This book was inspired by a challenge from one of Douglas's students: "How could you, a black woman, possibly be a Christian?" Reflection on the historical sins of Christians, particularly the role of white Christians in countenancing the lynching of African Americans, led her to broader questions: What is it about Christianity that could lend itself to racism and its violent abuses? What is it about Christianity that has allowed it to be both a bane and a blessing for black people? Douglas examines the various "distortions" in early Christianity--particularly the influence of platonic dualism, with its denigration of the body, and the alliance with imperial power. She shows how this later helped support white racism, just as it later fed homophobia and other distortions in the black church. Nevertheless, she ends by sharing an inspiring account of her own Christian faith, and why she is still a Christian.

A revelatory biography of the first Black woman to be elected Vice President of the United States. In Kamala's Way, longtime Los Angeles Times reporter Dan Morain charts how the daughter of two immigrants born in segregated California became one of this country's most effective power players. He takes readers through Harris's years in the San Francisco District Attorney's Office, explores her audacious embrace of the little-known Barack Obama, and shows the sharp elbows she deployed to make it to the US Senate. He analyses her failure as a presidential candidate and the behind-the-scenes campaign she waged to land the Vice President spot. And along the way, Morain paints a vivid picture of her family, values and priorities, as well as the missteps, risks and bold moves she's made on her way to the top. Kamala's Way is a comprehensive account of the Vice President-Elect and her history-making career.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In my book, you will meet a little girl named Viola who ran from her past until she made a life-changing decision to stop running forever.

This is my story, from a crumbling apartment in Central Falls, Rhode Island, to the stage in New York City, and beyond. This is the path I took to finding my purpose but also my voice in a world that didn’t always see me.

As I wrote Finding Me, my eyes were open to the truth of how our stories are often not given close examination. We are forced to reinvent them to fit into a crazy, competitive, judgmental world. So I wrote this for anyone running through life untethered, desperate and clawing their way through murky memories, trying to get to some form of self-love. For anyone who needs reminding that a life worth living can only be born from radical honesty and the courage to shed facades and be . . . you.

Finding Me is a deep reflection, a promise, and a love letter of sorts to self. My hope is that my story will inspire you to light up your own life with creative expression and rediscover who you were before the world put a label on you.

As a nuclear engineer, Zsolt Stanik lived for decades in the fascinating world of atoms, nuclear reactions and reactors and was surrounded in his everyday life with the language of the trade. It dawned on him that there was also another world - the everyday life of people which was inspiring and often amusing. His stories and books are inspired by this and deal with absurd situations and normal human challenges. He was born in KoA ice, now Slovak Republic. Between 1993 and retirement, in 2006 he held the position of Information Manager at the UN International Atomic Energy Agency in Vienna, Austria. At present he lives in Prague, Czech Republic and holds the position of Consultant in Nuclear Knowledge Management. The book consists of two parts entitled What Comes Naturally" and The Times They Are Changing - It Could Be Even Worse".The first is a collection of short stories and the second a retrospective look back at the monstrosity of the totalitarian regime in the former Czechoslovak Socialist Republic. For more introductory information see the respective parts of the book.

Hundreds of people first attended the first West Indian Carnival held at Seymour Hall, London, in 1959. In this book you will meet some of those pioneers and share closely in their struggle to found a new life.

The Mexican Transpacific: Nikkei Writing, Visual Arts, and Performance considers the influence of a Japanese ethnic background or lack thereof in the writing of several twentieth and twenty-first century Mexican authors, directors, and artists. In spite of the unquestionable influence of the Nikkei communities in Mexico's history and culture, and the numerous historical studies recently published on these two communities, the study of their cultural production and, therefore, their self-definition and how they conceive themselves has been, for the most part, overlooked. This book, a continuation of the author's previous research on cultural production by Latin American authors of Asian ancestry, focuses mostly on texts, films, and artworks produced by Asian Mexicans, rather than on the Japanese or Chinese as mere objects of study. However, it will also be contrasted with the representation of Asians by Mexican authors with no Asian ancestry. With this interdisciplinary study, the author hopes to bring to the fore this silenced community's voice and agency to historicize their own experience. The Mexican Transpacific is a much needed contribution to the fields of contemporary Mexican studies, Latin American studies, race and ethnic studies, transnational Asian studies, and Japanese diaspora studies, in light of the theoretical perspectives of cultural studies, the decolonial turn, and postcolonial theory.

How portrayals of anti-Blackness in literature and film challenge myths about South Florida history and culture. In this book, Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.