A critique of theory through literature that celebrates the diversity of black being, The Desiring Modes of Being Black explores how literature unearths theoretical blind spots while reasserting the legitimacy of emotional turbulence in the controlled realm of reason that rationality claims to establish. This approach operates a critical shift by examining psychoanalytical texts from the literary perspective of black desiring subjectivities and experiences. This combination of psychoanalysis and the politics of literary interpretation of black texts helps determine how contemporary African American and black literature and queer texts come to defy and challenge the racial and sexual postulates of psychoanalysis or indeed any theoretical system that intends to define race, gender and sexualities. The Desiring Modes of Being Black includes essays on James Baldwin, Sigmund Freud, Melvin Dixon, Essex Hemphill, Assotto Saint, and Rozena Maart. The metacritical reading they unfold interweaves African American Culture, Fanonian and Caribbean Thought, South African Black Consciousness, French Theory, Psychoanalysis, and Gender and Queer Studies.

Pioneering African-American families, spanning generations from slavery to freedom, enrich Savannah's collective history. Men and women such as Andrew Bryan, founder of the nation's oldest continuous black Baptist church; the Rev. Ralph Mark Gilbert, who revitalized the NAACP in Savannah; and Rebecca Stiles Taylor, founder of the Federation of Colored Women Club, are among those lauded in this retrospective. Savannah's black residents have made immeasurable contributions to the city and are duly celebrated and remembered in this volume.

The roots of African American spirituality arise from the African origins of the enslaved who were brought to the West in chains. Flora Wilson Bridges explores these "African retentions" from their manifestations in Africa, through their presence in the slave communities of the American South and in Black churches today. The unique spirituality that arose from these retentions influenced many prominent black leaders including Howard Thurman, Martin Luther King, Jr. and Malcolm X. In a fascinating chapter, Bridges also shows how these African roots inform Black film, literature, and art.

James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson's novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book's reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continuing influence on American literature and global culture.

Offering suggestions to correct the dehumanization of African American children, this book explains how to ensure that African American boys grow up to be strong, committed, and responsible African American men.