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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
This inspiring story will teach you to appreciate life and live each day as if it is your last. Brenda E. Rocker has spent the last decade of her life surviving breast cancer. Hopefully through her testimonial she can save someone from what she encounters through her battle to overcome breast cancer. Throughout the book she stresses the significance of early detection being the key to life. She contributes her triumphant victory to having faith and keeping her trust in God. She acknowledges that through love and support from her husband, family, and friends gave her the strength and courage to survive this deadly disease. Her relentless determination in being her own advocate in implementing her medical treatments was fundamental in her surviving breast cancer which steals the lives of thousands of women around the world each year. If her book From Midnight to Daylight can inspire women all over the world to defeat breast cancer then it has been well worth the time and effort invested in the writing of her book. And most of all she recommends that you take the time everyday to tell your loved ones how precious they are; because you never know what tomorrow may bring.
After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air.
This fresh and invigorating analysis illuminates the often-neglected story of early African American civil rights activism. African American Civil Rights: Early Activism and the Niagara Movement tells a fascinating story, one that is too frequently marginalized. Offering the first full-length, comprehensive sociological analysis of the Niagara Movement, which existed between 1905 and 1910, the book demonstrates that, although short-lived, the movement was far from a failure. Rather, it made the need to annihilate Jim Crow and address the atrocities caused by slavery publicly visible, creating a foundation for more widely celebrated mid-20th-century achievements. This unique study focuses on what author Angela Jones terms black publics, groups of concerned citizens-men and women, alike-who met to shift public opinion. The book explores their pivotal role in initiating the civil rights movement, specifically examining secular organizations, intellectual circles, the secular black press, black honor societies and clubs, and prestigious educational networks. All of these, Jones convincingly demonstrates, were seminal to the development of civil rights protest in the early 20th century. Primary source documents including the Niagara Movement's "Declaration of Principles" A chronology of the development of the civil rights movement Photographs of key players in the Niagara Movement An expansive bibliography encompassing titles from sociology, political science, and history
Why do Blacks underperform in school? Researchers continue to pursue this question with vigor not only because Blacks currently lag behind Whites on a wide variety of educational indices but because the closing of the Black-White achievement gap has slowed and by some measures reversed during the last quarter of the 20th century. The social implications of the persistent educational 'gap' between Blacks and Whites are substantial. Black people's experience with poor school achievement and equally poor access to postsecondary education reduces their probability for achieving competitive economic and social rewards and are inconsistent with repeated evidence that Black people articulate high aspirations for their own educational and social mobility. Despite the social needs that press us towards making better sense of 'the gap,' we are, nevertheless, limited in our understanding of how race operates to affect Black students' educational experiences and outcomes. In Beyond Acting White we contend with one of the most oft cited explanations for Black underachievement; the notion that Blacks are culturally opposed to 'acting White' and, therefore, culturally opposed to succeeding in school. Our book uses the 'acting White' hypothesis as the point of departure in order to explore and evaluate how and under what conditions Black culture and identity are implicated in our understanding of why Black students continue to lag behind their White peers in educational achievement and attainment. Beyond Acting White provides a response to the growing call that we more precisely situate how race, its representations, intersectionalities, and context specific contingencies help us make better sense of the Black-White achievement gap.
As an African American child growing up in St. Augustine, Florida, author Gerald Eubanks had a hard time seeing the victories won during the Civil War in action. Blacks were excluded from opportunities afforded to his white neighbors. Schools were aggressively segregated. Racial tensions simmered. The town's sheriff deputized members of the notorious Ku Klux Klan to ensure continued white supremacy. It was through the persistence of quiet, unsung heroes that progress began to appear. Here, he celebrates the little-known champions of the movement-those who demonstrated tirelessly, picketed fearlessly, encouraged, consoled, stood tall, and never wavered in their determination to do the right thing despite overwhelming opposition. "The Dark before Dawn" is Gerald's very personal story of the struggles of life in St. Augustine, Florida, during the civil rights movements of the late 1950s and beyond. It is a tribute to the hundreds of ordinary people who risked everything to so that the lives of generations of others might be better. Those familiar with the events of the era credit the Eubanks family with making the significant contributions to the advance of human and civil rights, but their story has gone unheralded-until now. Gerald Eubanks lived through those turbulent times, and now he reminds readers that the fight for civil rights goes on today. He warns that without vigilance, we may find ourselves in the dark before the dawn once again.
"The Man Who Changed His Skin" is the first complete biography of John Howard Griffin. Griffin journeyed from Texas to France alone at 15, to study, in 1935. When the Nazis invaded France, he helped get French, German and Austrian Jews to safety. Before he was 21, he was on Gestapo death lists. He returned to the U.S., joined the Air Force and was stationed on a remote island inthe South Pacific. His eyesight was damaged in a Japanese air attack and he became blind for 10 years. Suddenly his eyesight came back. He then turned his skin black and traveled throughout the south in 1959-1960. His subsequent book, "Black Like Me" became an instant American classic and has been published in 65 countries. Griffin's personal diaries and journals are quoted extensively. This biography is published during the 50th anniversary year of "Black Like Me."
An analysis of the recent switch from the name Black to African American symbolizes a reconceptualization of Americans of African descent away from race to culture. This book examines the emergence of a new representation whose rapid spread has been fuelled by widely shared projections of a different future capable of overcoming the legacy of racism. Far from being just another label, the new name is capable of representing the group in question by projecting a different future for all of us in a multicultural America based on inclusion, fairness, and equality. Such projections are collectively elaborated, driven by the adoption of African American in the media as a more positive alternative to Black and its equally consistent use among a socio-demographically distinct subgroup of black Americans as a vehicle for a new self-identity. The contradistinction between these two alternative terms implies two different representations of the same group, one still based on race and the other rooted in culture. This tension between race and culture, crystallized in the competing uses of Black and African American, points to a more profound cultural transformation currently under way in America. This book takes a close look at the current state of flux in race relations in the United States through the lens of a social psychologist focusing on the emergence of an alternative name as a new social representation.
Mothering is a central issue for feminist theory, and motherhood is also a persistent presence in the work of Toni Morrison. Examining Morrison's novels, essays, speeches, and interviews, Andrea O'Reilly illustrates how Morrison builds upon black women's experiences of and perspectives on motherhood to develop a view of black motherhood that is, in terms of both maternal identity and role, radically different from motherhood as practiced and prescribed in the dominant culture. Motherhood, in Morrison's view, is fundamentally and profoundly an act of resistance, essential and integral to black women's fight against racism (and sexism) and their ability to achieve well-being for themselves and their culture. The power of motherhood and the empowerment of mothering are what make possible the better world we seek for ourselves and for our children. This, argues O'Reilly, is Morrison's maternal theory--a politics of the heart.
This handbook fills major gaps in the child and adolescent mental health literature by focusing on the unique challenges and resiliencies of African American youth. It combines a cultural perspective on the needs of the population with best-practice approaches to interventions. Chapters provide expert insights into sociocultural factors that influence mental health, the prevalence of particular disorders among African American adolescents, ethnically salient assessment and diagnostic methods, and the evidence base for specific models. The information presented in this handbook helps bring the field closer to critical goals: increasing access to treatment, preventing misdiagnosis and over hospitalization, and reducing and ending disparities in research and care. Topics featured in this book include: The epidemiology of mental disorders in African American youth. Culturally relevant diagnosis and assessment of mental illness. Uses of dialectical behavioral therapy and interpersonal therapy. Community approaches to promoting positive mental health and psychosocial well-being. Culturally relevant psychopharmacology. Future directions for the field. The Handbook of Mental Health in African American Youth is a must-have resource for researchers, professors, and graduate students as well as clinicians and related professionals in child and school psychology, public health, family studies, child and adolescent psychiatry, family medicine, and social work.
The untold story of the Black nationalist group behind the growing popularity of Kwanzaa In spite of the ever-growing popularity of Kwanzaa, the story of the influential Black nationalist organization behind the holiday has never been told. Fighting for Us explores the fascinating history of the US Organization, a Black nationalist group based in California that played a leading role in Black Power politics and culture during the late 1960s and early '70s whose influence is still felt today. Advocates of Afrocentric renewal, US unleashed creative and intellectual passions that continue to fuel debate and controversy among scholars and students of the Black Power movement. Founded in 1965 by Maulana Karenga, US established an extensive network of alliances with a diverse body of activists, artists and organizations throughout the United States for the purpose of bringing about an African American cultural revolution. Fighting for US presents the first historical examination of US' philosophy, internal dynamics, political activism and influence on African American art, making an elaborate use of oral history interviews, organizational archives, Federal Bureau of Investigation files, newspaper accounts, and other primary sources of the period. This book also sheds light on factors contributing to the organization's decline in the early '70s-government repression, authoritarianism, sexism, and elitist vanguard politics. Previous scholarship about US has been shaped by a war of words associated with a feud between US and the Black Panther Party that gave way to a series of violent and deadly clashes in Los Angeles. Venturing beyond the lingering rhetoric of rivalry, this book illuminates the ideological similarities and differences between US's "cultural" nationalism and the Black Panther Party's "revolutionary" nationalism. Today, US's emphasis on culture has endured as evidenced by the popularity of Kwanzaa and the Afrocentrism in Black art and popular media. Engaging and original, Fighting for US will be the definitive work on Maulana Karenga, the US organization, and Black cultural nationalism in America. |
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