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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
African Americans have suffered intensely at the hands of America's dominant group, but the roles played by urban planning, land use policy, and the free market are not well known. Presenting a new conceptual approach, this book considers their "locking effect" on African Americans, showing, for instance, that one-acre zoning and similar policies in upscale neighborhoods lock African Americans out while market mechanisms in decaying neighborhoods lock them in. Arguing that the locking effect leads to the disenfranchisement of African Americans, Bobo shows how wealth is channeled to the dominant group and African Americans' life choices are denuded, creating a volatile situation. Although classical economic theory holds that a free market allocates scarce resources in the best interest of society, in reality market mechanisms do not work to the advantage of African Americans. Nor does public regulation of land use operate in their interest, although public policy is presumed to produce equitable and favorable outcomes for all members of society. This book explores how a combination of government regulation of land use and free market forces have created the locking effect, which has cultivated and sustained a process of disenfranchisement of African Americans.
The problems of young black males are challenging, complex, and chronic, perplexing educators, social scientists, and policymakers. While other groups, including women and recent immigrants, have made economic and social gains in the last two decades, black youth are now more likely than they were in 1960 to be unemployed, to be involved in the criminal justice system, to be unwed fathers, and to commit suicide. Young black males are a population at risk in an escalating cycle of deviance, dysfunction, and despair. This comprehensive volume provides in-depth analyses of the deteriorating status of black youth, particularly black males. Experts from a variety of professions examine the implications and interrelationships of the multiple problems facing black youth and propose a comprehensive set of policies and programs that address those problems. They consider such important economic, sociocultural, and political issues as unemployment, teenage pregnancy, crime and delinquency substance abuse, and the conservative backlash against civil rights and social welfare programs.
Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a jazz aesthetic; this aesthetic becomes part of a strategy of ethnic identification and provides a medium with which to consider the legacy of trauma in African-American history. These diverse writers are all thoroughly immersed in a socio-cultural context and a literary aesthetic that embodies shifting conceptions of ethnic identity across the twentieth century. The emergence of blues and jazz is, likewise, a crucial product of, as well as catalyst for, this context, and in their own aesthetic explorations of notions of ethnicity these writers consciously engage with this musical milieu. By examining the highly varied manifestations of a jazz aesthetic as possibly the fundamental common denominator which links these writers, this study attempts to identify an underlying unifying principle. As the different writers write against essentializing or organic categories of race, the very fact of a shared engagement with jazz sensibilities in their work redefines the basis of African-American communal identity.
Gathering some of the most important Wright scholarship in the world, along with perspectives from emerging Wright critics, "Richard Wright: New Readings in the 21st Century," ""explores new themes and theoretical orientations. Essays center on modernism, racism and spatial dimensions, the transnational and political Wright, Wright and class, Wright and the American 1950s and 1960s, and some of the first analyses of Wright's recently published "A Father""'""s Law" (2008). This dynamic collection combines literary and cultural theory with methods of archival research to provide an expanded vision of Wright's impact on thinking in the twenty-first century.
My Bondage and My Freedom is the second of three published autobiographies from one of the most brilliant and eloquent abolitionists and human rights activists in American history. The Narrative of the Life of Frederick Douglass, an American Slave was published ten years before in 1845, while The Life and Times of Frederick Douglass was published twenty-five years later.
Although the Civil War marked an end to slavery in the United
States, it would take another fifty years to establish the country
s civil rights movement. Dr. W.E.B. Du Bois was among the first
generation of African-American scholars to spearhead this movement
towards equality. As cofounder of the NAACP, he sought to initiate
equality through social change, and as a talented writer, he
created books and essays that provide a revealing glimpse into the
black experience of the times.
The Gift of Black Folk "provides a powerful picture of the many struggles that paved the way for freedom and equality in our nation. "
Offering a revolutionary way of reading 19th-century slave narratives, Fishburn seeks to recover the philosophical foundations of African American literature. Underlying slave narrative is an expression of the problem of physical embodiment; that is, the dualistic thinking of the mind-body division. Fishburn's work uncovers the tension between needing to acknowledge the fact of human embodiment and wishing to overcome its consequences in a racist society. One of the strongest points made by this pioneering work is the controversial claim that these slave narratives offer one of the most telling, if largely overlooked, pre-Heideggerian critiques of liberal humanism ever attempted in the West.
In Intersectional Tech: Black Users in Digital Gaming, Kishonna L. Gray interrogates blackness in gaming at the intersections of race, gender, sexuality, and (dis)ability. Situating her argument within the context of the concurrent, seemingly unrelated events of Gamergate and the Black Lives Matter movement, Gray highlights the inescapable chains that bind marginalized populations to stereotypical frames and limited narratives in video games. Intersectional Tech explores the ways that the multiple identities of black gamers some obvious within the context of games, some more easily concealed affect their experiences of gaming. The normalization of whiteness and masculinity in digital culture inevitably leads to isolation, exclusion, and punishment of marginalized people. Yet, Gray argues, we must also examine the individual struggles of prejudice, discrimination, and microaggressions within larger institutional practices that sustain the oppression. These ""new"" racisms and a complementary colorblind ideology are a kind of digital Jim Crow, a new mode of the same strategies of oppression that have targeted black communities throughout American history. Drawing on extensive interviews that engage critically with identity development and justice issues in gaming, Gray explores the capacity for gaming culture to foster critical consciousness, aid in participatory democracy, and effect social change. Intersectional Tech is rooted in concrete situations of marginalized members within gaming culture. It reveals that despite the truths articulated by those who expose the sexism, racism, misogyny, and homophobia that are commonplace within gaming communities, hegemonic narratives continue to be privileged. This text, in contrast, centers the perspectives that are often ignored and provides a critical corrective to notions of gaming as a predominantly white and male space.
The violent colonization of Africa by European nations toward the end of the 19th century--a colonization justified by theories about the African Mind promulgated in the Age of Reason--had a profound impact upon the mind of Black Africa. After World War II, the mind of Black Africa rebelled; this rebellion led to a struggle for the self. After Africans achieved political independence, the new African leaders betrayed their own people. Africans now have the responsibility of restoring and reaffirming their true inheritance--the mind of Black Africa.
Manzo examines, by means of historical analysis, the effects of global power relationships on the politics of South Africa. The author looks at the ways in which global power constructs identity, normalizes relations of domination, and shapes the form that resistance takes. She asks, for example, why dominated people are so often waging conflicts among themselves rather than directing their resistance unfailingly toward their oppressors. Why, too, is open defiance relatively rare and mass action infrequently used? South Africa, as an example, is used to illustrate the much broader experience of oppressed populations as they struggle against western domination. The book vividly portrays the complexity of relationships in South Africa and the role played by black resistance in economic and political change over time. Manzo's sound interpretation unifies and enriches the historical progression and establishes a solid foundation for analyzing the lessons South Africa offers about the use of power in international relations.
The plight of the Black male in American society has been well-documented by scholars and practitioners. Although Black males represent only 6 percent of the American population, they represent about 40 percent of the prison population; the number of Black males in prison and jail exceeds the number of Black males in higher education. The homicide rates for Black males were 72.5 percent per 100,000, nearly eight times higher than for White males. This bibliographic volume explores the extent to which American academia has addressed these problems. It will be an invaluable resource for researchers as well as practitioners in social service programs. In addition to more than 400 annotated publications, the book includes a selected list of works on the African American male and a compilation of doctoral dissertations. This publication will serve as a reference in public as well as academic libraries, human service agencies, government policymaking agencies, and in academic courses in gender and ethnic studies, criminal justice, and social psychology.
What does the modern era look like to those labeled "not modern" or "traditional"? Refuting claims that their art was "old world" and "primitive," African, Native, and Jewish American writers in the early twentieth century instead developed experimental strategies of self-representation that reshaped the very form of the novel itself. Uncovering the connections and confrontations among three ethnic groups not often read in relation to one another, Kent maps out the historical contexts that have shaped ethnic American writing in the Modernist era, a period of radical dislocation from homelands and increased migration for these three ethnic groups. Rather than focus on the ways others have represented these groups, Kent restores the voices of these multicultural writers to the debate about what it means to be modern.
INTO EGYPT AGAIN WITH SHIPS explains the spiritual implications regarding the more than 250 years of chattel slavery, 100 years of Jim Crow, semi-permanent underclass status, and loss of true identity that "African Americans" have suffered in the United States. This book also reveals the biblical solution that will lead to the complete liberation of a people. All those who have descended from slaves, and consider themselves to be "Negro," "Black," or "African American" should have the audacity to read this book.
Historically, women of color have experienced discrimination based on the double jeopardy of race and/or ethnicity, and gender in their quest for access and advancement in higher education. Today's women of color in higher education however are the beneficiaries of courageous and committed women predecessors who confronted and disrupted institutions to attain a higher level of education (Jean-Marie, 2005). Together with Volume 10, this two-edited volume focuses on African American, Hispanic American, Native American, and Asian-Pacific American women whose increased presence in senior level administrative and academic positions in higher education is transforming the political climate to be more inclusive of women of color. Topics include trends and issues, leadership styles/characteristics, tenure and promotion, mentoring/social networks, and challenges and opportunities. As a conceptual framework, the collection of chapters in the two volumes acquaints readers with a broad overview of the characteristics and experiences of women of color in higher education. The two volumes include: "Women of Color in Higher Education: Turbulent Past, Promising Future" and "Women of Color in Higher Education: Contemporary Perspectives and Changing Directions".
The story of two larger-than-life personalities from one humble corner of the Missippi Delta: the senator, James O. Eastland, a fabulously wealthy cotton planter and the sharecropper, Fannie Lou Hamer, who grew up desperately poor a few miles from Eastland's plantation. Asch charts the epic struggle for black equality in the 20th century by telling the story of the two deeply intertwined life histories of the staunch segregationist senator and his sharecropper nemesis.
Carter Godwin Woodson (1875-1950) was an African-American historian, author, journalist and the founder of Black History Month. He is considered the first to conduct a scholarly effort to popularize the value of Black History.
James Campbell provides an in-depth survey of crime, punishment and justice in African American history. Presenting cutting-edge scholarship on issues of criminal justice in African American history in an accessible way for students, he makes connections between black experiences of criminal justice and violence from the slave era to the present.
RIVERS OF WOMEN, THE PLAY by poet and oral performer Shirley Bradley LeFlore is a stage-play of poems accompanied with photographs by award-winning, Chicago-based photographer Michael J. Bracey. Bracey matches his images with LeFlore's poetry, adding a visual dimension that succeeds in endowing every poem with an added sense of depth and emotionality through his unique mode of multilayered conceptualization. RIVERS OF WOMEN is LeFlore's most prolific work of poetry rooted in the stories and voices of womanhood. Readers will hear the music and see the dance as they flip through the pages.
African Americans have come a long way in the difficult upward struggle from slavery to the relatively broad freedoms enjoyed today. Together, as a potent and well-knit group, they have battled endlessly in their march toward freedom. Finally, according to psychologist James Davison Jr, the last step to freedom for black Americans has arrived. But, that last step must be taken as individuals - not as a collective. In this assessment of the problems and potentials facing African Americans, Dr Davison argues that in order for achieving individuals to advance to the final step of freedom, they must break free from the mental shackles created by the black community.The central theme of "Sweet Release" is that the forces that impinge most upon psychological freedom for black Americans come from within. Guilt for being successful, shame in reaction to the misbehaviours of race peers, demands to give back to the community, and accusations of trying to be white are just a few of the mechanisms that thwart psychological freedom for black persons. Dr Davison argues that individual lifestyles, aspirations, even identities are constrained by the spectre of racial unity. As a result, for black advancers, what remains to be overcome is not 'the system' or 'them', but internalised community attitudes that put a choke hold on individual freedom. Unafraid of controversy or candid assessment, Dr Davison addresses these and other thorny issues with psychological insight while offering strategies to move beyond group constrictions toward personal freedom.
This book focuses on the phenomenon of Chinese postgraduate students studying abroad and depicts their learning trajectory as they adjust to a new culture of teaching and learning in a new environment. It uses an example from a British university to draw together intercultural learning theories to explore the impact that studying abroad has. |
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