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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
W.E.B. Du Bois said that "the problem of the twentieth century is the problem of the color-line." It has been one hundred years since Du Bois made that prescient statement, which naturally leads to the question: "What is the problem of the twenty-first century?" In this anthology, the authors address a wide range of topics: race, gender, class, sexual orientation, globalism, migration, health, politics, culture, and urban issues--from a diversity of disciplinary perspectives. Paul Attewell, David Lavin, Thurston Domina, and Tania Levey examine the black middle class at the turn of the millennium. Todd C. Shaw considers how race shapes patriotism in the wake of the September 11 attacks. Robert A. Brown focuses on the growing chasm between blacks and whites with regard to views of government's obligation to address citizens' basic needs. H. Alexander Welcome details instances where white scholars have improperly analyzed black experiences. Antonio Pastrana revisits Du Bois's theories about the problems facing blacks. Joy James shows that the United States possesses the means and wealth to record and preserve (or censor) its slave/penal discourse as part of its vast warehouse of (neo)slave narratives. Ajuan Maria Mance hypothesizes that African-American literature will become less consumed with exploration and documentation of interracial differences, and more concerned with the relationships within ethnic groups. Rosamond S. King explores literary embodiments of the increasing prevalence of interracial relationships. Anthony J. Lemelle and BarBara Scott present a comparative historical policy analysis of the HIV/AIDS experience among African Americans. Sandra Barnes examines sociological promises and problems of the contemporary black church. Juan Battle and Natalie Bennett scrutinize the experiences of African American gays and lesbians in the context of the larger community. Verna Keith and Diane Brown assess the state of African American health in the context of social group structures. Michael Bennett looks at the problems and opportunities facing black Americans from the perspective of urban studies. Juan Battle is professor of sociology at Hunter College and the City University of New York Graduate Center. Michael Bennett is professor of English at Long Island University, Brooklyn. Anthony Lemelle is professor of sociology at the University of Wisconsin, Milwaukee and the editor of the Journal of African American Studies, published by Transaction.
Find out what it's like to be young, African-American . . . and a father Voices of African-American Teen Fathers is an insightful look at adolescent pregnancy and parenthood through the eyes of fathers aged 14 to 19. This unique book features candid interviews with thirty teens who talk about doing what I got to dohandling their responsibilities as best they can given their perceptions, limitations, and life experiences. Teens talk about how and why they became fathers, how they handle being a parent, their perceptions of fatherhood, the relationships they have with their parents and the mothers of their children, and how they deal with the everyday struggles, demands, and concerns they face. Nearly one million girls between the ages of 15 and 19 become pregnant each year in the United States and most of the available research on adolescent parenthood focused on them. We know little about African-American adolescent fathers or about their perspectives on the cultural and socioeconomic conditions that define their experience. Voices of African-American Teen Fathers provides an understanding of these young fathers on their own terms and suggests theoretical frameworks, assessment tools, and effective interventions to develop a plan of action to help African-American adolescent fathers fulfill their roles. Helpful appendixes, including an interview guide and biographies of the particpants, are included, as are six tables that make complex information easy to access and understand. Voices of African-American Teen Fathers examines tough issues, including: intimate, amicable, or antagonistic relationships with their children's mothers relationships with their own mothers and fathers racism and discrimination child support loss of independence transportation problems drugs socioeconomic issues and much more Voices of African-American Teen Fathers is an invaluable resource for counselors, family educators, social service organizations, community practitioners, and social scientists.
In Subversive Habits, Shannen Dee Williams provides the first full history of Black Catholic nuns in the United States, hailing them as the forgotten prophets of Catholicism and democracy. Drawing on oral histories and previously sealed Church records, Williams demonstrates how master narratives of women's religious life and Catholic commitments to racial and gender justice fundamentally change when the lives and experiences of African American nuns are taken seriously. For Black Catholic women and girls, embracing the celibate religious state constituted a radical act of resistance to white supremacy and the sexual terrorism built into chattel slavery and segregation. Williams shows how Black sisters-such as Sister Mary Antona Ebo, who was the only Black member of the inaugural delegation of Catholic sisters to travel to Selma, Alabama, and join the Black voting rights marches of 1965-were pioneering religious leaders, educators, healthcare professionals, desegregation foot soldiers, Black Power activists, and womanist theologians. In the process, Williams calls attention to Catholic women's religious life as a stronghold of white supremacy and racial segregation-and thus an important battleground in the long African American freedom struggle.
Through South Korean filmic and literary texts, this book explores affect and ethics in the healing of historical trauma, as alternatives to the measures of transitional justice in want of national unity. Historians and legal practitioners who deal with transitional justice agree that the relationship between historiography and justice seeking is contested: this book reckons with this question of how much truth-telling from a violent past will lead to healing, forgiving, forgetting and finally overcoming resentment. Nuanced interpretations of South Korean filmic and literary texts are featured, including Park Chan-wook's Oldboy, Bong Joon-ho's Mother and literary texts of Han Kang and Ch'oe Yun, whilst also engaging the ethical and political philosophy of Levinas, Hannah Arendt, and others. Also offered is new and extensive research into the hitherto hidden history of thousands of North Korean war orphans who were sent to Eastern European countries for care. Grappling with the evils of history, the films and novels examined herein find their ultimate themes in compassion, hospitality, humility and solidarity of the wounded. Healing Historical Trauma in South Korean Film and Literature will appeal to students and scholars of film, comparative literature, cultural studies and Korean studies more broadly.
A magnificently researched, dramatically told work of narrative nonfiction about the history, evolution, impact, and ultimate demise of what was known in the 1930s and 1940s as President Franklin Delano Roosevelt's Black Cabinet. In 1932 in the midst of the Great Depression, Franklin Delano Roosevelt won the presidency with the help of key African American defectors from the Republican Party. At the time, most African Americans lived in poverty, denied citizenship rights and terrorized by white violence. As the New Deal began, a "black Brain Trust" joined the administration and began documenting and addressing the economic hardship and systemic inequalities African Americans faced. They became known as the Black Cabinet, but the environment they faced was reluctant, often hostile, to change. "Will the New Deal be a square deal for the Negro?" The black press wondered. The Black Cabinet set out to devise solutions to the widespread exclusion of black people from its programs, whether by inventing tools to measure discrimination or by calling attention to the administration's failures. Led by Mary McLeod Bethune, an educator and friend of Eleanor Roosevelt, they were instrumental to Roosevelt's continued success with black voters. Operating mostly behind the scenes, they helped push Roosevelt to sign an executive order that outlawed discrimination in the defense industry. They saw victories--jobs and collective agriculture programs that lifted many from poverty--and defeats--the bulldozing of black neighborhoods to build public housing reserved only for whites; Roosevelt's refusal to get behind federal anti-lynching legislation. The Black Cabinet never won official recognition from the president, and with his death, it disappeared from view. But it had changed history. Eventually, one of its members would go on to be the first African American Cabinet secretary; another, the first African American federal judge and mentor to Thurgood Marshall. Masterfully researched and dramatically told, The Black Cabinet brings to life a forgotten generation of leaders who fought post-Reconstruction racial apartheid and whose work served as a bridge that Civil Rights activists traveled to achieve the victories of the 1950s and '60s.
"Existence in Black" is the first collective statement on the
subject of Africana Philosophy of Existence. Drawing upon resources
in Africana philosophy and literature, the contributors explore
some of the central themes of Existentialism as posed by the
context of what Frantz Fanon has identified as "the
lived-experience of the black."
Black Lives Are Beautiful is a workbook explicitly designed to help to help members of the Black community counter the impacts of racialized trauma while also cultivating self-esteem, building resilience, fostering community, and promoting Black empowerment. As readers explore each part of this workbook, they will develop tools to overcome the mental injuries that occur from living in a racialized society. Clinicians who use this workbook with clients will find a practical toolbox of racially informed interventions to aid clinicians, particularly White clinicians, in culturally sensitive clinical practice.
On Her Own Ground is the first full-scale, definitive biography of Madam C. J. Walker -- the legendary African American entrepreneur and philanthropist -- by her great-great-granddaughter, A'Lelia Bundles. The daughter of slaves, Madam C. J. Walker was orphaned at seven, married at fourteen and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then -- with the discovery of a revolutionary hair care formula for black women -- everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century politi-cal figures such as W.E.B. Du Bois and Booker T. Washington. On Her Own Ground is not only the first comprehensive biography of one of recent history's most amazing entrepreneurs and philanthropists, it is about a woman who is truly an African American icon. Drawn from more than two decades of exhaustive research, the book is enriched by the author's exclusive access to personal letters, records and never-before-seen photographs from the family collection. Bundles also showcases Walker's complex relationship with her daughter, A'Lelia Walker, a celebrated hostess of the Harlem Renaissance and renowned friend to both Langston Hughes and Zora Neale Hurston. In chapters such as "Freedom Baby," "Motherless Child," "Bold Moves" and "Black Metropolis," Bundles traces her ancestor's improbable rise to the top of an international hair care empire that would be run by four generations of Walker women until its sale in 1985. Along the way, On Her Own Ground reveals surprising insights, tells fascinating stories and dispels many misconceptions.
A study of the impact of sexism on black women during slavery, the historic devaluation of black womanhood, sexism among black men, racism within the women's movement and the black woman's involvement with feminism. Hooks refutes the antifeminist claim that black women have no need for an autonomous women's movement. She pushes feminist dialogue to new limits by claiming that all progressive struggles are significant only when they take place within a broadly defined feminist movement which takes as its starting point the immutable facts of race, class and gender.
This survey exhibition captures the arc and continued ascent of contemporary artist Beverly McIver. This exhibition catalog accompanies a survey exhibition of contemporary artist and painter Beverly McIver. Curated by Kim Boganey, this exhibition represents the diversity of McIver's thematic approach to painting over her career. From early self-portraits in clown makeup to more recent works featuring her father, dolls, Beverly's experiences during COVID-19 and portraits of others, Full Circle illuminates the arc of Beverly McIver's artistic career while also touching on her personal journey. McIver's self-portraits explore expressions of individuality, stereotypes, and ways of masking identity; portraits of family provide glimpses into intimate moments, in good times as well as in illness and death. The show includes McIver's portraits of other artists and notable figures, recent work resulting from a year in Rome with American Academy's Rome Prize, and new work in which McIver explores the juxtaposition of color, patterns, and the human figure. Full Circle also features works that reflect on McIver's collaborations with other artists, as well as her impact on the next generation of artists. The complementary exhibition, In Good Company, includes artists who have mentored McIver, such as Faith Ringgold and Richard Mayhew, as well as those who have studied under her. This catalog includes a conversation with Beverly McIver by exhibition curator Kim Boganey, as well as two essays: one by leading Black feminist writer Michele Wallace, daughter of Beverly's graduate school mentor Faith Ringgold, and another by distinguished scholar of African American art history Richard Powell. Published in association with the Scottsdale Museum of Contemporary Art Exhibition dates: Scottsdale Museum of Contemporary Art February 12-September 4, 2022 Southeastern Center for Contemporary Art December 8, 2022-March 26, 2023 The Gibbes Museum April 28-August 4, 2023
This book is a collection of Arthur Grimble's field notes and early writings, brought together in book form with linking pieces and a large number of illustrations. There are chapters on cannibalism and head hunting, on astronomy and on many aspects of the lives of the Gilbertese people from birth to death. Originally published in 1972.
Hoekom bel ’n boosaardige eerste minister ’n koerantredakteur skuins na sonop by sy huis? Waarom wil ’n kabinetsminister ’n verslaggewer met die vuiste bydam? En hoe kry ’n Afrikaanse koerant dit reg om tydens die apartheidsjare volledig oor ANC-beleidstandpunte te rapporteer? Harald Pakendorf beantwoord dié vrae, en nog vele meer, in sy herinneringstog deur ’n onstuimige tydperk in Suid-Afrika se geskiedenis. Die grootkoppe van apartheid kon hierdie “liberale” redakteur van Oggendblad (1972–1979) en Die Vaderland (1980–1986) met moeite voor hulle oë verdra. Pakendorf moes John Vorster en PW Botha se woedebuie telkemale trotseer. Vandag sal lesers hul koppe in ongeloof skud oor die scenario’s wat tydens apartheid se hoogbloei in die voorkamers van politieke mag afgespeel het. Maar vir die politieke base van destyds was Harald Pakendorf sy tyd ver vooruit. Só ver dat hulle hom sonder meer uit sy redakteurstoel verwyder het. ’n Fassinerende, persoonlike terugblik wat lesers sal boei.
This work describes the journalism careers of four black women within the context of the period in which they lived and worked. Ida B. Wells-Barnett, Mary Church Terrell, Alice Dunbar-Nelson and Amy Jacques Garvey were among a group of approximately twenty black women journalists who wrote for newspapers, magazines and other media during the late nineteenth century and early twentieth century.
Did you know that Black people from around the world helped Britain fight in the First World War? How heroic were the people who fought? Why did Black people have to keep fighting for equality even after the war? In this young readers' edition of Black Poppies, Stephen Bourne takes us on a hero-filled journey. Explore the many and extraordinary ways in which Black people helped Britain fight the First World War, on the battlefield and at home. After meeting Stephen's Aunty Esther, we hear the story of Walter Tull, who led soldiers in some of history's bloodiest battles and died in the fighting just weeks before the conflict would end. Then there is Alhaji Grunshi, an African who fired the first shot of the whole war. Back at home, Black men and women helped by entertaining the people, making materials like bullets and uniforms, and beginning the long fight for equality and the freedom to celebrate being Black and British with pride.
Increase your awareness of the concerns facing the black disabled community! Disability and the Black Community addresses physical, mental, and learning disabilities experienced across age, gender, and ethics groups by the black race in the United States. This unique book works to increase understanding and awareness of those working with the disabled by mobilizing advocates, providing alternatives for successful intervention and planning, and encouraging research in disability and rehabilitation. A distinguished panel of researchers and practitioners provide commentary on topics that include selected physical disabilities, disabled children learning and program concerns, welfare reform, public housing issues, domestic violence, and disability curriculum contentall in accordance with the broadening of the definition of disability as supported by the American Disabilities Act. Disability and the Black Community raises the level of understanding and awareness of the complex and diverse concerns facing the disabled and their families in the community and the workplace. The book is at once motivational, influential, and empowering, examining social and political issues that compound the ordeals confronting the black disabled. Topics addressed include: learning disabilities, academic achievements, and mental health issues of children health disparities and access to care welfare reform, disability, and race practice, program, and curriculum models and much more! Disability and the Black Community is an essential resource for health professionals and advocates who work with the black disabled. The book keeps practitioners up to date on what is needed in terms of funding, facilities, and resources in order to keep the larger society and significant resource systems appraised of the needs of the disabled.
The Routledge Handbook of Pan-Africanism provides an international, intersectional, and interdisciplinary overview of, and approach to, Pan-Africanism, making an invaluable contribution to the ongoing evolution of Pan-Africanism and demonstrating its continued significance in the 21st century. The handbook features expert introductions to, and critical explorations of, the most important historic and current subjects, theories, and controversies of Pan-Africanism and the evolution of black internationalism. Pan-Africanism is explored and critically engaged from different disciplinary points of view, emphasizing the multiplicity of perspectives and foregrounding an intersectional approach. The contributors provide erudite discussions of black internationalism, black feminism, African feminism, and queer Pan-Africanism alongside surveys of black nationalism, black consciousness, and Caribbean Pan-Africanism. Chapters on neo-colonialism, decolonization, and Africanization give way to chapters on African social movements, the African Union, and the African Renaissance. Pan-African aesthetics are probed via literature and music, illustrating the black internationalist impulse in myriad continental and diasporan artists' work. Including 36 chapters by acclaimed established and emerging scholars, the handbook is organized into seven parts, each centered around a comprehensive theme: Intellectual origins, historical evolution, and radical politics of Pan-Africanism Pan-Africanist theories Pan-Africanism in the African diaspora Pan-Africanism in Africa Literary Pan-Africanism Musical Pan-Africanism The contemporary and continued relevance of Pan-Africanism in the 21st century The Routledge Handbook of Pan-Africanism is an indispensable source for scholars and students with research interests in continental and diasporan African history, sociology, politics, economics, and aesthetics. It will also be a very valuable resource for those working in interdisciplinary fields, such as African studies, African American studies, Caribbean studies, decolonial studies, postcolonial studies, women and gender studies, and queer studies.
This uniquely interdisciplinary study of Black cultural critics Armond White and Paul Gilroy spans continents and decades of rebellion and revolution. Drawing on an eclectic mix of archival research, politics, film theory, and pop culture, Daniel McNeil examines two of the most celebrated and controversial Black thinkers working today. Thinking While Black takes us on a transatlantic journey through the radical movements that rocked against racism in 1970s Detroit and Birmingham, the rhythms of everyday life in 1980s London and New York, and the hype and hostility generated by Oscar-winning films like 12 Years a Slave. The lives and careers of White and Gilroy-along with creative contemporaries of the post-civil rights era such as Bob Marley, Toni Morrison, Stuart Hall, and Pauline Kael-should matter to anyone who craves deeper and fresher thinking about cultural industries, racism, nationalism, belonging, and identity.
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