Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

Helen Heran Jun explores how the history of U.S. citizenship has positioned Asian Americans and African Americans in interlocking socio-political relationships since the mid nineteenth century. Rejecting the conventional emphasis on 'inter-racial prejudice', Jun demonstrates how a politics of inclusion has constituted a racial Other within Asian American and African American discourses of national identity. Race for Citizenship examines three salient moments when African American and Asian American citizenship become acutely visible as related crises: the Negro Problem and the Yellow Question in the mid- to late 19th century; World War II-era questions around race, loyalty, and national identity in the context of internment and Jim Crow segregation; and post-Civil Rights discourses of disenfranchisement and national belonging under globalization. Taking up a range of cultural texts - the 19th century black press, the writings of black feminist Anna Julia Cooper, Asian American novels, African American and Asian American commercial film and documentary - Jun does not seek to document signs of cross-racial identification, but instead demonstrates how the logic of citizenship compels racialized subjects to produce developmental narratives of inclusion in the effort to achieve political, economic, and social incorporation. Race for Citizenship provides a new model of comparative race studies by situating contemporary questions of differential racial formations within a long genealogy of anti-racist discourse constrained by liberal notions of inclusion.

This book, edited by April Myung of Bergen County Academies in New Jersey, contains autobiographies of ten Korean teenagers, currently studying in American high schools. This historically significant volume contains writings by break-dancing Julius Im, who understands his Korean-American identity through this medium of African-American dance, to Rei Fujino Park of Flushing, New York, who explores her own dual identiy with a Korean father (who served in the elite Korean military special forces) and a Japanese mother. Rei Fujino describes her parents' marriage as a loving union of "enemies" given the history of Japanese colonization of Korea (1910-1945). Julie Oh describes the difficult situation of the children of Korean company workers for Samsung, LG, SK, Woori Bank, and other Korean companies, who come with a short-term working visa to the United States. The children of these "Joo-Jae-Won" have to go to Saturday school (in her case, "Woori School") in order to maintain the skill level of Korean high schools, in the case that their parents get recalled to South Korea - their children would have to apply for Korean universities and meet the requirements of Korean university entrance tests, which are vastly different from America's SAT, ACT, and AP tests. Andrew Hyeon shars his experience as a Korean Catholic, attending Hopkins School, an elite private school in Connecticut, where former Yale Law School Dean Harold Koh, a famous Korean, attended. Ruby Hong's autobiography is written as a fairytale account of her own life. The autobiographies in this book are not only creatively written as to capture the readers' interest, but they also provide valuable resources for Korean American Studies. (This book is the second in the Hermit Kingdom Sources in Korean-American Studies, whose series editor is Dr. Onyoo Elizabeth Kim, Esq.)

ARRIVING IN AMERICA - DESTINATION THE SOUTH captures Taylor's twenty-five year journey in unearthing the buried history of her maternal and paternal family, trekking the paths of her ancestors, before Emancipation (1863). This journey took her back several generations, from the North, South, East and West regions of Africa, to the thirteen colonies of the United States, and the Southern states of Louisiana and Mississippi. This emotion-filled journey travels down an intricate paper trail of federal, state, and local records combined with a collection of oral interviews that enabled Taylor to methodically place together her family puzzle, in five informative chapters. Lovers of sweeping generational epics will find much to rejoice in here. This is a personal saga, but one played out against the broad canvas of American History. Taylor chronicles the lives of her relatives who were once enslaved. She points out the contributions of European immigrants, with the labor of slaves that made this such a great nation. Taylor discusses intermarriages and intermixing between blacks and Indians, the mulatto children of the master, and how her enslaved family may have obtained their surnames. This book focuses on many unanswered questions, and leave the reader with a burning desire to begin their own journey. ARRIVING IN AMERICA - DESTINATION THE SOUTH is written in a narrative style to inspire, entice and propel readers into the fascinating world of genealogy and historical discoveries.

Lyrical, hilarious, and heartbreaking collection exploring Asian American identity, love, community, and power. In the aftermath of a messy divorce, Frances Kai-Hwa Wang writes in the hope of beginning to build a new life with four children, bossy aunties, unreliable suitors, and an uncertain political landscape. The lyric essays in this collection deftly navigate the space between cultures and reflect on lessons learned from both Asian American elders and young multiracial children, punctuated by moments rich with cultural and linguistic nuance. In her prologue, Wang explains, "Buddhists say that suffering comes from unsatisfied desire, so for years I tried to close the door to desire. I was so successful, I not only closed the door, I locked it, barred it, nailed it shut, then stacked a bunch of furniture in front of it. And now that door is open, wide open, and all my insides are spilling out. Full of current events of the day and #HashtagsOfTheMoment, the topics in the collection are wide ranging, including cooking food to show love, surviving Chinese School, being an underpaid lecturer, defending against yellow dildos, navigating immigration issues, finding love in a time of elections, crying with children separated from their parents at the border, charting the landscape of frugal/hoarder elders during the pandemic, witnessing COVID-inspired anti-Asian American violence while reflecting on the death of Vincent Chin, teaching her sixteen-year-old son to drive after the deaths of Trayvon Martin and George Floyd, and trusting the power of writing herself into existence. Within these lyric essays, some of which are accompanied by artwork and art installations, Wang finds the courage and hope to speak out for herself and for an entire generation of Asian American women. A notable work in the landscape of Asian American literature as well as Midwest and Michigan-based literature, You Cannot Resist Me When My Hair Is in Braids features a clear and powerful voice that brings all people together in these political and pandemic times.

While there is much discussion on Africa-China relations, the focus tends to lean more on the Chinese presence in Africa than on the African presence in China. There are numerous studies on the former but, with the exception of a few articles on the presence of African traders and students in China, little is known of the latter, even though an increasing number of Africans are visiting and settling in China and forming migrant communities there. This is a phenomenon that has never happened before the turn of the century and has thus led to what is often termed Africa's newest Diaspora. This book focuses on analyzing this new Diaspora, addressing the crucial question: What is it like to be an African in China? Africans in China is the first book-length study of the process of Africans travelling to China and forming communities there. Based on innovative intermingling of qualitative and quantitative research methods involving prolonged interaction with approximately 800 Africans across six main Chinese cities--Guangzhou, Yiwu, Shanghai, Beijing, Hong Kong and Macau--sociolinguistic and sociocultural profiles are constructed to depict the everyday life of Africans in China. The study provides insights into understanding issues such as why Africans go to China, what they do there, how they communicate with their Chinese hosts, what opportunities and problems they encounter in their China sojourn, and how they are received by the Chinese state. Beyond these methodological and empirical contributions, the book also makes a theoretical contribution by proposing a crosscultural bridge theory of migrant-indigene relations, arguing that Africans in China act as sociopolitical, socioeconomic, and sociocultural bridges linking Africa to China. This approach to the analysis of Diaspora communities has consequences for crosscultural and crosslinguistic studies in an era of globalization. Africans in China is an important book for African Studies, Asian Studies, Africa-China relations studies, linguistics, anthropology, sociology, international studies, and migration and Diaspora studies in an era of globalization.

Surveys developments from the establishment of the Apartheid state to 1982 when it was being challenged in the mines, factories and townships. After the Soweto Revolt, the government slowly began to compromise and by 1982 the conditions were present for the formation of a new union for black mineworkers. Key Features include studies of: Recruitment, harsh working conditions and work-related deaths and injuries, including a detailed account of the Coalbrook Colliery disaster in 1960 when 437 were killed. A wave of dissent by black students and industrial workers arose in the 1970s. The Guardian newspaper conducted a successful wages campaign for black workers. Black mineworkers joined the protesters in 1973-1976 when more than 200 of them were killed. These protests were followed by the Soweto uprising, by township violence and by a state response that was both oppressive and conciliatory

Western culture has long regarded black female sexuality with a strange mix of fascination and condemnation, associating it with everything from desirability, hypersexuality, and liberation to vulgarity, recklessness, and disease. Yet even as their bodies and sexualities have been the subject of countless public discourses, black women's voices have been largely marginalized in these discussions. In this groundbreaking collection, feminist scholars from across the academy come together to correct this omission--illuminating black female sexual desires marked by agency and empowerment, as well as pleasure and pain, to reveal the ways black women regulate their sexual lives.
The twelve original essays in "Black Female Sexualities" reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes.
"Black Female Sexualities" takes not only an interdisciplinary approach--drawing from critical race theory, sociology, and performance studies--but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from "Crash "to "Precious," from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires.

Since the mid-1980s, Sudan has been involved in civil war fueled by religious, ethnic, and regional strife. Thousands of children have experienced horrors and intense hardships beyond the scale of human understanding. They have been dubbed the Lost Boys of Sudan. Many, orphaned by the war, have arrived at Kakuma, a refugee camp in Kenya. The label of the Lost Boys was borrowed from the children's story Peter Pan. The Lost Boys of Sudan describe a generation of Sudanese boys driven from their tribal lands by the devastation of the civil war between the North and the South. The Original Lost Boy of Sudan told by King Deng Akon, details the truth regarding the war in southern Sudan, the scorching desert, heat, and the historical events that led to the bloodshed. The true experiences of "the Lost Boys of Sudan" has been overlooked or simply mentioned by the media. However, King Deng Akon provides an opportunity to witness a perilous quest for freedom from a first-person perspective. King Deng is the emblem of peace and The Original Lost Boy of Sudan is the insignia of struggle out of Africa to America.