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Books > Travel > Travel writing > Classic travel writing
Peter Goullart spent nine years in the all-but-forgotten Nakhi Kingdom of south west China. He had a job entirely suited to his inquiring, gossipy temperament: to get to know the local traders, merchants, inn-keepers and artisans to decide which to back with a loan from the cooperative movement. A Russian by birth, due to his extraordinary skill in language and dialects, Goullart made himself totally at home in Likiang, which had been ruled by Mandarin officials descended from ancient dynasties, and was visited by caravans of Tibetan and Burmese travelling merchants, and such mysterious local highland peoples as the Lobos. In his company we get to hear about the love affairs and social rivalries of his neighbours, to attend magnificent banquets, meet ancient dowagers and handsome warriors as well as to catch the sound of the swiftly running mountain streams, the coarse ribaldry of the market ladies and the happy laughter emerging from the wine shops. Through him we are able to travel back to this complex society, which believed simultaneously and sincerely in Buddhism, Taoism and Confucianism, in addition to their ancient Animism and Shamanism.
In 1872, Isabella Bird, daughter of a clergyman, set off alone to the Antipodes 'in search of health' and found she had embarked on a life of adventurous travel. In 1873, wearing Hawaiian riding dress, she rode her horse through the American Wild West, a terrain only newly opened to pioneer settlement. The letters that make up this volume were first published in 1879. They tell of magnificent, unspoiled landscapes and abundant wildlife, of encounters with rattlesnakes, wolves, pumas and grizzly bears, and her reactions to the volatile passions of the miners and pioneer settlers. A classic account of a truly astounding journey.
In Love with Paris is an irresistible combination of 50 mouth-watering sweet and savoury recipes and heart-melting love stories. Take a culinary walk through the city of love and its most romantic spots, and enjoy classic French cuisine, from croque madame and coq au vin, to madeleines and lemon tarts. Immerse yourself in the city that inspired writers and photographers like Victor Hugo, Ernest Hemingway, Francis Scott Fitzgerald and Victor Doisneau, and visit the iconic locations of films like The Lovers on the Bridge and Amelie. In Love with Paris will make you fall in love with Paris - again and again.
'One of the non-fiction books of the year.' Andrew O' Hagan A powerful, evocative and deeply personal journey into the world of missing people When Francisco Garcia was just seven years old, his father, Christobal, left his family. Unemployed, addicted to drink and drugs, and adrift in life, Christobal decided he would rather disappear altogether than carry on dealing with the problems in front of him. So that's what he did, leaving his young wife and child in the dead of night. He has been missing ever since. Twenty years on, Francisco is ready to take up the search for answers. Why did this happen and how could it be possible? Where might his father have gone? And is there any reason to hope for a happy reunion? During his journey, which takes him all across Britain and back to his father's homeland of Spain, Francisco tells the stories of those he meets along the way: the police investigators; the charity employees and volunteers; the once missing and those perilously at risk around us; the families, friends and all those left behind. If You Were There is the moving and affecting story of one man's search for his lost family, an urgent document of where we are now and a powerful, timeless reminder of our responsibility to others.
This account shows the full range of Hugh Miller's interests - the lyrical description of the scenery and accounts of beautiful fossils show a deep affection for the Scottish landscape, while his role as a serious religious journalist and social crusader is highlighted in his discussions on the Disruption and the Highland Clearances.
This is the first book of its kind to include extensive analysis of the travelogues of Baghdad in relation to historiography. This book contains analysis of the stages of travel writing in general and the objectives of the writers, which makes it appealing for people who are keen to learn about the travelogues worldwide. The research in this book encompasses a number of disciplines, including urban history, architecture, literature, travel writing, history of Baghdad, Islamic studies, heritage and conservation. Because of this variety it would appeal to many academics from different backgrounds. Apart from academics, this book would appeal to other people who are interested in history, literature, Arabic, Islamic cities, and learning in general. Some photos and diagrams that are used in this book are taken from original sources that have been rarely published before.
Fanny Parkes, who lived in India between 1822 and 1846, was the ideal travel writer - courageous, indefatigably curious and determinedly independent. Her delightful journal traces her journey from prim memsahib, married to a minor civil servant of the Raj, to eccentric, sitar-playing Indophile, fluent in Urdu, critical of British rule and passionate in her appreciation of Indian culture. Fanny is fascinated by everything, from the trial of the thugs and the efficacy of opium on headaches to the adorning of a Hindu bride. To read her is to get as close as one can to a true picture of early colonial India - the sacred and the profane, the violent and the beautiful, the straight-laced sahibs and the more eccentric "White Mughals" who fell in love with India and did their best, like Fanny, to build bridges across cultures.
Dr Hisham Khatib has spent almost 40 years amassing the vast and historically valuable collection of representations of the Near East featured in this book. The artworks included here (paintings, prints, maps, books, photographs, and even postcards) depict the Holy Land during the Ottoman period (1517-1917). The stunning images are accompanied by an engaging and deeply informative text.
This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.
This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that 'idleness' is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of 'the Victorians' as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to 're-subjectification' and the assertion of a 'late-Romantic' sensibility. Attentive to the historical and literary continuities between 'Romantic' and 'Victorian', the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.
First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
** Winner of the RSL Christopher Bland Prize ** Uncovering the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents - the critically acclaimed biography with never-before-seen letters detailing the affair. For readers who were swept up in Laura Cumming's On Chapel Sands, Daniel Mendelsohn's An Odyssey and Francesca Wade's Square Haunting. A death in the family delivers Julia Parry a box of letters. Dusty with age, they reveal a secret love affair between the celebrated novelist Elizabeth Bowen and the academic Humphry House - Julia's grandfather. So begins a life-changing quest to understand the affair, which had profound repercussions for Julia's family, not least her grandmother, Madeline. Julia traces these three very different characters through 1930s Oxford and Ireland, Texas, Calcutta in the last days of Empire, and on into World War II. With a supporting cast that includes Isaiah Berlin and Virginia Woolf, The Shadowy Third opens up a world with complex attitudes to love and sex, duty and ambition, and to writing itself.
This is a lavish pictorial record produced in collaboration with the Royal Geographical Society (with IBG). It features 200 unique photographs taken by Isabella Bird that transport the reader to the China of the late 19th century. It includes supporting text by travel photography expert Debbie Ireland. Ammonite Press is proud to collaborate with the Royal Geographical Society (with IBG) in celebrating the achievements of Isabella Bird in this lavish pictorial record of her last great journey through China, in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. Bird was in her mid-sixties when she undertook her travels, to a land that was largely unknown and largely misunderstood in the West, where a woman travelling alone was greeted with incredulity and, occasionally, hostility. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.
Unpublished for 90 years, Agatha Christie's extensive and evocative letters and photographs from her year-long round-the-world trip to South Africa, Australia, New Zealand, Canada and America as part of the British trade mission for the famous 1924 Empire Exhibition. In 1922 Agatha Christie set sail on a 10-month voyage around the British Empire with her husband as part of a trade mission to promote the forthcoming British Empire Exhibition. Leaving her two-year-old daughter behind with her sister, Agatha set sail at the end of January and did not return until December, but she kept up a detailed weekly correspondence with her mother, describing in detail the exotic places and people she encountered as the mission travelled through South Africa, Australia, New Zealand, Hawaii and Canada. The extensive and previously unpublished letters are accompanied by hundreds of photos taken on her portable camera as well as some of the original letters, postcards, newspaper cuttings and memorabilia collected by Agatha on her trip. Edited and introduced by Agatha Christie's grandson, Matthew Prichard, this unique travelogue reveals a new side to Agatha Christie, demonstrating how her appetite for exotic plots and locations for her books began with this eye-opening trip, which took place just after only her second novel had been published (the first leg of the tour to South Africa is very clearly the inspiration for the book she wrote immediately afterwards, The Man in the Brown Suit). The letters are full of tales of seasickness and sunburn, motor trips and surf boarding, and encounters with welcoming locals and overbearing Colonials. The Grand Tour is a book steeped in history, sure to fascinate anyone interested in the lost world of the 1920s. Coming from the pen of Britain's biggest literary export and the world's most widely translated author, it is also a fitting tribute to Agatha Christie and is sure to fascinate her legions of worldwide fans.
This volume examines the hotel experience of Anglo-American travelers in the nineteenth century from the viewpoint of literary and cultural studies as well as spatiality theory. Focusing on the social and imaginary space of the hotel in fiction, periodicals, diaries, and travel accounts, the essays shed new light on nineteenth-century notions of travel writing. Analyzing the liminal space of the hotel affords a new way of understanding the freedoms and restrictions felt by travelers from different social classes and nations. As an environment that forced travelers to reimagine themselves or their cultural backgrounds, the hotel could provide exhilarating moments of self-discovery or dangerous feelings of alienation. It could prove liberating to the tourist seeking an escape from prescribed gender roles or social class constructs. The book addresses changing notions of nationality, social class, and gender in a variety of expansive or oppressive hotel milieu: in the private space of the hotel room and in the public spaces (foyers, parlors, dining areas). Sections address topics including nationalism and imperialism; the mundane vs. the supernatural; comfort and capitalist excess; assignations, trysts, and memorable encounters in hotels; and women's travels. The book also offers a brief history of inns and hotels of the time period, emphasizing how hotels play a large role in literary texts, where they frequently reflect order and disorder in a personal and/or national context. This collection will appeal to scholars in literature, travel writing, history, cultural studies, and transnational studies, and to those with interest in travel and tourism, hospitality, and domesticity.
The lines, circles, ticks, hooks, dots and dashes of Pitman shorthand used by some postcard writers during the early twentieth century are obscure to most people. Could the mysterious messages contain scandalous gossip, tales of adventure or declarations of undying love? Fifty Mysterious Postcards presents fascinating examples from the 'Golden Age' of the postcard, each with a message written in the dying art of Pitman shorthand. The rules of Pitman have changed since the postcards were written and posted over 100 years ago, but careful transcription has unlocked their meaning to bring stories of penfriends, sweethearts, holidays and the First World War to life once more.
Evliya Celebi was the 17th century's most diligent, adventurous, and honest recorder, whose puckish wit and humor are laced throughout his ten-volume masterpiece. This brand new translation brings Evliya sparklingly back to life. "Well worth a read."-Irish Echo 7/2011 |
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