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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
Microhistory unlocked new avenues of historical investigation and
methodologies and helped uncover the past of individuals, an event,
or a small community. Reclamation of "lost histories" of
individuals and colonized communities of colonial South Africa
falls within this category. This study provides historical
narratives of indigenous Khoikhoi of modest status absorbed into
Cape colonial society as farm servants during the eighteenth and
nineteenth centuries. Based on archival and other sources, the
author illuminates the "everyday life" and "lived experience" of
Khoikhoi characters in a unique way. The opening chapter recounts
the love-loathe drama between a Khoikhoi woman, Griet, and Hendrik
Eksteen, whose murder she later orchestrated with the aid of slaves
and Khoikhoi servants. The malcontent Andries De Necker, arrested
for the murder of his Khoikhoi servant, attracted much legal
attention and resulted in a protracted trial. The book next
features the Khoikhoi millenarian prophet-turned-Christian convert
Jan Paerl, who persuaded believers to reassert the land of their
birth and liberate themselves from Dutch colonial rule by October
25, 1788. The last two chapters examine the lives of four Khoikhoi
converts immersed into the Moravian missionary world and how they
were exhibited by missionaries and sketched by the colonial artist,
George F. Angas.
Join Hloni Bookholane on his journey of becoming a doctor: from student to intern at the world-famous Groote Schuur Hospital in Cape Town to the best school of public health in the world across the Atlantic, and back home amid the COVID-19 pandemic.
There are highs and lows – learnings and unlearnings – about the personal versus political as he discovers how government policy, socioeconomics and more influence disease and medicine.
For many, December 26 is more than the day after Christmas. Boxing
Day is one of the world's most celebrated cultural holidays. As a
legacy of British colonialism, Boxing Day is observed throughout
Africa and parts of the African diaspora, but, unlike Trinidadian
Carnival and Mardi Gras, fewer know of Bermuda's Gombey Dancers,
Bahamian Junkanoo, Dangriga's Jankunu and Charikanari, St. Croix's
Christmas Carnival Festival, and St. Kitts's Sugar Mas. One Grand
Noise: Boxing Day in the Anglicized Caribbean World delivers a
highly detailed, thought-provoking examination of the use of
spectacular vernacular to metaphorically dramatize such tropes as
""one grand noise,"" ""foreday morning,"" and from ""back-o-town.""
In cultural solidarity and an obvious critique of Western values
and norms, revelers engage in celebratory sounds, often donning
masks, cross-dressing, and dancing with abandon along thoroughfares
usually deemed anathema to them. Folklorist Jerrilyn McGregory
demonstrates how the cultural producers in various island locations
ritualize Boxing Day as a part of their struggles over identity,
class, and gender relations in accordance with time and space.
Based on ethnographic study undertaken by McGregory, One Grand
Noise explores Boxing Day as part of a creolization process from
slavery into the twenty-first century. McGregory traces the holiday
from its Egyptian origins to today and includes chapters on the
Gombey Dancers of Bermuda, the evolution of Junkanoo/Jankunu in the
Bahamas and Belize, and J'ouvert traditions in St. Croix and St.
Kitts. Through her exploration of the holiday, McGregory negotiates
the ways in which Boxing Day has expanded from small communal
traditions into a common history of colonialism that keeps alive a
collective spirit of resistance.
Race and racism remain an inescapable part of the lives of black
people. Daily slights, often rooted in fears and misperceptions of
the 'other', still damage lives. But does race matter as much as it
used to? Many argue that the post-racial society is upon us and
racism is no longer a block on opportunity - Kurt Barling doubts
whether things are really that simple.Ever since, at the age of
four, he wished for 'blue eyes and blond hair', skin colour has
featured prominently as he, like so many others, navigated through
a childhood and adolescence in which 'blackness' de-fined and
dominated so much of social discourse. But despite the progress
that has been made, he argues, the 'R' word is stubbornly
resilient.In this powerful polemic, Barling tackles the paradoxes
at the heart of anti-racism and asks whether, by adopting the
language of the oppressor to liberate the oppressed, we are in fact
paralysing ourselves within the false mythologies inherited from
raciology, race and racism. Can society escape this socalled
'race-thinking' and re-imagine a Britain that is no longer 'Black'
and 'White'? Is it yet possible to step out of our skins and leave
the colour behind?Provocations is a groundbreaking new series of
short polemics composed by some of the most intriguing voices in
contemporary culture. Never less than sharp, intelligent and
controversial Provocations is a major new contribution to some of
the most vital discussions in society today.
A completely updated and revised edition of a bestselling book
that has helped tens of thousands of people learn how to network
effectively, Success Runs in Our Race is more important than ever
in this fluctuating economy. With scores of anecdotes taken from
interviews with successful African Americans -- from Keith
Clinkscales, founder and former CEO of Vanguarde Media, to Oprah
Winfrey -- Fraser shows how to network for information, for
influence, and for resources. Readers will learn, among other
things, how to cultivate valuable listening skills, which
conferences blacks are most likely to attend when looking to build
their business network, and how to effectively circulate a
resume.
More than a guide for personal achievement, this is an
information-packed bible of networking that also seeks to inspire a
social movement and a rebirth of the "Underground Railroad," in
which successful African Americans share the lessons of
self-determination and empowerment with those still struggling to
scale the ladder of success.
The triumphant story of how an all-Black Broadway cast and crew
changed musical theatre-and the world-forever. "This musical
introduced Black excellence to the Great White Way. Broadway was
forever changed and we, who stand on the shoulders of our brilliant
ancestors, are charged with the very often elusive task of carrying
that torch into our present."-Billy Porter, Tony, Grammy, and Emmy
Award-winning actor If Hamilton, Rent, or West Side Story captured
your heart, you'll love this in-depth look into the rise of the
1921 Broadway hit, Shuffle Along, the first all-Black musical to
succeed on Broadway. No one was sure if America was ready for a
show featuring nuanced, thoughtful portrayals of Black
characters-and the potential fallout was terrifying. But from the
first jazzy, syncopated beats of composers Noble Sissle and Eubie
Blake, New York audiences fell head over heels. Footnotes is the
story of how Sissle and Blake, along with comedians Flournoy Miller
and Aubrey Lyles, overcame poverty, racism, and violence to harness
the energy of the Harlem Renaissance and produce a runaway Broadway
hit that launched the careers of many of the twentieth century's
most beloved Black performers. Born in the shadow of slavery and
establishing their careers at a time of increasing demands for
racial justice and representation for people of color, they broke
down innumerable barriers between Black and white communities at a
crucial point in our history. Author and pop culture expert Caseen
Gaines leads readers through the glitz and glamour of New York City
during the Roaring Twenties to reveal the revolutionary impact one
show had on generations of Americans, and how its legacy continues
to resonate today. Praise for Footnotes: "A major contribution to
culture."-Brian Jay Jones, New York Times bestselling author of Jim
Henson: The Biography "With meticulous research and smooth
storytelling, Caseen Gaines significantly deepens our understanding
of one of the key cultural events that launched the Harlem
Renaissance."-A Lelia Bundles, New York Times bestselling author of
On Her Own Ground: The Life and Times of Madam C.J. Walker
"Absorbing..."-The Wall Street Journal
"The problem of the Twentieth Century is the problem of the
color-line." This quote is among the most prophetic in American
history. It was written by W. E. B. DuBois for the Exhibition of
American Negroes displayed at the 1900 Paris Exposition. They are
words whose force echoed throughout the Twentieth Century. W.E.B.
DuBois put together a groundbreaking exhibit about African
Americans for the 1900 World's Fair in Paris. For the first time,
this book takes readers through the exhibit. With more than 200
black-and-white images throughout, this book explores the diverse
lives of African Americans at the turn of the century, from
challenges to accomplishments. DuBois confronted stereotypes in
many ways in the exhibit, and he provided irrefutable evidence of
how African Americans had been systematically discriminated
against. Though it was only on display for a few brief months, the
award-winning Exhibit of American Negroes represents the great lost
archive of African American culture from the beginning of the
twentieth century.
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