A completely updated and revised edition of a bestselling book that has helped tens of thousands of people learn how to network effectively, Success Runs in Our Race is more important than ever in this fluctuating economy. With scores of anecdotes taken from interviews with successful African Americans -- from Keith Clinkscales, founder and former CEO of Vanguarde Media, to Oprah Winfrey -- Fraser shows how to network for information, for influence, and for resources. Readers will learn, among other things, how to cultivate valuable listening skills, which conferences blacks are most likely to attend when looking to build their business network, and how to effectively circulate a resume.

More than a guide for personal achievement, this is an information-packed bible of networking that also seeks to inspire a social movement and a rebirth of the "Underground Railroad," in which successful African Americans share the lessons of self-determination and empowerment with those still struggling to scale the ladder of success.

Original and far-reaching, this book shows the resources for Black theology within the living tradition of African-American religion and culture. Beginning with the slave narratives, Hopkins tells how slaves received their masters' faith and transformed it into a gospel of liberation. Resources include the works of W.E.B. Du Bois, Toni Morrison, Martin Luther King, Jr., and Malcolm X.

Photographer Otis Hairston's camera snapped nearly forty years of fond memories and historic Greensboro events- from community gatherings and North Carolina A&T Aggie homecomings to celebrations of the historic 1960 sit-in. This stunning photo collection depicts ordinary people, local heroes and national celebrities as it captures the strength of Greensboro s African American community. "Picturing Greensboro" is a landmark volume of spectacular images that will be cherished for years to come.

A New York Times and Washington Post Notable Book A Best Book of 2021 by BuzzFeed and Real Simple An "unmissable" (Vogue), "exceptional" (The Washington Post), and "evocative" (Chicago Tribune) memoir about three Black girls from the storied Bronzeville section of Chicago that offers a penetrating exploration of race, opportunity, friendship, sisterhood, and the powerful forces at work that allow some to flourish...and others to falter. They were three Black girls. Dawn, tall and studious; her sister, Kim, younger by three years and headstrong as they come; and her best friend, Debra, already prom-queen pretty by third grade. They bonded-fervently and intensely in that unique way of little girls-as they roamed the concrete landscape of Bronzeville, a historic neighborhood on Chicago's South Side, the destination of hundreds of thousands of Black folks who fled the ravages of the Jim Crow South. These third-generation daughters of the Great Migration come of age in the 1970s, in the warm glow of the recent civil rights movement. It has offered them a promise, albeit nascent and fragile, that they will have more opportunities, rights, and freedoms than any generation of Black Americans in history. Their working-class, striving parents are eager for them to realize this hard-fought potential. But the girls have much more immediate concerns: hiding under the dining room table and eavesdropping on grown folks' business; collecting secret treasures; and daydreaming about their futures-Dawn and Debra, doctors, Kim a teacher. For a brief, wondrous moment the girls are all giggles and dreams and promises of "friends forever." And then fate intervenes, first slowly and then dramatically, sending them careening in wildly different directions. There's heartbreak, loss, displacement, and even murder. Dawn struggles to make sense of the shocking turns that consume her sister and her best friend, all the while asking herself a simple but profound question: Why? In the vein of The Other Wes Moore and The Short and Tragic Life of Robert Peace, Three Girls from Bronzeville is a "deeply personal" (Real Simple) memoir that chronicles Dawn's attempt to find answers. It's at once a celebration of sisterhood and friendship, a testimony to the unique struggles of Black women, and a tour-de-force about the complex interplay of race, class, and opportunity, and how those forces shape our lives and our capacity for resilience and redemption.

A profound book of essays from a celebrated master of the form. "Darkness is not empty," writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity-and witness the humanity of others-in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience-not just to take in but to think critically about what we sense and what we don't. Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning."

In this companion volume to her bestselling book "Acts of Faith, " bestselling author and star of "Iyanla: Fix My Life" discusses the "valleys" that cause stress and imbalance for women and explains how women can cleanse their minds and promote a healthy foundation for living in the modern world.""
"A Note from Iyanla Vanzant"
""Beloved friend,
When this little book was first published many years ago, it became a beacon of light for many people who found themselves time and time again in one valley or another. Valleys are nothing new for any of us. Some of you may be in a valley right now, or, since you never know what's around the corner, you may be on the brink of tottering into yet another valley. Or maybe you've just survived a valley that you swear you'll never revisit--but guess what? That's precisely the valley you'll probably see again. And again.
Being in a valley can be a lonely and bewildering experience. This book was written to help you feel less lonely by reminding you that you really aren't ever alone since God is always by your side, but more important, "you" are always by your own side. No matter how dire the situation may seem, no matter how dark and bleak the valley may be, you have all you need within you to survive the valley--any valley. Even though you may not know how you got into the valley in the first place, you do know, deep inside yourself, how to get through and out and free. You just need a little faith in yourself and a little guidance to find that faith within yourself.
When you are at your wit's end, take this little book and let it guide you toward the ever-present but often elusive light at the end of the tunnel. "Faith in the Valley" is designed to help you find the light when you need it most--when you're in that damn tunnel. When you're most confused and in the dark and clueless as to how you got there (again ) and when you're trying to figure out not just how to get out, but stay out. For good.
"Faith in the Valley" has helped so many through so much that we felt it only fitting to issue this lovely gift edition to acknowledge the special place it holds in many hearts. Please share it with a friend who has served as your beacon in the past, or offer it to yourself as a reminder of the strength and wisdom you possess and can offer to others.
Iyanla

`Essential' Marlon James, Man Booker Prize-Winner 2015 'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant 'A wake-up call to a country in denial' Observer In 2014, award-winning journalist Reni Eddo-Lodge wrote on her blog about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the inextricable link between class and race, Reni Eddo-Lodge has written a searing, illuminating, absolutely necessary examination of what it is to be a person of colour in Britain today.

Reflects what traditional proverbs used in Christian catechetical, liturgical, and ritual contexts reveal about Tanzanian appropriations of and interpretations of Christianity.

The roots of African American spirituality arise from the African origins of the enslaved who were brought to the West in chains. Flora Wilson Bridges explores these "African retentions" from their manifestations in Africa, through their presence in the slave communities of the American South and in Black churches today. The unique spirituality that arose from these retentions influenced many prominent black leaders including Howard Thurman, Martin Luther King, Jr. and Malcolm X. In a fascinating chapter, Bridges also shows how these African roots inform Black film, literature, and art.

Compelling, moving and unexpected portraits of London's poor from a rising star British historian - the Dickensian city brought to real and vivid life. Until now, our view of bustling late Georgian and Victorian London has been filtered through its great chroniclers, who did not themselves come from poverty - Dickens, Mayhew, Gustave Dore. Their visions were dazzling in their way, censorious, often theatrical. Now, for the first time, this innovative social history brilliantly - and radically - shows us the city's most compelling period (1780-1870) at street level. From beggars and thieves to musicians and missionaries, porters and hawkers to sex workers and street criers, Jensen unites a breadth of original research and first-hand accounts and testimonies to tell their stories in their own words. What emerges is a buzzing, cosmopolitan world of the working classes, diverse in gender, ethnicity, origin, ability and occupation - a world that challenges and fascinates us still.

First published in 1853, 12 Years a Slave is the riveting true story of a free black American who was sold into slavery, remaining there for a dozen years until he finally escaped. This powerfully written memoir details the horrors of slave markets, the inhumanity practiced on southern plantations, and the nobility of a man who persevered in some of the worst of conditions, a man who never ceased to hope that he would find freedom and see his beloved family again. This edition has been slightly edited--for spelling and punctuation only--for easier reading by a modern audience. It also includes two helpful appendixes not found in the original book. Now a major motion picture

Explore the incredible history of Afro hair. The Story of Afro Hair celebrates the fashion and styles of Afro hair over the last 5,000 years. From plaits to the Gibson Girl, cornrows to locks, the hi-top fade to funki dreds, The Story of Afro Hair is the ultimate book of Afro hairstories. Kicking off with an explanation of how Afro hair type grows and why, The Story of Afro Hair then takes us right back to the politics and fashion of Ancient Egypt. Speeding forwards to modern times we experience the Kingdom of Benin, Henry VIII's court, the enslavement of African peoples, the Harlem Renaissance, the beginnings of Rastafarianism, Britain in the 1980s - and much more. With vibrant full colour illustrations by Joelle Avelino. A sparkling gold foil hardback cover - the perfect gift for anyone interested in culture, fashion and history. With profiles of inspirational key figures in the Afro hair beauty industry, such as Sara Spencer Washington, Madam CJ Walker, Viola Desmond, Lincoln Dyke, Dudley Dryden and Anthony Wade. "A brilliant read for Black History Month, [a] thought-provoking, lively & accessible guide for seven plus" - The Guardian

Big Cat Phonics for Little Wandle Letters and Sounds Revised has been developed in collaboration with Wandle Learning Trust and Little Sutton Primary School. It comprises classroom resources to support the SSP programme and a range of phonic readers that together provide a consistent and highly effective approach to teaching phonics. This family are out for the day to make a den in the woods, it's going to be so fun! Can they all work together as a team to build it? Have you ever made a den?

'A remarkable set of essays unlike anything else' - Kadish Morris, Guardian As in her fiction, the essays in Out of the Sun demonstrate Esi Edugyan's commitment to seeking out the stories of Black lives that history has failed to record. Written with the death of George Floyd and the rise of the Black Lives Matter movement in the background, in five wide-ranging essays Edugyan reflects on her own identity and experiences as the daughter of Ghanaian immigrants. She delves into the history of Western Art and the truths about Black lives that it fails to reveal, and the ways contemporary Black artists are reclaiming and reimagining those lives. She explores and celebrates the legacy of Afrofuturism, the complex and problematic practice of racial passing, the place of ghosts and haunting in the imagination, and the fascinating relationship between Africa and Asia dating back to the 6th Century. With calm, piercing intelligence, and a refusal to think on anyone's terms but her own, Edugyan asks difficult questions about how we reckon with the past and imagine the future, and invites the reader to think alongside her in working out what the answers to these may be.

In 1857, at the height of the colonial period, as Britain was advancing its control over southern Africa and absorbing the formerly independent African chiefdoms, the Anglican Bishop of Cape Town, Robert Gray, set up Zonnebloem College on an old wine farm on the outskirts of the city. Working in partnership with the British Governor, Sir George Grey, his plan was to enrol the sons and daughters of leading African chiefs and equip them with an English, Christian education, and then send them home to further the cause of Christianity and ‘civilisation’ among their own people. This elite educational project, which was at the same time cultural and political in nature, soon gathered steam. Among the first entrants were Gonya and Emma Sandile, heir and eldest daughter of the Rharhabe chief Sandile; Nathaniel Umhala, son of the Ndlambe chief Mhala; and George Tlali, son of the great Basotho leader, Moshoeshoe I. Over the years a succession of sons from chiefly dynasties, sometimes spanning several generations, would come to Zonnebloem: the Moshoeshoes of Basutoland, the Pilanes of Bechuanaland, the Lewanikas of Barotseland, and the Lobengulas of Matabeleland. They and many others who followed in their steps would, after their education at Zonnebloem, take up careers as catechists, teachers, political secretaries, lawyers, newspaper editors and priests and serve their communities with distinction. Their stories – their trials and their achievements – are recounted here, often in their own words, drawing on a unique collection of school essays and letters to their various mentors that must form one of the earliest bodies of writing by Africans in southern Africa. This remarkable book, based on years of research and written with great sympathy, tells the little-known early history of the genesis of an African intelligentsia during the colonial period.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

Surveys developments from the establishment of the Apartheid state to 1982 when it was being challenged in the mines, factories and townships. After the Soweto Revolt, the government slowly began to compromise and by 1982 the conditions were present for the formation of a new union for black mineworkers. Key Features include studies of: Recruitment, harsh working conditions and work-related deaths and injuries, including a detailed account of the Coalbrook Colliery disaster in 1960 when 437 were killed. A wave of dissent by black students and industrial workers arose in the 1970s. The Guardian newspaper conducted a successful wages campaign for black workers. Black mineworkers joined the protesters in 1973-1976 when more than 200 of them were killed. These protests were followed by the Soweto uprising, by township violence and by a state response that was both oppressive and conciliatory