In the late 1800s W.E.B. Dubois asked what it really means to be black in America. He raised the spectre of divided loyalties and the blurring of individuality that he called "Double Consciousness". This volume offers an insight into this "dilemma of identity" by asking the seemingly rhetorical question, what does O.J. Simpson have in common with the participants in the Million Man March, the jury that set him free, the people who inexplicably cheered his acquittal, the prosecuting attorney, the black Muslim Louis Farrakhan, or with his own children? Each case involves cross-cutting currents of age, sex, religion, race, ethnicity, class and ideology. But what they share among themselves, and with the rest of the nation, is the firm conviction that they are black. The author aims to reveal the importance of this imaginary bond, this ethnic ethic, this myth of black ethnicity. He explores its creation, its evolution and its role in linking together the many generations of blacks in America. Dr Davis also seeks to show: how this myth connects the slave huts of Alabama to O.J.'s Brentwood estate; how it connects him to his jury emancipators; how it connects Supreme Court Justice Clarence Thomas to discussions of affirmative action; and how it connects an ancient Juffure villager named Kunta Kinte to contemporary slum dwellers in Harlem. The book argues that it is not race that ties these diverse millions together, but a co-operatively developed paradigm shared by blacks and non-blacks alike as to what constitutes an authentic black existence. By de-bunking the myth, the author seeks to point the way to a fuller recognition of the individual differences that blacks have always had but that are becoming more apparent as the opportunity to express them becomes more prevalent.

How Long?, How Long? retells the story of the civil rights from the previously overlooked perspective of its African-American women participants. A compelling and readable narrative history, How Long?, How Long? at the same time presents a rethinking of social movement theory and a controversial thesis: that chroniclers have egregiously neglected the most important leaders of the civil rights movement, African-American women, in favour of higher-profile African-American men and white women.

This collection of essays emerged from a symposium held at Mercer University which examined the ways in which W. E. B. DuBois's theories of race have shaped racial discussion and public policy in the twentieth-century. The essays also examine the application of Du Bois's theories to the new millennium, as well as his contributions to the study of the humanities.

"The Man Who Changed His Skin" is the first complete biography of John Howard Griffin. Griffin journeyed from Texas to France alone at 15, to study, in 1935. When the Nazis invaded France, he helped get French, German and Austrian Jews to safety. Before he was 21, he was on Gestapo death lists. He returned to the U.S., joined the Air Force and was stationed on a remote island inthe South Pacific. His eyesight was damaged in a Japanese air attack and he became blind for 10 years. Suddenly his eyesight came back. He then turned his skin black and traveled throughout the south in 1959-1960. His subsequent book, "Black Like Me" became an instant American classic and has been published in 65 countries. Griffin's personal diaries and journals are quoted extensively. This biography is published during the 50th anniversary year of "Black Like Me."

After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air.

Eliza Potter's 1859 autobiography expresses her indignation, abolitionist sentiments, fiery temper, and sheer joy of life as she reveals the private selves of the white women whose heads she "combed." As an insider on the margins, her identity provides a unique vantage point for her story and that of the elites of nineteenth-century Cincinnati society.