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Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
Of the many captivity stories or 'slave narratives' that emerged in the first half of the nineteenth century, the Narrative of the Life of Frederick Douglass is widely considered to be the most important. The author, known for his eloquence, brings the same mastery of the English language to his memoir. His book describes the events of his life and is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States.
After World War II, writers and literary critics - black and white - engaged in heated debates centred on the literary and imaginative problem of representing African-Americans in American literature. As the Cold War unfolded, many of these debates began to appear in journals, conferences and other events, including those directly sponsored by the Congress for Cultural Freedom and other organisations funded by U.S. and British intelligence agencies. Ralph Ellison, who would eventually join the American Congress for Cultural Freedom, was one of the most famous and frequently published critics on the 'Negro Problem' in literature during this period. Using never before published materials from Ralph Ellison's papers at the Library of Congress, Purcell contextualises his thinking on the Negro Problem - in particular its bearing on American literary history, Modernism and broader American geo-politics - within the shadow of the CCF's influence. Therefore, not only does the book explore how the Cold War's ideological battles influenced these debates, it illuminates the important role 'race' and more specifically African-American writers and intellectuals played in the cultural Cold War.
The rich history of encounters prior to World War I between people from German-speaking parts of Europe and people of African descent has gone largely unnoticed in the historical literature-not least because Germany became a nation and engaged in colonization much later than other European nations. This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans' perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories, and that earlier constructions of "race" were far more differentiated. The contributors present a wide range of Black-German encounters, from representations of Black saints in religious medieval art to Black Hessians fighting in the American Revolutionary War, from Cameroonian children being educated in Germany to African American agriculturalists in Germany's protectorate, Togoland. Each chapter probes individual and collective responses to these intercultural points of contact.
Black conservatism is no oxymoron. Recent polls have indicated that an increasing number of black Americans identified themselves as conservatives, favoring smaller government, lower taxes, tougher crime laws, welfare reform, and personal initiative. While applauding the moral and legal victories of the Civil Rights Movement, the conservative spokespeople in this dynamic new collection reject the claims of inequities and what they consider to be the self-serving agenda of the present civil rights establishment. National leaders such as Justice Clarence Thomas and former Representative Gary Franks and writers such as Shelby Steele and Glenn Loury appear either as contributors or as subjects in this volume. They emphasize the grassroots aspects of black conservatism with a reliance on common sense and common humanity. The strength of the black conservative voice lies in the growth of its numbers and social influence. As more African-Americans shift to the right and embrace conservative ideology, they are signalling what may be one of the most politically significant trends in American public life as the 20th century draws to a close. This provocative collection of essays shatters the myth that black Americans are uniformly left of center and that conservatism is an ideology with a white face. Unique in its personal and political portrait of black conservatives in America, this book shows the remarkable diversity of ideas from one of the most talked-about political movements to emerge in recent years.
Briefly describes the lives and contributions of more than fifty notable African-Americans in Florida, from 1528 to the present, in such fields as education, politics, journalism, sports, music, and religion.
- Profiles more than 50 African Americans during four centuries of Florida history in brief essays
Literary and Sociopolitical Writings of the Black Diaspora in the Nineteenth and Twentieth Centuries traces the historiography of literary and sociopolitical movements of the Black Diaspora in the writings of key political figures. It comparatively and dialogically examines such movements as Pan-Africanism, Garveyism, Indigenisme, New Negro Renaissance, Negritude, and Afrocriollo. To study the key ideologies that emerged as collective black thought within the Diaspora, particular attention is given to the philosophies of Black Nationalism, Black Internationalism, and Universal Humanism. Each leader and writer helped establish new dimensions to evolving movements; thus, the text discerns the temporal, spatial, and conceptual development of each literary and sociopolitical movement. To probe the comparative and transnational trajectories of the movements while concurrently examining the geopolitical distinctions, the text focuses on leaders who psychologically, culturally, and/or physically traveled throughout Africa, the Americas, and Europe, and whose ideas were disseminated and influenced a number of contemporaries and successors. Such approach dismantles geographic, language, and generation barriers, for a comprehensive analysis. Indeed, it was through the works transmitted from one generation to the next that leaders learned the lessons of history, particularly the lessons of organizational strategies, which are indispensable to sustained and successful liberation movements.
Woody Strode's extraordinary career led him from football field to wrestling ring to Hollywood. In 1939 Woody, Jackie Robinson and Kenny Washington led UCLA to its first undefeated football season. After World War II Woody and Kenny Washington became the first blacks to play in the NFL. In 1950 Woody became pro wrestling's first black star, After that it was a small step to Hollywood where he appeared in such films as The Ten Commandments, Spartacus, and The Cotton Club. Sam Young and Woody Strode met while working on a televisions production. Their relationship grew until after three years, countless hours of conversations and interviews, Goal Dust was completed.
From his groundbreaking book Speech Acts to his most recent studies of consciousness, freedom and rationality John Searle has been a dominant and highly influential figure amongst contemporary philosophers. This systematic introduction to the full range of Searle's work begins with the theory of speech acts and proceeds with expositions of Searle's writings on intentionality, consciousness and perception, as well as a careful presentation of the so-called Chinese Room argument. The volume considers Searle's recent work on social ontology and his views on the nature of law and obligation. It concludes with an appraisal of Searle's spirited defense of truth and scientific method in the face of the criticisms of Derrida and other postmodernists. This is the only comprehensive introduction to Searle's work, and as such it will be of particular value to advanced undergraduates, graduates and professionals in philosophy, psychology, linguistics, cognitive and computer science and literary theory.
In this edited collection, the authors grapple with both the strengths and challenges that HBCUs face as the nation's demographics change, from their place in American society and growing diversity on HBCU campuses to class and elitism issues to study abroad and honors programs.
It was a common charge among black radicals in the 1960s that Britons needed to start "thinking black." As state and society consolidated around a revived politics of whiteness, "thinking black," they felt, was necessary for all who sought to build a liberated future out of Britain's imperial past.In Thinking Black, Rob Waters reveals black radical Britain's wide cultural-political formation, tracing it across new institutions of black civil society and connecting it to decolonization and black liberation across the Atlantic world. He shows how, from the mid-1960s to the mid-1980s, black radicalism defined what it meant to be black and what it meant to be radical in Britain.
Compared to the early decades of the 20th century, when scholarly writing on African Americans was limited to a few titles on slavery, Reconstruction, and African American migration, the last thirty years have witnessed an explosion of works on the African American experience. With the Civil Rights and Black Power movements of the 1960s came an increasing demand for the study and teaching of African American history followed by the publication of increasing numbers of titles on African American life and history. This volume provides a comprehensive bibliographical and analytical guide to this growing body of literature as well as an analysis of how the study of African Americans has changed. In essays written by scholars from the fields of history, literature, religion, political science, sociology, psychology, music, and religion, the book spotlights the historiographical trends associated with the evolving study of African American life and history. Students and scholars, as well as general readers, will find the guide to be a useful tool in identifying secondary materials for study, class use, and scholarly research.
By the mid-1920s, the Harlem Renaissance was underway. As an effort to secure economic, social, and cultural equality with white citizens, the Renaissance years were a proving period for black composers and performers. Black Music in the Harlem Renaissance explores black music in the United States and England during the 1920s and its relationship to other arts of the time. The first collection on the subject, Black Music in the Harlem Renaissance seeks to revise previous assumptions about music during this era. The book features essays on various subjects including musical theatre, Duke Ellington, black music and musicians in England, concert singers and the interrelationships between black painters and music. In addition, the book includes a music bibliography of works composed during the period.
Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.
Goddess Pages: Honey, Full Moons and Daggers is as much a journey through womanhood, as it is an exquisitely written book of poetry. Through words, Shepsa courses through the faces of the Goddess; seductively sensual, heroically maternal, and radically rebellious. Goddess Pages is a feast of words that will make you want to make love, have a baby and plan the revolution.
A must read book for the 21st Century. The journey of an ordinary black man, who fights an unpopular war as a young man and confronted with death becomes disillusioned with society until he is almost a statistic. Subsequently, he manages to come to a better understanding of life experiences and their impact upon his future through the "school of hard knocks." Realizing that he is his own worst enemy and a change must be made, shaped by his parents and a community, embarks on a path that takes him half way around the world and home again.
"Given Bunche's eventual rise to prominence as a black leader, and the criticism his integrationist politics engendered from black nationalists, it is particularly revealing to read this early work."--"Booklist" "A timely and penetrating appreciation of Ralph Bunche's
benchmark study of the African American leadership class in the
early decades of the last century." "Jonathan Holloway has performed a wonderful service in editing
and introducing Bunche's "A Brief and Tentative Analysis of Negro
Leadership," For scholars and teachers in the field it has long
been a source of frustration that this material has not been
available. Bunche's insights and interpretations provide an
important perspective on a key moment in the shaping of modern
black American politics, and Holloway's introduction very usefully
situates Bunche and his analysis in the context of the time." "Ralph Bunche's stature as one of the key African American
intellectuals of the twentieth-century continues to grow. Jonathan
Holloway has done a great service by bringing Bunche's unpublished
work on leadership to light. Skillfully guiding the reader,
Holloway's introduction and editorial notes provide a perfect
balance of information and interpretation, adding much to our
understanding of this important and yet often neglected
figure." "Provides key insight into Black leadership at the dawn of the modern Civil Rights Movement, and forces a reconsideration of Bunche's legacy as a reformer and the historical meaning of his early involvement in the Civil Rights Movement."--"Ebony" A world-renowned scholar and statesman, Dr. Ralph J. Bunche (1903-1971) began his career as an educator and a political scientist, and later joined the United Nations, serving as Undersecretary General for seventeen of his twenty-five years with that body. This African American mediator was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace. In the mid-1930s, Bunche played a key role in organizing the National Negro Congress, a popular front-styled group dedicated to progressive politics and labor and civil rights reform. A Brief and Tentative Analysis of Negro Leadership provides key insight into black leadership at the dawn of the modern civil rights movement. Originally prepared for the Carnegie Foundation study, An American Dilemma: The Negro Problem and Modern Democracy, Bunche's research on the topic was completed in 1940. This never-before-published work now includes an extended scholarly introduction as well as contextual comments throughout by Jonathan Scott Holloway. Despite the fact that Malcolm X called Bunche a "black man who didn't know his history," Bunche never wavered from his faith that integrationist politics paved the way for racial progress. This new volume forces a reconsideration of Bunche's legacy as a reformer and the historical meaning of his early involvementin the civil rights movement. |
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