This is a narrative of travels in Japan undertaken in 1878 by someone who is probably the most famous female traveller and writer of the Victorian era. Travelling alone as a woman, she was the first to enter parts of Japan which had had no cultural contact whatsoever with a European, let alone a woman on her own. The letters which make up this work give a real picture of Japan and Japanese life at the time.

This is the story of Stevenson's Pacific travels on the Casco and the Equator. It is a beautifully observed account of island peoples and their life; it is also the story of the beginning of his love affair with the Pacific, and of his growing commitment to the island cause. "In the South Seas" has been described as "the most solid of Stevenson's general writings;" it is certainly his least known book as well as a unique gem of Pacific literature, and richly deserves to be rediscovered.

'Lively and entertaining... "Disraeli's Grand Tour"] concentrates on one colourful episode, or sequence of episodes, in the young Disraeli's life: the tour through the Mediterranean and Near East which he undertook with the man who was intended to become his brother-in-law. On the way they were joined by raffish Wykhamist James Clay, a friend of Disraeli's brother, and also by Tita Falcieri, who had formerly been a servant to Byron. Indeed... much of the tour might almost be considered a Byronic pilgrimage of a kind... Lord Blake suggests that Disraeli's] travels in the provinces of the Ottoman Empire inclined him, when in office many years later, to take a more favourable attitude to Turkish power than was common among Englishmen of his time. However, the author is more interested in tracing the effects of the visit to the Holy Land on Disraeli's view of his own position as a Jew converted to Christianity and an aspirant man-of-letters and politician.' Dan Jacobson, "London"" Review of Books"

'Matar has produced a valuable and stimulating piece of scholarship ...' - The Daily Telegraph

Pierre Loti was a member of a diplomatic mission to the Sultan of Morocco at Fez, and in this book he gives us an extraordinarily fascinating account of the journey. The departure of the caravan from Tangier, the encampments, the nightly arrival of the Mouna, the crossing of the Oued-M'Cazen in flood, the fantasies and powder-play of the Arab horsemen, and the magnificent state entry into Fez, are described in a succession of vivid vignettes.

Lose yourself in the thrilling political intrigue and tangled love affairs of wartime Egypt: Durrell's epic modern classic, introduced by William Boyd (bestselling author of Any Human Heart and Restless). 'A master at creating and handling tension ... I was fascinated from the start.' Wilbur Smith David Mountolive, a young English diplomat, has been obsessed with Egypt ever since a youthful love affair. Returning to Alexandria as British Ambassador just before World War Two, he unravels an intricate political and religious conspiracy - one that connects a web of wildly different characters, including an exiled schoolteacher and glamorous Egyptian couple. Mountolive gradually exposes the sinister underbelly of these tangled relationships, their deceptions and betrayals mirroring the explosive turmoil of the modern Middle East - and the result is Durrell's most cinematic masterpiece. 'Astonishing ... A work of splendid craft and troubling veracity.' New York Times Book Review 'A masterpiece ... Don't be fooled by the richness of the prose, the depth of the passions ... Wicked and funny.' Guardian 'Dazzlingly exuberant in style and vision, reckless in ambition, wonderfully prolific in invention ... Superb.' Observer VOLUME THREE OF LAWRENCE DURRELL'S ALEXANDRIA QUARTET

This incredible journey began in 1887 and took King Kalakoua to the Unites States of America, Japan, China, Hong Kong, Siam, Singapore, Malaya, India, Egypt, Rome, London, Belgium, Vienna, Spain, Portugal, France, and back to Hawaii through the United States again. A unique and insightful glimpse into these states and elites at the end of the nineteenth century full of fascinating events, encounters, and stories.

Martineau's classic American travel narrative has long been unavailable. This new abridgment of the original 1838 edition offers an unsurpassed firsthand view of Jacksonian America. Here are Martineau's penetrating condemnation of slavery and her championship of abolition and women's rights; her incisive portraits of Jackson, Clay, Calhoun, Webster, Garrison, Emerson, and the Beechers; her critical observations of American schools, asylums, colleges, and prisons; and more. Historian Daniel Feller, author of The Jacksonian Promise, introduces the narrative, identifies the major characters, and provides an index for easy use.

At age 60 William Chapman began writing down his memoirs and this book contains his engaging and enjoyable diary entries in the late nineteenth century.

The book is divided as follows:

• the story of his life (called “Reminiscences concerning the life of William James Bushnell Chapman”) until 1902, written at his home Mont Verdun or Sandula, Mombolo, Angola and dated 22nd March 1918, his sixtieth birthday anniversary.
• his reminiscences from 1903 to 1916
• an account of the entry of the Trek-Boers into Angola and of their sojourn during the forty-eight years they struggled in that country under Portuguese rule, which he was still writing in 1932.

Through these diaries, and with extensive research by Nicol Stassen, we are offered a unique insight into Chapmans’s journeys, travels and encounters.

Martineau's classic American travel narrative has long been unavailable. This new abridgment of the original 1838 edition offers an unsurpassed firsthand view of Jacksonian America. Here are Martineau's penetrating condemnation of slavery and her championship of abolition and women's rights; her incisive portraits of Jackson, Clay, Calhoun, Webster, Garrison, Emerson, and the Beechers; her critical observations of American schools, asylums, colleges, and prisons; and more. Historian Daniel Feller, author of The Jacksonian Promise, introduces the narrative, identifies the major characters, and provides an index for easy use.

Edward Said's oft cited claim that Orientalists past and present have spun imaginary geographies where they sought ground truth, has launched a plethora of studies of fictive geographies. Representations often reveal more about the culture of the writer than that of the people and places written about. Yet the study of imaginary geographies has raised many questions about Western writers' abilities to provide representations of foreign places; there is now much interest in Western mis-representations of places (imaginary geographies). This text explores the interplay between a system of "othering" which travellers bring to a place, and the "real" geographical difference they discover upon arrival. Exposing the tensions between the imaginary and real, James Duncan and Derek Gregory and a team of international contributors focus primarily upon travellers from the 18th and 19th centuries to pin down the imaginary within the context of imperial power. The contributors focus on travel to three main regions: Africa, South Asia, and Europe - with the European examples being drawn from Britain, France and Greece. This book presents a unique contribution from geographers - with their sensit

Writes of Passage explores the interplay between a system of "othering" which travelers bring to a place, and the "real" geographical difference they discover upon arrival. Exposing the tensions between the imaginary and real, Duncan and Gregory and a team of leading internationa contributors focus primarily upon travelers from the 18th and 19th Centuries to pin down the imaginary within the context of imperial power. The contributors focus on travel to three main regions: Africa, South Asia, and Europe - wit the European examples being drawn from Britain, France and Greece.

The nineteenth century was a period of peak popularity for travel to Latin America, where a new political independence was accompanied by loosened travel restrictions. Such expeditions resulted in numerous travel accounts, most by men. However, because this period was a time of significant change and exploration, a small but growing minority of female voyagers also portrayed the people and places that they encountered. Women through Women's Eyes draws from ten insightful accounts by female visitors to Latin America in the nineteenth century. These firsthand tales bring a number of Latin American women into focus: nuns, market women, plantation workers, the wives and daughters of landowners and politicians, and even a heroine of the independence movement. Questions of family life, religion, women's labor, and education are addressed, in addition to the interrelationships of men and women within the structure of Latin American societies. Women through Women's Eyes is a perceptive look at Latin American women from various walks of life during this period. Within these pages, the reader catches lengthy glimpses of the women on both sides of the travel accounts-author and subject-and thereby may examine them all and their societies close-up.

Joseph J. Dimock's descriptions of Cuba in his travel diary provide a remarkable firsthand view of a fascinating period in the island's history. In the mid-nineteenth century, the United States was pursuing manifest destiny. The war with Mexico had resulted in a vast increase of national territory, and many north Americans wanted Cuba as the next acquisition. In addition to annexationist plots, Cuban life was marked by slave conspiracies, colonial insurrections, economic expansion, and political intrigue. Impressions of Cuba in the Nineteenth Century describes the social, economic and political conditions in the 1850s. Dimock's entries of his travels and observations as an American reveal details of Cuban agriculture, plant life, and natural resources. The diary also provides elaborate accounts of the sugar industry, extensive commentary on the daily live of slaves, Spaniards, and Cubans. Dimock's curiosity led him around the island, into prisons, salons, and other unusual places, resulting in a wide-ranging account of Cuban life. Impressions of Cuba in the Nineteenth Century provides a highly accessible, entertaining, and insightful look at Cuba.

The early seventeenth-century traveler Thomas Coryate's five-month tour of Western Europe culminated in Coryats Crudities, one of the strangest travelogues published in early modern England. A charismatic raconteur, Coryate blends his detailed ""observations"" of churches, palaces, and local customs (including the firstaccount of forks in English) with lengthy historical digressions and lively accounts of personal misadventure. Coryate, who had strong connections to the political, legal, and literary circles of early modern England, became a figure well known for his eccentricity and odd style, though he was also respected for his antiquarian scholarship and facility with foreign languages. Now, he is remembered as one of the most unique travel-writing voices ever known in English letters. This edition abridges Crudities' more than 900 pages to a manageable size, focusing on episodes most likely to be of interest to students - such as Coryat's descriptions of Venetian mountebanks, courtesans, and Jews; his crossing of the Alps; and his attendance at a Corpus Christi celebration in Paris. An engaging introduction situates the book in the context of Coryat's fascinating life, and the text is helpfully annotated throughout. The selection of contextual materials includes illustrations from the first edition, along with a sampling from another eccentric feature of the Crudities: a collection of mock commendatory poems making fun of Coryate and his journey, contributed by dozens of noblemen and literati (including the poets Ben Jonson and John Donne). Coryate, who was in on the joke, carefully curated the comic persona emerging from these verses, making creative use of media culture to gain personal celebrity.

In the spring of 1804 Coleridge sailed to the Mediterranean in the hope of restoring his health, recreating his poetic energies and solving his emotional problems. During the voyage he kept a very detailed diary, and from this and from his and his friends' letters Alethea Hayter has painted a close-up portrait of Coleridge - both the outer and the inner man - at a comparatively little studied moment of his life, but a pivotal one. It was also an increasingly critical period in the Napoleonic War, and the movements of warships and convoys in the Mediterranean, and the problems of Nelson - personal as well as strategic, and in some ways parallel to Coleridge's - are interwoven with the narrative. Sara Hutchinson, the Wordsworths, Southey, the Lambs and Coleridge's other friends at home are also shown going about their affairs amid their anxieties about him during the six weeks while he travelled through storm and calm to reach an intellectual and emotional destination which was not the one he set out for. As those readers already familiar with Alethea Hayter's work would expect, A Voyage in Vain combines the pleasures of thoroughly researched biography, and criticism and social history, with the narrative sweep of a novel.

First published in 1972, Shirley Guiton's account of life on the Venetian island of Torcello begins with her purchase of a dilapidated property and vineyard there, and goes on to describe the many difficulties she encountered in the course of renovating her new home and making the overgrown vineyard productive again. But, with her deepening understanding and experience of the island, the book comes to encompass the whole life of the people who live there, and includes a dramatic account of the disastrous Great Flood which occurred in 1966. This by-now familiar form of narrative was scarcely with precedent when first published. As Christopher Sinclair-Stevenson says, 'This was years before A Year in Provence or Driving Over Lemons reminded readers that they, too, could forsake the grey skies of northern Europe and find the sun - and a collection of locals who would make excellent copy for the books they might write. A publishing industry would blossom ... Shirley was, in a sense, there first.' 'She has even achieved what Mary McCarthy assured all and sundry was impossible - to say something about Venice which previous visitors had not said before ... These pages are touched with Venetian serenity and illuminated by the eccentric lights of the lagoon.' Michael Foot (Evening Standard) 'The most vivid description I've ever read of that fearful 4th of November when Venice was flooded.' John Julius Norwich (BBC Now Read On)

A World by Itself is Shirley Guiton's second book about life in the Venetian Lagoon, following No Magic Eden; but whereas that book was principally concerned with the island of Torcello, where the author had made her home, A World by Itself, takes a broader view, encompassing the northern lagoon islands of Torcello, Burano, Santa Christina and San Francesco del Deserto, and considers how the island communities there would react to the technological upheavals of the twentieth century. As she says, 'Though tradition in the lagoon is strong, the forces of change in this century are stronger.' With its astute depictions of the islands and islanders and its moving concern for the future of their ways of life, A World by Itself, first published in 1977, is as ground-breaking as its predecessor. With this book and No Magic Eden, it may be said that Shirley Guiton has done for the Venetian Lagoon what Ronald Blythe did for Akenfield.

"A whimsical cross between a fairy tale and a travelogue. . . This version includes beautiful illustrated collages by the Italian artist Livia Signorini." -"T, The New York Times Style Magazine"
"It is no wonder that Signorini was moved to assemble collages that embrace the span of time that clearly resonated with Dickens as he explored Italy. Images from antiquarian books cozy up to Photoshop embellishments like enlarged rigatoni, made even more impressive by the gatefold pages across which these compositions spread, complementing Dickens's running theme of the moment being everything and nothing, honoring the poignancy of stone, water, light, and shadow." - "Imprint," "Print" Magazine
"Pictures from Italy," one of Charles Dickens' earlier works, is a whimsical foray into the twin worlds of travel and the imagination. Italian artist Livia Signorini plays with Dickens' sense of place, memory, and politics. The result is a brilliant contemporary dialogue with his work that renews our sense of his enduring vision. An extraordinary work that is as much about travel writing as it is about Dickens' journey to Italy itself, this handsome volume features 11 full-color gate folds.
US Grade Level Equivalent: 7-8+
US Guided Reading Level: Z
Lexile(R) Measure: 1200L

What are the origins of the modern passion for Venice? During the two hundred years since its political extinction, the shabby relic of a despised tyranny has been transformed into a great modern cultural symbol celebrated by intellectual and literary figures such as Ruskin, Proust, Mann and Henry James. This engaging and novel interpretation explores the American and European obsession with the myth of a beautiful city, and in doing so reveals much about the development of modern Western sensibility. 'This book can be enjoyed whether or not you have been to Venice, or whether you never intend to go.' Daily Telegraph 'Full of fresh and little-known material; it is almost unfailingly interesting and invariably well written.' Tony Tanner, New York Review of Books 'An entirely fascinating history of the city as she has been seen, as image and icon ... convincingly argued and consistently entertaining.' Independent

H. G. Wells made three visits to Russia, this book being the result of his second in 1920. It's an understatement to say it was an interesting time to be in Russia. The Bolshevists were in power but still hardly in control, the Civil War having only just ended. The country was in a state of exhaustion and collapse. Wells visited St Petersburg and Moscow, and, most memorably, had an interview with Lenin (the chapter is called 'The Dreamer in the Kremlin'). The tone of the book is remarkably fair-minded and realistic, much to the annoyance of the right-wing press at the time in Great Britain, but Wells does have delicious fun at the expense of Marx. Here he is commenting on Das Kapital, 'his vast unfinished work ... a cadence of wearisome volumes about such phantom unrealities as the bourgeoisie and proletariat, a book for ever maundering away into tedious secondary discussions ...' And better still, here he is on Marx's beard: 'About two-thirds of the face of Marx is beard, a vast, solemn, woolly, uneventful beard that must have made all normal exercise impossible. It is not the sort of beard that happens to a man, it is a beard, cultivated, cherished, and thrust patriarchally upon the world. It is exactly like Das Kapital in its inane abundance ...' This book deserves a higher place in the H. G. Wells canon, it is journalism of the first order providing reading of interest and continuing relevance.

Jan Morris spent the South African winter of 1957 touring the country for the "Guardian." This book, the product of her travels, was not a political treatise but an evocation of the atmosphere of apartheid, and an impression of life in South Africa at a time of great tension.

There are glimpses of the Johannesburg treason trial and a one-day strike in the locations of the Reef; portraits of such diverse figures as Harry Oppenheimer, the magnate-politician, and Christopher Gell, the influential liberal who spent his days in an iron lung; impressions of the Parliament, of the Zululand reserve, of life in the mines and the open veldt.

Jan Morris visited all four provinces and talked to an immense number of people of all persuasions and all walks of life, and she devotes a chapter to the individualities of the Afrikaner character, as it then struck an impartial and not unsympathetic observer.

South African Winter (1958) - in the brilliance of its writing, the wit, intelligence and sharpness of its observation - is a work of enduring fascination.

Wanderings in Arabia is an abridgement of Charles M. Doughty's masterwork, Travels in Arabia Deserta, which has been hailed as the finest travel account in the English language. It is the first book to be written, in any language, about wide tracts of the Arabian Penisula. Out of his remote and lonely wanderings, Doughty fashioned a lyrical evocation of the desert and the peoples who inhabit this mysterious world. In the estimation of fellow explorer Benedict Allen: 'The book, which brims with lively observations of human character, opened European eyes to the Arabian desert - not least Gertrude Bell, and later Wilfred Thesiger, who were profoundly influenced by it'. The great Arabist, T. E. Lawrence also enthused about Doughty's achievement: 'The book had no date and can never grow old. It is the first and indispensable work upon the Arabs of the desert'. For Jan Morris, the book is 'entirely unique ... Whether for the strange beauty of its language, its record of a tremendous adventure, or its accurate evocation of a landscape and a civilisation, Travels in Arabia Deserta is truly one of a kind'.

'It was because I was afraid that I had decided to attempt a crossing of the great Sahara desert, from west to east, by myself and by camel. No one had ever made such a journey before . . .' In October 1972 Geoffrey Moorhouse began his odyssey across the Sahara from the Atlantic to the Nile, a distance of 3,600 miles. His reason for undertaking such an immense feat was to examine the roots of his fear, to explore an extremity of human experience. From the outset misfortune was never far away; and as he moved further into that 'awful emptiness' the physical and mental deprivation grew more intense. In March 1973, having walked the last 300 miles, Moorhouse, ill and exhausted, reached Tamanrasset, where he decided to end his journey. The Fearful Void is the moving record of his struggle with fear and loneliness and, ultimately, his coming to terms with the spiritual as well as the physical dangers of the desert.

Indian Travel Writing is a new five-volume collection co-published by Routledge and Edition Synapse. Hitherto, the paucity of readily available travel writing produced by imperial subjects themselves has long been apparent, and this anthology addresses that lack. A veritable treasure-trove, it brings together scarce documents which are currently widely dispersed or very difficult for scholars, researchers, and students across the globe to locate and use. The collection confirms the deeply cosmopolitan sensibility possessed by many Indian travellers, and their narratives provide insightful contemporary critiques of the British Empire and of Euro-American culture more generally. The gathered works often exhibit considerable expertise in local cuisine, politics, and poetry, as well as a keen interest in political theory, human rights, and class conflict. Beyond Britain, continental Europe, and the USA, the collection also includes writing by Indians who travelled to Russia, China, the Far East, Australia, and Africa. Indian Travel Writing draws on the narratives of a diverse range of writers, including Indian princes, statesmen, lawyers, reformers, sportsmen, artists and curators, politicians, and merchants. Each piece is reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination. The collection will be particularly welcomed by historians and those working in colonial-discourse studies. It will also be of interest to anthropologists and literary scholars. Each volume is supplemented by a substantial introduction, newly written by the editor, Pramod K. Nayar. The collection also includes a detailed appendix providing data on the provenance of the gathered materials. *********************** Pramod K. Nayar is also the editor of the five-volume Women in Colonial India (2013) (978-0-415-52555-8), another Routledge and Edition Synapse co-publication.