A beautiful, celebratory and joyful book of bedtime stories. Written and illustrated by creators with heritage from across the continent of Asia, Bedtime Stories showcases a curated collection of tales from Asian history, based on important figures and events. Each story is the ideal length to read at bedtime as well as any moment when young readers are looking for an inspirational read! Features one young reader's winning entry from the First News and Scholastic competition An empowering and celebratory gift Perfect for any child wanting to learn more about history's untold stories. Stories include those of: King Sejong the Great, a Korean King who invented an alphabet Julia Domna, a Syrian princess and Roman empress Margaret Lin Xavier, Thailand's first female doctor Sake Deen Mohammed, the Indian man who brought shampooing and curry to Britain. Written by: Sufiya Ahmed, Maisie Chan, Shae Davies, Saima Mir, Bali Rai, Annabelle Sami, Rebeka Shaid, Cynthia So and Rekha Waheed. Illustrated by: Ginnie Hsu, Aaliya Jaheel, Jocelyn Kao, Jennifer Khatun, Hannah Li, Debby Rahmalia, Abeeha Tariq, Kubra Teber, Tika and Tata and Amanda Yoshida.

With more than two million copies in print, "Manchild in the Promised Land" is one of the most remarkable autobiographies of our time--the definitive account of African-American youth in Harlem of the 1940s and 1950s, and a seminal work of modern literature.
Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown's childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.
When the book was first published in 1965, it was praised for its realistic portrayal of Harlem--the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.
The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown's time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who "made it," the boy who kept landing on his feet and grew up to become a man.

"Darkness is not empty," writes Teju Cole in Black Paper, a collection of essays that meditate on what it means to keep our humanity-and witness the humanity of others-in a time of darkness. Cole is well-known as a master of the essay form, and in Black Paper he is writing at the peak of his skill, as he models how to be closely attentive to experience-to not just see and take in, but to think critically about what we are seeing and not seeing. Wide-ranging in their subject matter, the essays are connected by ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about the color black and its numerous connotations. As he describes the carbon copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white. Black transported the meaning."

A startling and eye-opening look into America's First Family, Never Caught is the powerful story about a daring woman of "extraordinary grit" (The Philadelphia Inquirer). When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn't abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, she was denied freedom. So, when the opportunity presented itself one clear and pleasant spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. "A crisp and compulsively readable feat of research and storytelling" (USA TODAY), historian and National Book Award finalist Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked everything to gain freedom from the famous founding father and most powerful man in the United States at the time.

A profound book of essays from a celebrated master of the form. "Darkness is not empty," writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity-and witness the humanity of others-in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience-not just to take in but to think critically about what we sense and what we don't. Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning."

In this inspirational volume of spoken word, social commentary, play, essay and memoir, Ros Martin peels apart the onion layers of our deeply fragmented society. By presenting the authors personal journey, the book throws a harrowing spotlight on issues behind racial inequality. It achieves what so many other titles neglect or fail to do: rendering visible the lives of the otherwise unnoticed or stereotyped black woman, man and lowly other. Pushing out from the margins, we find in Ros a writer who is passionate to engage readers in issues that continue to impact those in ethnically diverse communities and other marginalised backgrounds. Every passage rings with the call for social justice and equal empowerment, whilst celebrating lives of struggle in creativity, resistance and survival.

Beginning in 1541 with Hernando De Soto's Spanish expedition for gold, African Americans have held a prominent place in Chattanooga's history. Author Rita Lorraine Hubbard chronicles the ways African Americans have shaped Chattanooga, and presents inspirational achievements that have gone largely unheralded over the years.

'A towering achievement. There is simply nothing like it in the history of Black radical thought' Cornel West 'Cedric Robinson's brilliant analyses revealed new ways of thinking and acting' Angela Davis 'This work is about our people's struggle, the historical Black struggle' Any struggle must be fought on a people's own terms, argues Cedric Robinson's landmark account of Black radicalism. Marxism is a western construction, and therefore inadequate to describe the significance of Black communities as agents of change against 'racial capitalism'. Tracing the emergence of European radicalism, the history of Black African resistance and the influence of these on such key thinkers as W. E. B. Du Bois, C. L. R. James and Richard Wright, Black Marxism reclaims the story of a movement.

This book presents rare evidence about the lives of three African women in the sixteenth century--the very period from which we can trace the origins of global empires, slavery, capitalism, modern religious dogma and anti-Black violence. These features of today's world took shape as Portugal built a global empire on African gold and bodies. Forced labour was essential to the world economy of the Atlantic basin, and afflicted many African women and girls who were enslaved and manumitted, baptised and unconvinced. While some women liaised with European and mixed-race men along the West African coast, others, ordinary yet bold, pushed back against new forms of captivity, racial capitalism, religious orthodoxy and sexual violence, as if they were already self-governing. Many Black Women of this Fortress lays bare the insurgent ideas and actions of Graca, Monica and Adwoa, charting how they advocated for themselves and exercised spiritual and female power. Theirs is a collective story, written from obscurity; from the forgotten and overlooked colonial records. By drawing attention to their lives, we dare to grasp the complexities of modernity's gestation.

Ranging from the age of slavery to contemporary injustices, this groundbreaking history of race, gender and class inequality by the radical political activist Angela Davis offers an alternative view of female struggles for liberation. Tracing the intertwined histories of the abolitionist and women's suffrage movements, Davis examines the racism and class prejudice inherent in so much of white feminism, and in doing so brings to light new pioneering heroines, from field slaves to mill workers, who fought back and refused to accept the lives into which they were born. 'The power of her historical insights and the sweetness of her dream cannot be denied' The New York Times

Black Radical reclaims William Monroe Trotter (1872-1934) as a seminal figure whose prophetic yet ultimately tragic-and all too often forgotten-life offers a link from Frederick Douglass to Black Lives Matter. Kerri K. Greenidge renders the drama of turn-of-the-century America, showing how Trotter, a Harvard graduate, a newspaperman and an activist, galvanized black working-class citizens to wield their political power despite the virulent racism of post-Reconstruction America. Situating his story in the broader history of liberal New England to "satisfying" (Casey Cep, The New Yorker) effect, this magnificent biography will endure as the definitive account of Trotter's life, without which we cannot begin to understand the trajectory of black radicalism in America.

Founded in 1917, Paramount Records incongruously was one of several homegrown record labels of a Wisconsin chair-making company. The company pinned no outsized hopes on Paramount. Its founders knew nothing of the music business, and they had arrived at the scheme of producing records only to drive sales of the expensive phonograph cabinets they had recently begun manufacturing. Lacking the resources and the interest to compete for top talent, Paramount's earliest recordings gained little foothold with the listening public. On the threshold of bankruptcy, the label embarked on a new business plan: selling the music of Black artists to Black audiences. It was a wildly successful move, with Paramount eventually garnering many of the biggest-selling titles in the "race records" era. Inadvertently, the label accomplished what others could not, making blues, jazz, and folk music performed by Black artists a popular and profitable genre. Paramount featured a deep roster of legendary performers, including Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. Scott Blackwood's The Rise and Fall of Paramount Records is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music etched into the shellacked grooves of a 78 rpm record. With Paramount Records, Black America found its voice. Through creative nonfiction, Blackwood brings to life the gifted artists and record producers who used Paramount to revolutionize American music. Felled by the Great Depression, the label stopped recording in 1932, leaving a legacy of sound pressed into cheap 78s that is among the most treasured and influential in American history.

Embracing your Christian identity does not make you "soft." Embracing your Black identity does not make you less Christian. Throughout American history, Black people were not given the freedom to acknowledge their suffering. A. D. Thomason believes that the Holy Spirit brings freedom and liberation as we're able to name our pain, recognize its roots in history and society, and seek healing. While many saw a confident, six-foot-five Black man, A. D. "Lumkile" Thomason lived most of his life in fear and anguish, deeply wounded by encounters with violence, abandonment, and family tragedy. Hiding behind a tough exterior, Adam earned his "Black card" but felt joyless inside. Even traveling around the globe to play professional basketball could not resolve his despair. But in the art of Jay-Z, A. D. discovered stirring honesty that gave voice to his own expressions of longing. And in the gospel of Jesus, he experienced the healing and salvation that had long evaded him. Now through what he calls "kingdom therapy," he's figuring out how to redefine the Jay-Z and Jesus that make up his blackness. A. D. uses his artistry as a poet and storyteller to share how he confessed his internalized pain and embraced the liberating joy of Christ. He writes for millennials, emerging adults, and anyone else who's ready to acknowledge the reality of racial trauma and our need to confront it. A. D.'s powerful story gives you permission to be Black, to be Christian, and to be the person God has made you to be.

A deeply reported, gripping narrative of injustice, exoneration, and the lifelong impact of incarceration, Beyond Innocence is the poignant saga of one remarkable life that sheds vitally important light on the failures of the American justice system at every levelIn June 1985, a young Black man in Winston-Salem, N.C. named Darryl Hunt was falsely convicted and sentenced to life in prison for the rape and murder of a white copyeditor at the local paper. Many in the community believed him innocent and crusaded for his release even as subsequent trials and appeals reinforced his sentence. Finally, in 2003, the tireless efforts of his attorney combined with an award-winning series of articles by Phoebe Zerwick in the Winston-Salem Journal led to the DNA evidence that exonerated Hunt. Three years later, the acclaimed documentary, The Trials of Darryl Hunt, made him known across the country and brought his story to audiences around the world.But Hunt's story was far from over. As Zerwick poignantly reveals, it is singularly significant in the annals of the miscarriage of justice and for the legacy Hunt ultimately bequeathed. Part true crime drama, part chronicle of a life cut short by systemic racism, Beyond Innocence powerfully illuminates the sustained catastrophe faced by an innocent person in prison and the civil death nearly everyone who has been incarcerated experiences attempting to restart their lives. Freed after nineteen years behind bars, Darryl Hunt became a national advocate for social justice, and his case inspired lasting reforms, among them a law that allows those on death row to appeal their sentence with evidence of racial bias. He was a beacon of hope for so many--until he could no longer bear the burden of what he had endured and took his own life.Fluidly crafted by a master journalist, Beyond Innocence makes an urgent moral call for an American reckoning with the legacies of racism in the criminal justice system and the human toll of the carceral state.