Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as 'colonial Christianity' and its malevolent or 'occult' practices as a form of 'bewitchment' that must be 'exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans.

Questions the way we understand the idea of community through an investigation of the term "historically black" In Historically Black, Mieka Brand Polanco examines the concept of community in the United States: how communities are experienced and understood, the complex relationship between human beings and their social and physical landscapes-and how the term "community" is sometimes conjured to feign a cohesiveness that may not actually exist. Drawing on ethnographic and historical materials from Union, Virginia, Historically Black offers a nuanced and sensitive portrait of a federally recognized Historic District under the category "Ethnic Heritage-Black." Since Union has been home to a racially mixed population since at least the late 19th century, calling it "historically black" poses some curious existential questions to the black residents who currently live there. Union's identity as a "historically black community" encourages a perception of the town as a monochromatic and monohistoric landscape, effectively erasing both old-timer white residents and newcomer black residents while allowing newer white residents to take on a proud role as preservers of history. Gestures to "community" gloss an oversimplified perspective of race, history and space that conceals much of the richness (and contention) of lived reality in Union, as well as in the larger United States. They allow Americans to avoid important conversations about the complex and unfolding nature by which groups of people and social/physical landscapes are conceptualized as a single unified whole. This multi-layered, multi-textured ethnography explores a key concept, inviting public conversation about the dynamic ways in which race, space, and history inform our experiences and understanding of community.

Histories of civil rights movements in America generally place little or no emphasis on the activism of Asian Americans. Yet, as this fascinating new study reveals, there is a long and distinctive legacy of civil rights activism among foreign and American-born Chinese, Japanese, and Filipino students, who formed crucial alliances based on their shared religious affiliations and experiences of discrimination. Stephanie Hinnershitz tells the story of the Asian American campus organizations that flourished on the West Coast from the 1900s through the 1960s. Using their faith to point out the hypocrisy of fellow American Protestants who supported segregation and discriminatory practices, the student activists in these groups also performed vital outreach to communities outside the university, from Californian farms to Alaskan canneries. Highlighting the unique multiethnic composition of these groups, Race, Religion, and Civil Rights explores how the students' interethnic activism weathered a variety of challenges, from the outbreak of war between Japan and China to the internment of Japanese Americans during World War II. Drawing from a variety of archival sources to bring forth the authentic, passionate voices of the students, Race, Religion, and Civil Rights is a testament to the powerful ways they served to shape the social, political, and cultural direction of civil rights movements throughout the West Coast.

This is the Author's first book. Truthful and far reaching, he portrays himself in a no holds barred narrative. A totally open book highlighting many humorous moments that he wants to share with others. To some he will appear bizarre, which in a sense he is, his actions bordering on a Saturday Night Live skit. This is a fast paced book that keeps the reader wondering what zany incident is lurking around the corner. He is curious to see how many others will share his thoughts and emotions that may take them back to similar experiences in their childhood and adult life. This book highlights his strong family orientation and is intended to provide a testimony to his daughters, sons-in-law, granddaughters and future generational family members.

In this "vital book for these times" (Kirkus Reviews), Don Lemon brings his vast audience and experience as a reporter and a Black man to today's most urgent question: How can we end racism in America in our lifetimes? The host of CNN Tonight with Don Lemon is more popular than ever. As America's only Black prime-time anchor, Lemon and his daily monologues on racism and antiracism, on the failures of the Trump administration and of so many of our leaders, and on America's systemic flaws speak for his millions of fans. Now, in an urgent, deeply personal, riveting plea, he shows us all how deep our problems lie, and what we can do to begin to fix them. Beginning with a letter to one of his Black nephews, he proceeds with reporting and reflections on his slave ancestors, his upbringing in the shadows of segregation, and his adult confrontations with politicians, activists, and scholars. In doing so, Lemon offers a searing and poetic ultimatum to America. He visits the slave port where a direct ancestor was shackled and shipped to America. He recalls a slave uprising in Louisiana, just a few miles from his birthplace. And he takes us to the heart of the 2020 protests in New York City. As he writes to his young nephew: We must resist racism every single day. We must resist it with love.

In the early twenty-first century, the Chinese literary world saw an emergence of fictional works - dubbed as "oppositional political novels" - that took political articulation as their major purpose and questioned the fundamental principles and intrinsic logic of the Chinese model. Based on close readings of five representative oppositional Chinese political novels, Questioning the Chinese Model examines the sociopolitical connotations and epistemological values of these novels in the broad context of modern Chinese intellectual history and contemporary Chinese politics and society. Zhansui Yu provides a sketch of the social, political, and intellectual landscape of present-day China. He investigates the dialectic relationship between the arts and politics in the Chinese context, the mechanisms and dynamics of censorship in the age of the Internet and commercialization, and the ideological limitations of oppositional Chinese political novels. In the process of textual and social analysis, Yu extensively cites Western political philosophers, such as Hannah Arendt, Antonio Gramsci, Michel Foucault, and references well-regarded studies on Chinese literature, politics, society, and the Chinese intelligentsia. Examining oppositional Chinese political novels from multiple perspectives, Questioning the Chinese Model applies a broad range of knowledge beyond merely the literary field.

In January 2009, Barack Obama became the 44th president of the United States. In the weeks and months following the election, as in those that preceded it, countless social observers from across the ideological spectrum commented upon the cultural, social and political significance of "the Obama phenomenon." In "At this Defining Moment," Enid Logan provides a nuanced analysis framed by innovative theoretical insights to explore how Barack Obama's presidential candidacy both reflected and shaped the dynamics of race in the contemporary United States. Using the 2008 election as a case study of U.S. race relations, and based on a wealth of empirical data that includes an analysis of over 1,500 newspaper articles, blog postings, and other forms of public speech collected over a 3 year period, Logan claims that while race played a central role in the 2008 election, it was in several respects different from the past. Logan ultimately concludes that while the selection of an individual African American man as president does not mean that racism is dead in the contemporary United States, we must also think creatively and expansively about what the election does mean for the nation and for the evolving contours of race in the 21st century.

This is a significant in-depth study that explores the cultural context of the religious experience of West Indian immigrant communities. Whereas most studies to date have focussed on how immigrants settle in their new home contexts, Janice A. McLean-Farrell argues for a more comprehensive perspective that takes into account the importance of religion and the role of both 'home' and the 'host' contexts in shaping immigrant lives in the Diaspora. West Indian Pentecostals: Living Their Faith in New York and London explores how these three elements (religion, the 'home' and 'host' contexts) influence the ethnic-religious identification processes of generations of West Indian immigrants. Using case studies from the cities of New York and London, the book offers a critical cross-national comparison into the complex and indirect ways the historical, socio-economic, and political realities in diaspora contribute to both the identification processes and the 'missional' practices of immigrants. Its focus on Pentecostalism also provides a unique opportunity to test existing theories and concepts on the interface of religion and immigration and makes important contributions to the study of Pentecostalism.

Racial tension divides American society. Racial equality remains a distant goal. Although the potion of Black Americans has improved in recent years, the widespread enthusiasm for the Civil Rights movement has waned. Why has progress slowed? What makes racial problems in America so difficult to solve? A principal cause, according to The Anatomy of Racial Attitudes, is the way in which white Americans explain, or account for, the social conditions in which most black Americans find themselves. A substantial proportion of whites believe that stereotypes that Black Americans are relatively less well off because blacks do not try hard enough to better themselves or because of the difference due to genertics or to God's plan. Whites who hold such views have relatively little sympathy for programs designed to improve the social conditions. In contrast, whites who believe that Black Americans are kept back either by deliberate discrimination or by the accumulated social results of past discrimination are much more receptive to policies designed to help blacks. Using qualitative and quantitive data, this book explores the variety and extent of these explanations for social differences; it also describes how each explanation--or combination of explanations--influences a person's views on policies designed to bring about greater racial equality. This study promises to influence not only the course of future academic research on race relations but also the formulation of public policy to deal with racial problems. It reveals that the resistance of many whites to policies favorable to racial equality are not isolated phenomenon but instead is part of a comprehensive view of how society works. If strides toward racial equality are to be made in the foreseeable future, the insights provided here must be considered seriously by policy makers and be incorporated into their strategies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

The marvelous recovery of neglected black artists and their awesome body of comics creativity. Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the men and women who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and ""Who's Who"" directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden yet vivid history is irretrievably lost.