First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

He did not return to Morocco for another twenty-nine years, travelling instead through more than forty countries on the modern map, covering seventy-five thousand miles and getting as far north as the Volga, as far east as China and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian and occasional botanist and gastronome.

With this edition by Mackintosh-Smith, Battuta's "Travels" takes its place alongside other indestructible masterpieces of the travel-writing genre.

In 1869, Hayyim Habshush, a Yemeni Jew, accompanied the European orientalist Joseph Halevy on his archaeological tour of Yemen. Twenty years later, Habshush wrote A Vision of Yemen, a memoir of their travels, that provides a vivid account of daily life, religion, and politics. More than a simple travelogue, it is a work of trickster-tales, thick anthropological descriptions, and reflections on Jewish-Muslim relations. At its heart lies the fractious and intimate relationship between the Yemeni coppersmith and the "enlightened" European scholar and the collision between the cultures each represents. The book thus offers a powerful indigenous response to European Orientalism. This edition is the first English translation of Habshush's writings from the original Judeo-Arabic and Hebrew and includes an accessible historical introduction to the work. The translation maintains Habshush's gripping style and rich portrayal of the diverse communities and cultures of Yemen, offering a potent mixture of artful storytelling and cultural criticism, suffused with humor and empathy. Habshush writes about the daily lives of men and women, rich and poor, Jewish and Muslim, during a turbulent period of war and both Ottoman and European imperialist encroachment. With this translation, Alan Verskin recovers the lost voice of a man passionately committed to his land and people.

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

Complete Gentlemen is the first study to look beyond the Italian Grand Tour to the wider culture of educational travel that thrived among British and Irish landowners between 1650 and 1750. Ansell reconstructs dozens of encounters with continental Europe, revealing how the varying means, ambitions, and obligations of families produced widely differing experiences of educational travel. Where historians usually isolate time abroad, he pays unprecedented attention to what families thought and did before, after, and instead of foreign travel, stages that uncover its true significance for British and Irish society. This innovative approach requires a deep source base over several generations, provided by the manuscript archives of four clusters of families from England and Ireland. Ansell uses these archives to relate travel, too often a stand-alone topic, to broader questions in social and cultural history, exploring the meanings of time abroad for social mobility, elite formation, landed identity, masculinity, and Englishness.

At age 60 William Chapman began writing down his memoirs and this book contains his engaging and enjoyable diary entries in the late nineteenth century.

The book is divided as follows:

• the story of his life (called “Reminiscences concerning the life of William James Bushnell Chapman”) until 1902, written at his home Mont Verdun or Sandula, Mombolo, Angola and dated 22nd March 1918, his sixtieth birthday anniversary.
• his reminiscences from 1903 to 1916
• an account of the entry of the Trek-Boers into Angola and of their sojourn during the forty-eight years they struggled in that country under Portuguese rule, which he was still writing in 1932.

Through these diaries, and with extensive research by Nicol Stassen, we are offered a unique insight into Chapmans’s journeys, travels and encounters.

The late Samuel Eliot Morison was one of the most eminent American historians of the 20th century. The Great Explorers, an abridgement of his two-volume magnum opus, The European Discovery of America, vividly describes the early voyages that led to the discovery of the New World. Based on Morison's own trips, by plane, to the places the early discoverers landed, and on massive research into their maps, travelogues, and means of navigation, it tells, as no other book does, what the experience of these early explorers was. Morison describes their fear of sailing uncharted waters, their encounters with natives, their joy-and surprise-at discovering new land, and enriches his story with the photographs and maps he made while retracing the great voyages.

The so-called Travels of Sir John Mandeville (c. 1356) was one of the most popular books of the late Middle-Ages. Translated into many European languages and widely circulating in both manuscript and printed forms, the pseudo English knight's account had a lasting influence on the voyages of discovery and durably affected Europe's perception of exotic lands and peoples. The early modern period witnessed the slow erosion of Mandeville's prestige as an authority and the gradual development of new responses to his book. Some still supported the account's general claim to authenticity while questioning details here and there, and some openly denounced it as a hoax. After considering the general issues of edition and reception of Mandeville in an opening section, the volume moves on to explore theological and epistemological concerns in a second section, before tackling literary and dramatic reworkings in a final section. Examining in detail a diverse range of texts and issues, these essays ultimately bear witness to the complexity of early modern engagements with a late medieval legacy which Mandeville emblematises. -- .

This book is a historical and critical assessment of contributions by American writer and lecturer John Lawson Stoddard (1850-1931). It is the first scholarly effort to provide visual and literary analyses of his illustrated travel works and political writings. It claims that Stoddard was a principle engine behind movements toward transforming tourism into a growing consumer culture, democratizing liberal arts education, and fueling anti-WWI campaigns. By the late 1870s, John Lawson Stoddard had played a major role in transforming the aristocratic Grand Tour into a mass cultural phenomenon. His photographs and accompanying public lectures on distant places and peoples caught the attention of decision makers in the U.S. government, but perhaps more importantly, his images and text were imprinted in the minds of millions of audience members. This book suggests how critical approaches borrowed from the interdisciplinary literature of visual culture are helpful in assessing the imagery and identity of a nineteenth-century American travel lecturer and author. It uncovers buried aspects of the personal and public life of Stoddard, and reveals his significant contributions to American political and social history.

Lose yourself in this dazzling travelogue of the idyllic Greek Islands by the king of travel writing and real-life family member of The Durrells in Corfu. 'Incandescent.' Andre Aciman 'A magician.' The Times 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'Nobody knows the Greek islands like Durrell.' New York Times White-washed houses drenched in pink bougainvillea; dazzling seascapes and rugged coastlines; colourful harbours in quaint fishing villages; shady olive and cypress groves; terraces bathed in the Aegean sun ... The Greek islands conjure up a treasure-chest of images - but nobody brings them to life as vividly as the legendary travel writer Lawrence Durrell. It was during his youth in Corfu - which his brother Gerald fictionalised in My Family and Other Animals, later filmed as The Durrells In Corfu - that his love affair with the Mediterranean began. Now, in this glorious tour of the Greek islands, he weaves evocative descriptions of these idyllic landscapes with insights into their ancient history, and shares luminous personal memories of his time in the local communities. No traveller to Greece or admirer of Durrell's magic should miss it. 'Masterly ... Casts a spell.' Jan Morris 'Charming ... Delightful.' Sunday Times 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Like long letters from a civilized and very funny friend - the prose as luminous as the Mediterranean air he loves.' Time

This volume examines the hotel experience of Anglo-American travelers in the nineteenth century from the viewpoint of literary and cultural studies as well as spatiality theory. Focusing on the social and imaginary space of the hotel in fiction, periodicals, diaries, and travel accounts, the essays shed new light on nineteenth-century notions of travel writing. Analyzing the liminal space of the hotel affords a new way of understanding the freedoms and restrictions felt by travelers from different social classes and nations. As an environment that forced travelers to reimagine themselves or their cultural backgrounds, the hotel could provide exhilarating moments of self-discovery or dangerous feelings of alienation. It could prove liberating to the tourist seeking an escape from prescribed gender roles or social class constructs. The book addresses changing notions of nationality, social class, and gender in a variety of expansive or oppressive hotel milieu: in the private space of the hotel room and in the public spaces (foyers, parlors, dining areas). Sections address topics including nationalism and imperialism; the mundane vs. the supernatural; comfort and capitalist excess; assignations, trysts, and memorable encounters in hotels; and women's travels. The book also offers a brief history of inns and hotels of the time period, emphasizing how hotels play a large role in literary texts, where they frequently reflect order and disorder in a personal and/or national context. This collection will appeal to scholars in literature, travel writing, history, cultural studies, and transnational studies, and to those with interest in travel and tourism, hospitality, and domesticity.

"Here H.V.Morton begins his wandering in the City, where Roman London began, and follows, westwards, the course of London's seventeenth and eighteenth-century expansion. He describes the London he has himself known, from the rich and arrogant city of his youth to the battered and shabby London of today. He gives vivid pictures of great Londoners of the past. He takes the reader with him about the famous streets and squares and buildings with an infallible eye for the odd, entertaining and interesting things to be found in the great city. In all, there are few aspects of London he does not touch upon. Here is a lasting memento for the overseas visitor, for Londoners in their thousands, and for all those readers for whom Mr. Morton has long been the perfect guide and the most entertaining companion." Contents Include: I Go in Search of London In Which I Go to the Tower of London I Go to London Bridge in the Early Morning Describes St. Paul's Cathedral and the Great Man Sir Christopher Wren, Who Built it A Walk Along the Strand from Temple Bar to Charing Cross I Turn on the Fountains in Trafalgar Square In Which I Go to Westminster Abbey I Visit the Houses of Parliament and See the New House of Commons I Go to St. James's Palace and Remember the Day When it Was a Refuge for Female Lepers How Piccadilly Became the Heart of the West End I See Regent's Park Visit the Zoo and Madame Tussaud's A Few Words About the Treasure Houses of South Kensington

The author covers a wide range of subjects, from the history of the great city to contemporary commerce, conveyed by an often satirical narrative reminiscent of Jonathan Swift. He guides the reader on a leisurely walk around the monuments and attractions of the capital, bringing to life a vibrant and mesmerising city.

From 1917 19, the Tharaud brothers immersed themselves in Morocco while observing the determined imposition of the French Protectorate at first hand. With unique access to both colonial manoeuvres and a now-vanished Moroccan way of life, they settled for periods in Marrakesh, Rabat and Fez to absorb and observe. We join them on visits to the Sultan one day and to the shrine of Sidi Ben Achir part shrine, part mental asylum on another. They watch the son and heir of the Glaoui dynasty die from wounds received in a mountain battle, and lovers weaving and ducking across the rooftops of Fez to reach their trysting place. This is the first translation of these vivacious works into English, giving access to the majesty, the squalor and above all the liveliness of this extraordinary period of Moroccan history.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

This brilliant, vivid and impressionistic series of sketches, formed during her 1892 stay in Persia, is Gertrude Bell's first published work. Infused with a distinctive orientalism, 'Persian Pictures' is an evocative, virtuosic meditation, moving sinuously between Persia's heroic, complex, mythical past and its present decline; the public face of Tehran and the otherworldly 'secret, mysterious life of the East', the lives of its women, its enclosed, quasi-medieval gardens; from the bustling cities to the lonely wastelands of Khorasan. Bell's documentation of Muharram - the month of mourning for Imam Hussein, the grandson of the Prophet Mohammed - and Ramadan, display a mind finely attuned to the differences and similarities between Islam and Christianity, East and West. 'Persian Pictures' is both travelogue and meditation, an elegiac and beautifully observed account of a spellbinding land.

Greece and Asia Minor proved an irresistible lure to English visitors in the seventeenth century. These lands were criss-crossed by adventurers, merchants, diplomats and men of the cloth. In particular, John Covel (1638-1722) - chaplain to the Levant Company in the 1670s, later Master of Christ's College, Cambridge - was representative of a thoroughly eccentric band of Englishmen who saw Greece and the Ottoman world through the lens of classical history. Using a variety of sources, including Covel's largely unpublished diaries, Lucy Pollard shows that these curious travellers imported, alongside their copies of Pausanias and Strabo, a package of assumptions about the societies they discovered. Disparaging contemporary Greeks as unworthy successors to their classical ancestors allowed Englishmen to view themselves as the true inheritors of classical culture, even as - when opportunity arose - they removed antiquities from the sites they described. At the same time, they often admired the Turks, about whom they had fewer preconceptions. This is a major contribution to reception and post-Restoration ideas about antiquity.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Women of Cairo: Scenes of Life in the Orient, first published in 1929, describes the trip to Egypt and other locations in the Ottoman Empire taken by French Romanticist Gerard de Nerval. The book focuses on both reinforcing and dispelling the old ways in which people saw the Orient, as well as examining their old and new customs. This book is perfect for those studying history and travel.