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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
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The Mother You Know
(Hardcover)
Evelyn Mcgovern; Edited by Edward Robertson, Gina Sartirana
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More than the story of one man's case, this book tells the story of
entire generations of people marked as "mixed race" in America amid
slavery and its aftermath, and being officially denied their
multicultural identity and personal rights as a result. Contrary to
popular misconceptions, Plessy v. Ferguson was not a simple case of
black vs. white separation, but rather a challenging and complex
protest for U.S. law to fully accept mixed ancestry and
multiculturalism. This book focuses on the long struggle for
individual identity and multicultural recognition amid the
dehumanizing and depersonalizing forces of American Negro
slavery-and the Anglo-American white supremacy that drove it. The
book takes students and general readers through the extended
gestation period that gave birth to one of the most oft-mentioned
but widely misunderstood landmark law will cases in U.S. history.
It provides a chronology, brief biographies of key figures, primary
documents, an annotated bibliography, and an index all of which
provide easy reading and quick reference. Modern readers will find
the direct connections between Plessy's story and contemporary
racial currents in America intriguing.
The essays gathered in this volume deal with representations of
blackness and the performance of black identities in various
historically determined societal contexts of the Americas, Benin,
and Spain. The book is grounded on the premise that representations
constitute, in part, the world in which we live. An important
aspect of the struggles of dominated people consists in more or
less overtly challenging, manipulating, combatting, negating, and
sometimes inverting representations of themselves reproduced in the
dominant discourse of their national society. The contributors
approach various forms of blackness within the fluctuation of
political, economic, and social processes embedded in particular
time/space contexts, which are constituted within local, regional,
national, and transnational dimensions. Identities, whatever they
may be, cannot be defined once and for all in fixed or essentialist
terms as if they were unchanging or frozen in time and space. If,
as this book proposes, identities are fluid, it is because they are
constantly enacted and reenacted, performed anew within specific
situations, and within changing socioeconomic and political
contexts that provide sites for their negotiations and
renegotiations, definitions and redefinitions. Thus, the book
approaches black identities as performances.
Historical accounts of racial discrimination in transportation have
focused until now on trains, buses, and streetcars and their
respective depots, terminals, stops, and other public
accommodations. It is essential to add airplanes and airports to
this narrative, says Anke Ortlepp. Air travel stands at the center
of the twentieth century's transportation revolution, and airports
embodied the rapidly mobilizing, increasingly prosperous, and
cosmopolitan character of the postwar United States. When
segregationists inscribed local definitions of whiteness and
blackness onto sites of interstate and even international transit,
they not only brought the incongruities of racial separation into
sharp relief but also obligated the federal government to
intervene. Ortlepp looks at African American passengers; civil
rights organizations; the federal government and judiciary; and
airport planners, architects, and managers as actors in shaping
aviation's legal, cultural, and built environments. She relates the
struggles of black travelers-to enjoy the same freedoms on the
airport grounds that they enjoyed in the aircraft cabin-in the
context of larger shifts in the postwar social, economic, and
political order. Jim Crow terminals, Ortlepp shows us, were both
spatial expressions of sweeping change and sites of confrontation
over the re-negotiation of racial identities. Hence, this new study
situates itself in the scholarly debate over the multifaceted
entanglements of "race" and "space."
The story of white flight and the neglect of black urban
neighborhoods has been well told by urban historians in recent
decades. Yet much of this scholarship has downplayed black agency
and tended to portray African Americans as victims of structural
forces beyond their control. In this history of Cleveland's black
middle class, Todd Michney uncovers the creative ways that a
nascent community established footholds in areas outside the
overcrowded, inner-city neighborhoods to which most African
Americans were consigned. In asserting their right to these
outer-city spaces, African Americans appealed to city officials,
allied with politically progressive whites, and relied upon both
black and white developers and real estate agents to expand these
""surrogate suburbs"" and maintain their livability until the bona
fide suburbs became more accessible. By tracking the trajectories
of those who, in spite of racism, were able to succeed, Michney
offers a valuable counterweight to histories that have focused on
racial conflict and black poverty and tells the neglected story of
the black middle class in America's cities prior to the 1960s.
In this widely acclaimed bestseller, the author of Small Victories tackles another explosive issue, this time race in America, by taking an in-depth look at the pastor of a thriving black church in one of New York's most desperate slums.
The lives of African American gay men have greatly gone unnoticed
in the American consciousness. Despite the fact that Black gay men
have made great contributions to our global society. For example,
James Baldwin served as a literature giant. Bayard Rustin was one
of the key organizers of the 1963 March on Washington. Alphonso
David is the first person of color to lead the HRC (Human Rights
Campaign). The purpose of this book is to discuss the narratives of
Black gay men. There is no doubt that American history has done a
nonexistent job of portraying the lives of these Black gay men.
Most of these lives have been relegated to the background of
society. This book purposes to change that narrative by having 10
to 12 gentlemen discuss their background and how it brought them to
where they are in life now. The goal of this book is to also
discuss the victory for each of the authors.
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