A beautiful, celebratory and joyful book of bedtime stories. Written and illustrated by creators with heritage from across the continent of Asia, Bedtime Stories showcases a curated collection of tales from Asian history, based on important figures and events. Each story is the ideal length to read at bedtime as well as any moment when young readers are looking for an inspirational read! Features one young reader's winning entry from the First News and Scholastic competition An empowering and celebratory gift Perfect for any child wanting to learn more about history's untold stories. Stories include those of: King Sejong the Great, a Korean King who invented an alphabet Julia Domna, a Syrian princess and Roman empress Margaret Lin Xavier, Thailand's first female doctor Sake Deen Mohammed, the Indian man who brought shampooing and curry to Britain. Written by: Sufiya Ahmed, Maisie Chan, Shae Davies, Saima Mir, Bali Rai, Annabelle Sami, Rebeka Shaid, Cynthia So and Rekha Waheed. Illustrated by: Ginnie Hsu, Aaliya Jaheel, Jocelyn Kao, Jennifer Khatun, Hannah Li, Debby Rahmalia, Abeeha Tariq, Kubra Teber, Tika and Tata and Amanda Yoshida.

The untold story of the Black nationalist group behind the growing popularity of Kwanzaa In spite of the ever-growing popularity of Kwanzaa, the story of the influential Black nationalist organization behind the holiday has never been told. Fighting for Us explores the fascinating history of the US Organization, a Black nationalist group based in California that played a leading role in Black Power politics and culture during the late 1960s and early '70s whose influence is still felt today. Advocates of Afrocentric renewal, US unleashed creative and intellectual passions that continue to fuel debate and controversy among scholars and students of the Black Power movement. Founded in 1965 by Maulana Karenga, US established an extensive network of alliances with a diverse body of activists, artists and organizations throughout the United States for the purpose of bringing about an African American cultural revolution. Fighting for US presents the first historical examination of US' philosophy, internal dynamics, political activism and influence on African American art, making an elaborate use of oral history interviews, organizational archives, Federal Bureau of Investigation files, newspaper accounts, and other primary sources of the period. This book also sheds light on factors contributing to the organization's decline in the early '70s-government repression, authoritarianism, sexism, and elitist vanguard politics. Previous scholarship about US has been shaped by a war of words associated with a feud between US and the Black Panther Party that gave way to a series of violent and deadly clashes in Los Angeles. Venturing beyond the lingering rhetoric of rivalry, this book illuminates the ideological similarities and differences between US's "cultural" nationalism and the Black Panther Party's "revolutionary" nationalism. Today, US's emphasis on culture has endured as evidenced by the popularity of Kwanzaa and the Afrocentrism in Black art and popular media. Engaging and original, Fighting for US will be the definitive work on Maulana Karenga, the US organization, and Black cultural nationalism in America.

Black Participatory Research explores research partnerships that disrupt inequality, create change, and empower racially marginalized communities. Through presenting a series of co-reflections from professional and community researchers in different locations, this book explores the conflicts and tensions that emerge when professional interests, class and socio-economic statuses, age, geography, and cultural and language differences emerge alongside racial identity as central ways of seeing and being ourselves. Through the investigations of black researchers who collaborated in participatory research projects in post-Katrina New Orleans, USA the greater Philadelphia-New Jersey-Delaware region in the northeastern USA, and Senegal, West Africa, this book offers candid reflections of how shared identity, experiences, and differences shape the nature and process of participatory research.

Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. Though she was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, her works are now frequently taught in literature courses and are widely admired for their style and substance. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.

Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. One of the most important authors of the Harlem Renaissance and one of the first black anthropologists, she received little recognition during her lifetime. She was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, and her works were largely neglected until the early 1970s. Her works are now frequently taught in literature courses and are widely admired for their style and substance. Her anthropological study, "IMules and Men" (1935), is a pioneering examination of Voodoo and related folklore. As a novelist, she is best known as the author of "Jonah's Gourd Vine" (1934) and "Their Eyes Were Watching God" (1937). In addition, she was a prolific journalist who contributed to the most popular magazines and newspapers of her time.

Though long neglected, Hurston has become firmly established in the literary canon, and scores of books and articles have been written about her. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.

This collection, arranged and edited by Beverly G. Hawk, examines media coverage of Africa by American television, newspapers, and magazines. Scholars and journalists of diverse experience engage in debate concerning U.S. media coverage of current events in Africa. As each African crisis appears in the headlines, scholars take the media to task for sensational and simplistic reporting. Journalists, in response, explain the constraints of censorship, reader interest, and media economics. Hawk's book demonstrates that academia and the press can inform each other to present a fuller and more sensitive picture of Africa today.

This volume will be of interest to scholars and practitioners in African studies, African politics, journalism, and international relations.

Frederick Douglass, once a slave, was one of the great 19th century American orators and the most important African American voice of his era. This book traces the development of his rhetorical skills, discusses the effect of his oratory on his contemporaries, and analyzes the specific oratorical techniques he employed. The first part is a biographical sketch of Douglass's life, dealing with his years of slavery (1818-1837), his prewar years of freedom (1837-1861), the Civil War (1861-1865), and postwar years (1865-1895). Chesebrough emphasizes the centrality of oratory to Douglass's life, even during the years in slavery. The second part looks at his oratorical techniques and concludes with three speeches from different periods. Students and scholars of communications, U.S. history, slavery, the Civil War and Reconstruction, and African American studies will be interested in this book.

Explore the incredible history of Afro hair. The Story of Afro Hair celebrates the fashion and styles of Afro hair over the last 5,000 years. From plaits to the Gibson Girl, cornrows to locks, the hi-top fade to funki dreds, The Story of Afro Hair is the ultimate book of Afro hairstories. Kicking off with an explanation of how Afro hair type grows and why, The Story of Afro Hair then takes us right back to the politics and fashion of Ancient Egypt. Speeding forwards to modern times we experience the Kingdom of Benin, Henry VIII's court, the enslavement of African peoples, the Harlem Renaissance, the beginnings of Rastafarianism, Britain in the 1980s - and much more. With vibrant full colour illustrations by Joelle Avelino. A sparkling gold foil hardback cover - the perfect gift for anyone interested in culture, fashion and history. With profiles of inspirational key figures in the Afro hair beauty industry, such as Sara Spencer Washington, Madam CJ Walker, Viola Desmond, Lincoln Dyke, Dudley Dryden and Anthony Wade. "A brilliant read for Black History Month, [a] thought-provoking, lively & accessible guide for seven plus" - The Guardian

Nicolas Guillen and Aime Cesaire are considered by many critics and literary historians to be the foremost Caribbean poets of the 20th century, yet they are rarely treated together. This work deals with the two writers within a comparative framework, exploring their poetry as the exemplification of Negritude art and writing from the Caribbean. Josaphat Kubayanda uses non-canonical theories of literary and cultural analysis to discuss the relationships between creative writing, the idea of Africa, and the rediscovery of African values in the Caribbean, and to propose and demonstrate an original Caribbean poetics, anchored in Africa's cultural systems and linked to Afro-American protest thought. Each of the book's chapters focuses on an aspect of the literary development of the African heritage and of the black condition illustrated by Guillen and Cesaire. Chapter 1 offers an introduction to the genesis of Caribbean rhetorical interest in Africa, from the 1920s onward, and places Guillen and Cesaire in the context of Negritude. Chapter 2 addresses the European othering of Africa, and the Negritude critique of this within the non-African traditions. Guillen's and Cesaire's response to the European concept of the universal is discussed in chapter 3, while chapter 4 demonstrates the ways in which blackness is caught between racial otherness and trying to integrate into the Caribbean social order. The final two chapters provide an analysis of the polyrhythmic unity of the African cultural system that allows Guillen and Cesaire to make technical innovations, and a conclusion acknowledges the writers' place in Caribbean creative writing. The volume also contains an updated bibliography on Caribbean literature and the African element. This work will be a valuable reference source for courses in Caribbean and African literary studies, Latin American literature, and Afro-American and African culture, and an important addition to both public and academic libraries.

The resilient people who lived in these neighborhoods established strong businesses, raised churches, created vibrant entertainment spots and forged bonds among family and friends for mutual well-being. After integration, the neighborhoods eventually gave way to decay and urban renewal, and tales of unquenchable spirit in the face of adversity began to fade.

In this companion volume to "St. Petersburg's Historic 22nd Street South," Rosalie Peck and Jon Wilson share stories of people who built these thriving communities, and offer a rich narrative of hardships overcome, leaders who emerged and the perseverance of pioneers who kept the faith that a better day would arrive.

This pioneering book explores the meaning of the term "Black social economy," a self-help sector that remains autonomous from the state and business sectors. With the Western Hemisphere's ignoble history of enslavement and violence towards African peoples, and the strong anti-black racism that still pervades society, the African diaspora in the Americas has turned to alternative practices of socio-economic organization. Conscientious and collective organizing is thus a means of creating meaningful livelihoods. In this volume, fourteen scholars explore the concept of the "Black social economy," bringing together innovative research on the lived experience of Afro-descendants in business and society in Argentina, Brazil, Canada, Colombia, Guyana, Haiti, Jamaica, and the United States. The case studies in this book feature horrific legacies of enslavement, colonization, and racism, and they recount the myriad ways that persons of African heritage have built humane alternatives to the dominant market economy that excludes them. Together, they shed necessary light on the ways in which the Black race has been overlooked in the social economy literature.

In this co-edited volume, Gladys L. Mitchell-Walthour and Elizabeth Hordge-Freeman have invited contributors of African descent from the United States and Brazil to reflect on their multidimensional experiences in the field as researchers, collaborators, and allies to communities of color. Contributors promote an interdisciplinary perspective, as they represent the fields of sociology, political science, anthropology, and the humanities. They engage W.E.B. Du Bois' notion of 'second-sight,' which suggests that the unique positionality of Black researchers might provide them with advantages in their empirical observations and knowledge production. They expose the complex and contradictory efforts, discourses, and performances that Black researchers must use to implement and develop their community-centered research agenda. They illustrate that 'second-sight' is not inevitable but must be worked at and is sometimes not achieved in certain research and cultural contexts.

"This colection brings together two generations of scholarship on many important topics in African-American religious history. . . . A useful and judiciously chosen compilation that should serve well in the classroom."
-- "Religious Studies Review"

"It serves as a smorgasbord of the study of black spirituality."
-- "Black Issues Book Review"

Down by the Riverside provides an expansive introduction to the development of African American religion and theology. Spanning the time of slavery up to the present, the volume moves beyond Protestant Christianity to address a broad diversity of African American religion from Conjure, Orisa, and Black Judaism to Islam, African American Catholicism, and humanism.

This accessible historical overview begins with African religious heritages and traces the transition to various forms of Christianity, as well as the maintenance of African and Islamic traditions in antebellum America. Preeminent contributors include Charles Long, Gayraud Wilmore, Albert Raboteau, Manning Marable, M. Shawn Copeland, Vincent Harding, Mary Sawyer, Toinette Eugene, Anthony Pinn, and C. Eric Lincoln and Lawrence Mamiya. They consider the varieties of religious expression emerging from migration from the rural South to urban areas, African American women's participation in Christian missions, Black religious nationalism, and the development of Black Theology from its nineteenth-century precursors to its formulation by James Cone and later articulations by black feminist and womanist theologians. They also draw on case studies to provide a profile of the Black Christian church today.

This thematic history of the unfolding of religious life in AfricanAmerica provides a window onto a rich array of African American people, practices, and theological positions.

Reena wants to be a star...
...A Bollywood star. Unfortunately, her family won't stand for it. It doesn't help that Reena is only eight-years-old. However, a beacon of hope arrives in the form of Uncle Jessi. He's just emigrated from India to America, and is a welcome addition to her family household. Uncle Jessi and Reena share a special bond. Not only are they old pen pals, but he recognizes her desperation to become a Bollywood actress.
One day, Uncle Jessi plans a secret surprise. He invites her to take part in a pretend acting game. Reena jumps at the chance. At first, she enjoys swinging her hips to Bollywood beats. She smiles brightly at his camera. However, halfway through her performance matters take an unexpected turn. The end results surprise both Reena and Uncle Jessi.
Important lessons come through an action-driven story and beautiful illustrations:
Children will learn that sexual abuse is NEVER their fault.Parents and children will be given a launching pad to discuss the warning signs of "grooming."Children will come away knowing they have the power to say: "NO."Children will discover that sexual abuse can occur in any cultural group.Children can be assured that they will be believed when reporting inappropriate behavior.Therapists and parents can exhibit that sexual abuse isn't an off-limits topic.Child abuse survivors will come away knowing they are not alone.
Therapists' Acclaim for "Reena's Bollywood Dream"
""Reena's Bollywood Dream" is exceptionally well-written. It works as an educational piece to foster awareness to children and their families regarding the realities of sexual abuse within the South Asian community. This informative book can help alter a child's life for the better."
--Sadia Khaliq, B.A., B.S.W., M.S.W., Community Treatment Coordinator, Centre for Addictionand Mental Health
"With a captivating story and beautiful illustration, and with a message that is cross-cultural and educational, Reena's Bollywood Dream can help children understand the sad reality that there are those who can hurt them but there is also means of staying safe--with others' help. I recommend this book highly to all families; it can be instrumental to starting a conversation about a difficult topic."
--Pamela Pine, PhD, MPH, Founder and CEO, Stop the Silence
For more info see www.JewelKats.com
Juvenile Fiction: Social Issues - Sexual Abuse
Family & Relationships: Abuse - Child Abuse
Social Science: Ethnic Studies - Asian American Studies

Research continues to uncover early childhood as a crucial time when we set the stage for who we will become. In the last decade, we have also seen a sudden massive shift in America's racial makeup with the majority of the current under-5 age population being children of color. Asian and multiracial are the fastest growing self-identified groups in the United States. More than 2 million people indicated being mixed race Asian on the 2010 Census. Yet, young multiracial Asian children are vastly underrepresented in the literature on racial identity. Why? And what are these children learning about themselves in an era that tries to be ahistorical, believes the race problem has been "solved," and that mixed race people are proof of it? This book is drawn from extensive research and interviews with sixty-eight parents of multiracial children. It is the first to examine the complex task of supporting our youngest around being "two or more races" and Asian while living amongst "post-racial" ideologies.

The Little Rock Crisis frames the story of the Little Rock 1957 desegregation crisis through the lens of memory. Over time, those memories - individual and collective - have motivated Little Rockians for social and political action and engagement.

This edited collection explores how First Lady Michelle Obama gradually expanded and broadened her role by engaging in social, political and economic activities which directly and indirectly impacted the lives of the American people, especially young women and girls. The volume responds to the various representations of Michelle Obama and how the language and images used to depict her either affirmed, offended, represented or misrepresented her and its authors. It is an interdisciplinary evaluation by African American women and girls of the First Lady's overall impact through several media, including original artwork and poetry. It also examines her political activities during and post-election 2016.