Contemporary research on the lives and experiences of women of color tends to neglect the influence of women's perceived access to voice as they manage tensions related to race, class, and gender. Underserved Women of Color, Voice, and Resistance: Claiming a Seat at the Table contributes to current dialogues that construct Black Feminist Theory as active, critical engagement within dominant American institutions that oppress women of color in their daily lives. Women of color face unique social challenges that exist at the intersections of race, gender, class, and sexual orientation. While some challenges are common to women of color, others reflect the distinct journey each woman makes as she negotiates her identity within her family, professional circle, social and romantic relationships, and community. The editors have constructed a rich collection of voices in this work exploring the politics of women of color across various social contexts.

In the late 1920s, Reverend A. W. Nix (1880-1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix's recordings, were linked to the image of the "Old Negro" by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern "New Negro" citizen. Through interviews with family members, musical analyses of the sounds on Nix's recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The "moaning voice" used by Nix and other ministers was a direct connection to the "blues moan" employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the "Father of Gospel Music," Thomas A. Dorsey. The success of Nix's recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.

"Mary Turner and the Memory of Lynching" traces the reaction of activists, artists, writers, and local residents to the brutal lynching of a pregnant woman near Valdosta, Georgia. In 1918, the murder of a white farmer led to a week of mob violence that claimed the lives of at least eleven African Americans, including Hayes Turner. When his wife Mary vowed to press charges against the killers, she too fell victim to the mob.

Mary's lynching was particularly brutal and involved the grisly death of her eight-month-old fetus. It led to both an entrenched local silence and a widespread national response in newspaper and magazine accounts, visual art, film, literature, and public memorials. Turner's story became a centerpiece of the Anti-Lynching Crusaders campaign for the 1922 Dyer Bill, which sought to make lynching a federal crime. Julie Buckner Armstrong explores the complex and contradictory ways this horrific event was remembered in works such as Walter White's report in the NAACP's newspaper the "Crisis," the "Kabnis" section of Jean Toomer's "Cane," Angelina Weld Grimke's short story "Goldie," and Meta Fuller's sculpture "Mary Turner: A Silent Protest against Mob Violence."

Like those of Emmett Till and Leo Frank, Turner's story continues to resonate on multiple levels. Armstrong's work provides insight into the different roles black women played in the history of lynching: as victims, as loved ones left behind, and as those who fought back. The crime continues to defy conventional forms of representation, illustrating what can, and cannot, be said about lynching and revealing the difficulty and necessity of confronting this nation's legacy of racial violence.

Written by a team of nationally recognized African American social work professionals with extensive and distinguished backgrounds of HIV/AIDS service, the book examines the crisis facing African American communities. The editors strive to convey to academics, researchers, and students the magnitude of the crisis and that individuals and organizations serving African Americans need to be able to respond to the service delivery needs this crisis brings.

The crisis is evident in the fact that by year 2000 fully 50% of all AIDS cases will be among African Americans--who only constitute 12% of the nation's population. This book serves as a wake-up call and is designed to stimulate discussion and planning for new models of service to all African Americans and HIV prevention, education, and treatment.

Asian Popular Culture: New, Hybrid, and Alternate Media, edited by John A. Lent and Lorna Fitzsimmons, is an interdisciplinary study of popular culture practices in Asia, including regional and national studies of Japan, China, South Korea, and Australia. The contributors explore the evolution and intersection of popular forms (gaming, manga, anime, film, music, fiction, YouTube videos) and explicate the changing cultural meanings of these media in historical and contemporary contexts. At this study's core are the roles popular culture plays in the construction of national and regional identity. Common themes in this text include the impact of new information technology, whether it be on gaming in East Asia, music in 1960s' Japan, or candlelight vigils in South Korea; hybridity, of old and new versions of the Chinese game Weiqi, of online and hand-held gaming in South Korea and Japan that developed localized expressions, or of United States culture transplanted to Japan in post-World War II, leading to the current otaku (fan boy) culture; and the roles that nationalism and grassroots and alternative media of expression play in contemporary Asian popular culture. This is an essential study in understanding the role of popular culture in Asia's national and regional identity.

This one-of-a kind book challenges the current thinking about black girls to show how America has failed them-and what can be done to make their lives better. African American girls are one of the United States' most endangered populations, yet meaningful explorations of the issues that impact their lives are almost nonexistent. In this riveting book, led by one of the African American community's best-known scholars, experts from across the nation explain the risks, challenges, and influences-both good and bad-faced by black girls and teens. The work shows how our society is failing them, and it outlines what can and should be done to help these young women lead happier, healthier, more successful lives. The book covers a wide range of concerns, including obesity, substance abuse, sex trafficking, gangs, teen pregnancy, and suicide attempts. Stress, low self-esteem, anger, aggression, and violence are explored, as are failures of our education system and of a legal system that tends to victimize young black women. A substantial section on parenting and mentoring discusses ways to counter the negative influences that are a constant for many black girls and adolescents. It is time for American society to recognize and react to the realities these young women face, making this book a must-read for caring parents, teachers, nurses, guidance counselor, doctors, school administrators, and school board members. Provides the first research work on this topic Covers health (physical, mental, and sexual), education, crime/criminal justice, and parenting as they affect black teen girls and adolescents Features contributors from a broad range of fields, including psychology, biology, criminal justice, sociology, spirituality, law, medicine, and popular culture Examines characteristics of at-risk girls and the lure of the "bad girl" image Clarifies what parents/mentors and others can do to help these girls and teens live happy, healthy, more rewarding lives

Is everything good in Christianity plagiarized from traditional African religions? What about criticisms of Christianity made by the Nation of Islam? Craig S. Keener and Glenn Usry answer these and other hard questions put to the black church. Craig Keener and Glenn Usry's highly acclaimed Black Man's Religion showed in impressive detail that Christianity and Afrocentricity can go together. Now they turn to specific, nitty-gritty questions put to the black church by non-Christians: Is everything good in Christianity plagiarized from traditional African religions? Isn't it intolerant to say Christ is the only way to God? Is the Bible reliable? What about criticisms of Christianity made by the Nation of Islam? Keener and Usry meet these and other important questions head-on, providing responses relevant to and especially for black men and women.

This book presents an in-depth account of nine Black British women's experiences of violence and abuse. Through in depth interviews and analysis the author reveals their feelings of being silenced as children, women, Black women and as victims/survivors. Being silenced or staying silent about experiences of violence and abuse are key influences in how and when women access help and support and Kanyeredzi illuminates missed opportunities in how and when this help and support can and should be given. Based on women's descriptions of how they felt supported, listened to, yet 'unheard', chapters explore what professionals might face in the process of supporting Black women who access these services. The book contributes valuable understanding to the growing literature discussing challenges faced by minoritised women attempting to live full lives in the UK. It also includes images created as part of the project. This book is a useful resource for victims/survivors, students, researchers, clinical psychologists, counsellors, health professionals, social workers, educators and specialised violence support organisations.

A gorgeously illustrated introduction to Chinese New Year, written by Eva Wong Nava and illustrated by Li Xin. 'Twelve animals, one for each year, each one with their own special powers. It all started with a race to cross the most heavenly of rivers.' Chinese New Year is right around the corner and Mai-Anne is so excited! As her family start decorating the house, there's a knock on the door... her grandmother, Nai Nai, has arrived! They start their celebrations with a traditional meal filled with fish for good luck, noodles for long life, dumplings for blessings and a WHOLE chicken. Then after dinner Nai Nai tells the story of how Chinese New year began, with the Great Race! Join Mai-Anne as she learns about twelve animals and their special powers in the story of how Chinese New Year began! A beautifully illustrated introduction to the true meaning of Chinese New Year and family traditions for little ones A love letter to all the grandparents in the world Features some non-fiction facts on the last pages for especially curious minds about Chinese New Year, including different countries' traditions Illustrations of China Towns around the world on the first and last pages Written and illustrated by two brilliantly talented Asian women

This is the first full history of Operation Breadbasket, the interfaith economic justice program that transformed into Jesse Jackson's Operation PUSH (now the Rainbow PUSH Coalition). Begun by Martin Luther King Jr. during the 1966 Chicago Freedom Movement, Breadbasket was directed by Jackson. Author Martin L. Deppe was one of Breadbasket's founding pastors. He digs deeply into the program's past to update the meager narrative about Breadbasket, add details to King's and Jackson's roles, and tell Breadbasket's little-known story. Under the motto "Your Ministers Fight for Jobs and Rights," the program put bread on the tables of the city's African American families in the form of steady jobs. Deppe details how Breadbasket used the power of the pulpit to persuade businesses that sought black dollars to also employ a fair share of blacks. Though they favored negotiations, Breadbasket pastors also organized effective boycotts, as they did after one manager declared that he was "not about to let Negro preachers tell him what to do." Over six years, Breadbasket's efforts netted forty-five hundred jobs and sharply increased commerce involving black-owned businesses. Economic gains on Chicago's South Side amounted to $57.5 million annually by 1971. Deppe traces Breadbasket's history from its early "Don't Buy" campaigns through a string of achievements related to black employment and black-owned products, services, and businesses. To the emerging call for black power, Bread basket offered a program that actually empowered the black community, helping it engage the mainstream economic powers on an equal footing. Deppe recounts plans for Breadbasket's national expansion; its sponsored business expos; and the Saturday Breadbasket gatherings, a hugely popular black-pride forum. Deppe shows how the program evolved in response to growing pains, changing alliances, and the King assassination. Breadbasket's rich history, as told here, offers a still-viable model for attaining economic justice today.

How Alonzo overcame the adversities of life and slowed his aging process.

These shocking accounts of lynching within the Southern States during the late nineteenth century remain no less poignant today than when they were first recorded. A terrible reminder of the violent consequences which ingrained racism has upon society, this book unflinchingly tells of the various laws throughout the USA which allowed crowds to hunt, beat and hang black Americans. This process of lynching persisted for decades, with several communities purposely photographing and publicising their aftermath. Prefaced with a letter from the anti-slavery and black rights campaigner Frederick Douglass, this book describes the various incidents which resulted from authorities turning a blind eye to the violence building in the Southern United States. It is an unabashed exposure of the depravity to which the indulgence of prejudiced attitudes leads by Ida B. Wells-Barnett, in the brutally honest style for which she became both famous and remembered.

"Pell-Mell ... So We Live!" shares a collection of brief, often poignant anecdotes that provide a whimsical glimpse into how people live in the Caribbean, West Indies, and the Virgin Islands. In "Pell-Mell, " justice and nature fuse into one, parenting is skittish, a fugitive blue mongoose is caught red-handed, and the stork learns that delivering babies is safer. Afro-Caribbean Virgin Islander Gilbert Sprauve continues where he left off in his previous collection, "Soundings over Cultural Shoals." Sprauve holds the magnifying glass that peers into a fascinating local culture and offers reflections about a world in and about the Virgin Islands, where a crane dozes in pain, a handy popgun saves a groom-son, and serial eulogies crack frail ribs. "Pell-Mell ... So We Live!" offers a memorable look into the variations of life-from the heart, mind, and soul of a beautiful people-the Virgin Islanders.

The uniqueness, sweeping content, and timing of "Negro Digest/Black World" give it enormous historical and scholarly importance. The most influential and widely read Black literary magazine in the 1960s, "Negro Digest" played a critical role in the era's Black Arts and Black Consciousness movement and is the most complete voice of that movement. Renamed "Black World" in 1970, the magazine gave voice to scholars coining and developing the concept of Afrocentric and African-centered analysis. An analysis of Afrocentric methods and discourse would not be complete without an examination of this magazine. This reference guide provides easy access to this valuable publication.

Part One includes chapters on Literature and Literary Criticism, History, Mass Media and the Arts, and Social and Political Analysis, which provide annotations on original articles and speeches. Part Two indexes original materials, including poetry, short stories and plays, reviews, and interviews.