Covering the history and contributions of black women intellectuals from the late 19th century to the present, this book highlights individuals who are often overlooked in the study of the American intellectual tradition. This edited volume of essays on black women intellectuals in modern U.S. history illuminates the relevance of these women in the development of U.S. society and culture. The collection traces the development of black women's voices from the late 19th century to the present day. Covering both well-known and lesser-known individuals, Bury My Heart in a Free Land gives voice to the passion and clarity of thought of black women intellectuals on various arenas in American life-from the social sciences, history, and literature to politics, education, religion, and art. The essays address a broad range of outstanding black women that include preachers, abolitionists, writers, civil rights activists, and artists. A section entitled "Black Women Intellectuals in the New Negro Era" highlights black women intellectuals such as Jessie Redmon Fauset and Elizabeth Catlett and offers new insights on black women who have been significantly overlooked in American intellectual history. Represents a standout volume on the subject of black women intellectuals in modern U.S. history that covers figures from the late 19th century to the present Includes well-known individuals, such as Ida B. Wells and Toni Morrison, as well as lesser-known black women intellectuals, such as Wanda Coleman Provides contributions from various experts in the field

"Informative . . . Ross has opened some important doors"
--"American Historical Review"

"a]offers an interesting recitation of the on-again-off-againparticipation of blacks in the early years of pro football."
"--The Baltimore Sun"

"An important analysis for all who care about the African American experience in professional sports. Significant not only for the history it tells, but for the questions it raises about race relations in football as an industry and as a United States institution ."
--Michael E. Lomax

"Charles Ross' stellar research clearly demonstrates that the African American struggle for merit and equality not only extends to the playing field but has, in fact, long defined the game of professional football. A must read for students of the game, from casual gridiron enthusiasts to scholars alike."
--C. Keith Harrison

Outside the Lines traces how sports laid a foundation for social change long before the judicial system formally recognized the inequalities of racial separation. Integrating sports teams to include white and black athletes alike, the National Football League served as a microcosmic fishbowl of the highs and lows, the trials and triumphs, of racial integration.

Watching a football game on a Sunday evening, most sports fans do not realize the profound impact the National Football League had on the civil rights movement. Similarly, in a sport where seven out of ten players are black, few are fully aware of the history and contributions of their athletic forebears. Among the touchdowns and tackles lies a rich history of African American life and the struggle to achieve equal rights.

Although the Supreme Court did not reversetheir 1896 decision of "separate but equal" in the "Plessy v Ferguson" case until more than fifty years later, sports laid a foundation for social change long before our judicial system formally recognized the inequalities of racial separation. Integrating sports teams to include white and black athletes alike, the National Football League served as a microcosmic fishbowl of the highs and lows, the trials and triumphs, of racial integration.

In this chronicle of black NFL athletes, Charles K. Ross has given us the story of the Jackie Robinsons of American football.

African-American author Langston Hughes was a leading figure of the Harlem Renaissance, and interest in his works increases daily. Though remembered primarily as a poet, Hughes was active in almost every genre imaginable. He wrote newspaper articles and short stories, contributed to drama and musical theater, and penned lyrics for the blues and popular songs. He also collaborated with some of the most gifted individuals of his time, including Zora Neale Hurston, Arna Bontemps, Kurt Weill, and Elmer Rice. Through hundreds of alphabetically arranged entries, this encyclopedia provides comprehensive coverage of his life and writings.

Although Hughes was remarkably versatile, poetry is indisputably the core of his achievement. Thus, this book includes separate entries for each of his more than 850 published poems and for collections of his poetry. His short stories and songs are also covered in detail. The encyclopedia additionally provides entries for numerous topics related to his life and writings, including Marxism, McCarthyism, Modernism, Jazz, and Religion, and for the many individuals who were associated with his literary career. Most of the entries close with brief bibliographies, and the volume closes with a list of works for further reading.

Slavery on the Periphery focuses on nineteen counties on the Kansas-Missouri border, tracing slavery's rise and fall from the earliest years of American settlement through the Civil War along this critical geographical, political, and social fault line. Kristen Epps explores slavery's emergence from an upper South slaveholding culture and its development into a small-scale system characterised by slaves' diverse forms of employment, close contact between slaves and slaveholders, a robust hiring market, and the prevalence of abroad marriages. She demonstrates that space and place mattered to enslaved men and women most clearly because slave mobility provided a means of resistance to the strictures of daily life. Mobility was a medium for both negotiation and confrontation between slaves and slaveholders, and the ongoing political conflict between proslavery supporters and antislavery proponents opened new doors for such resistance. Slavery's expansion on the Kansas-Missouri border was no mere intellectual debate within the halls of Congress. Its horrors had become a visible presence in a region so torn by bloody conflict that it captivated the nineteenth - century American public. Foregrounding African Americans' place in the border narrative illustrates how slavery's presence set the stage for the Civil War and emancipation here, as it did elsewhere in the United States.

When Jackie Robinson became the first African American player in major league baseball in 1947, elbowing aside the league's policies of segregation that had been inviolate for 60 years, he became a symbol of opportunity and acceptance for African American players everywhere. Robinson withstood discrimination to establish himself as a Hall of Fame player, and to lead future generations of black players into the previously all-white world of Major League Baseball. Written for students and general readers alike, this biographical encyclopedia chronicles the history of African American baseball through the life stories of the game's greatest players, the legends who played a significant role in the integration of the major league. From Negro League stars Satchel Paige and Josh Gibson, to color line shatterer Jackie Robinson, and those who followed them in the limelight, such as Hank Aaron and Willie Mays, readers will learn how the inclusion of African American players in Major League Baseball improved the sport and race relations in the United States during this critical period in history. Comprehensive biographical entries also include: BLBuck O'Neil Judy Johnson BLBuck Leonard BLCool Papa Bell BLRoy Campanella BLLarry Doby BLMonte Irvin BLWillie McCovey BLErnie Banks BLElston Howard BLMinnie Minoso BLFrank Robinson BLBob Gibson BLCurt Flood Providing detailed accounts of each player's amazing professional achievements, this insightful reference describes how the spectacular talents of African American players elevated Major League Baseball forever. Features include a timeline of important events, numerous photographs, and a bibliography of print and electronic sources for further reading.

Black women in higher education continue to experience colder institutional climates that devalue their presence. They are relied on to mentor students and expected to commit to service activities that are not rewarded in the tenure process and often lack access to knowledgeable mentors to offer career support. There is a need to move beyond the individual resistance strategies employed by Black women to institutional and policy changes in higher education institutions. Specifically, higher education policymakers and administrators should understand and acknowledge how the race and gender makeup of campuses and departments impact the successes and failures of Black women as they work to recruit and retain Black women graduate students, faculty, and administrators. Black Women Navigating Historically White Higher Education Institutions and the Journey Toward Liberation provides a collection of ethnographies, case studies, narratives, counter-stories, and quantitative descriptions of Black women's intersectional experience learning, teaching, serving, and leading in higher education. This publication also provides an opportunity for Black women to identify the systems that impede their professional growth and development in higher education institutions and articulate how they navigate racist and sexist forces to find their versions of success. Covering a range of topics such as leadership, mental health, and identity, this reference work is ideal for higher education professionals, policymakers, administrators, researchers, scholars, practitioners, academicians, instructors, and students.

A comprehensive, compelling, and clearly written title that provides a rich examination of the history of Asians in the United States, covering well-established Asian American groups as well as emerging ones such as the Burmese, Bhutanese, and Tibetan American communities. History of Asian Americans: Exploring Diverse Roots supplies a concise, easy-to-use, yet comprehensive resource on Asian American history. Chronologically organized, it starts with Chinese immigration to the United States and concludes with coverage of the most recent Asian migrant populations, describing Asian American lives and experiences and documenting them as an essential part of the continuously evolving American experience and mosaic. The book discusses domestic as well as international influencing factors in Asian American history, thereby providing information within a transnational framework. An ideal resource for high school and undergraduate level students as well as general readers interested in learning about the history of Asian Americans, the chapters employ critical racialization and ethnic studies discourses that put Asian and Asian Americans subjects in an insightful comparative perspective. The book also specifically addresses the important roles played by Asian American women across history. Examines Asian migration to the United States and the resulting formation of diverse Asian American communities that include Cambodian, Chinese, Filipino, Hmong, Japanese, Korean, Laotian, South Asian, and Vietnamese and new emerging Asian American communities such as the Burmese, Bhutanese, and Tibetan American Compares 19th-century Asian American history in Hawaii with that on the American mainland Employs racialization and push-pull theories as well as a transnational approach to document the rich and diverse experiences of Asians in the United States

Minas Gerais is a state in southeastern Brazil deeply connected to the nation's slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture. Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory's development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author. Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region's "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil's unique role in the world is further illustrated by regionalist studies presenting details of musical culture.

View the Table of Contents. Read the Foreword.

"The thirteen essays in this important collection examine grass-roots struggles for racial justice throughout the United States from 1940-1980...Read together, these essays remind us that activism changes people as much as society."
--"Journal of American History"

"The essays in "Groundwork" assert individually and collectively that at the root of any national movement for change are local activists working from the bottom up to change their communities first, then the world. This excellent and invigorating collection is crucial reading in an election year."
--Henry Louis Gates, Jr., Director, W. E. B. Du Bois Institute for African and African American Research, and author of "America Behind the Color Line: Dialogues with African Americans"

"A major contribution to the ever expanding historical literature of the modern African American freedom struggle. This book brings together outstanding examples of detailed and thoughtful studies of northern as well as southern local movements."
--Clayborne Carson, Professor of History and Director, Martin Luther King, Jr. Papers Project, Stanford University

"Brilliantly conveys the vibrancy and creativity of community-based movements that transformed America's racial and civic landscape in the decades following World War II."
--Patricia Sullivan, author of "Freedom Writer: Virginia Foster Durr, Letters from the Civil Rights Years"

"Required reading for anyone who wants to understand what the Civil Rights Movement actually was - a national movement conceived and executed by local people in cities and towns across this country. They are the people who made the movement that madeMartin Luther King, Jr.--not the other way around."
--Julian Bond, Professor of History, University of Virginia, American University, and Chairman of the NAACP

"This work demonstrates again and again how local movements complicate the standard civil rights narrative of nonviolence, black power, busing, and the nature of leadership."
--Tracy E. K'Meyer, Associate Professor US History, University of Louisville

"These essays enrich understanding of the valiant struggles to make real the promise of a more democratic US."
--"CHOICE," highly recommended

Over the last several years, the traditional narrative of the civil rights movement as largely a southern phenomenon, organized primarily by male leaders, that roughly began with the 1955 Montgomery Bus Boycott and ended with the Voting Rights Act of 1965, has been complicated by studies that root the movement in smaller communities across the country. These local movements had varying agendas and organizational development, geared to the particular circumstances, resources, and regions in which they operated. Local civil rights activists frequently worked in tandem with the national civil rights movement but often functioned autonomously from--and sometimes even at odds with--the national movement.

Together, the pathbreaking essays in Groundwork teach us that local civil rights activity was a vibrant component of the larger civil rights movement, and contributed greatly to its national successes. Individually, the pieces offer dramatic new insights about the civil rights movement, such as the fact that a militant black youth organization in Milwaukee was led by a white Catholic priest and in Cambridge, Maryland, by amiddle-aged black woman; that a group of middle-class, professional black women spearheaded Jackson, Mississippi's movement for racial justice and made possible the continuation of the Freedom Rides, and that, despite protests from national headquarters, the Brooklyn chapter of the Congress of Racial Equality staged a dramatic act of civil disobedience at the 1964 World's Fair in New York.

No previous volume has enabled readers to examine several different local movements together, and in so doing, Groundwork forges a far more comprehensive vision of the black freedom movement.

In the United States miscegenation is not merely a subject of literature and popular culture. It is in many ways the foundation of contemporary imaginary community. The Romance of Race examines the role of minority women writers and reformers in the creation of our modern American multiculturalism. The national identity of the United States was transformed between 1880 and 1930 due to mass immigration, imperial expansion, the rise of Jim Crow, and the beginning of the suffrage movement. A generation of women writers and reformers-particularly women of color-contributed to these debates by imagining new national narratives that put minorities at the center of American identity. Jane Addams, Pauline Hopkins, Onoto Watanna (Winnifred Eaton), Maria Cristina Mena, and Mourning Dove (Christine Quintasket) embraced the images of the United States-and increasingly the world-as an interracial nuclear family. They also reframed public debates through narratives depicting interracial encounters as longstanding, unacknowledged liaisons between white men and racialized women that produced an incestuous, mixed-race nation. By mobilizing the sexual taboos of incest and miscegenation, these women writers created political allegories of kinship and community. Through their criticisms of the nation's history of exploitation and colonization, they also imagined a more inclusive future. As Jolie A. Sheffer identifies the contemporary template for American multiculturalism in the works of turn-of-the century minority writers, she uncovers a much more radical history than has previously been considered.

This collection of essays examines the relationship of women of color's armed resistance to their aesthetic struggles, tension and transformation in feminist practice, and the impact of the gender-based design of state-sponsored terror, human rights debates, and the economic development for women of color. Athey brings together new scholarship testing the possibility of transnational feminist action and theorizing historical and contemporary aspects of resistance for women of color. Included are essays by and about women of Africa, India, and the Americas, including women of African American, Chicana, Puerto Rican, and Yaqui origins. Essays examine regional and historical contexts to demonstrate the central role of women of color in armed resistance struggle and in sustaining cultures of resistance, despite the fact that the agency, speech, and writing of women of color have received the least attention in studies of resistance. Contributors challenge thinking across many disciplines: sociology, literary and cultural studies, history, political science, and education. Resistance struggles examined include women in armed struggle for national self-determination, political and economic struggle for human rights and against state-sponsored repression; and women sustaining political and cultural resistance against specific religious, feminist, or nationalist doctrines, and against the repression of multiple forms of political, sexual, intellectual, and artistic expression.

This volume builds on scholarship by scholars of African American religion that emphasizes the centrality of the body in religion and religious experience. The argument is grounded in Anthony Pinn's understanding of religion as an embodied quest for complex subjectivity, or push for more life meaning. But if Pinn's theory gets at what religion is, this volume picks up where he left off by giving careful consideration to religion's forms. It interrogates the embodied nature of the quest for complex subjectivity. Through placing different theories of the body in conversation with specific case studies that reflect the variety of ways in which bodies are entangled and engaged in struggles for life meaning, the authors argue that African American religion takes on various forms, including modes of cultural production as well as mundane, everyday rituals and practices. The volume expands current scholarship on African American religion and embodiment by going beyond an understanding of black religion as the "Black Church" and underscoring the variety of religious experiences, in both marginal religious traditions and in non-traditional forms of religion. The sustained and rigorous attention to theories of the body in this volume allows for a more robust understanding of what the body is and takes scholarship beyond the implicit understandings of the body as solely discursive. Finally, the approach is interdisciplinary. While grounded in Religious Studies, this book puts various theories and methodologies-from the social sciences to philosophy, and from visual studies to literary studies-in conversation with the religious experiences of African Americans.

Life is a Story Ernestine Meadows May Herstory is a memoir of life depicting southern cultures and traditions, growing up in the 60's, educated in light of "defacto" segregation, living under "Jim Crow Laws," and experiencing a non-typical lifestyle full of hopes for the future in a small country town. Life began for her when a marriage between a father from Homer, LA, and a mother frm Kosciusko, MS, came together in Biscoe, AR, producing the last offspring of seven children and this one was determined to take a different course in life from working in cotton fields and being denied the full advantage of an education. She would begin to dream an impossible dream in spite of all the stirkes against her from birth. It is her desire that others would be inspired to know that one's past need not determine one's future.

The more citizens trust their government, the better democracy functions. However, African Americans have long suffered from the lack of equal protection by their government, and the racial discrimination they have faced breaks down their trust in democracy. Rather than promoting democracy, the United States government has, from its inception, racially discriminated against African American citizens and other racial groups, denying them equal access to citizenship and to protection of the law. Civil rights violations by ordinary citizens have also tainted social relationships between racial groups-social relationships that should be meaningful for enhancing relations between citizens and the government at large. Thus, trust and democracy do not function in American politics the way they should, in part because trust is not color blind. Based on the premise that racial discrimination breaks down trust in a democracy, Trust in Black America examines the effect of race on African Americans' lives. Shayla Nunnally analyzes public opinion data from two national surveys to provide an updated and contemporary analysis of African Americans' political socialization, and to explore how African Americans learn about race. She argues that the uncertainty, risk, and unfairness of institutionalized racial discrimination has led African Americans to have a fundamentally different understanding of American race relations, so much so that distrust has been the basis for which race relations have been understood by African Americans. Nunnally empirically demonstrates that race and racial discrimination have broken down trust in American democracy.