Despite all the medical and media attention focused on the rate of overweight and obesity in the African American population, African American images and body types are greatly influencing changes in the fashion, fitness, advertising, television and movie industries. This is because overweight, like beauty, can be in the eye of the beholder. Most research studies investigating attitudes about body image and body type among African Americans have shown they are more satisfied with their bodies than are their white counterparts and that there appears to be a wider range of acceptable body shapes and weights, and a more flexible standard of attractiveness, among black Americans as compared to whites. That fact is not being lost on leaders of industries that might profit from understanding this wider range of beauty, as well as playing to it. In this book, medical anthropologist Eric Bailey introduces and explains the self-acceptance and body image satisfaction of African Americans, and traces how that has spurred changes in industry. His book fills the void of scientific evidence to enhance the understanding of African Americans' perceptions related to body image and beauty-and is the first to document these issues from the perspective of an African American male. Despite all the medical and media attention focused on the rate of overweight and obesity in the African American population, African American images and body types are greatly influencing changes in the fashion, fitness, advertising, television, and movie industries. This is because overweight, like beauty, can be in the eye of the beholder. Most research studies investigating attitudes about body image and body type among African Americans have shown they are more satisfied with their bodies than are their white counterparts. Most black women, for example, are of course concerned with how they look, but do not judge themselves in terms of their weight and do not believe they are valued mostly on the basis of their bodies. Black teen girls most often say being thick and curvaceous with large hips and ample thighs is seen as the most desirable body shape. Thus, there appears to be a wider range of acceptable body shapes and weights, and a more flexible standard of attractiveness, among black Americans as compared to whites. That fact is not lost on leaders of industries that might profit from understanding this wider range of beauty, as well as playing to it. Voluptuous supermodel Tyra Banks is just one African American who's broken the mold in that industry. The effects have been seen right down to department and local clothes stores, where lines of larger and plus-size fashions are expanding, becoming more colorful and more ornate. In the fitness industry, health gurus Madonna Grimes and Billy Blanks have been revolutionizing how people get fit and how fitness needs to be redeveloped for the African American population. Advertising has taken a similar turn, not the least manifestation of which were the major campaigns Dove and Nike ran in 2005 with plus-sized actresses (who continue to appear in promotions for both companies). In movies and on television shows, the African American beautiful body image has followed suit. In this book, medical anthropologist Eric Bailey introduces and explains the self-acceptance and body image satisfaction of African Americans, and traces how that has spurred changes in industry. His book fills the void of scientific evidence to enhance the understanding of African Americans' perceptions related to body image and beauty-and is the first to document these issues from the perspective of an African American male.

This poignant history of the Tuskegee Airmen separates myth and legend from fact, placing them within the context of the growth of American airpower and the early stirrings of the African American Civil Rights Movement. The "Tuskegee Airmen"-the first African American pilots to serve in the U.S. military-were comprised of the 99th Fighter Squadron, the 332nd Fighter Group, and the 477th Bombardment Group, all of whose members received their initial training at Tuskegee Army Airfield in Alabama. Their successful service during World War II helped end military segregation, which was an important step in ending Jim Crow laws in civilian society. This volume in Greenwood's Landmarks of the American Mosaic series depicts the Tuskegee Airmen at the junction of two historical trends: the growth of airpower and its concurrent development as a critical factor in the American military, and the early stirring of the Civil Rights Movement. Tuskegee Airmen explains how the United States's involvement in battling foes that represented a threat to the American way of life helped to push the administration of President Franklin D. Roosevelt to allow African American soldiers to serve in the Army Air Corps. This work builds on the works of others, forming a synthesis from earlier studies that approached the topic mostly from either a "black struggles" or military history perspective. 16 original documents relating to the creation and performance of the Tuskegee Airmen during World War II, each accompanied by a brief description that provides historical context 28 short biographies of black aviation and military pioneers, important people among the Tuskegee Airmen, as well as several of the Airmen themselves A comprehensive bibliographic description of major secondary works on the Tuskegee Airmen, World War II, airpower, and black participation in the American military A glossary of specialized terms pertaining to the military, aviation, World War II, and African Americans

Philippine observers are often baffled by the economic and political turmoil that dominates headlines about the country. Yet, at the same time, the Philippines continues to hold the potential for successfully combining political freedoms with sustained economic growth and, thus, improving the lives of its people. In this book, a team of distinguished scholars examines these seemingly contradictory trends in order to gain a sense of the country's prospects. Reassessing the fascinating and puzzling "Philippines conundrum" from various angles, the analyses contribute sharp and fresh insights into a variety of areas including: the presidency and political parties; constitutional change and federalism; the roles of the military, religion, and the media in politics; the conflict in Mindanao; the communist insurgency; macroeconomic developments, issues, and trends; the investment climate and business opportunities; poverty, unemployment, and income inequality; migration and remittances; and the Philippine development record in comparative perspective. While the analyses offered in this volume do not arrive at a consensus, they provide a deeper perspective and a more balanced appreciation of events in the country and a glimpse of the prospects and challenges that it faces.

When author Nalini Juthani and her new husband, Viren, left India for the United States in June of 1970, neither they nor their families knew this adventure would continue for a lifetime, that America would be the place where they would fulfill their dreams, raise a family, and find a new home. In "An Uncompromising Activist," Juthani shares the stories from her life as a woman, daughter, wife, immigrant, medical educator, mother, and grandmother.

These essays, with photographs included, provide a glimpse of what it was like for the first twenty-four years of growing up in India as a woman and how the loss of her father at an early age affected her and her future. "An Uncompromising Activist" narrates her experiences of getting her first job in New York, her first car, her first house, and her first American friend. The stories show the courage of a woman who became a trendsetter in a new country.

Inspiring and touching, the essays describe the influence Juthani had on the lives of others while overcoming cultural barriers. It also offers the story of the Ghevaria-Juthani families and provides a history for future generations.

In the early 1970s, the United States was much the same as in the radical '60s; Americans dying in Vietnam, anti-war demonstrations on college campuses, conflict between blacks and whites in most major cities. In predominantly white Dolton, a south Chicago suburb, busing had come to Thornridge High School. Black students from nearby Phoenix now attended school with whites from Dolton and South Holland. They were not warmly received. Then, the Thornridge basketball team started winning... Fans in black and white communities came together as Thornridge captured consecutive Illinois championships. Led by the national high school athlete of the year, Quinn Buckner, the Falcons stormed to a perfect season in 1972. No team even came close. This is their story told in their own words. THORNRIDGE is about prejudice and acceptance, adversity and triumph, and a team that changed attitudes while the players were having the time of their lives.

Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief. Discover Singapore's preoccupations with space, Yasmin Ahmad's Malaysian soundscapes, and Indonesia's investment in genre. These undertheorized films from geopolitically situated cultures narrate colonial identity within a distinctively Southeast Asian story. Gerald Sim's immersive journey nurtures connections between narrative film, commercial video, art cinema, and experimental work with an abiding commitment to self-reflexive theorizing. The book culminates in a reflection on the ethics and politics of conducting knowledge work on world cinema. Sim navigates Singapore's love of maps with the work of Tom Conley and Gilles Deleuze, surveys the city-state's cartographic uncanny, before using the spatial inquisitions in filmmaker Tan Pin Pin's "cinema of hiraeth" to appreciate Singapore's territorial predispositions. The book then revisits a beloved Malaysian director's voice of modernity alongside Jean-Luc Nancy's phenomenologies of listening and globalization. Original readings of Ahmad's oeuvre dwell on the interplay between her ethnic cacophonies and imperfect subtitling. Finally, Sim focuses on the postcoloniality of Indonesia's Cold War alliance with the United States to contemplate the overhang of authoritarian stability within its contemporary cinema's generic recourse.

is a history-breaking book. This important book contains autobiographies of seven Korean youth in the United States, with differing immigration experiences. This book provides important primary source documentation for Korean history, Immigration history, US history, Ethnic history, and Asian-American studies. No serious college library can go without this important book. Furthermore, this book will be a valuable addition to local and regional libraries with patrons interested in the American immigration experience and Asian-American studies. The editor of the book is Francis Won, who is currently at Hackensack Christian School in Bergen County, New Jersey. His father is the only Korean Episcopalian priest in the whole state of New Jersey. Contributors to this book have been identified as future leaders of the Korean people. Many of the contributing authors are intricately connected to Korean leadership in politics, business, banking, academics, and foreign policy. Praise for the book: "I highly recommend this book and hope that this story along with other stories in this monumentally important book of Korean youth voices would inspire many to find hope and courage in their struggles in life." Rev. Joseph S. Pae, Canon Pastor, Cathedral of the Incarnation, New York "I am pleased to celebrate the publication of this important book, which is monumentally important for Korean Studies at the university level as well as for understanding Koreans at the popular level." President Bae-Yong Lee of Ehwa Women's University in South Korea "I highly recommend." Jung-Ho Chang, President, Korea Daily Sports Newspaper, South Korea "Congratulations " President Soo-Sung Lee of Seoul National University, South Korea

A new cornerstone reference for students, scholars, and general readers, on Frederick Douglass-his life, writings, speeches, political views, and legacy. Like no other reference before it, The Frederick Douglass Encyclopedia celebrates and investigates the life, writings, and activism of one of the most influential African Americans in U.S. history. The Frederick Douglass Encyclopedia offers more than 100 alphabetically organized entries covering Douglass's extraordinary journey from childhood in bondage to forceful spokesperson for equality and freedom before, during, and after the Civil War. In addition to biographical details, the book looks at the full breadth of Douglass's writings and speeches, as well as the events that shaped his intellect and political views. Together, these entries create an enduring portrait of one of the nation's most iconic figures, a man who went from slavery to invited guest in Abraham Lincoln's White House, whose commitment to freedom for all led to his participation in the first women's rights conference at Seneca Falls, and whose profound influence ranged well beyond the borders of the United States. Comprises 100 alphabetically organized entries on the life, writings, activism, and influence of Frederick Douglass Presents a team of expert contributors providing insights into all facets of Douglass' life and work Includes drawings and photographs of the life of Frederick Douglass Outlines a chronology of the major events of the life of Frederick Douglass and of the nation during his lifetime Provides a bibliography of print and online resources for further reading

It was the final speech of a long day, August 28, 1963, when hundreds of thousands gathered on the Mall for the March on Washington for Jobs and Freedom. In a resounding cadence, Martin Luther King Jr. lifted the crowd when he told of his dream that all Americans would join together to realize the founding ideal of equality. The power of the speech created an enduring symbol of the march and the larger civil rights movement. King s speech still inspires us fifty years later, but its very power has also narrowed our understanding of the march. In this insightful history, William P. Jones restores the march to its full significance.

The opening speech of the day was delivered by the leader of the march, the great trade unionist A. Philip Randolph, who first called for a march on Washington in 1941 to press for equal opportunity in employment and the armed forces. To the crowd that stretched more than a mile before him, Randolph called for an end to segregation and a living wage for every American. Equal access to accommodations and services would mean little to people, white and black, who could not afford them. Randolph s egalitarian vision of economic and social citizenship is the strong thread running through the full history of the March on Washington Movement. It was a movement of sustained grassroots organizing, linked locally to women s groups, unions, and churches across the country. Jones s fresh, compelling history delivers a new understanding of this emblematic event and the broader civil rights movement it propelled."

Pauli Murray (1910-1985) was a poet, lawyer, activist, and priest, as well as a significant figure in the civil rights and women's movements. Throughout her careers and activism, Murray espoused faith in an American democracy that is partially present and yet to come.
In the 1940s Murray was in the vanguard of black activists to use nonviolent direct action. A decade before the Montgomery bus boycott, Murray organized sit-ins of segregated restaurants in Washington DC and was arrested for sitting in the front section of a bus in Virginia. Murray pioneered the category Jane Crow to describe discrimination she experienced as a result of racism and sexism. She used Jane Crow in the 1960s to expand equal protection provisions for African American women. A co-founder of the National Organization of Women, Murray insisted on the interrelation of all human rights. Her professional and personal relationships included major figures in the ongoing struggle for civil rights for all Americans, including Thurgood Marshall and Eleanor Roosevelt.
In seminary in the 1970s, Murray developed a black feminist critique of emerging black male and white feminist theologies. After becoming the first African American woman Episcopal priest in 1977, Murray emphasized the particularity of African American women's experiences, while proclaiming a universal message of salvation.
The Dream Is Freedom examines Murray's substantial body of published writings as well personal letters, journals, and unpublished manuscripts. Azaransky traces the development of Murray's thought over fifty years, ranging from Murray's theologically rich democratic criticism of the 1930s to her democratically inflected sermons of the 1980s. Pauli Murray was an innovative democratic thinker, who addressed how Americans can recognize differences, signaled the role of history and memory in shaping democratic character, and called for strategic coalition building to make more justice available for more Americans.

The treasure of the Black experience at a Historically Black College/University (HBCU) is that it offers a personal and intimate experience rooted in Black heritage that cannot be found at other institutions. On campus, face-to-face instruction and activities focused on addressing issues that plague the Black community are paramount. This provides students with small classroom environments and the personal support from administrators, faculty, and staff. In March 2020, the Black experience was interrupted when a global pandemic forced governors to declare states of emergencies and mandate stay-at-home orders. The stay-at-home orders forced universities to transition into fully remote environments. Doing so heightened an array of emotions compounded by the reality of previously recognized disparities in resources and funding amongst higher education institutions. As a result of this abrupt transformation, the HBCU experience was impacted by positive and negative implications for Black people at the campus, local, state, and national levels. The Black Experience and Navigating Higher Education Through a Virtual World explores the reality of the Black experience from various perspectives involving higher education institutions with a focus on HBCUs. The book provides an overview and analysis of a virtual experience that goes beyond the day-to-day technological implications and exposes innovative ideas and ways of navigating students and faculty through a remote world. It focuses on heightening the awareness of disparities through the Black experience in a virtual environment, provides guidance on transitioning to fully remote environments, examines leadership dynamics in virtual environments, analyzes mental health balance, and examines implications on the digital divide. Covering topics such as online course delivery, self-health, and social justice, this book is essential for graduate students, academicians, diversity officers in the academy, professors, and researchers.

LOVING is GREETED here- a straight forwarded purgatorial journey - as an invitation to face complex issues of the human odyssey: Who am I? How do I want to BE? What can WE BE as human beings? What's it all about to BE equitable now? LOVING here distinguishes soul-coring intimacy from "falling in love," eloquently explores by Toni Morrison's examples of misused "Love," and ex posed as abuse "love" for the kingdom by King Lear's Usurpation of three daughters' "love" with promises of privilege and parental regard; these misuses of LOVING and Being IN LOVING murder humanity's jazzin'; for kincaring. This narrative rejects such UNLOVING scripts and habits as it offers antidotes with LOVING content and tools for equitable kincaring IN LOVING

A companion to the classic African-American autobiographical narrative, Twelve Years A Slave, this work presents fascinating new information about the 1841 kidnapping, 1853 rescue, and pre- and post-slavery life of Solomon Northup. Solomon Northup: The Complete Story of the Author of Twelve Years A Slave provides a compelling chronological narrative of Northup's entire life, from his birth in an isolated settlement in upstate New York to the activities he pursued after his release from slavery. This comprehensive biography of Solomon Northup picks up where earlier annotated editions of his narrative left off, presenting fascinating, previously unknown information about the author of the autobiographical Twelve Years A Slave. This book examines Northup's life as a slave and reveals details of his life after he regained his freedom, relating how he traveled around the Northeast giving public lectures, worked with an Underground Railroad agent in Vermont to help fugitive slaves reach freedom in Canada, and was connected with several theatrical productions based upon his experiences. The tale of Northup's life demonstrates how the victims of the American system of slavery were not just the slaves themselves, but any free person of color-all of whom were potential kidnap victims, and whose lives were affected by that constant threat. For the first time, a book documents the full story of Northup's life-the basis of the 2013 movie, Twelve Years a Slave, starring Chiwetel Ejiofor, Brad Pitt, Michael Fassbender, and Paul Giamatti Supplies detailed coverage of Northup's pursuits after his release from slavery: educating the public via his book, his lectures, and dramatic presentations; and his efforts to help others gain freedom through his work on the underground railroad Provides a list of more than two dozen places and dates where Northup appeared following the publication of his book

This book is an essential addition to the study of comparative black literature of the Americas; it will also fill the gap that exists on theoretical studies exploring black women's writing from the Spanish Caribbean. This book examines literary representations of the historic roots of black women's resistance in the United States and Cuba by studying the following texts by both African American and Afro-Cuban women from four different literary genres (autobiographical slave narrative, contemporary novel on slavery, testimonial narrative, and poetry): Incidents in the Life of a Slave Girl (1861) by the African American former slave Harriet Jacobs, Dessa Rose (1986) by the African American writer Sherley Ann Williams, Reyita, sencillamente: testimonio de una negra cubana nonagenarian Simply Reyita. Testimonial Narrative of a Nonagenarian Black Cuban Woman] (1996), written/transcribed by the Afro-Cuban historian Daisy Rubiera Castillo from her interviews with her mother Maria de los Reyes Castillo Bueno, "Reyita," and a selection of poems from the contemporary Afro-Cuban poets Nancy Morejon and Georgina Herrera. The study argues that the writers participate in black women's self-inscription in the historical process by positioning themselves as subjects of their history and seizing discursive control of their (hi)stories. Although the texts form part of separate discourses, the book explores the commonalities of the rhetorical devices and narrative strategies employed by the authors as they disassemble racist and sexist stereotypes, (re)constructing black female subjectivity through an image of active resistance against oppression, one that authorizes unconventional definitions of womanhood and motherhood. The book shows that in the womens' revisions of national history, their writings also demonstrate the pervasive role of racial and gender categories in the creation of a discourse of national identity, while promoting a historiography constructed within flexible borders that need to be negotiated constantly. The study's engagement in crosscultural exploration constitutes a step further in opening connections with a comparative literary study that is theoretically engaging, in order to include Afro-Cuban women writers and Afro-Caribbean scholars into scholarly discussions in which African American women have already managed to participate with a series of critical texts. The book explores connections between methods and perspectives derived from Western theories and from Caribbean and Black studies, while recognizing the black women authors studied as critics and scholars. In this sense, the book includes some of the writers' own commentaries about their work, taken from interviews (many of them conducted by the author Paula Sanmartin herself), as well as critical essays and letters. Black Women as Custodians of History adds a new dimension to the body of existing criticism by challenging the ways assumptions have shaped how literature is read by black women writers. Paula Sanmartin's study is a vivid demonstration of the strengths of embarking on multidisciplinary study. This book will be useful to several disciplines and areas of study, such as African diaspora studies, African American studies, (Afro) Latin American and (Afro) Caribbean studies, women's studies, genre studies, and slavery studies.

At the age of 17, Samuel L. Broadnax--enamored with flying--enlisted and trained as a pilot at the Tuskegee Army Air Base. Although he left the Air Corps at the end of the Second World War, his experiences inspired him to talk with other pilots and black pioneers of aviation. Blue Skies, Black Wings recounts the history of African Americans in the skies from the very beginnings of manned flight. From Charles Wesley Peters, who flew his own plane in 1911, and Eugene Bullard, a black American ace with the French in World War I, to the 1945 Freeman Field mutiny against segregationist policies in the Air Corps, Broadnax paints a vivid picture of the people who fought oppression to make the skies their own.

In 1966, a soft-spoken 32-year old man emerged from relative obscurity and humble background to become Nigeria's Head of State and Commander-in-Chief of the Armed Forces. His name was Lt Col (later General)Yakubu Gowon. He emerged as the compromise candidate following the political crisis that engulfed the country after the July 1966 military coup that had led to the assassination of the country's first military Head of State, General Aguiyi Ironsi. At the end of the Civil War in 1970, General Gowon's doctrine of 'No Victor No Vanquished' greatly endeared him to many, and he was variously dubbed 'Abraham Lincoln of Nigeria', 'a soft spoken but dynamic leader' 'a real gentleman' and 'an almost faultless administrator'. However, after he was overthrown in a military coup in July 1975, long knives were drawn out for him, with the hitherto friendly press and public crying 'crucify him', and now variously vilifying him as 'weak' and of managing a purposeless administration that had led to the 'drifting' of the nation. In this book Professor J. Isawa Elaigwu attempts a scholarly political biography of someone he believes has rendered great services to the Nigerian nation despite his weaknesses as a leader. He rejects the notion that Gowon's nine years in office were 'nine years of failure' as the General's ardent critics posit, arguing that if it is possible to identify a number of thresholds in his administration, it is also possible to identify the approximate point in time when the strains of his administration became visible to observers and the public in general. He poses and methodically seeks answers to a number of fundamental questions: Who was Yakubu Gowon? Why and how was the reservoir of goodwill and credibility which he had accumulated by the end of the Civil War expended? What image of Nigeria did he have when he came into power? And did he ever achieve his objectives? The book, first published in 1986, has been revised and expanded for this edition ____________________________________ Dr. J. Isawa Elaigwu is Professor Emeritus of Political Science, University of Jos, Jos, Nigeria. He is currently the President of the Institute of Governance and Social Research (IGSR), Jos, Nigeria. A widely travelled academic, Professor Elaigwu's works have been widely published within and outside Nigeria. He has also served as a consultant to many national and international agencies.