Black Business Braintrust, that the first national legislation requiring mandatory Minority Business Enterprise MBE] utilization was forged. This book emphasizes four main areas of concern: Affirmative Action as a tool to break the pattern of exclusion by construction trade unions and apprenticeship programs. To demonstrate that local organizations with dedicated leaders can combat discrimination and create positive change that reverberates nationally. To expand the Black tradesmen workforce as a vehicle for increasing Black subcontractor numbers and developing substantial Black general contractors. The development of viable black construction firms: UBM, Inc., which I co-founded in 1974, was by 2004, the largest Black general contractor in the state of Illinois. My firm accomplished everything I sought to prove as a black business by creating the capacity to apply positive solutions to problems besieging our community.

The untold story of the Black nationalist group behind the growing popularity of Kwanzaa In spite of the ever-growing popularity of Kwanzaa, the story of the influential Black nationalist organization behind the holiday has never been told. Fighting for Us explores the fascinating history of the US Organization, a Black nationalist group based in California that played a leading role in Black Power politics and culture during the late 1960s and early '70s whose influence is still felt today. Advocates of Afrocentric renewal, US unleashed creative and intellectual passions that continue to fuel debate and controversy among scholars and students of the Black Power movement. Founded in 1965 by Maulana Karenga, US established an extensive network of alliances with a diverse body of activists, artists and organizations throughout the United States for the purpose of bringing about an African American cultural revolution. Fighting for US presents the first historical examination of US' philosophy, internal dynamics, political activism and influence on African American art, making an elaborate use of oral history interviews, organizational archives, Federal Bureau of Investigation files, newspaper accounts, and other primary sources of the period. This book also sheds light on factors contributing to the organization's decline in the early '70s-government repression, authoritarianism, sexism, and elitist vanguard politics. Previous scholarship about US has been shaped by a war of words associated with a feud between US and the Black Panther Party that gave way to a series of violent and deadly clashes in Los Angeles. Venturing beyond the lingering rhetoric of rivalry, this book illuminates the ideological similarities and differences between US's "cultural" nationalism and the Black Panther Party's "revolutionary" nationalism. Today, US's emphasis on culture has endured as evidenced by the popularity of Kwanzaa and the Afrocentrism in Black art and popular media. Engaging and original, Fighting for US will be the definitive work on Maulana Karenga, the US organization, and Black cultural nationalism in America.

This fresh and invigorating analysis illuminates the often-neglected story of early African American civil rights activism. African American Civil Rights: Early Activism and the Niagara Movement tells a fascinating story, one that is too frequently marginalized. Offering the first full-length, comprehensive sociological analysis of the Niagara Movement, which existed between 1905 and 1910, the book demonstrates that, although short-lived, the movement was far from a failure. Rather, it made the need to annihilate Jim Crow and address the atrocities caused by slavery publicly visible, creating a foundation for more widely celebrated mid-20th-century achievements. This unique study focuses on what author Angela Jones terms black publics, groups of concerned citizens-men and women, alike-who met to shift public opinion. The book explores their pivotal role in initiating the civil rights movement, specifically examining secular organizations, intellectual circles, the secular black press, black honor societies and clubs, and prestigious educational networks. All of these, Jones convincingly demonstrates, were seminal to the development of civil rights protest in the early 20th century. Primary source documents including the Niagara Movement's "Declaration of Principles" A chronology of the development of the civil rights movement Photographs of key players in the Niagara Movement An expansive bibliography encompassing titles from sociology, political science, and history

An analysis of the recent switch from the name Black to African American symbolizes a reconceptualization of Americans of African descent away from race to culture. This book examines the emergence of a new representation whose rapid spread has been fuelled by widely shared projections of a different future capable of overcoming the legacy of racism.

Far from being just another label, the new name is capable of representing the group in question by projecting a different future for all of us in a multicultural America based on inclusion, fairness, and equality. Such projections are collectively elaborated, driven by the adoption of African American in the media as a more positive alternative to Black and its equally consistent use among a socio-demographically distinct subgroup of black Americans as a vehicle for a new self-identity. The contradistinction between these two alternative terms implies two different representations of the same group, one still based on race and the other rooted in culture. This tension between race and culture, crystallized in the competing uses of Black and African American, points to a more profound cultural transformation currently under way in America. This book takes a close look at the current state of flux in race relations in the United States through the lens of a social psychologist focusing on the emergence of an alternative name as a new social representation.