Despite the West's privileging of slenderness as an aesthetic ideal, the African Diaspora has historically displayed a resistance to the Western European and North American indulgence in 'fat anxiety.' The Embodiment of Disobedience explores the ways in which the African Diaspora has rejected the West's efforts to impose imperatives of slenderness and mass market fat-anxiety. Author Andrea Shaw explores the origins and contradictions of this phenomenon, especially the cultural deviations in beauty criteria and the related social and cultural practices. Unique in its examination of how both fatness and blackness interact on literary cultural planes, this book also offers a diasporic scope that develops previously unexamined connections among female representations throughout the African Diaspora.

"In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word."
--Siobhan B. Somerville, University of Illinois, Urbana-Champaign

aProvocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions--sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory--but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity.a
--Marlon Ross, author of "Manning the Race"

aA deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers.a--"GC Advocate"

Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are notinevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today.

Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film "Sweet Sweetback's Baadasssss Song,"

Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.

View the Table of Contents. Read the Introduction.

"The New H.N.I.C. brilliantly observes pivotal moments in hip hop and black culture as a whole... provocative[ly] raises the level of the hip hop discussion."
--"Black Issues Book Review"

"It was naive for Todd Boyd to subtitle his book "The Death of Civil Rights and the Birth of Hip Hop," and not to expect people to wig out."
--"Punk Planet"

"Stand back! Todd Boyd brings the ruckus in this provocative look at how hip hop changed everything from the jailhouse to the White House--and why it truly became the voice of a new generation."
--Alan Light, Editor-in-Chief, "Spin Magazine"

aElegantly script[s] the fall of the previous generation alongside the rise of a new hip-hop ethosa]. ["The New H.N.I.C"] is built on the provocative premise that this generation's hip-hop culture has come to supersede the previous one's paradigm of civil rights. Highlighting various moments in recent rap historyathe controversy over OutKast's naming a single after Rosa Parks; the white negro-isms of EminemaBoyd offers hip-hop as the most suitable access point for understanding the social, political, and cultural experiences of African Americans born after the civil rights period.a
--"Village Voice"

"Those who are hip have always known that Black music is about more than simply nodding your head, snapping your fingers, and patting your feet. Like the proverbial Dude, back on the block, Dr. Todd Boyd, in his groundbreaking book The New H.N.I.C., tells us that like the best of this oral tradition, hip hop is a philosophy and worldview rooted in history and at the same time firmly of the moment. Dr. Boyd's improvisational flow is onpoint like be bop Stacy Adams and The New H.N.I.C., in both style and substance, breaks down how this monumental cultural shift has come to redefine the globe. With mad props and much love, Dr. Boyd's The New H.N.I.C. is the voice of a generation and stands poised at the vanguard of our future."
--Quincy Jones

"A convincing and entertaining case that hip-hop matters, Boyd's reading [of hip hop] is nothing less than inspired."
--"Mother Jones"

"If you want to understand the direction of music today, read this book. Boyd expertly chronicles the birth of Hip Hop, its impact on all music and how the language and music defines a generation."
--Tom Freston, CEO, MTV Networks

"Boyd's main observation is simple and mostly true: "Hip-hop has rejected and now replaced the pious, sanctimonious nature of civil rights as the defining moment of Blackness."
--"Los Angeles Times"

When Lauryn Hill stepped forward to accept her fifth Grammy Award in 1999, she paused as she collected the last trophy, and seeming somewhat startled said, "This is crazy, 'cause this is hip hop music.'" Hill's astonishment at receiving mainstream acclaim for music once deemed insignificant testifies to the explosion of this truly revolutionary art form. Hip hop music and the culture that surrounds it--film, fashion, sports, and a whole way of being--has become the defining ethos for a generation. Its influence has spread from the state's capital to the nation's capital, from the Pineapple to the Big Apple, from 'Frisco to Maine, and then on to Spain.

But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boydmaintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop.

The New H.N.I.C., like hip hop itself, attempts to keep it real, and challenges conventional wisdom on a range of issues, from debates over use of the "N-word," the comedy of Chris Rock, and the "get money" ethos of hip hop moguls like Sean "P. Diddy" Combs and Russell Simmons, to hip hop's impact on a diverse array of figures from Bill Clinton and Eminem to Jennifer Lopez.

Maintaining that Martin Luther King, Jr.'s "I Have a Dream" speech is less important today than DMX's "It's Dark and Hell is Hot," Boyd argues that Civil Rights as a cultural force is dead, confined to a series of media images frozen in another time. Hip hop, on the other hand, represents the vanguard, and is the best way to grasp both our present and future.

Deconstructing Prehumanity is an investigation into the role of archaeological perception in the construction of race. It explores how social knowledge and disciplinary subjectivity have shaped our organization of the human past and how this organization and its lexicon have fueled racialism. The idea of an African prehuman hierarchy powers American race relations in a damaging way. Scientific physical distinctions used in ethnological studies quantified and qualified physical and "racial" differences among so-called African prehumans, all of which plague human social relations as they extend harmful ideas about peoples of African descent. This book delves into the evolution of terms and utilizes Africana studies to present the systematic reconstruction of a black past. By reviewing ethnological studies, nomenclature, and how such processes play a role in conceiving African origins, the multidisciplinary work supplies explanations about notions of African nature, culture, and race as prehuman. It explicates paleoanthropological categories and connects them to racialized inferences. Deconstructing Prehumanity is intended for readers looking to understand how perceptions about human origins add to racialization as it proffered a utilitarian past.

Black theology tends to be a theology about no-body. Though one might assume that black and womanist theology have already given significant attention to the nature and meaning of black bodies as a theological issue, this inquiry has primarily taken the form of a focus on issues relating to liberation, treating the body in abstract terms rather than focusing on the experiencing of a material, fleshy reality. By focusing on the body as a physical entity and not just a metaphorical one, Pinn offers a new approach to theological thinking about race, gender, and sexuality.

According to Pinn, the body is of profound theological importance. In this first text on black theology to take embodiment as its starting point and its goal, Pinn interrogates the traditional source materials for black theology, such as spirituals and slave narratives, seeking to link them to materials such as photography that highlight the theological importance of the body. Employing a multidisciplinary approach spanning from the sociology of the body and philosophy to anthropology and art history, Embodiment and the New Shape of Black Theological Thought pushes black theology to the next level.

Winner of the National Press Club Prize for Media Criticism.

"A compelling look at the power of the media from an award-winning journalist who fearlessly and passionately addresses critical issues confronting African-American journalists working for mainstream newspapers and magazines."
--"Essence"

"In her eloquent take on media Eurocentrism, Pamela Newkirk observes that anti-African exclusion very much characterizes the major media. . . . An hermeneutical tour-de-force."
--"New York Amsterdam News"

"Newkirk's account is well-grounded historically and anecdotally, and she mangaes to be both fair and accurate at a time when those values seem to have lost their luster in the profession""Kirkus"

Companion website: http: //www.nyupress.nyu.edu/authors/veil.html

Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.

In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.

Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuitof more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.

Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.

Minas Gerais is a state in southeastern Brazil deeply connected to the nation's slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory's development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region's "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil's unique role in the world is further illustrated by regionalist studies presenting details of musical culture.

This fascinating bibliography of source materials clearly demonstrates the significant roles blacks have played in the history and culture of Canada from its beginnings as well as their 400-year fight for equity and justice. Organized by area of endeavor and by province, the source materials detailed here reveal that blacks in Canada have created a rich, diverse, and complex legacy. This volume lists resources that point to blacks' history as soldiers, prospectors, educators, cowboys, homesteaders, entertainers, legislators, athletes, artists, servants, and writers.

The most comprehensive bibliography about blacks in Canada that has been published, it is well organized to facilitate locating specific topics or people spanning black history. Also included are newspapers and videos that add their own unique contribution. Academicians, researchers, students, and interested lay people will find an organized compilation of a vast number of primary and secondary sources about blacks in Canada.

BM Mdletshe’s fascinating history begins with the growth of his ancestor, Ngomane in the eMdletsheni tribe, under the great Mthethwa dynasty and continued with the honour he had of taking care of Nandi and young Shaka of Senzangakhona in 1787. More than 200 years later, BM Mdletshe was born in KwaCeza (in 1955), and in 2001, he was officially appointed as King Goodwill Zwelithini’s praise singer.

From generation to generation, son to son, this oral history was passed on from Ngomane to Mfusi Mdletshe (his son), to Msushwana Mdletshe (his son), to Calenkomo Mavukefile Mdletshe (his son), to Kudlakudelwa Sombila Mdletshe (his son), and finally to Buzetsheni Mkhohlliseni (BM) Mdletshe (his son) who continues to serve the Zulu Kingdom to this day.

His strong interest in the history of the Zulu nation and culture is the one that passionately led him to become a cultural expert and discover his praise singing talent. Mdletshe has received numerous awards for his tremendous praise songs and rich Zulu cultural knowledge which position him as one of the finest cultural experts in KwaZulu-Natal.

Anti-black racism is a stark presence in Chicago, a fact illustrated by significant racial inequality in and around contemporary "global" city. Drawing his work as a civil rights advocate and investigator in Chicago, Street explains this neo-liberal apartheid and its resulting disparity in terms of persistently and deeply racist societal and institutional practices and policies. Racial Oppression in the Black Metropolis uses the highly relevant historical and sociological laboratory that is Chicago in order to explain the racist societal and institutional practices and policies which still typify the United States. Street challenges dominant neoconservative explanations of the black urban crisis that emphasize personal irresponsibility and cultural failure. Looking to the other side of the ideological isle, he criticizes liberal and social democratic approaches that elevate class over race and challenges many observers' sharp distinction between present and so-called past racism. In questioning the supposedly inevitable reign of urban-neoliberaism, Street also investigates the real, racial politics of the United States and finds that parties and ideologies matter little on matters of race. This innovative work in urban history and cultural criticism will inform contemporary social science and policy debates for years to come.

" WITH A FOREWORD BY MARION WRIGHT EDELMAN The award-winning biography of black civil rights activist Fannie Lou Hamer. ""Riveting. Provides a history that helps us to understand the choices made by so many black men and women of Hamer's generation, who somehow found the courage to join a movement in which they risked everything."" --New York Times Book Review ""One is forced to pause and consider that this black daughter of the Old South might have been braver than King and Malcolm."" --Washington Post Book World ""An epic that nurtures us as we confront today's challenges and helps us Keep Hope Alive.'"" --Jesse L. Jackson ""Not only does This Little Light of Mine recount a vital part of America""s history, but it lights our future as readers are inspired anew by Mrs. Hamer's spirit, courage, and commitment."" --Marian Wright Edelman ""This book is the essence of raw courage. It must be read."" --Rep. John Lewis

A comprehensive, compelling, and clearly written title that provides a rich examination of the history of Asians in the United States, covering well-established Asian American groups as well as emerging ones such as the Burmese, Bhutanese, and Tibetan American communities. History of Asian Americans: Exploring Diverse Roots supplies a concise, easy-to-use, yet comprehensive resource on Asian American history. Chronologically organized, it starts with Chinese immigration to the United States and concludes with coverage of the most recent Asian migrant populations, describing Asian American lives and experiences and documenting them as an essential part of the continuously evolving American experience and mosaic. The book discusses domestic as well as international influencing factors in Asian American history, thereby providing information within a transnational framework. An ideal resource for high school and undergraduate level students as well as general readers interested in learning about the history of Asian Americans, the chapters employ critical racialization and ethnic studies discourses that put Asian and Asian Americans subjects in an insightful comparative perspective. The book also specifically addresses the important roles played by Asian American women across history. Examines Asian migration to the United States and the resulting formation of diverse Asian American communities that include Cambodian, Chinese, Filipino, Hmong, Japanese, Korean, Laotian, South Asian, and Vietnamese and new emerging Asian American communities such as the Burmese, Bhutanese, and Tibetan American Compares 19th-century Asian American history in Hawaii with that on the American mainland Employs racialization and push-pull theories as well as a transnational approach to document the rich and diverse experiences of Asians in the United States

Key moments in Asian American history come alive in this concise and accessible chronology. Understanding the history of Asians in America is key to understanding the development of America itself. Asian American Chronology: Chronologies of the American Mosaic presents the most influential events in Asian American history-as well as key moments that have remained under the historical radar. This in-depth record covers events from the 18th century to the present day, including the 2008 Olympic Games in Beijing. Entries, organized chronologically by category, allow readers to trace the development of Asian peoples and culture in the United States over time, including the role of Chinese labor in building railroads, the importation of Filipino slaves, labor strikes and civil rights issues, Japanese-American internment, women's roles, literature, music, politics, and increased immigration in the mid-20th century. In addition to these broad topics, the book also treats individual events from the Rock Springs Massacre to the Gold Rush to the current prevalence of Japanese players in Major League Baseball. 20 photographs bring events and people to vibrant life Short entries are organized chronologically by date and then alphabetically by subject heading to make it easy for students to find what they need Engaging sidebars, illustrations, and print and electronic sources enable further research An extensive bibliography offers a wealth of print and electronic resources for further research, including government reports, census and immigration information, and websites specific to several Asian subgroups

Anti-black racism is a stark presence in Chicago, a fact illustrated by significant racial inequality in and around contemporary 'global' city. Drawing his work as a civil rights advocate and investigator in Chicago, Street explains this neo-liberal apartheid and its resulting disparity in terms of persistently and deeply racist societal and institutional practices and policies. Racial Oppression in the Black Metropolis uses the highly relevant historical and sociological laboratory that is Chicago in order to explain the racist societal and institutional practices and policies which still typify the United States. _ Street challenges dominant neoconservative explanations of the black urban crisis that emphasize personal irresponsibility and cultural failure. Looking to the other side of the ideological isle, he criticizes liberal and social democratic approaches that elevate class over race and challenges many observers' sharp distinction between present and so-called past racism. In questioning the supposedly inevitable reign of urban-neoliberaism, Street also investigates the real, racial politics of the United States and finds that parties and ideologies matter little on matters of race. This innovative work in urban history and cultural criticism will inform contemporary social science and policy debates for years to come.