Tracing the religious history of Siler City, North Carolina, Chad E. Seales argues that southern whites cultivated their own regional brand of American secularism and employed it, alongside public religious performances, to claim and regulate public spaces. Over the course of the twentieth century, they wielded secularism to segregate racialized bodies, to challenge local changes resulting from civil rights legislation, and to respond to the arrival of Latino migrants. Combining ethnographic and archival sources, Seales studies the themes of industrialization, nationalism, civility, privatization, and migration through the local history of Siler City; its neighborhood patterns, Fourth of July parades, Confederate soldiers, minstrel shows, mock weddings, banking practices, police shootings, Good Friday processions, public protests, and downtown mural displays. Offering a spatial approach to the study of performative religion, The Secular Spectacle presents a generative narrative of secularism from the perspective of evangelical Protestants in the American South.

Wright presents this collection of six essays on aspects of black history. Each essay is based upon a critical historical methodology that is comprised of, among other things, a racial analysis, an intersectional analysis, rigorous logic, conceptual integrity, and a critical analysis of ideas, words, and images. Critical of the romantic approach to the subject, Wright seeks to uncover a deeper analysis, knowledge, and truth regarding aspects of black history, even when it involves the presentation of material and viewpoints that some might find objectionable. He predicates these pieces on the idea that history is still a valuable subject, firmly rejecting the postmodern view that it has lost its validity. Wright demonstrates that black history is a vital and necessary subject, not only for black people, but for all Americans. A critical black history is itself, Wright contends, a device to evaluate American history in a critical manner, to get into the subject more deeply, and to adduce deeper knowledge and truths about it. These essays show the author's interest in strengthening that critical capacity of black historical writing and his belief that this is a primary and necessary means to maintain the viability and productivity of the academic discipline and to ward off its detractors.

Lynched-at-Law speaks to American life. Ambition encounters nuances of race, racism, religion, money, law, lawful conspiracy, criminal and the political forces that shape "reality."

The urban rebellions that rocked Miami in 1980, and other large cities in the United States during the 1960s, can be looked at as contributory components of the Black freedom movement. This new study argues that they are, on one level, a tactical response to contemporary forms of White domination and, on another level, an act in which key core values of the African American experience are sustained. The book provides an overview of racial violence in America, from the slaveocracy of the 18th and 19th centuries, to the urban rebellions of the late 20th century. It shows that in Black-White intergroup relations, Whites have used violence and the threat of violence to repress and intimidate Blacks. Blacks have used violence as a way of resisting White domination. The form that violence has taken has been shaped by prevailing societal conditions.

Importantly, the book concentrates on the essence of Black-White intergroup relations. In doing so, the thematic and cultural propensities that pattern the reality of those relations are clearer. Foremost is the practice of White domination and the Black response of resistance, which seeks to end that domination and encourage freedom and justice. The book ends by going beyond current thinking and looks to African American core values as key referents to examine Black violence.

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An insider's look at the formative years of the Black Panther Party, this raw, sympathetic portrayal is as fresh today as when first published in 1971. Reginald Major knew and worked with leaders of the Party prior to its organization, and from this intimate vantage point he captured events as the Panthers set the example for black resistance across the country. This edition includes a new introduction by the author.

This collection of comparative critical and theoretical essays examines James Baldwin and Toni Morrison's reciprocal literary relationship. By reading these authors side-by-side, this collection forges new avenues of discovery and interpretation related to their representations of African American and American literature and cultural experience.

This book provides both a comprehensive cross-reference to modern Afro-American short stories published from 1950-1982 and an analysis and commentary on modern short fiction. Over 850 stories written by approximately 300 authors are indexed. It also provides an extensive guide to many of the stories published in anthologies, collections, and periodicals during this period. Part I, the Chronology, lists the stories by year of publication and alphabetically by title within each year. An index code, which cross-references the Chronology to the author and title indexes, precedes each story. The author, the point of view, a description, and all of the known sources for the story are given. Part II lists, in standard bibliographical format, the anthologies and collections in which the stories appear and lists each story in the anthologies/collections. Part III consists of approximately 100 analyses/commentaries/critiques of selected stories in accordance with traditional literary genres: comedy, epic, tragedy, tragi-comedy, and unresolved struggle, as well as generally accepted types of Afro-American literature: celebrative-commemorative, militant, protest, personal experience, and universal concerns. Title and author indexes complete the book.

Statistics indicate that African American females , as a group, fare poorly in the United States. Many live in single-parent households - either as the single parent mother or as the daughter. Many face severe economic hurdles. Yet despite these obstacles, some are performing at exceptional levels academically. Based on interviews with hundreds of successful young women and their families, Overcoming the Odds provides a wealth of information about how and why they have succeeded - what motivates them, how their backgrounds and family relationships have shaped them, even how it feels to be a high academic achiever.

With the emergence of popular culture phenomena, such as reality television, blogging, and social networking sites, it is important to examine the representation of Black women and the potential implications of those images, messages, and roles. Black Women and Popular Culture: The Conversation Continues provides such a comprehensive analysis. Using an array of theoretical frameworks and methodologies, this anthology features cutting edge research from several scholars interested in the relationship among media, society, perceptions, and Black women. The uniqueness of this book is that it serves as a compilation of hot topics such as ABC s Scandal, Beyonce s Visual Album, and Oprah s Instagram page. Other themes explored are rooted in reality television, film, and hip hop, as well as issues of gender politics, domestic violence, and colorism. The discussion also extends to the presentation and inclusion of Black women in advertising, print, and digital media."

Dean Nisbett has crafted an excellent book that is carefully researched. He is a masterful storyteller, combining theology, sociology, history, scripture and church architecture into a masterpiece. Writing about the struggle of a suburban parish to build an edifice, the author cites numerous parallels between the Israelites' history and that of the parish. He recasts the Israelites' story into the contemporary, making the Bible relevant in demonstrating the ongoing work of God. Nisbett explores the struggle of African Americans to be integrated into the United States of America. He addresses the tension between West Indians and black Americans and notes the latter's significant contribution to the Episcopal Church. He recognizes the indelible contribution of the first African Americans who penetrated the white enclave of Cambria Heights. Recognition is also made of black Episcopalians for their valuable contribution to the society and for challenging the church to be honest to its Catholicity, insisting that they (black Episcopalians) be included into the "Body of Christ."The author explicates the concept of vocation, the "call" to serve God in His church. He shares his personal experience. Very inspiring A must read for those contemplating the ordained ministry.The book integrates the Church into the life of the community. It is an excellent tool for congregational development, and could serve as a model for congregations to chronicle their history from a theological perspective. In addition, the book will be useful to those researching the history of the ordination of black Episcopalians and the birth of the black Episcopal congregation in the United States. It is a wonderful resource for those considering church construction. Finally, the author theologizes the building and provides a helpful manual for every worshiper whom the author (in" reference to 1st Peter") describes as "living stones" built upon the foundation of Jesus Christ, "The chief Corner Stone."

A Matter of Black and White is the personal story of an Oklahoma woman whose fight to gain an education formed a crucial episode in the civil rights movement. Born in Chickasha, Oklahoma, of parents only one generation removed from slavery, Ada Lois Sipuel Fisher became the plaintiff in a landmark U.S. Supreme Court case that laid the foundation for the eventual desegregation of schools (and much else) in America.

A Matter of Black and White resounds with almost universal human themes-childhood, school, friends, colleagues, community, and a love that lasted a lifetime.

This study contends that historians and intellectuals failed to understand the difference between race and ethnicity, which has in turn impaired their ability to understand who Black people are in America. The author argues that Black Americans are to be distinguished from other categories of black people in the country: black Africans, West Indians, or Hispanics. While Black people are members of the black race, as are other groups of people, they are a distinct ethnic group of that race. This conceptual failure has hampered the ability of historians to define Black experience in America and to study it in the most accurate, authentic, and realistic manner possible.

This confusing situation is aggravated further by the fact that many scholars tend to describe Black people in an arbitrary manner, as Africans, African Americans, Afro-Americans, black or Black, which is insufficient for precision. They sometimes downplay the historical evidence regarding African identity, and the identity of Blacks in America. Wright offers a new methodological basis for undertaking Black history: namely, the framework of historical sociology. He argues that this approach will produce a more useful history for Black people and others in America.

First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.

The story of a union organizer who found a second career in community organizing and helped a Jim Crow city become a better place. Ernest Thompson dedicated his life to organizing the powerless. This lively, illustrated personal narrative of his work shows the great contribution that people's coalitions can make to the struggle for equality and freedom. Thompson cut his teeth organizing one of the great industrial unions, the United Electrical Radio and Machine Workers of America, and brought his organizing skills and commitment to coalition building to Orange, New Jersey. He built a strong organization and skillfully led fights for school desegregation, black political representation, and strong government in a city he initially thought of as a "dirty Jim Crow town going nowhere." Thompson came to love the City of Orange and its caring citizens, seeing in its struggles a microcosm of America. This story of people's power is meant for all who struggle for human rights, economic opportunity, decent housing, effective education, and a chance for children to have a better life. Ernest Thompson (1906-1971) grew up on the Eastern Shore of Maryland, on a farm that had been given to his family at the end of the Civil War. The family was very poor and oppressed by racist practices. Thompson was determined to get away and to obtain power. He migrated to Jersey City, where he became part of the union organizing movement that built the Congress of Industrial Unions (CIO). He became the first African American to hold a fulltime organizing position with his union, the United Electrical Radio and Machine Workers of America (UE). He eventually headed UE's innovative Fair Employment Practices program and fought for equal rights and pay for women and minority workers. Thompson also helped build the National Negro Labor Council, 1951-1956, and served as its director of organizing. In 1956, under the onslaught of the McCarthy era, UE was split in two, and Thompson lost his job. His wife, Margaret Thompson, brought the local school segregation to his attention. Ernie "Home" Thompson organized to desegregate the regional schools, building strong coalitions and political power for the black community that ultimately served all the people of Orange.

"Slavery is terrible for men, but it is far more terrible for women," Harriet Jacobs states plainly in this riveting account of her life as a slave, and then sets out to recount, in chilling detail, the particular horrors for women caught in that terrible snare. Published in 1861 under the pseudonym Linda Brent, Incidents was the first account of slavery to explore the sexual abuse female slaves endured... in Jacobs' case, a catalog of harassment she suffered while working in the home of a doctor known to have sold children he'd fathered with slave women. Long believed to have been written by a white author as a fictional novel, Incidents in the Life of a Slave Girl rings with a ghastly truth that still has the power to haunt modern readers.

A concise and accessible history A brief history of black Christian churches in the United States has long been needed. Larger sociological and historical studies have enhanced the picture of the historically black denominations. At the same time, black-church members need a handy introduction to their own religious homes, as do college students of American history and religion. This volume, co-authored by a black minister and a black theologian, provides an overview of the shape and history of major black religious bodies: Methodist, Baptist, and Pentecostal. It introduces the denominations and their demographics before relating their historical development - from the eighteenth century to the end of the Civil Rights Movement - into the groups we know today. A final chapter sketches the state of the black Christian church bodies today and their ongoing contributions to a more just American society. The Pinns' book will help a new generation of black Americans assess its religious legacy and the larger society to gauge its social import.