Finally! The African American Historical prospective you've been waiting for! If you deserve the African American truth, demand it - by reading and sharing the truth.

After World War II, writers and literary critics - black and white - engaged in heated debates centred on the literary and imaginative problem of representing African-Americans in American literature. As the Cold War unfolded, many of these debates began to appear in journals, conferences and other events, including those directly sponsored by the Congress for Cultural Freedom and other organisations funded by U.S. and British intelligence agencies. Ralph Ellison, who would eventually join the American Congress for Cultural Freedom, was one of the most famous and frequently published critics on the 'Negro Problem' in literature during this period. Using never before published materials from Ralph Ellison's papers at the Library of Congress, Purcell contextualises his thinking on the Negro Problem - in particular its bearing on American literary history, Modernism and broader American geo-politics - within the shadow of the CCF's influence. Therefore, not only does the book explore how the Cold War's ideological battles influenced these debates, it illuminates the important role 'race' and more specifically African-American writers and intellectuals played in the cultural Cold War.

"Though New York remains the de facto capital of American theater, much of the most daring and interesting work today is done by regional theaters. This is doubly true of plays by African American authors, who, despite a few notable exceptions (August Wilson, George C. Wolfe), suffer under a commercial apartheid that keeps black plays off Broadway. Of necessity, African American theater artists have to create their own venues from the ground up. This wide-ranging anthology edited by the founder of the New Federal Theater celebrates the work of that company's black-owned, black-run peers by presenting work by 11 dramatists. Among the most interesting are Jeff Stetson's moving The Meeting, which imagines a meeting between Malcolm X and Martin Luther King Jr., and Shauneille Perry's fascinating updating of In Dahomey, the 1903 musical hit that was the first 'all-Black show' on Broadway." - Jack Helbig, Booklist

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Why have the struggles of the African Diaspora so resonated with South Pacific people? How have Maori, Pasifika and Pakeha activists incorporated the ideologies of the African diaspora into their struggle against colonial rule and racism, and their pursuit of social justice? This book challenges predominant understandings of the historical linkages that make up the (post-)colonial world. The author goes beyond both the domination of the Atlantic viewpoint, and the correctives now being offered by South Pacific and Indian Ocean studies, to look at how the Atlantic ecumene is refracted in and has influenced the Pacific ecumene. The book is empirically rich, using extensive interviews, participation and archival work and focusing on the politics of Black Power and the Rastafari faith. It is also theoretically sophisticated, offering an innovative hermeneutical critique of post-colonial and subaltern studies. The Black Pacific is essential reading for students and scholars of Politics, International Relations, History and Anthropology interested in anti-colonial struggles, anti-racism and the quests for equality, justice, freedom and self-determination.

A must read book for the 21st Century. The journey of an ordinary black man, who fights an unpopular war as a young man and confronted with death becomes disillusioned with society until he is almost a statistic. Subsequently, he manages to come to a better understanding of life experiences and their impact upon his future through the "school of hard knocks." Realizing that he is his own worst enemy and a change must be made, shaped by his parents and a community, embarks on a path that takes him half way around the world and home again.

Goddess Pages: Honey, Full Moons and Daggers is as much a journey through womanhood, as it is an exquisitely written book of poetry. Through words, Shepsa courses through the faces of the Goddess; seductively sensual, heroically maternal, and radically rebellious. Goddess Pages is a feast of words that will make you want to make love, have a baby and plan the revolution.

John Henry swims better than anyone I know.

He crawls like a catfish, blows bubbles like a swamp monster, but he doesn't swim in the town pool with me.

He's not allowed.

Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim.

But there's one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn't allowed to do everything his best friend is.

Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there . . . only to discover that it takes more than a new law to change people's hearts.

This stirring account of the "Freedom Summer" that followed the passage of the Civil Rights Act of 1964 powerfully and poignantly captures two boys' experience with racism and their friendship that defies it.