Loneliness is everybody's business. Neither a pathology nor a rare affliction, it is part of the human condition. Severe and chronic loneliness, however, is a threat to individual and public health and appears to be on the rise. In this illuminating book, anthropologist Chikako Ozawa-de Silva examines loneliness in Japan, focusing on rising rates of suicide, the commodification of intimacy, and problems impacting youth. Moving from interviews with college students, to stories of isolation following the 2011 natural and nuclear disasters, to online discussions in suicide website chat rooms, Ozawa-de Silva points to how society itself can exacerbate experiences of loneliness. A critical work for our world, The Anatomy of Loneliness considers how to turn the tide of the "lonely society" and calls for a deeper understanding of empathy and subjective experience on both individual and systemic levels.

Winner, 2018 Section on Asia and Asian America Book Award presented by the American Sociological Association Traces the religious adaptation of members of an important Indian Christian church- the Mar Thoma denomination - as they make their way in the United States. This book exposes how a new paradigm of ethnicity and religion, and the megachurch phenomenon, is shaping contemporary immigrant religious institutions, specifically Indian American Christianity. Kurien draws on multi-site research in the US and India to provide a global perspective on religion by demonstrating the variety of ways that transnational processes affect religious organizations and the lives of members, both in the place of destination and of origin. The widespread prevalence of megachurches and the dominance of American evangelicalism created an environment in which the traditional practices of the ancient South Indian Mar Thoma denomination seemed alien to its American-born generation. Many of the young adults left to attend evangelical megachurches. Kurien examines the pressures church members face to incorporate contemporary American evangelical worship styles into their practice, including an emphasis on an individualistic faith, and praise and worship services, often at the expense of maintaining the ethnic character and support system of their religious community. Kurien's sophisticated analysis also demonstrates how the forces of globalization, from the period of colonialism to contemporary out-migration, have brought about tremendous changes among Christian communities in the Global South. Wide in scope, this book is a must read for an audience interested in the study of global religions and cultures.

John Kasper was a militant far-right activist who first came to prominence with his violent campaigns against desegregation in the Civil Rights era. Ezra Pound was the seminal figure in Anglo-American modernist literature and one of the most important poets of the 20th century. This is the first book to comprehensively explore the extensive correspondence - lasting over a decade and numbering hundreds of letters - between the two men. John Kasper and Ezra Pound examines the mutual influence the two men exerted on each other in Pound's later life: how John Kasper developed from a devotee of Pound's poetry to an active right-wing agitator; how Pound's own ideas about race and American politics developed in his discussions with Kasper and how this informed his later poetry. Shedding a disturbing new light on Ezra Pound's committed engagement with extreme right-wing politics in Civil Rights-era America, this is an essential read for students of 20th-century literature.

Contemporary debates on the role of religion in American public life ignore the overlap between religion and race in the formation of American democratic traditions and more often than not imagine democracy within the terrain of John Rawls's political liberalism. This kind of political liberalism, which focuses on political commitments at the expense of our religious beliefs, fosters the necessary conditions to open historically closed doors to black bodies, allows blacks to sit at the King's table and creates the necessary safeguards for black protest against discrimination within a constitutional democracy. By implication of its emphasis on rights and inclusion, political liberalism assumes that the presence of black bodies signifies the materialization of a robust American democracy. However, political liberalism discounts the historical role of religion in forming and fashioning the nation's construction of race. Tragic Soul-Life argues that the collision between religion and politics during U.S. slavery and segregation created the fragments from which emerged a firm but shifting moral disdain for blackness within the nation's collective moral imagination.
The very problem political liberals want to avoid, our comprehensive philosophy, is central to solving the political and economic problems facing blacks.

Punishing the Black Body examines the punitive and disciplinary technologies and ideologies embraced by ruling white elites in nineteenth-century Barbados and Jamaica. Among studies of the Caribbean on similar topics, this is the first to look at the meanings inscribed on the raced, gendered, and classed bodies on the receiving end of punishment. Dawn P. Harris uses theories of the body to detail the ways colonial states and their agents appropriated physicality to debase the black body, assert the inviolability of the white body, and demarcate the social boundaries between them.,br> Noting marked demographic and geographic differences between Jamaica and Barbados, as well as any number of changes within the separate economic, political, and social trajectories of each island, Harris still finds that societal infractions by the subaltern populations of both islands brought on draconian forms of punishments aimed at maintaining the socio-racial hierarchy. Her investigation ranges across such topics as hair-cropping, the 1836 Emigration Act of Barbados and other punitive legislation, the state reprisals following the 1865 Morant Bay Rebellion in Jamaica, the use of the whip and the treadmill in jails and houses of correction, and methods of surveillance, policing, and limiting free movement. By focusing on meanings ascribed to the disciplined and punished body, Harris reminds us that the transitions between slavery, apprenticeship, and post-emancipation were not just a series of abstract phenomena signaling shifts in the prevailing order of things. For a large part of these islands' populations, these times of dramatic change were physically felt.

Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as 'colonial Christianity' and its malevolent or 'occult' practices as a form of 'bewitchment' that must be 'exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans.

View the Table of Contents. Read the Foreword.

"The thirteen essays in this important collection examine grass-roots struggles for racial justice throughout the United States from 1940-1980...Read together, these essays remind us that activism changes people as much as society."
--"Journal of American History"

"The essays in "Groundwork" assert individually and collectively that at the root of any national movement for change are local activists working from the bottom up to change their communities first, then the world. This excellent and invigorating collection is crucial reading in an election year."
--Henry Louis Gates, Jr., Director, W. E. B. Du Bois Institute for African and African American Research, and author of "America Behind the Color Line: Dialogues with African Americans"

"A major contribution to the ever expanding historical literature of the modern African American freedom struggle. This book brings together outstanding examples of detailed and thoughtful studies of northern as well as southern local movements."
--Clayborne Carson, Professor of History and Director, Martin Luther King, Jr. Papers Project, Stanford University

"Brilliantly conveys the vibrancy and creativity of community-based movements that transformed America's racial and civic landscape in the decades following World War II."
--Patricia Sullivan, author of "Freedom Writer: Virginia Foster Durr, Letters from the Civil Rights Years"

"Required reading for anyone who wants to understand what the Civil Rights Movement actually was - a national movement conceived and executed by local people in cities and towns across this country. They are the people who made the movement that madeMartin Luther King, Jr.--not the other way around."
--Julian Bond, Professor of History, University of Virginia, American University, and Chairman of the NAACP

"This work demonstrates again and again how local movements complicate the standard civil rights narrative of nonviolence, black power, busing, and the nature of leadership."
--Tracy E. K'Meyer, Associate Professor US History, University of Louisville

"These essays enrich understanding of the valiant struggles to make real the promise of a more democratic US."
--"CHOICE," highly recommended

Over the last several years, the traditional narrative of the civil rights movement as largely a southern phenomenon, organized primarily by male leaders, that roughly began with the 1955 Montgomery Bus Boycott and ended with the Voting Rights Act of 1965, has been complicated by studies that root the movement in smaller communities across the country. These local movements had varying agendas and organizational development, geared to the particular circumstances, resources, and regions in which they operated. Local civil rights activists frequently worked in tandem with the national civil rights movement but often functioned autonomously from--and sometimes even at odds with--the national movement.

Together, the pathbreaking essays in Groundwork teach us that local civil rights activity was a vibrant component of the larger civil rights movement, and contributed greatly to its national successes. Individually, the pieces offer dramatic new insights about the civil rights movement, such as the fact that a militant black youth organization in Milwaukee was led by a white Catholic priest and in Cambridge, Maryland, by amiddle-aged black woman; that a group of middle-class, professional black women spearheaded Jackson, Mississippi's movement for racial justice and made possible the continuation of the Freedom Rides, and that, despite protests from national headquarters, the Brooklyn chapter of the Congress of Racial Equality staged a dramatic act of civil disobedience at the 1964 World's Fair in New York.

No previous volume has enabled readers to examine several different local movements together, and in so doing, Groundwork forges a far more comprehensive vision of the black freedom movement.

"The problem of the Twentieth Century is the problem of the color-line." This quote is among the most prophetic in American history. It was written by W. E. B. DuBois for the Exhibition of American Negroes displayed at the 1900 Paris Exposition. They are words whose force echoed throughout the Twentieth Century. W.E.B. DuBois put together a groundbreaking exhibit about African Americans for the 1900 World's Fair in Paris. For the first time, this book takes readers through the exhibit. With more than 200 black-and-white images throughout, this book explores the diverse lives of African Americans at the turn of the century, from challenges to accomplishments. DuBois confronted stereotypes in many ways in the exhibit, and he provided irrefutable evidence of how African Americans had been systematically discriminated against. Though it was only on display for a few brief months, the award-winning Exhibit of American Negroes represents the great lost archive of African American culture from the beginning of the twentieth century.

Questions the way we understand the idea of community through an investigation of the term "historically black" In Historically Black, Mieka Brand Polanco examines the concept of community in the United States: how communities are experienced and understood, the complex relationship between human beings and their social and physical landscapes-and how the term "community" is sometimes conjured to feign a cohesiveness that may not actually exist. Drawing on ethnographic and historical materials from Union, Virginia, Historically Black offers a nuanced and sensitive portrait of a federally recognized Historic District under the category "Ethnic Heritage-Black." Since Union has been home to a racially mixed population since at least the late 19th century, calling it "historically black" poses some curious existential questions to the black residents who currently live there. Union's identity as a "historically black community" encourages a perception of the town as a monochromatic and monohistoric landscape, effectively erasing both old-timer white residents and newcomer black residents while allowing newer white residents to take on a proud role as preservers of history. Gestures to "community" gloss an oversimplified perspective of race, history and space that conceals much of the richness (and contention) of lived reality in Union, as well as in the larger United States. They allow Americans to avoid important conversations about the complex and unfolding nature by which groups of people and social/physical landscapes are conceptualized as a single unified whole. This multi-layered, multi-textured ethnography explores a key concept, inviting public conversation about the dynamic ways in which race, space, and history inform our experiences and understanding of community.