Ever since Bessie Smith's powerful voice conspired with the ""race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.

In the late 1920s, Reverend A. W. Nix (1880-1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix's recordings, were linked to the image of the "Old Negro" by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern "New Negro" citizen. Through interviews with family members, musical analyses of the sounds on Nix's recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The "moaning voice" used by Nix and other ministers was a direct connection to the "blues moan" employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the "Father of Gospel Music," Thomas A. Dorsey. The success of Nix's recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.

Reena wants to be a star...
...A Bollywood star. Unfortunately, her family won't stand for it. It doesn't help that Reena is only eight-years-old. However, a beacon of hope arrives in the form of Uncle Jessi. He's just emigrated from India to America, and is a welcome addition to her family household. Uncle Jessi and Reena share a special bond. Not only are they old pen pals, but he recognizes her desperation to become a Bollywood actress.
One day, Uncle Jessi plans a secret surprise. He invites her to take part in a pretend acting game. Reena jumps at the chance. At first, she enjoys swinging her hips to Bollywood beats. She smiles brightly at his camera. However, halfway through her performance matters take an unexpected turn. The end results surprise both Reena and Uncle Jessi.
Important lessons come through an action-driven story and beautiful illustrations:
Children will learn that sexual abuse is NEVER their fault.Parents and children will be given a launching pad to discuss the warning signs of "grooming."Children will come away knowing they have the power to say: "NO."Children will discover that sexual abuse can occur in any cultural group.Children can be assured that they will be believed when reporting inappropriate behavior.Therapists and parents can exhibit that sexual abuse isn't an off-limits topic.Child abuse survivors will come away knowing they are not alone.
Therapists' Acclaim for "Reena's Bollywood Dream"
""Reena's Bollywood Dream" is exceptionally well-written. It works as an educational piece to foster awareness to children and their families regarding the realities of sexual abuse within the South Asian community. This informative book can help alter a child's life for the better."
--Sadia Khaliq, B.A., B.S.W., M.S.W., Community Treatment Coordinator, Centre for Addictionand Mental Health
"With a captivating story and beautiful illustration, and with a message that is cross-cultural and educational, Reena's Bollywood Dream can help children understand the sad reality that there are those who can hurt them but there is also means of staying safe--with others' help. I recommend this book highly to all families; it can be instrumental to starting a conversation about a difficult topic."
--Pamela Pine, PhD, MPH, Founder and CEO, Stop the Silence
For more info see www.JewelKats.com
Juvenile Fiction: Social Issues - Sexual Abuse
Family & Relationships: Abuse - Child Abuse
Social Science: Ethnic Studies - Asian American Studies

"Andrews does a superb job in offering solutions to familiar problems for African Americans. Complete with charts, graphs, facts and figures, the author provides readers with a vivid display of how the scales of equality, wealth and power are tipped against people of color."
--Upscale

"Andrews' aim is to paint an intellectually defensible and decidedly anti-conservative picture of the complicated tie between race and economic wellbeing."
--Booklist

"Fiery, passionate, and provocative, but also unflinchingly rigorous in its argument. It is rare for an economist to write with such fire bolstered by such a commitment to logical reasoning."
--William A. Darity, Jr

"Marcellus Andrews has written a fascinating and theoretically grounded account of the relationship between America's market economy and the prospects faced by African Americans."--"The Journal of Economic Issues"

Popular liberal writing on race has relied on appeals to the value of "diversity" and the fading memory of the Civil Rights movement to counter the aggressive conservative assault on liberal racial reform generally, and on black well-being, in particular. Yet appeals to fairness and justice, no matter how heartfelt, are bound to fail, Marcellus Andrews argues, since the economic foundations of the Civil Rights movement have been destroyed by the combined forces of globalization, technology, and tight government budgets.

The Political Economy of Hope and Fear fills an important intellectual gap in writing on race by developing a hard-nosed economic analysis of the links between competitive capitalism, racial hostility, and persistent racial inequality in post-Civil Rights America. Andrewsspeaks to the anger and frustration that blacks feel in the face of the nation's abandonment of racial equality as a worthy objective by showing how the considerable difficulties that black Americans face are related to fundamental changes in the economic fortunes of the U.S.

The Political Economy of Hope and Fear is an economist's plea for unsentimental thinking on matters of race to replace the mixture of liberal hand wringing and conservative mythmaking that currently passes for serious analysis about the nation's racial predicament.

This book demonstrates how Japanese Americans have developed traditions of complex silences to survive historic moments of racial and religious oppression and how they continue to adapt these traditions today. In order to examine Japanese Americans' complex relationship to silence, Brett Esaki offers four case studies of Japanese American art-gardening, origami, jazz, and monument construction-and examines how each artistic practice has responded to a historic moment of oppression. In doing so, he finds that these artistic silences incorporate and convey obfuscated religious ideas from Buddhism, Christianity, Confucianism, Shinto, indigenous religions, and contemporary spirituality. While silence is often thought of as the binary opposite and absence of sound, this book provides a non-binary theory of silence that articulates how multidimensional silences are formed and how they function. Brett Esaki argues that non-binary silences have allowed Japanese Americans to disguise, adapt, and innovate religious resources in order to negotiate racism and oppressive ideologies from both the United States and Japan. Drawing from the fields of religious studies, ethnic studies, theology, anthropology, art, music, history, and psychoanalysis, this book highlights the ways in which silence has been used to communicate the complex emotions of historical survival, religious experience, and artistic inspiration.

View the Table of Contents.
Read the Introduction.

""Red Seas" is biographical history at its best. It provides a glimpse into the life of one of the most powerful Black labor leaders in U.S. history, describes the trials and tribulations, the successes and failures, of building an independent, Communist-led union, and gives the reader a general feeling for the times. Horne has done all trade-unionist and working-class people a service with "Red Seas," It is highly recommended."
--"Political Affairs"

"The political connections of Harlem and the British West Indies have been crucial for at least a century, but until recent times almost invisible except to those intimately involveda]. We are now, at long last, beginning to get a better grasp, and Gerald Horneas "Red Seas" is a huge contribution to our understanding."
--Paul Buhle, "Monthly Review"

"Horne's latest work is a forceful tract that all scholars writing about radical maritime politics, unionism, and race must take into account. Horne thus sets the standard for future scholars in this area."
--"Working USA"

"In our own age of global commerce and U.S. hyperpower, what could be more instructive than the story of Ferdinand Smith, the Caribbean Communist who led a genuinely international, multicultural union in the years that birthed the American century? Gerald Horne's remarkable biography should be required reading for those who want to glimpse the potential power of that seafaring proletariat, in the last century as well as ours."
--Nelson Lichtenstein, author of "State of the Union: A Century of American Labor"

aA major achievement. It not only illuminates the maritime sources of 20th centuryworking class black radicalism, but reveals its ongoing and complicated interplay with racism and class struggle on a global scale.a
--Joe W. Trotter, Jr., Carnegie Mellon University

"A brilliant political biography--we are in Gerald Horne's debt for bringing to life a towering figure of the 20th century. A radical labor leader in the US and Jamaica who felt the sting of anticommunism on both shores, Ferdinand Smith also laid the groundwork for the modern civil rights movement."
--Martha Biondi, author of "To Stand and Fight: the Struggle for Civil Rights in Postwar New York City"

"Exhaustively researched, this is a pioneering, insightful, sympathetic, and brilliant portrait of the life of Ferdinand Smith. A wonderful book."
--Colin Palmer, Dodge Professor of History, Princeton University

aRed Seas offers a rich account of the Communist Partyas centrality in twentieth- century anti-racist struggles, the critical role workers of colour and anti-racism played in the rise and decline of organized labor, and the tragedy of paths not taken, particularly toward the international labour alliances and organizing that might have forestalled the current international arace to the bottom.a
--"International Journal of Maritime History"

During the heyday of the U.S. and international labor movements in the 1930s and 1940s, Ferdinand Smith, the Jamaican-born co-founder and second-in-command of the National Maritime Union (NMU), stands out as one of the most--if not the most--powerful black labor leaders in the United States. Smithas active membership in the Communist Party, however, coupled with his bold labor radicalism and shaky immigration status, brought him undercontinual surveillance by U.S. authorities, especially during the Red Scare in the 1950s. Smith was eventually deported to his homeland of Jamaica, where he continued his radical labor and political organizing until his death in 1961.

Gerald Horne draws on Smithas life to make insightful connections between labor radicalism and the Civil Rights Movement--demonstrating that the gains of the latter were propelled by the former and undermined by anticommunism. Moreover, Red Seas uncovers the little-known experiences of black sailors and their contribution to the struggle for labor and civil rights, the history of the Communist Party and its black members, and the significant dimensions of Jamaican labor and political radicalism.

Between the end of the nineteenth century and the eve of World War II, Africans displaced by colonial rule aggrandized the attainments of American blacks, creating an African american myth that played an important role in their religious, political and social life. This myth, while existing in direct contradiction to the intense discrimination faced by black people in the United States, provided Africans with an inspirational model upon which to improve their lives.

"Africans on African-Americans" traces the development of the African American myth and the way in which the Liberal Movement in South Africa looked to America for a formula for racial harmony that eluded their troubled country. While highlighting the strength of the African american myth, Gershoni also demonstrates that everywhere the myth had adherents it also had opponents, who insisted that the solution to Africa's ills lay in African culture and African peoples.

MY KOREAN IDENTITY AND QUEST FOR UNDERSTANDING (Korean Youth Studies, 1), edited by Sora Yang of Sydney, Australia, is a very important book in the area of Korean studies. This ground-breaking book contains 13 articles by Korean youth from around the world, in India, Africa, Australia, and the USA. The winner of the 2008 Global Rev. Ham Suk-Hyun Essay Contest, on the topic of "My Korean Identity," Sora Yang has contributed important articles on Australian Korean community, which is a growing Korean community around the world. Sora Yang also explores her own identity as a Korean and an Australian. Jung-Im Jeong, a Student Council secretary at Canadian International School in India and the president of Bangalore Korean Presbyterian Church Youth Group in India, who is one of the early Korean settlers in Bangalore, India, due to her father's executive responsibilities in the IT sector, writes about the situation in India in terms of culture, economics, and society. Jung-Im Jeong focuses on how she developed into a leader desiring to help the people of India and also other people in need around the world. Haebin Yoon writes from Senegal, Africa, regarding her "immigration" to Africa with her missionary father, who was sent by the Korean Presbyterian Church (Ko-Shin) in Korea. She desires to follow in her father's footsteps as a missionary to Africa. Paul Sungbae Park, who has received much acclaim as an emerging young historian in his own right, has written an article exploring the experience of the Lewis and Clark Expedition. In the manner of vicarious participation, so emphasized by Professor Robert N. Bellah of University of California at Berkeley, Paul Sungbae Park has placed himself ina vicarious position of a member of the corps of discovery of the Lewis and Clark Expedition. Furthermore, Paul Sungbae Park examines similarities between the Korean Joong-Mae System and the Shakespearean arranged marriage system as found in ROMEO AND JULIET. Michael Chon, the first-born son of a cutting-edge telecommunications company founder in New Jersey, desires to expand his dad's company into a multi-billion-dollar empire. He relates his prowess as a star soccer player to his competitive spirit. As the president of his whole school, Michael Chon explores his own competitive spirit as both inherited and acquired. Joon Park, who is highly ranked in his elite magnate school in New Jersey, recounts his summer trip to South Korea and reminisces about his grandmother who wants him to grow using Korean herbal medicine. Joon Park writes with humor and figurative language that is rarely found in such a young person. Timothy Chon, Andy Jung, and Jake Byun write autobiographically about their experiences in Korea. Their testimonies serve as first-hand primary source accounts not only of the description of youth life in South Korea, but also of primary document preserving Korean youth perspectives on events and issues. Gloria Bae, a star student in her honors class, describes the bond that exists between a Korean mother and a Korean daughter, focuses on Korean food creation. The touching story will not only warm your heart, but it will also give you an insight into Korean cuisine and the Korean family.

The slave, Saidiya Hartman observes, is a stranger torn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider. In Lose Your Mother, Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. There are no known survivors of Hartman's lineage, no relatives to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way, and with figures from the past, vividly dramatising the effects of slavery on three centuries of African and American history.

"[A] rich, engaging, scholarly, and nuanced chronicle of an . . . often-tormented interethnic, interreligious, interracial relationship."
"--MultiCultural Review"

"Bold and uncompromising. Cleverly, he turns a lot of revisionist race history on its head."
-- "Patterns of Prejudice"

"Insight, authority and scrupulousness are among the virtues of Seth Forman's account of the interaction of two conspicuous minorities in the postwar era. In its clarity and its wisdom, "Blacks in the Jewish Mind" constitutes a marvelous advance over previous scholarship; and in showing how frequently Jews misunderstood their own communal interests, this book offers a challenge to the present even as the past is illuminated."
"--Stephen Whitfield, Brandeis University"

Since the 1960s the relationship between Blacks and Jews has been a contentious one. While others have attempted to explain or repair the break-up of the Jewish alliance on civil rights, Seth Forman here sets out to determine what Jewish thinking on the subject of Black Americans reveals about Jewish identity in the U.S. Why did American Jews get involved in Black causes in the first place? What did they have to gain from it? And what does that tell us about American Jews?

In an extremely provocative analysis, Forman argues that the commitment of American Jews to liberalism, and their historic definition of themselves as victims, has caused them to behave in ways that were defined as good for Blacks, but which in essence were contrary to Jewish interests. They have not been able to dissociate their needs--religious, spiritual, communal, political--from those of African Americans, and have therefore acted in ways whichhave threatened their own cultural vitality.

Avoiding the focus on Black victimization and white racism that often infuses work on Blacks and Jews, Forman emphasizes the complexities inherent in one distinct white ethnic group's involvement in America's racial dilemma.

2013 Honorable Mention, Asian American Studies Association's prize in Literary Studies Part of the American Literatures Initiative Series Why do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity. In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation's pervasive pairing of the figure of the "Negro" and the "Asiatic" in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.

The African American slave narrative is popularly viewed as the story of a lone male's flight from slavery to freedom, best exemplified by the "Narrative of the Life of Frederick Douglass, An American Slave" (1845). On the other hand, critics have also given much attention to Harriet Jacobs's "Incidents in the Life of a Slave Girl" (1861), to indicate how the form could have been different if more women had written in it. But in stressing the narratives of Douglass and Jacobs as models for the genre, scholars have ignored the formal and thematic importance of marriage and family in the slave narrative, since neither author explores slave marriage in their works.

This book examines the central role of marriage in "The Life and Adventures of Henry Bibb, an American Slave" (1849) and "Running a Thousand Miles for Freedom; or the Escape of William and Ellen Craft from Slavery" (1860). Bibb's slave wife and child account for significant innovations in the form and content of his narrative, while the Crafts' mutual dependence as a married couple results in a sustained use of dramatic irony. The volume closes by offering a thoughtful consideration of the influence of Bibb and the Crafts on the later fiction of Douglass, William Wells Brown, and Martin Delany. In doing so, it invites a critical reexamination of current assumptions about slave narratives.

If Black colleges and universities wish to survive in the competitive and economically stressed education environment of the 21st century, they would do well to respond to some of the pressures for reform that the general school structures are undergoing, in particular population diversification. Sims provides a model for diversification that presents four major steps in orderly progression: the removal of barriers for admission of nonblack students; the development of special programs of interest to the general student population; and the diversification of faculty and administration. Ways of restructuring historically Black colleges and universities to be more supportive of diverse student populations are also developed in this work.

Blacks have made tremendous contributions in the humanities since the 1985 publication of Blacks in the Humanities, 1750-1984. In philosophy, for example, Black philosophers are writing treatises on Hegel, St. Augustine, and Kant as well as on racial issues. African American folklore, an area neglected by many scholars, is being examined by Black folklorists. Pioneering photographers and artists have made contributions to the visual arts, and Black contributions to the performing arts are becoming more widely noted than ever before. This bibliography includes sources published in the last twelve years, documenting Black achievements in the humanities, including accomplishments in philosophy, religion, libraries and librarianship, journalism, folklore, linguistics, visual arts, the performing arts, music, and literary criticism.

"Detail by detail, stage by stage, he pulls the revolutionary suit off Jones with superb analysis and high style...This book should be read by students of black studies across this nation."
-- "New York Daily News"

"Watts applies scalpel-like precision to his pursuit of the intellectual journey of Baraka (Leroi Jones), from his beat period in the 1950s through his black nationalist and Marxist positions of the mid-1980s."
--"Booklist"

Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years.

In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political activities, Jerry Watts takes us from his early immersion in the New York scene through the most dynamic period in the life and work of this controversial figure. Watts situates Baraka within the various worlds through which he travelled including Beat Bohemia, Marxist-Leninism, and Black Nationalism. In the process, he convincingly demonstrates how the 25 years between Baraka's emergence in 1960 and his continued influence in the mid-1980s can also be read as a general commentary on the condition of black intellectuals during the same time. Continuallyusing Baraka as the focal point for a broader analysis, Watts illustrates the link between Baraka's life and the lives of other black writers trying to realize their artistic ambitions, and contrasts him with other key political intellectuals of the time. In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past.

A work of extraordinary breadth, Amira Baraka is a powerful portrait of one man's lifework and the pivotal time it represents in African-American history. Informed by a wealth of original research, it fills a crucial gap in the lively literature on black thought and history and will continue to be a touchstone work for some time to come.