In the twentieth-century struggle for racial equality, there was perhaps no setting more fraught and contentious than the public schools of the American south. In Prince Edward County, Virginia, in 1951, a student strike for better school facilities became part of the NAACP legal campaign for school desegregation. That step ultimately brought this rural, agricultural county to the Supreme Court of the United States as one of five consolidated cases in the historic 1954 ruling, Brown v. Board of Education. Unique among those cases, Prince Edward County took the extreme stance of closing its public school system entirely rather than comply with the desegregation ruling of the Court. The schools were closed for five years, from 1959 to 1964, until the Supreme Court ruling in Griffin v. County School Board of Prince Edward County ordered the restoration of public education in the county. This historical anthology brings together court cases, government documents, personal and scholarly writings, speeches, and journalism to represent the diverse voices and viewpoints of the battle in Prince Edward County for-and against-educational equality. Providing historical context and contemporary analysis, this book offers a new perspective of a largely overlooked episode and seeks to help place the struggle for public education in Prince Edward County into its proper place in the civil rights era.

In this powerful memoir, Charles Dew, one of America's most respected historians of the South--and particularly its history of slavery--turns the focus on his own life, which began not in the halls of enlightenment but in a society unequivocally committed to segregation. Dew re-creates the midcentury American South of his childhood--in many respects a boy's paradise, but one stained by Lost Cause revisionism and, worse, by the full brunt of Jim Crow. Through entertainments and ""educational"" books that belittled African Americans, as well as the living examples of his own family, Dew was indoctrinated in a white supremacy that, at best, was condescendingly paternalistic and, at worst, brutally intolerant. The fear that southern culture, and the ""hallowed white male brotherhood,"" could come undone through the slightest flexibility in the color line gave the Jim Crow mindset its distinctly unyielding quality. Dew recalls his father, in most regards a decent man, becoming livid over a black tradesman daring to use the front, and not the back, door. The second half of the book shows how this former Confederate youth and descendant of Thomas Roderick Dew, one of slavery's most passionate apologists, went on to reject his racist upbringing and become a scholar of the South and its deeply conflicted history. The centerpiece of Dew's story is his sobering discovery of a price circular from 1860--an itemized list of humans up for sale. Contemplating this document becomes Dew's first step in an exploration of antebellum Richmond's slave trade that investigates the terrible--but, to its white participants, unremarkable--inhumanity inherent in the institution. Dew's wish with this book is to show how the South of his childhood came into being, poisoning the minds even of honorable people, and to answer the question put to him by Illinois Browning Culver, the African American woman who devoted decades of her life to serving his family: ""Charles, why do the grown-ups put so much hate in the children?

This historical account of the transatlantic slave trade between Africa and the United States is filled with a wealth of records, details and analyses of its attempted suppression. The various moral, economic and religious arguments against slavery were clear from the outset of the practice in the early 16th century. The ownership of a human life as an economic commodity was decried from religious circles from the earliest days as an immoral affront to basic human dignity. However the practice of gaining lifelong labor in exchange only for a basic degree of care meant slavery persisted for centuries across the New World as a lucrative endeavor. The colonial United States would, from the early 17th century, receive many thousands of slaves from Africa. Many of the slaves transported were sent to work on plantations and farms which steadily spread across the warmer southern states of the nation. Others would do manual work on the docks, for instance moving goods in the fledgling trading colonies.

Author Serguei Blinov grew up in the former Union of Soviet Socialist Republics as the son of an engineer and a high school history teacher. Early on in life, he set his sights on becoming a medical doctor. He also met the love of his life, Lioudmila Vertiasheva. She graduated before him as a pediatric medical doctor before getting a job at a maternity hospital. Soon thereafter, Blinov also found himself working in medicine.In this, his memoir, Blinov recalls the hard work it took for him to succeed, the good times, and the bad--as well as what led him and his family to the United States of America. His honest assessment of life in both the Soviet Union and the United States showcases cultural differences and the positives and negatives of communism and capitalism.If you're interested in learning more about the former Soviet Union and what life there was really like, this personal narrative offers firsthand accounts of villages, agriculture, the educational system, and everyday life. What's more, Blinov relives his experiences from his first memory to the present, recounting in great detail each event that shaped him into the man he is today.

A collection of essential quotations from the renowned fashion designer, DJ, and stylist Abloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who was a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West's creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh's work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh's unique perspective as a trailblazer in his fields. Select quotations from the book: "I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it." "Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair-one person, one idea, no one else involved." "Black influence has created a new ecosystem, which can grow and support different types of life that we couldn't before."

Samuel Wesley Gathing: A Closer Look is the moving true story of Sam and Beatrice Gathing and the struggles they faced rearing their fourteen children during the era of the Jim Crow laws. These laws meant that both society and the system enforced the damaging view that their children were just stupid black kids. In this climate of institutionalized discrimination, Sam had to maneuver his way through a massive minefield of irrational hatred intended to destroy him and his family.

Sam and Beatrice began their life together in December 1929, in Desoto County, Mississippi, taking the gift of a mule named Rock and a big red cow to start their farm. Over the years, as their family expanded, so did the land that they farmed. Sam learned to live by the rules of the day but was always a true leader to both his family and to his friends. Through all the challenges that Sam encountered, his faith in God never wavered-he believed that the truth could be found in God's words and actions, not in the laws that were meant to harm him and his people.