'Matar has produced a valuable and stimulating piece of scholarship ...' - The Daily Telegraph

The 'memsahibs' of the British Raj in India are well-known figures today, frequently depicted in fiction, TV, and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women's travel writing about India. In the process, they not only reported events and developments in the subcontinent; they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women's Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives - here reproduced for the first time in reset scholarly editions - were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women's interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women's passivity, reticence, and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women's writing, travel writing, colonial and postcolonial studies, the history of women's educational and missionary work, and Romantic-era and nineteenth-century literature.

"The text describes the discovery of a very remarkable variant of the reported spoken work of Jesus Christ, which will be of interest to all Christians and scholars. To this day I recall my reaction upon first reading the concluding chapter of In the Shadow of Sinai', with its discussion of a remarkable variant of the reported spoken word of Jesus Christ. Brought up with a start, I read the marked passage again and quickly went to the Bible. Sure enough, the reading Matthew xii. 36 was different. But why? Surely those in charge of biblical exegesis would have known of the publication of the Gibson sister's text. And so began a small personal odyssey to bring to light, once again, this remarkable finding." -- Anthony Grahame, From the Foreword.

Martineau's classic American travel narrative has long been unavailable. This new abridgment of the original 1838 edition offers an unsurpassed firsthand view of Jacksonian America. Here are Martineau's penetrating condemnation of slavery and her championship of abolition and women's rights; her incisive portraits of Jackson, Clay, Calhoun, Webster, Garrison, Emerson, and the Beechers; her critical observations of American schools, asylums, colleges, and prisons; and more. Historian Daniel Feller, author of The Jacksonian Promise, introduces the narrative, identifies the major characters, and provides an index for easy use.

Martineau's classic American travel narrative has long been unavailable. This new abridgment of the original 1838 edition offers an unsurpassed firsthand view of Jacksonian America. Here are Martineau's penetrating condemnation of slavery and her championship of abolition and women's rights; her incisive portraits of Jackson, Clay, Calhoun, Webster, Garrison, Emerson, and the Beechers; her critical observations of American schools, asylums, colleges, and prisons; and more. Historian Daniel Feller, author of The Jacksonian Promise, introduces the narrative, identifies the major characters, and provides an index for easy use.

Set in 1867, The Innocents Abroad is a travel book that follows a group of Americans from New York City to the renowned Holy Land. Throughout the journey, author Mark Twain uses humor and wit to make astute observations about the diverse people and legendary locales. Described as the "Great Pleasure Excursion," Twain and his traveling companions visit some of the most illustrious cities in the world. They make stops in Italy, France, and Greece as well as modern-day Israel and Ukraine. With each trip, the author notes the contrast between expectation and reality. He critiques the misrepresentation of cultural sites and events with notable irony and disillusion. The retelling of a worldly expedition through an American lens made >The Innocents Abroad a massive commercial success. It's one Twain's best-selling books and became a staple within the travel genre. Readers will thoroughly enjoy the author's enlightening take on the Old World and public perception. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Innocents Abroad is both modern and readable.

History of a Six Weeks' Tour (1817) is a travelogue by Mary Shelley and Percy Bysshe Shelley. Composed of journal entries, letters, and a poem, History of a Six Weeks' Tour was published anonymously with a preface by Percy. Detailing their stay in Switzerland during the legendary "year without a summer," the travelogue was Mary's first published work and remains an invaluable text for the study of English Romanticism. When Percy Bysshe Shelley met Mary Godwin, he had initially planned to acquaint himself with her father, a famous philosopher. Soon, however, the pair fell in love and eloped with Claire Clairmont, Mary's stepsister. They journeyed through France, Switzerland, Germany, and the Netherlands before returning home with little money and without the support of their families. In 1816, following the death of their first child, Percy and Mary travelled with Claire to Geneva, Switzerland, where the infamous Lord Byron had rented a villa along the shores of Lake Geneva. Due to a volcanic eruption in Indonesia, temperatures in Europe and throughout the world plummeted, creating the conditions for the "year without a summer." Forced to remain indoors for much of their stay, the group soon grew tired of telling one another folk tales and ghost stories to pass the time. On a whim, Byron suggested they all write their own works of fiction, igniting the spark for some of the defining texts of the Romantic era. Having never published her own writing before, Mary unwittingly began mapping out her masterpiece. Frankenstein: or, The Modern Prometheus appeared in print two years later, changing the course of English literature forever. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Shelley and Percy Bysshe Shelley's History of a Six Weeks' Tour is a classic of English literature reimagined for modern readers.

In the mid-nineteenth century, as new routes opened up, a new generation of travellers embarked on excursions to India, China and Japan. Globetrotters - leisure tourists with a keen interest in experiencing authentic culture - flocked to the East, casting aside preconceptions and gravitating towards what they hoped to be the unchanged landscapes and traditions of Eastern cultures. The relics of their travels - the food they consumed and the souvenirs they brought back - allowed globetrotters to distinguish themselves from common tourists. They proudly returned with accounts that presented a global East, challenging public assumptions about the cultures they had visited and charting a journey of self-transformation through travel.

This account shows the full range of Hugh Miller's interests - the lyrical description of the scenery and accounts of beautiful fossils show a deep affection for the Scottish landscape, while his role as a serious religious journalist and social crusader is highlighted in his discussions on the Disruption and the Highland Clearances.

Indian Travel Writing is a new five-volume collection co-published by Routledge and Edition Synapse. Hitherto, the paucity of readily available travel writing produced by imperial subjects themselves has long been apparent, and this anthology addresses that lack. A veritable treasure-trove, it brings together scarce documents which are currently widely dispersed or very difficult for scholars, researchers, and students across the globe to locate and use. The collection confirms the deeply cosmopolitan sensibility possessed by many Indian travellers, and their narratives provide insightful contemporary critiques of the British Empire and of Euro-American culture more generally. The gathered works often exhibit considerable expertise in local cuisine, politics, and poetry, as well as a keen interest in political theory, human rights, and class conflict. Beyond Britain, continental Europe, and the USA, the collection also includes writing by Indians who travelled to Russia, China, the Far East, Australia, and Africa. Indian Travel Writing draws on the narratives of a diverse range of writers, including Indian princes, statesmen, lawyers, reformers, sportsmen, artists and curators, politicians, and merchants. Each piece is reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination. The collection will be particularly welcomed by historians and those working in colonial-discourse studies. It will also be of interest to anthropologists and literary scholars. Each volume is supplemented by a substantial introduction, newly written by the editor, Pramod K. Nayar. The collection also includes a detailed appendix providing data on the provenance of the gathered materials. *********************** Pramod K. Nayar is also the editor of the five-volume Women in Colonial India (2013) (978-0-415-52555-8), another Routledge and Edition Synapse co-publication.

This is a lavish pictorial record produced in collaboration with the Royal Geographical Society (with IBG). It features 200 unique photographs taken by Isabella Bird that transport the reader to the China of the late 19th century. It includes supporting text by travel photography expert Debbie Ireland. Ammonite Press is proud to collaborate with the Royal Geographical Society (with IBG) in celebrating the achievements of Isabella Bird in this lavish pictorial record of her last great journey through China, in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. Bird was in her mid-sixties when she undertook her travels, to a land that was largely unknown and largely misunderstood in the West, where a woman travelling alone was greeted with incredulity and, occasionally, hostility. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.

This collection includes the first critical editions of both Anne Grant's Letters from the Mountains (1806), one of the Romantic era's most successful non-fictional accounts of the Scottish Highlands, and Elizabeth Isabella Spence's Letters from the North Highlands (1816), a work that, while influenced by Grant's Letters, attempted to move the genre of the Scottish travelogue in new directions. Read together, these volumes offer complementary views of Scottish Highland life at a time of major historical transition: Grant was offering outsiders her perspective as a long-time resident of the region, while Spence was, unapologetically, writing as a tourist. The Highlands were central to Romantic-era debates on subjects ranging from landscape and aesthetics to national identities, and, as this collection demonstrates, women were making significant contributions to those debates. The four volume set, edited by Kirsteen McCue and Pam Perkins, is accompanied by new editorial material including a new general introduction and headnotes to each work.

This book is one of the first studies of twentieth-century travel literature in French, tracking the form from the colonial past to the postcolonial present. Whereas most recent explorations of travel literature have addressed English-language material, Forsdick's study complements these by presenting a body of material that has previously attracted little attention, ranging from conventional travel writing to other cultural phenomena (such as the Colonial Exposition of 1931) in which changing attitudes to travel are apparent.
Travel in Twentieth-Century French and Francophone Cultures explores the evolution of attitudes to cultural diversity, explaining how each generation seems simultaneously to foretell the collapse and reinvention of "elsewhere." It also follows the progressive renegotiation of understandings of travel (and travel literature) across the twentieth century, focusing in particular on the emergence of travel narratives from France's former colonies. The book suggests that an exclusive colonial understanding of travel as a practice defined along the lines of class, gender, and ethnicity has slowly been transformed so that travel has become an enabling figure--encapsulated in notions such as James Clifford's "traveling cultures"--central to analyses of contemporary global culture. Engaging initially with Victor Segalen's early twentieth-century reflection on travel and exoticism and Albert Kahn's "Archives de la Planete," Forsdick goes on to examine a series of interrelated texts and phenomena: early African travel narratives, inter-war ethnography, post-war accounts of Citroen 2CV journeys, the travel stories of immigrant workers, the work of Nicholas Bouvier andthe Pour une litterature voyageuse movement, narratives of recent walking journeys, and contemporary Polynesian literature. In delineating a francophone space stretching far beyond metropolitan France itself, the book contributes to new understandings of French and Francophone Studies, and will also be of interest to those interested in issues of comparatism as well as colonial and postcolonial culture and identity.

Jacob Gotfried Haafner (1754-1809) was a writer of great talent, and an early dissenting voice from within the colonial enterprise. Haafner was orphaned in the Dutch East Indies, and lived in South Africa, Sri Lanka, India and Mauritius for more than 20 years. On his return to Europe he transformed himself into one of the most popular Dutch writers of the early 19th century, for his travel writing in the Romantic mode. Books like his popular Travels in a Palanquin were translated into the major European languages, and his essays on the havoc wrought by missionaries worldwide stirred up great controversy, particularly in his home country of the Netherlands. He was a fierce critic of English machinations in India: "Had I to write the history of the English and their deeds in Asia", Haafner once said, "it would be the spitting image of hell". But there was a scholarly side to him to complement the pamphleteer and travel writer, working to promote European understanding of Indian literature, myth and religion, including through his translation of the Ramayana into Dutch.With the help of generous excerpts from Haafner's own writings, including material newly translated into English, van der Velde tells an affecting story of a young man who made a world for himself along the Coromandel Coast, in Ceylon and Calcutta, but who returned to Europe to live the last years of his life in Amsterdam, suffering an acute nostalgia for Asia: "No, in Europe and especially in its northern climes, no one enjoys their life..." This will be compelling reading for anyone interested in European response to the cultures of Asia.

In 1821, Catherine Hutton published 'The Tour of Africa', a three-volume work covering the entire continent. Although the book is framed as a first-person narrative and told in the voice of 'the son of an English country gentleman of good family', it is in fact a compilation of existing travel accounts, including those of Pococke, Bruce, Denon, Barrow, and Sonnini. Here, extracts from these accounts are woven together without attribution, creating a text which is both factual and fictional.

First published in 1735, this account focuses on the customs, food, languages and religions of the peoples in the islands and settlements visited. It also has remarks on the gold, ivory and slave trades.

** Winner of the RSL Christopher Bland Prize ** Uncovering the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents - the critically acclaimed biography with never-before-seen letters detailing the affair. For readers who were swept up in Laura Cumming's On Chapel Sands, Daniel Mendelsohn's An Odyssey and Francesca Wade's Square Haunting. A death in the family delivers Julia Parry a box of letters. Dusty with age, they reveal a secret love affair between the celebrated novelist Elizabeth Bowen and the academic Humphry House - Julia's grandfather. So begins a life-changing quest to understand the affair, which had profound repercussions for Julia's family, not least her grandmother, Madeline. Julia traces these three very different characters through 1930s Oxford and Ireland, Texas, Calcutta in the last days of Empire, and on into World War II. With a supporting cast that includes Isaiah Berlin and Virginia Woolf, The Shadowy Third opens up a world with complex attitudes to love and sex, duty and ambition, and to writing itself.

This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that 'idleness' is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of 'the Victorians' as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to 're-subjectification' and the assertion of a 'late-Romantic' sensibility. Attentive to the historical and literary continuities between 'Romantic' and 'Victorian', the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.

H.W. Tilman's Two Mountains and a River picks up where Mount Everest 1938 left off. In this instalment of adventures, Tilman and two Swiss mountaineers set off for the Gilgit region of the Himalaya with the formidable objective of an attempt on the giant Rakaposhi (25,550 feet). However, this project was not to be fulfilled. Not one to be dispirited, Tilman and his various accomplices - including pioneering mountaineer and regular partner Eric Shipton - continue to trek and climb in locations across China, Pakistan, Afghanistan and other areas of Asia, including the Kukuay Glacier, Muztagh Ata, the source of the Oxus river, and Ishkashim, where the author was arrested on suspicion of being a spy ... Two Mountains and a River brims with the definitive Tilman qualities - detailed observations and ever-present humour - that convey a strong appreciation of the adventures and mishaps he experiences along the way. With a new foreword from prominent trekker, climber and lecturer, Gerda Pauler, this classic mountaineering text maintains Tilman's name as a unique and inquisitive explorer and raconteur.

This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.

'For most men, as Epicurus has remarked, rest is stagnation and activity madness. Mad or not, the activity that I have been pursuing for the last twenty years takes the form of voyages to remote, mountainous regions.' H.W. 'Bill' Tilman's fourteenth book Ice with Everything describes three more of those voyages, 'the first comparatively humdrum, the second totally disastrous, and the third exceedingly troublesome'. The first voyage describes Tilman's 1971 attempt to reach East Greenland's remote and ice-bound Scoresby Sound. The largest fjord system in the world was named after the father of Whitby whaling captain, William Scoresby, who first charted the coastline in 1822. Scoresby's two-volume Account of the Arctic Regions provided much of the historical inspiration for Tilman's northern voyages and fuelled his fascination with Scoresby Sound and the unclimbed mountains at its head. Tilman's first attempt to reach the fjord had already cost him his first boat, Mischief, in 1968. The following year, a 'polite mutiny' aboard Sea Breeze had forced him to turn back within sight of the entrance, so with a good crew aboard in 1971, it was particularly frustrating for Tilman to find the fjord blocked once more, this time by impenetrable sea ice at the entrance. Refusing to give up, Tilman's obsession with Scoresby Sound continued in 1972 when a series of unfortunate events led to the loss of Sea Breeze, crushed between a rock and an ice floe. Safely back home in Wales, the inevitable search for a new boat began. 'One cannot buy a biggish boat as if buying a piece of soap. The act is almost as irrevocable as marriage and should be given as much thought'. The 1902 pilot cutter Baroque was acquired and after not inconsiderable expense, proved equal to the challenge. Tilman's first troublesome voyage aboard her to West Greenland in 1973 completes this collection.

This eight-volume facsimile set comprises firsthand accounts of continental travel in the early nineteenth century. Anne Carter witnesses the monarchy's return to power and the capital in her visit to Paris, while Frances Jane Carey ranges all over the country and particularizes the customs and everyday existence of its people. Marianne Baillie ventures much further afield in her 1819 work, exploring France, Italy and Switzerland, among other nations, while Elizabeth Byron daringly rides a boat along the Loire, defying the gendarmes as she navigates the culture and history she finds on the river's banks as well as the contemporary political exchanges that threaten to stop her tour. Each writer is excited about visiting new realms while also affirming the differences between their own country's practices and landscapes and those they witness on their Continental tours.

'No sea voyage can be dull for a man who has an eye for the ever-changing sea and sky, the waves, the wind and the way of a ship upon the water.' So observes H.W. 'Bill' Tilman in this account of two lengthy voyages in which dull intervals were few and far between. In 1966, after a succession of eventful and successful voyages in the high latitudes of the Arctic, Tilman and his pilot cutter Mischief head south again, this time with the Antarctic Peninsula, Smith Island and the unclimbed Mount Foster in their sights. Mischief goes South is an account of a voyage marred by tragedy and dogged by crew trouble from the start. Tilman gives ample insight into the difficulties associated with his selection of shipmates and his supervision of a crew, as he wryly notes, 'to have four misfits in a crew of five is too many'. The second part of this volume contains the author's account of a gruelling voyage south, an account left unwritten for ten years for lack of time and energy. Originally intended as an expedition to the remote Crozet Islands in the southern Indian Ocean, this 1957 voyage evolved into a circumnavigation of Africa, the unplanned consequence of a momentary lapse in attention by an inexperienced helmsman. The two voyages described in Mischief goes South covered 43,000 miles over twenty-five months spent at sea and, while neither was deemed successful, published together they give a fine insight into Tilman's character.

We are obsessed with 'barbarians'. They are the 'not us', who don't speak our language, or 'any language', whom we depise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. This book looks afresh at how we have confronted the idea of 'barbarism', in ourselves and others, from the conquest of the Americas to the Nazi Holocaust, through the voices of many writers, including Montaigne, Swift and Shaw.