"Medical Apartheid" is the first and only comprehensive history of medical experimentation on African Americans, from the era of slavery to today. Washington details the ways both slaves and freedmen have been used in hospitals for experiments conducted without their knowledge.

The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated.

Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection―Hartman’s first book, now revised and expanded―her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers.

This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.

The roots of African American spirituality arise from the African origins of the enslaved who were brought to the West in chains. Flora Wilson Bridges explores these "African retentions" from their manifestations in Africa, through their presence in the slave communities of the American South and in Black churches today. The unique spirituality that arose from these retentions influenced many prominent black leaders including Howard Thurman, Martin Luther King, Jr. and Malcolm X. In a fascinating chapter, Bridges also shows how these African roots inform Black film, literature, and art.

Profiles of influential Black women activists at a historic moment This volume offers a panoramic view of Black feminist politics through the stories of a remarkable cross section of Black women who attended the 1977 National Women's Conference. These women advocated for civil and women's rights but also for accessibility, lesbians, sex workers, welfare recipients, laborers, and children. The women featured in this book include icons Coretta Scott King and Michelle Cearcy, a teenager who served as a torchbearer at the conference. Contributors offer insights into the lives of Gloria Scott, Dorothy Height, Freddie Groomes-McLendon, and Jeffalyn Johnson. The profiles include activist organizers Georgia McMurray, Barbara Smith, Johnnie Tillmon, Addie Wyatt, and Florynce Kennedy. The hard-won achievements of politicians are examined and celebrated, including those of Barbara Jordan, Shirley Chisholm, Maxine Waters, C. Delores Tucker, the first Black female secretary of state for Pennsylvania, and Yvonne Burke, one of the first Black women elected to Congress and the first representative to give birth while serving. The final profiles cover Clara McClaughlin, reporter Melba Tolliver, and photojournalist Diana Mara Henry, who shared the details of the conference and the continual work being done by Black women with others through various media channels. This book places the diversity of Black women's experiences and their leadership at the center of the history of the women's movement. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

A critique of theory through literature that celebrates the diversity of black being, The Desiring Modes of Being Black explores how literature unearths theoretical blind spots while reasserting the legitimacy of emotional turbulence in the controlled realm of reason that rationality claims to establish. This approach operates a critical shift by examining psychoanalytical texts from the literary perspective of black desiring subjectivities and experiences. This combination of psychoanalysis and the politics of literary interpretation of black texts helps determine how contemporary African American and black literature and queer texts come to defy and challenge the racial and sexual postulates of psychoanalysis or indeed any theoretical system that intends to define race, gender and sexualities. The Desiring Modes of Being Black includes essays on James Baldwin, Sigmund Freud, Melvin Dixon, Essex Hemphill, Assotto Saint, and Rozena Maart. The metacritical reading they unfold interweaves African American Culture, Fanonian and Caribbean Thought, South African Black Consciousness, French Theory, Psychoanalysis, and Gender and Queer Studies.

Connecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou's African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. Split into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region's religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti's creolized culture. The Haitian chapters focus on Vodou's Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier's Vodou Lakay and Rasin Bwa Kayiman's Guede, legendary rasin compact discs released on Jean Altidor's Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed "Vodou hermeneutics" that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.