WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE 2020 At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free. These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come. In Wayward Lives, Beautiful Experiments, Saidiya Hartman deploys both radical scholarship and profound literary intelligence to examine the transformation of intimate life that they instigated. With visionary intensity, she conjures their worlds, their dilemmas, their defiant brilliance.

The marvelous recovery of neglected black artists and their awesome body of comics creativity. Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the men and women who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and ""Who's Who"" directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden yet vivid history is irretrievably lost.

Sanctuaries of Segregation provides the first comprehensive analysis of the Jackson, Mississippi, church visit campaign of 1963-1964 andthe efforts by segregationists to protect one of their last refuges. For ten months, integrated groups of ministers and laypeople attempted to attend Sunday worship servicesat all-white Protestant and Catholic churches in the state's capital city. While the church visit was a common tactic of activists in the early 1960s, Jackson remained the only city where groups mounted a sustained campaign targeting a wide variety of white churches. Carter Dalton Lyon situates the visits within the context of the Jackson Movement, compares the actions to church visits and kneel-ins in other cities, and places these encounters within controversies already underway over race inside churches and denominations. He then traces the campaign from its inception in early June 1963 through Easter Sunday 1964. He highlights the motivations of the various people and organizations, the interracial dialogue that took place on the church steps, the divisions and turmoil the campaign generated within churches and denominations, the decisions by individual congregations to exclude black visitors, and the efforts by the state and the Citizens' Council to thwart the integration attempts. Sanctuaries of Segregation offers a unique perspective on those tumultuous years. Though most churches blocked African American visitors and police stepped in to make forty arrests during the course of the campaign, Lyon reveals many examples of white ministers and laypeople stepping forward to opposesegregation. Their leadership and the constant pressure from activists seeking entrance into worship services made the churches of Jackson one of the front lines in the national struggle over civil rights.

While there is much discussion on Africa-China relations, the focus tends to lean more on the Chinese presence in Africa than on the African presence in China. There are numerous studies on the former but, with the exception of a few articles on the presence of African traders and students in China, little is known of the latter, even though an increasing number of Africans are visiting and settling in China and forming migrant communities there. This is a phenomenon that has never happened before the turn of the century and has thus led to what is often termed Africa's newest Diaspora. This book focuses on analyzing this new Diaspora, addressing the crucial question: What is it like to be an African in China? Africans in China is the first book-length study of the process of Africans travelling to China and forming communities there. Based on innovative intermingling of qualitative and quantitative research methods involving prolonged interaction with approximately 800 Africans across six main Chinese cities--Guangzhou, Yiwu, Shanghai, Beijing, Hong Kong and Macau--sociolinguistic and sociocultural profiles are constructed to depict the everyday life of Africans in China. The study provides insights into understanding issues such as why Africans go to China, what they do there, how they communicate with their Chinese hosts, what opportunities and problems they encounter in their China sojourn, and how they are received by the Chinese state. Beyond these methodological and empirical contributions, the book also makes a theoretical contribution by proposing a crosscultural bridge theory of migrant-indigene relations, arguing that Africans in China act as sociopolitical, socioeconomic, and sociocultural bridges linking Africa to China. This approach to the analysis of Diaspora communities has consequences for crosscultural and crosslinguistic studies in an era of globalization. Africans in China is an important book for African Studies, Asian Studies, Africa-China relations studies, linguistics, anthropology, sociology, international studies, and migration and Diaspora studies in an era of globalization.

Drawing on ten years of ethnographic research, two hundred fifty interviews, and over three hundred youth love letters, author Shanti Parikh uses lively vignettes to provide a rare window into young people's heterosexual desires and practices in Uganda. In chapters entitled ""Unbreak my heart,"" ""I miss you like a desert missing rain,"" and ""You're just playing with my head,"" she invites readers into the world of secret longings, disappointments, and anxieties of young Ugandans as they grapple with everyday difficulties while creatively imagining romantic futures and possibilities. Parikh also examines the unintended consequences of Uganda's aggressive HIV campaigns that thrust sexuality and anxieties about it into the public sphere. In a context of economic precarity and generational tension that constantly complicates young people's notions of consumption-based romance, communities experience the dilemmas of protecting and policing young people from reputational and health dangers of sexual activity. ""They arrested me for loving a school girl"" is the title of a chapter on controlling delinquent daughters and punishing defiant boyfriends for attempting to undermine patriarchal authority by asserting their adolescent romantic agency. Sex education programs struggle between risk and pleasure amidst morally charged debates among international donors and community elders, transforming the youthful female body into a platform for public critique and concern. The many sides of this research constitute an eloquently executed critical anthropology of intervention.

After the end of the Cold War, it seemed as if Southeast Asia would remain a geopolitically stable region within the American imperious for the foreseeable future. In the last two decades, however, the re-emergence of China as a major great power has called into question the geopolitical future of the region and raised the specter of renewed of great power competition. As the eminent China scholar David Shambaugh explains in Where Great Powers Meet, the United States and China are engaged in a broad-gauged and global competition for power. While this competition ranges across the entire world, it is centered in Asia, and in this book, Shambaugh focuses the ten countries that comprise Southeast Asia. The United States and China constantly vie for position and influence in this enormously significant region-and the outcome of this contest will do much to determine whether Asia leaves the American orbit after seven decades and falls into a new Chinese sphere of influence. Just as importantly, to the extent that there is a global "power transition" occurring from the US to China, the fate of Southeast Asia will be a good indicator. Presently, both powers bring important assets to bear. The US continues to possess a depth and breadth of security ties, soft power, and direct investment across the region that empirically outweigh China's. For its part, China has more diplomatic influence, much greater trade, and geographic proximity. In assessing the likelihood of a regional power transition, Shambaugh at how ASEAN (the Association of Southeast Asian Nations) and the countries within it maneuver between the United States and China and the degree to which they align with one or the other power. Not simply an analysis of the region's place within an evolving international system, Where Great Powers Meet provides us with a comprehensive strategy that advances the American position while exploiting Chinese weaknesses.

This riveting narrative focuses on the Buffalo Soldiers, tracing the legacy of black military service and its social, economic, and political impact from the colonial era through the end of the 19th century. This fascinating saga follows the story of the Buffalo Soldiers as they participated in key events in America's history. Author Debra J. Sheffer discusses the impetus for the earliest black military service, how that service led to the creation of the Buffalo Soldiers, and how these men-and one woman-continued to serve in the face of epic obstacles. The work celebrates their significant military contributions to the campaigns of the American frontier and other battles, their fighting experiences, and life on the plains. Starting with the American Revolution, the book traces the heroic journey of these legendary servicemen from the period when black Americans first sought full citizenship in exchange for military service to the integration of the military and the dissolution of all-black regiments. Several chapters highlight the special achievements of the 9th and 10th United States Cavalry and the 24th and 25th United States Infantry. The book also features the accomplishments-both of the unit and individuals-of the Buffalo Soldiers in battle and beyond. Illustrates the events leading to the original formation of the Buffalo Soldiers Examines the wars, campaigns, and battles in which the Buffalo Soldiers served significant roles, with a focus on the Indian Wars of the American frontier Covers the American Revolution, the First Seminole War, the War of 1812, the Second Seminole War, the American Civil War, the Indian Campaigns, the Spanish-American War, the Philippine Insurrection, the Punitive Expedition, World War I, World War II, and the Korean War Addresses the political, social, economic, and military conditions under which the Buffalo Soldiers served in America

Here's your invitation to join a literary as well as a personal relationship with the deeply insightful and profoundly expressive perspectives of Regina Diane Jemison. As you encounter these soul-stirring pieces, you may imagine listening to one of God's own trombones. The poetry, prose and personality in "Soul Clothes," may rub up on a curious and compassionate place within you, a place of stark reality drenched in divine hope. Imagine a John Coltrane solo, with words instead of tenor sax.
Acclaim for "Soul Clothes"
""Soul Clothes" dances naked and unabashed across the page. Jemison's poetry connects spirit to spirit, stripping away masks and guiding us to divine adornments of grace, truth, faith."
--Aundria Sheppard Morgan, author "Cross My Heart and Hope to Die"
""Soul Clothes" is one poet's passionate expression of what it is to be human. Her poems encompass a vast expanse of emotions, from suffering and grief to love and celebration. While being real about the human experiences we all share, many of these poems also exalt the divine within us."
--Valerie Jean, author of "Woman Writing a Letter"
""Soul Clothes" reveals a collection of compelling, compassionate, daring, devoted, honest and unafraid poems with a spiritual undertone."
--Sweta Srivastava Vikram, author of "Kaleidoscope: An Asian Journey of Colors"
For more information see www.ReginaJemison.com
From the Reflections of America Series at Modern History Press
Poetry: African-American

Second-Generation Korean Americans and Transnational Media: Diasporic Identifications looks at the relationship between second-generation Korean Americans and Korean popular culture. Specifically looking at Korean films, celebrities, and popular media, David C. Oh combines intrapersonal processes of identification with social identities to understand how these individuals use Korean popular culture to define authenticity and construct group difference and hierarchy. Oh highlights new findings on the ways these Korean Americans construct themselves within their youth communities. This work is a comprehensive examination of second-generation Korean American ethnic identity, reception of transnational media, and social uses of transnational media.

Brave New Collection Honors Women's Spirit Worldwide
"No Ocean Here" bears moving accounts of women and girls in certain developing and underdeveloped countries. The book raises concern, and chronicles the socio-cultural conditions of women in parts of Asia, Africa, and the Middle East. The stories, either based on personal interviews or inspired by true stories, are factual, visceral, haunting, and bold narratives, presented in the form of poems.
"Sweta Srivastava Vikram is no ordinary poet. The 44 poems in this slim volume carry the weight of unspeakable horrors and injustices against women. Sweta's words span the globe. Her spare and evocative phrases weave a dark tapestry of oppressive conventions that in the telling and in our reading and hearing, she helps to unravel."
-- Kay Chernush, Founder/Director, ArtWorks for Freedom
About the Author
Sweta Srivastava Vikram is an award-winning writer, two times Pushcart Prize nominated-poet, novelist, author, essayist, columnist, and educator whose musings have translated into four chapbooks of poetry, two collaborative collections of poetry, a novel, and a non-fiction book of prose and poems. Her work has appeared in several anthologies, literary journals, and online publications across six countries in three continents. A graduate of Columbia University, she reads her work, teaches creative writing workshops, and gives talks at universities and schools across the globe. Sweta lives in New York City with her husband.
Available in hardcover, paperback, and eBook editions
Learn more at www.SwetaVikram.com
From the World Voices Series at Modern History Press www.ModernHistoryPress.com
POE005060 Poetry: American - Asian American
SOC028000 Social Science: Women's Studies - General
FAM001000 Family & Relationships: Abuse - General

Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

Helen Heran Jun explores how the history of U.S. citizenship has positioned Asian Americans and African Americans in interlocking socio-political relationships since the mid nineteenth century. Rejecting the conventional emphasis on 'inter-racial prejudice', Jun demonstrates how a politics of inclusion has constituted a racial Other within Asian American and African American discourses of national identity. Race for Citizenship examines three salient moments when African American and Asian American citizenship become acutely visible as related crises: the Negro Problem and the Yellow Question in the mid- to late 19th century; World War II-era questions around race, loyalty, and national identity in the context of internment and Jim Crow segregation; and post-Civil Rights discourses of disenfranchisement and national belonging under globalization. Taking up a range of cultural texts - the 19th century black press, the writings of black feminist Anna Julia Cooper, Asian American novels, African American and Asian American commercial film and documentary - Jun does not seek to document signs of cross-racial identification, but instead demonstrates how the logic of citizenship compels racialized subjects to produce developmental narratives of inclusion in the effort to achieve political, economic, and social incorporation. Race for Citizenship provides a new model of comparative race studies by situating contemporary questions of differential racial formations within a long genealogy of anti-racist discourse constrained by liberal notions of inclusion.

This book, edited by April Myung of Bergen County Academies in New Jersey, contains autobiographies of ten Korean teenagers, currently studying in American high schools. This historically significant volume contains writings by break-dancing Julius Im, who understands his Korean-American identity through this medium of African-American dance, to Rei Fujino Park of Flushing, New York, who explores her own dual identiy with a Korean father (who served in the elite Korean military special forces) and a Japanese mother. Rei Fujino describes her parents' marriage as a loving union of "enemies" given the history of Japanese colonization of Korea (1910-1945). Julie Oh describes the difficult situation of the children of Korean company workers for Samsung, LG, SK, Woori Bank, and other Korean companies, who come with a short-term working visa to the United States. The children of these "Joo-Jae-Won" have to go to Saturday school (in her case, "Woori School") in order to maintain the skill level of Korean high schools, in the case that their parents get recalled to South Korea - their children would have to apply for Korean universities and meet the requirements of Korean university entrance tests, which are vastly different from America's SAT, ACT, and AP tests. Andrew Hyeon shars his experience as a Korean Catholic, attending Hopkins School, an elite private school in Connecticut, where former Yale Law School Dean Harold Koh, a famous Korean, attended. Ruby Hong's autobiography is written as a fairytale account of her own life. The autobiographies in this book are not only creatively written as to capture the readers' interest, but they also provide valuable resources for Korean American Studies. (This book is the second in the Hermit Kingdom Sources in Korean-American Studies, whose series editor is Dr. Onyoo Elizabeth Kim, Esq.)