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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
New York Times bestselling author Paul Tough's Whatever It Takes is "one of the best books ever written about how poverty influences learning, and vice versa" (The Washington Post). What would it take? That was the question that Geoffrey Canada found himself asking. What would it take to change the lives of poor children -- not one by one, through heroic interventions and occasional miracles, but in big numbers, and in a way that could be replicated nationwide? The question led him to create the Harlem Children's Zone, a ninety-seven-block laboratory in central Harlem where he is testing new and sometimes controversial ideas about poverty in America. His conclusion: if you want poor kids to be able to compete with their middle-class peers, you need to change everything in their lives -- their schools, their neighborhoods, even the child-rearing practices of their parents. Whatever It Takes is a tour de force of reporting, an inspired portrait not only of Geoffrey Canada but also of the parents and children in Harlem who are struggling to better their lives, often against great odds. Carefully researched and deeply affecting, this is a dispatch from inside the most daring and potentially transformative social experiment of our time.
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence.
In 1998, Kevin Bubriski was fortunate to spend time with the Uyghurs in Kashgar, their ancient city on the Silk Road in Xinjiang, China. While there, he made unforgettable photographic portraits and street scenes that reveal a haunting beauty and sense of the past in old Kashgar. Bubriski was drawn to the faces of ordinary people and their daily lives, with the intent that through photographs mutual understanding between people might be fostered. Although 1998 was an uncomfortable time of rapid transformation for the Uyghurs, their oasis city in the high desert was still vibrant, even as the Chinese government’s brutal crackdown was about to commence. In the last few years, up to a million Uyghurs have been detained in “re-education camps” while others have been subjected to forced sterilizations and wider persecution. The vibrancy, beauty, and grit that Bubriski witnessed and photographed more than two decades ago has irrevocably changed. The Uyghur cultural, economic, familial, religious, and spiritual traditions are captured in Bubriski’s images and the extensive text by Tahir Hamut Izgil and the late Dru Gladney. These traditions, interwoven in Uyghurs’ lives and community for more than two millennia, have been severely impacted by the overt and disastrous policies of the Chinese government’s crackdown on Uyghur civil, spiritual, and cultural activities. The Uyghur community is now fractured and split due to widespread surveillance, mass detentions, and incarcerations. This book is also presented in a bilingual edition so that it is not only accessible to Uyghur people living in non-English-speaking regions of the world, but a way for Uyghurs around the world to reaffirm their cultural and social identity wherever they now live. As many Uyghur families are now separated due to detentions or flight to asylum elsewhere, the book is meant to be an enduring gift for the Uyghur people and for all who wish to understand better Uyghur culture and history. Bubriski’s book is a stunning work of art that reveals an earlier time when Kashgar, beloved city of the Uyghurs, retained much of its traditional life and charm.
In the first major update to this classic book in many years, Collins traces the history and contours of Black women's ideas and actions to argue that Black feminist thought is the discourse that fosters Black women's survival, persistence, and success against the odds. Through meticulous research that synthesizes the important intellectual work done by Black women, Collins's timely update demonstrates that Black women's ideas and actions are not marginal concerns but rather are central to the future of social justice within democratic societies. The combination of the text's classic arguments and a preface and epilogue written expressly for this edition speak to people who have long been working on social justice and to a new generation of readers who are encountering the ideas and actions of Black women for the first time. For this 30th year anniversary edition, Patricia Hill Collins examines how the ideas in this classic text speak to contemporary social issues and identifies the directions needed for the future of Black feminist thought.
The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family. But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence. Even though it would mean the loss of her friends, her community, and possibly even her family, Tova decides to leave her husband and her faith. After years of trying to silence the voice inside her that said she did not agree, did not fit in, did not believe, she strikes out on her own to discover what she does believe and who she really is. This will mean forging a new way of life not just for herself, but for her children, who are struggling with what the divorce and her new status as "not Orthodox" mean for them. This is a memoir about what it means to decide to heed your inner compass at long last. To free the part of yourself that has been suppressed, even if it means walking away from the only life you've ever known. Honest and courageous, Tova takes us through her first year outside her marriage and community as she learns to silence her fears and seek adventure on her own path to happiness.
This insightful study offers a fresh perspective on the life and career of champion boxer Joe Louis. The remarkable success and global popularity of the "Brown Bomber" made him a lightning rod for debate over the role and rights of African Americans in the United States. Historian Marcy S. Sacks traces both Louis's career and the criticism and commentary his fame elicited to reveal the power of sports and popular culture in shaping American social attitudes. Supported by key contemporary documents, Joe Louis: Sports and Race in Twentieth-Century America is both a succinct introduction to a larger-than-life figure and an essential case study of the intersection of popular culture and race in the mid-century United States.
Starting in the early twentieth century and still thriving in the contemporary era, Black Greek-letter organizations (BGLOs) provide social support, networking opportunities, and service for the Black community. Although BGLOs have always been majority-Black organizations, there are small numbers of non-Black individuals who choose to pledge their membership. Diversity in Black Greek-Letter Organizations: Breaking the Line explores the experiences of these non-Black members who have immersed themselves in organizations rich with Black history and culture. Through in-depth interviews with thirty-four such members, Wendy Marie Laybourn and Devon R. Goss reveal how and why these individuals come to identify with organizations designed for the uplift of races other than their own. For non-Black BGLO members, the association with a Black organization provides them the opportunity to consider the meaning of racial inequality and their own racial identities. Although many non-Black BGLO members recount challenges to their membership, the participants in Diversity in Black Greek-Letter Organizations ultimately find a sense of belonging with their Black brothers and sisters, which Laybourn and Goss argue can provide an example of the challenges and promises of cross-racial interactions as a whole.
In this timely and dynamic collection of essays, Laura Dubek brings together a diverse group of scholars to explore the literary response to the most significant social movement of the twentieth century. Covering a wide range of genres and offering provocative readings of both familiar and lesser known texts, Living Legacies demonstrates how literature can be used not only to challenge the master narrative of the civil rights movement but also to inform and inspire the next generation of freedom fighters.
As soon as heavyweight boxer Joe Louis became a public figure in the 1930s, journalists and other social commentators began speculating about the significance of an African American man garnering popularity in a racially segregated society. Both during his lifetime and afterward, Louis noteriety extended beyond the world of sports to American popular culture. Many falsely heralded the boxer 's popularity as a sign that American racism was in sharp decline, Louis heroic status, however, did not fully reflect the complicated racial dynamics either within the sports world or in America, in general. In Joe Louis: Sports and Race in the Twentieth Century, Marcy Sacks gives an account of the life of a man famous both for his sports career and for his race. With excerpts from newspaper clippings, radio broadcasts, poetry, and interviews, Sacks contextualizes Louis life and the legacy he left behind.
Despite-or because of-its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
The rise of China has brought about a dramatic increase in the rate of migration from mainland China. At the same time, the Chinese government has embarked on a full-scale push for the internationalisation of Chinese media and culture. Media and communication have therefore become crucial factors in shaping the increasingly fraught politics of transnational Chinese communities. This book explores the changing nature of these communities, and reveals their dynamic and complex relationship to the media in a range of countries worldwide. Overall, the book highlights a number of ways in which China's "going global" policy interacts with other factors in significantly reshaping the content and contours of the diasporic Chinese media landscape. In doing so, this book constitutes a major rethinking of Chinese transnationalism in the twenty-first century.
The global spread of Islamic movements and the ascendance of a Chinese state that limits religious freedom have aroused anxieties about integrating Islam and protecting religious freedom around the world. Focusing on violent movements like the so-called Islamic State and Uygur separatists in China's Xinjiang Province threatens to drown out the alternatives presented by apolitical and inwardly focused manifestations of transnational Islamic revival popular among groups like the Hui, China's largest Muslim minority. This book explores how Muslim revivalists in China's Qinghai Province employ individual agency to reconcile transnational notions of religious orthodoxy with the materialist rationalism of atheist China. Based on a year immersed in one of China's most concentrated and conservative urban Muslim communities in Xining, the book puts individuals' struggles to navigate theological controversies in the contexts of global Islamic revival and Chinese modernization. By doing so, it reveals how attempts to revive the original essence of Islam can empower individuals to form peaceful and productive articulations with secular societies, and further suggests means of combatting radicalization and encouraging interfaith dialogue. As the first major research monograph on Islamic revival in modern China, this book will be of interest to students and scholars of Anthropology, Islamic Studies, and Chinese Studies.
This 100th Anniversary edition of Du Bois's most widely read book offers significant updates and advantages over all other editions of this classic of African American history. A new Introduction by Manning Marable, Du Bois biographer and eminent historian, puts The Souls of Black Folk into context for 21st Century readers and recounts Du Bois's life-long relationship with his text, which Du Bois continued to rework over many decades. A rarely seen 1953 Re-Introduction by Du Bois is included in this edition, as are the many corrections and changes Du Bois made to the original text during this era. Finally, an explication of the Du Bois text in the new Foreword by Charles Lemert helps the reader better understand the book's historical and current relevance, as does the afterword by Cheryl Townsend Gilkes reflecting on Du Bois's influence on feminism.
A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. It has been widely acknowledged that Douglass, the subject of 160 photographic portraits and the most photographed American of the nineteenth century, anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022.
"Ford's overlap of past and present, narrative and commentary is masterful, and makes this volume all the more valuable to those readers wise enough to allow the past to inform the future. Of Blood and Sweat is a myth-busting work of genius that will stand as the last word on this vital subject for a long time to come."-Elizabeth Dowling Taylor, New York Times bestselling author of A Slave in the White House and The Original Black Elite In this, provocative, timely, and painstakingly researched book, the award-winning author of Think Black tells the story of how Black labor helped to create and sustain the wealth of the white one percent throughout American history. Clyde W. Ford uses the lives of individual Black men and women as a lens to explore the role they have played in creating American institutions of power and wealth-in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and many other fields-while not being allowed to fully participate or share in the rewards. Today, activists have taken the struggle for racial equity and justice to the streets. Of Blood and Sweat goes back through time to excavate the roots of this struggle, from pre-colonial Africa through post-Civil War America. As Ford reveals, in tracing the history of almost any major American institution of power and wealth you'll find it was created by Black Americans, or created to control them. Painstakingly researched and documented, Of Blood and Sweat is a compelling look at the past that holds broad implications for present-day calls for racial equity, racial justice, and the abolishment of systemic racism, and offers invaluable insight into our understanding of Black history and the story of America.
South Korea known as the hermit kingdom was wrenched from its isolation in the mid-seventies with the forced industialisation of its economy by Park Chung-hee during his dictatorial regime. This led South Korea to becoming the most rapidly industialised country in the world with world class technology and a population who are largely digitally proficient. The course is charted from the rule of Park Chung-hee to his democratically elected daughter President Park Geun-hye who is now on trial for corruption. The legacy of the Park to Park era is not only the most fruitful in Korean history but the most tumultuous, most recently because of the accelerated nuclear ambitions of North Korea. The analysis is through the framework of investment, innovation and intellectual property rights and the double edged sword of cult and rapid action, so central to Korean culture.
On African-American Rhetoric traces the arc of strategic language use by African Americans from rhetorical forms such as slave narratives and the spirituals to Black digital expression and contemporary activism. The governing idea is to illustrate the basic call-response process of African-American culture and to demonstrate how this dynamic has been and continues to be central to the language used by African Americans to make collective cultural and political statements. Ranging across genres and disciplines, including rhetorical theory, poetry, fiction, folklore, speeches, music, film, pedagogy, and memes, Gilyard and Banks consider language developments that have occurred both inside and outside of organizations and institutions. Along with paying attention to recent events, this book incorporates discussion of important forerunners who have carried the rhetorical baton. These include Frederick Douglass, Harriet Jacobs, Sojourner Truth, Anna Julia Cooper, W. E. B. Du Bois, Zora Neale Hurston, Malcolm X, Martin Luther King, Jr., Toni Cade Bambara, Molefi Asante, Alice Walker, and Geneva Smitherman. Written for students and professionals alike, this book is powerful and instructive regarding the long African-American quest for freedom and dignity.
Princess Emma, as she became known in colonial circles, was the eldest daughter of the Rharhabe chief Mgolombane Sandile, leader of the Ngqika tribe - western amaXhosa in the 19th Century. This book focuses on the life of Emma Sandile from her early years to her adulthood. Her story reads like a novel except that it is all true, based on archival sources, press reports and fieldwork. After the Cattle Killing in 1857 Governor Sir George Grey and Bishop Robert Gray planned to educate the children of the Xhosa elite as English gentlemen and women loyal to the Empire. This included Emma and her brother Gonya, Sandile's heir, who were sent to Cape Town in 1858. Emma attended the Anglican Zonnebloem College until 1863; her school mistress described this time in an unpublished journal. In 1859, Grey granted Emma and Gonya farms in the Eastern Cape to cover their schooling, making Emma the first black woman private landowner in Southern Africa. As the first black woman landowner in Southern Africa, as the earliest black woman writer in English, as the only woman to attend the Land Commission, Emma was one of the pioneers of black womanism in our country. Her courage in bridging her African tradition and the imposed western culture was without precedence. It is hoped that this window on Emma's world will give some understanding of the problems involved in religious and social change. Perhaps her courage in fighting for her rights as she weathered the storms of fluctuating fortunes will be an inspiration to those who are following in her footsteps today.
This title, first published in 1995, explores the history of the American Missionary Association (AMA) - an abolitionist group founded in New York in 1846, whose primary focus was to abolish slavery, to promote racial equality and Christian values and to educate African Americans. This title will be of interest to students of history and education.
The Xinjiang Uyghur Autonomous Region is China's largest province, shares borders with Kazakhstan, Kyrgyzstan, Tajikistan, Afghanistan, Pakistan, Russia and Mongolia, and possesses a variety of natural resources, including oil. The tensions between ethnic Muslim Uyghurs and the growing number of Han Chinese in Xinjiang have recently increased, occasionally breaking out into violence. At the same time as being a potential troublespot for China, the province is of increasing strategic significance as China's gateway to Central Asia whose natural resources are of increasing importance to China. This book focuses in particular on what life is like in Xinjiang for the diverse population that lives there. It offers important insights into the social, economic and political terrains of Xinjiang, concentrating especially on how current trends in Xinjiang are likely to develop in the future. In doing so it provides a broader understanding of the region and its peoples.
Grounded in Critical Race Theory (CRT), Black Men in Law School refutes the claim that when African American law students are "mismatched" with more selective law schools, the result is lower levels of achievement and success. Presenting personal narratives and counter-stories, Jackson demonstrates the inadequacy of the mismatch theory and deconstructs the ways race is constructed within American public law schools. Calling for a replacement to mismatch theory, Jackson offers an alternative theory that considers marginalized student perspectives and crystallizes the nuances and impact that historically exclusionary institutions and systems have on African American law school students. To further the debate on affirmative action, this book shows that experiences and voices of African American law school students are a crucial ingredient in the debate on race and how it functions in law schools.
"The first step in the reconciliation process," Spencer Perkins writes, "is admitting that the race problem exists and that our inability to deal with race has weakened the credibility of our gospel." When longtime ministry partners and friends Spencer Perkins and Chris Rice began writing More Than Equals in the early 1990s, their goal was to offer an example of how racial reconciliation is possible-and also critical to Christian discipleship. This landmark book tells the stories of two men from very different backgrounds embarking on the complex, costly journey of healing across racial divides. Perkins, who witnessed repeated hypocrisy from white Christians and witnessed his bloodied pastor-activist father after a brutal police beating, wondered how it was possible to love white people. Rice, who grew up as a white missionary kid and thought of himself as progressive, was surprised by the tensions he encountered as a volunteer at a majority-black church-and by his own blind spots. As they served together in an intentionally multiracial ministry, both gained insight into why this work is so challenging and how Christians can do it well, in dependence on God. With biblical grounding, hopeful realism, and practical detail, More Than Equals provides a helpful framework for Christians engaged in the deep ongoing surgery of racial healing. Now available as part of the IVP Signature Collection, this edition includes a new preface by Rice and a study guide for group discussion.
This book explores the written and unwritten requirements Black journalists face in their efforts to get and keep jobs in television news. Informed by interviews with journalists themselves, Lewis examines how raced Black journalists and their journalism organizations process their circumstances and choose to respond to the corporate and institutional constraints they face. She uncovers the social construction and attempted control of "Blackness" in news production and its subversion by Black journalists negotiating issues of objectivity, authority, voice, and appearance along sites of multiple differences of race, gender, and sexuality.
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