"Thoughtful, provocative . . . a first-rate study."
--"Library Journal"

"Not the least of this book's many virtues is the way in which . . . it bridges the gap between the concern's of Du Bois's day and those of the civil rights era."
--Times Literary Supplement

"A rich and moving account of the complex life of one of the most influential black figures in twentieth-century America."
"aHerbert Hill, Evjue-Bascom Professor of African-American Studies, University of Wisconsin"

"We need this book to remind us of the competent leadership that we enjoyed in the past."
--"Black Issues Book Review"

"This work is a welcome addition to African American studies as well as to social and cultural history..."
--"Choice"

Activist, international statesman, reluctant black leader, scholar, icon, father and husband, Ralph Bunche is one of the most complicated and fascinating figures in the history of twentieth- century America. Bunche played a central role in shaping international relations from the 1940s through the 1960s, first as chief of the Africa section of the Office of Strategic Services and then as part of the State Department group working to establish the United Nations. After moving to the U.N. as Director of Trusteeship, he became the first black Nobel Laureate in 1950 and was subsequently named Undersecretary of the U.N.

For nearly a decade, he was the most celebrated contemporary African American both domestically and abroad. Today he is virtually forgotten.

Charles Henry's penetrating biography counters this historical tragedy, recapturing the essence of Bunche's service to America and the world. Moreover, Henry ably demonstrates how Bunche's riseand fall as a public symbol tells us as much about America as it does about Bunche. His iconic status, like that of other prominent, mainstream black figures like Colin Powell, required a constant struggle over the relative importance of his racial identity and his national identity. Henry's biography shines as both the recovered story of a classic American, and as a case study in the racial politics of public service.

No other word in the English language is more endemic to contemporary Black American culture and identity than "Soul." Since the 1960s Soul has been frequently used to market and sell music, food, and fashion. However, Soul also refers to a pervasive belief in the capacity of the Black body/spirit to endure the most trying of times in an ongoing struggle for freedom and equality. While some attention has been given to various genre manifestations of Soul-as in Soul music and food-no book has yet fully explored the discursive terrain signified by the term. In this broad-ranging, free-spirited book, a diverse group of writers, artists, and scholars reflect on the ubiquitous but elusive concept of Soul. Topics include: politics and fashion, Blaxploitation films, language, literature, dance, James Brown, and Schoolhouse Rock. Among the contributors are Angela Davis, Manning Marable, Paul Gilroy, Lyle Ashton Harris, Michelle Wallace, Ishmael Reed, Greg Tate, Manthia Diawara, and dream hampton.

Ever since Bessie Smith's powerful voice conspired with the ""race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.

At the height of the civil rights movement in Mississippi, as hundreds of volunteers prepared for the 1964 Freedom Summer Project, the Council of Federated Organizations (COFO) compiled hundreds of statements from activists and everyday citizens who endured police abuse and vigilante violence. Fifty-seven of those testimonies appear in Mississippi Black Paper. The statements recount how white officials and everyday citizens employed assassinations, beatings, harassment, and petty meanness to block any change in the state's segregated status quo. The testimonies in Mississippi Black Paper come from well-known civil rights heroes such as Fannie Lou Hamer, Aaron Henry, and Rita Schwerner, but the book also brings new voices and stories to the fore. Alongside these iconic names appear grassroots activists and everyday people who endured racial terror and harassment for challenging, sometimes in seemingly imperceptible ways, the state's white supremacy. This new edition includes the original foreword by Reinhold Neibuhr and the original introduction by Mississippi journalist Hodding Carter III, as well as Jason Morgan Ward's new introduction that places the book in its context as a vital source in the history of the civil rights movement.

African-American athletes have played a significant role in the development and popularity of American professional sports, and have encountered numerous obstacles on the road to athletic success. This is the first comprehensive multi-sport biographical dictionary of African Americans who reached the pinnacles of success in their sport. It contains more personal and career profiles of African-American sports greats than are found in any other single source. Biographical profiles of 166 noted athletes, coaches, and administrators in team and individual sports include both Ristorical figures such as Jesse Owens and Satchel Paige and contemporary stars such as Charles Barkley, Ken Griffey, Jr., Michael Jordan, Jackie Joyner-Kersee, Shaquille O'Neal, and Emmitt Smith. Forty-four sports historians contributed the colorfully written biographies, which blend both personal background information and athletic career accomplishments. All information is current through the middle of 1995. The dictionary covers the contributions made by African-American greats in football, baseball, basketball, track and field, boxing, wrestling, auto and stock car racing, golf, thoroughbred racing, tennis, cycling, and figure skating. More than two-thirds of the entries represent team sports. The dictionary is organized alphabetically by person. Each colorfully written profile is 800-1,000 words in length and traces the subject's personal life, family and educational background, personal struggles, career accomplishments, records set, statistical data, awards and honors, and overall impact; and features lively quotations by and about the sports luminaries. Each entry contains a handy bibliography of books and articles about the subject. Biographies of managers, coaches, and club executives describe their teams, statistical achievements, accomplishments, strategy, and sports impact. A general introduction traces the historic struggle of African-American athletes in professional and Olympic sports and appendices provide alphabetical listings of biographical entries and entries by sport. A selection of photos complement the profiles. For the sports fan or librarian, this is a first stop for biographical information that captures the personality of the athlete and includes all the pertinent information about his or her accomplishments. It is an essential addition to the reference sections of junior high, high school, and public libraries.

One of the most famous and popular entertainers of the 20th century, Maurice White left an enduring legacy in his creation of Earth, Wind & Fire, this genre-transcending group who earned multiple Grammy Awards and most recently a Lifetime Achievement Award. Completed before his recent death, Maurice opens up in My Life with Earth, Wind & Fire about his struggles, his big breaks, and the founding of a band that would forever change music. White's love of music began when he was still a boy in South Memphis, learning to play the drums with Booker T. Jones and supporting his mother with a modest paper route. From there he would go on to train at the Chicago Conservatory of music and finally creating Earth, Wind & Fire in Los Angeles, writing and recording the hits that live on in our cultural conscience. My Life with Earth, Wind & Fire is intimately moving and beautiful in its breadth of Maurice White's inspiring life. Here was a man whose creativity and determination carried him to great success, and whose faith enabled him to find music in every moment.

This collection of essays emerged from a symposium held at Mercer University which examined the ways in which W. E. B. DuBois's theories of race have shaped racial discussion and public policy in the twentieth-century. The essays also examine the application of Du Bois's theories to the new millennium, as well as his contributions to the study of the humanities.

Among those drawn to jobs in the booming West Virginia coal mines during the first part of the twentieth century were thousands of African Americans. They proved successful in this industry-despite low wages and discrimination at the hands of mine operators. This book, the first published memoir by an African American coal miner, is a stirring tale of survival and achievement. Bob Armstead interweaves stories of family and community with a broad history of underground mining to paint an engrossing picture of the work, the dangers, and the drama of that industry. Armstead remembers his childhood, growing up in a segregated coal camp during the Great Depression, and he recalls his family's efforts to confront economic challenges while also dealing with the reality of racism. His father worked as a horse driver in the mines until machinery put him out of work. Even though, as a youth, Armstead saw how his father had suffered, he himself went to work in the mines in 1947. From his first day on the job, coal mining fascinated him. He initally labored in a timber crew, shoring up mine roofs. Then, in a life peppered with mine closings and layoffs that sent him from one place to another in search of work, he eventually became a mining machine operator, a foreman over predominantly white crews, and finally a safety inspector. Black Days, Black Dust evokes a vivid sense of a coal miner's life. Armstead's recollections of his father provide descriptions of primitive mining methods in the 1930s and grueling twelve-hour work days. Armstead's memories of his own career document his enthusiasm for mining and the work ethic that earned him responsible positions in the mines. Engagingly told, Armstead's story is both a rich historical document and a moving portrait of one man's life and how he overcame adversity. The Authors: Robert Armstead retired from the coal mines in 1987. He died in 1998. S. L. Gardner is a former teacher and librarian who has written feature articles about coal camps for the Times West Virginian in Fairmont, West Virginia. Her article on the Armstead family appeared in the magazine Goldenseal.

Wisdom, health, honor, hope-these revered ideals are now jeopardized, James Evans claims, by the towering social problems of North American society, nowhere more achingly and emblematically than in African American life. Evans here creates a practical theology by working at the intersection of religious understandings in the African American community and its most pressing social problems. He skillfully probes to their deepest cultural and religious roots. There the moral distortions of racism, poverty, shame, disease, dysfunctional families, and even problematic elements in religious life can be excised so that new, more helpful ideas of grace, salvation, and community can flourish. Evans's fresh and fruitful work is an affirmation of the transformative power of religious engagement and its ultimate source in the religious community that is God's own self.

MY KOREAN IDENTITY AND QUEST FOR UNDERSTANDING (Korean Youth Studies, 1), edited by Sora Yang of Sydney, Australia, is a very important book in the area of Korean studies. This ground-breaking book contains 13 articles by Korean youth from around the world, in India, Africa, Australia, and the USA. The winner of the 2008 Global Rev. Ham Suk-Hyun Essay Contest, on the topic of "My Korean Identity," Sora Yang has contributed important articles on Australian Korean community, which is a growing Korean community around the world. Sora Yang also explores her own identity as a Korean and an Australian. Jung-Im Jeong, a Student Council secretary at Canadian International School in India and the president of Bangalore Korean Presbyterian Church Youth Group in India, who is one of the early Korean settlers in Bangalore, India, due to her father's executive responsibilities in the IT sector, writes about the situation in India in terms of culture, economics, and society. Jung-Im Jeong focuses on how she developed into a leader desiring to help the people of India and also other people in need around the world. Haebin Yoon writes from Senegal, Africa, regarding her "immigration" to Africa with her missionary father, who was sent by the Korean Presbyterian Church (Ko-Shin) in Korea. She desires to follow in her father's footsteps as a missionary to Africa. Paul Sungbae Park, who has received much acclaim as an emerging young historian in his own right, has written an article exploring the experience of the Lewis and Clark Expedition. In the manner of vicarious participation, so emphasized by Professor Robert N. Bellah of University of California at Berkeley, Paul Sungbae Park has placed himself ina vicarious position of a member of the corps of discovery of the Lewis and Clark Expedition. Furthermore, Paul Sungbae Park examines similarities between the Korean Joong-Mae System and the Shakespearean arranged marriage system as found in ROMEO AND JULIET. Michael Chon, the first-born son of a cutting-edge telecommunications company founder in New Jersey, desires to expand his dad's company into a multi-billion-dollar empire. He relates his prowess as a star soccer player to his competitive spirit. As the president of his whole school, Michael Chon explores his own competitive spirit as both inherited and acquired. Joon Park, who is highly ranked in his elite magnate school in New Jersey, recounts his summer trip to South Korea and reminisces about his grandmother who wants him to grow using Korean herbal medicine. Joon Park writes with humor and figurative language that is rarely found in such a young person. Timothy Chon, Andy Jung, and Jake Byun write autobiographically about their experiences in Korea. Their testimonies serve as first-hand primary source accounts not only of the description of youth life in South Korea, but also of primary document preserving Korean youth perspectives on events and issues. Gloria Bae, a star student in her honors class, describes the bond that exists between a Korean mother and a Korean daughter, focuses on Korean food creation. The touching story will not only warm your heart, but it will also give you an insight into Korean cuisine and the Korean family.

Why did African-American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the nineteenth century - a time when resurgent racism conditioned the lives of all black Americans? Such stories now seem like apolitical fantasies to contemporary readers. In this study, Tate explores this apparent paradox through an examination of the novels of Pauline Hopkins, Emma Kelley, Amelia Johnson, Katherine Tillman, and Frances Harper. Domestic Allegories of Political Desire is more than a literary study; it is also a social and intellectual history - a cultural critique of a period that historian Rayford W. Logan called "the Dark Ages of recent American history". Against a rich contextual framework, extending from abolitionist protest to the Black Aesthetic, Tate argues that the idealized marriage plot in these novels does not merely depict the heroine's happiness and economic prosperity. Instead, that plot encodes a resonant cultural narrative - a domestic allegory - about the political ambitions of an emancipated people. Once this domestic allegory of political desire is unmasked, it can be seen as a significant discourse of the post-Reconstruction era for representing African Americans' collective dreams about freedom and for reconstructing those contested dreams into fictive consummations of civil liberty. Domestic Allegories of Political Desire is cultural criticism, cutting across the traditional disciplines of history, sociology, literature, and ethnology. By examining lost works, this book recovers the domestic heroine as a signifier of citizenship for African Americans, and domesticity as a discourse ofblack political agency. With this important work, Tate joins the ranks of leading scholars of African-American culture. It is essential reading for those interested in the intersection of race, gender, and class in American, African-American, and women's studies.

Acclaimed for his writing on Malcolm X, Martin Luther King, Jr., Tupac Shakur, and many more, Michael Eric Dyson has emerged as the leading African-American intellectual of his generation. This collection gathers the best of Dyson's vast and growing body of work from the last several years: his most incisive commentary, the most stirring passages, and the sharpest, most probing and broadminded critical analyses. From Michael Jordan to the role of religion in public life, from Toni Morrison to patriotism in the wake of 9/11, the mastery and ease with which Dyson tackles just about any subject of relevance to black America today is without parallel.

Hip-Hop Within and Without the Academy explores why hip-hop has become such a meaningful musical genre for so many musicians, artists, and fans around the world. Through multiple interviews with hip-hop emcees, DJs, and turntablists, the authors explore how these artists learn and what this music means in their everyday lives. This research reveals how hip-hop is used by many marginalized peoples around the world to help express their ideas and opinions, and even to teach the younger generation about their culture and tradition. In addition, this book dives into how hip-hop is currently being studied in higher education and academia. In the process, the authors reveal the difficulties inherent in bringing this kind of music into institutional contexts and acknowledge the conflicts that are present between hip-hop artists and academics who study the culture. Building on the notion of bringing hip-hop into educational settings, the book discusses how hip-hop is currently being used in public school settings, and how educators can include and embrace hip-hop s educational potential more fully while maintaining hip-hop s authenticity and appealing to young people. Ultimately, this book reveals how hip-hop s universal appeal can be harnessed to help make general and music education more meaningful for contemporary youth."

Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.

"Andrews does a superb job in offering solutions to familiar problems for African Americans. Complete with charts, graphs, facts and figures, the author provides readers with a vivid display of how the scales of equality, wealth and power are tipped against people of color."
--Upscale

"Andrews' aim is to paint an intellectually defensible and decidedly anti-conservative picture of the complicated tie between race and economic wellbeing."
--Booklist

"Fiery, passionate, and provocative, but also unflinchingly rigorous in its argument. It is rare for an economist to write with such fire bolstered by such a commitment to logical reasoning."
--William A. Darity, Jr

"Marcellus Andrews has written a fascinating and theoretically grounded account of the relationship between America's market economy and the prospects faced by African Americans."--"The Journal of Economic Issues"

Popular liberal writing on race has relied on appeals to the value of "diversity" and the fading memory of the Civil Rights movement to counter the aggressive conservative assault on liberal racial reform generally, and on black well-being, in particular. Yet appeals to fairness and justice, no matter how heartfelt, are bound to fail, Marcellus Andrews argues, since the economic foundations of the Civil Rights movement have been destroyed by the combined forces of globalization, technology, and tight government budgets.

The Political Economy of Hope and Fear fills an important intellectual gap in writing on race by developing a hard-nosed economic analysis of the links between competitive capitalism, racial hostility, and persistent racial inequality in post-Civil Rights America. Andrewsspeaks to the anger and frustration that blacks feel in the face of the nation's abandonment of racial equality as a worthy objective by showing how the considerable difficulties that black Americans face are related to fundamental changes in the economic fortunes of the U.S.

The Political Economy of Hope and Fear is an economist's plea for unsentimental thinking on matters of race to replace the mixture of liberal hand wringing and conservative mythmaking that currently passes for serious analysis about the nation's racial predicament.

In this revisionist history of the United States government relocation of Japanese-American citizens during World War II, Roger W. Lotchin challenges the prevailing notion that racism was the cause of the creation of these centers. After unpacking the origins and meanings of American attitudes toward the Japanese-Americans, Lotchin then shows that Japanese relocation was a consequence of nationalism rather than racism. Lotchin also explores the conditions in the relocation centers and the experiences of those who lived there, with discussions on health, religion, recreation, economics, consumerism, and theater. He honors those affected by uncovering the complexity of how and why their relocation happened, and makes it clear that most Japanese-Americans never went to a relocation center. Written by a specialist in US home front studies, this book will be required reading for scholars and students of the American home front during World War II, Japanese relocation, and the history of Japanese immigrants in America.

A collection of documents by black American slaves, written while enslaved or shortly after escape. The words recorded here express complexity and diversity of thought and feeling about slavery and being black, and offer glimpses into the interior lives of a number of American slaves.