A.A. Gill was an exceptional writer. Savage and compassionate in equal measure, he was always opinionated, always original, often surprising, and his writing illuminated every page. This second collection of his journalism brings together pieces from near and far. He was ferociously well-travelled and wrote 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. Far and Away is a book about meeting those neighbours. Wherever he was - with the glitterati in St Tropez or in the ruins of earthquake-stricken Haiti - he had the ability to pin down the heart of a story and render it unforgettable. He was a peerless writer about food, and we also join him at tables all around the globe. A.A. Gill had the gift of making his readers see the world in a different way. And, always, of making them laugh. This collection is an opportunity to marvel at a master at work.

In the mid-nineteenth century, as new routes opened up, a new generation of travellers embarked on excursions to India, China and Japan. Globetrotters - leisure tourists with a keen interest in experiencing authentic culture - flocked to the East, casting aside preconceptions and gravitating towards what they hoped to be the unchanged landscapes and traditions of Eastern cultures. The relics of their travels - the food they consumed and the souvenirs they brought back - allowed globetrotters to distinguish themselves from common tourists. They proudly returned with accounts that presented a global East, challenging public assumptions about the cultures they had visited and charting a journey of self-transformation through travel.

This book is without a doubt the most remarkable true account ever written of adventure in Africa. It is the story of the life of George Rushby, an adventurer, ivory hunter, prospector, game rancher who immigrated to SA from Britain in search of a new life and all the curious and violent events that befell him until as a game ranger of Tanganyika. He faced and defeated the lion man-eters of the Njombe district. George Rushby vows to rid the land of these man-eaters, but he soon discovers they are unlike any lions he has ever encountered. He gets no help in his fight from the villagers who believe the killings to be the work of the local witchdoctor, a man they fear to cross - when a child Rushby loves is killed, the battle becomes personal. The reader is transported into a world of tumultuous events, many of which baffle all rational thought. George Rushy was duly referred to as "the prince of adventurers" and we join him on his travels and experiences in Africa.

WITH A NEW INTRODUCTION BY TARAN KHAN, author of Shadow City TRANSLATED FROM BENGALI BY NAZES AFROZ An intrepid traveller and true cosmopolitan, legendary Bengali writer Syed Mujtaba Ali spent a year and a half teaching in Kabul from 1927 to 1929. Curious to explore Afghan society, Mujtaba Ali had access to a cross-section of Kabul's population, and in In a Land Far from Home he chronicles his experiences with a keen eye and a wicked sense of humour. Mujtaba Ali's travels coincided with a critical point in Afghanistan's history: when the reformist King Amanullah tried to steer his country towards modernity by encouraging education for girls and giving them the choice of removing the burqa. Branded a 'kafir', Amanullah was overthrown by the bandit leader Bacha-e-Saqao. With striking parallels to twenty-first century events in the region, In a Land Far From Home is the only first-hand account of this tumultuous period by a non-Afghan. Providing a unique perspective, Mujtaba Ali's fascinating account is brought to life by contact with a colourful cast of characters at all levels of society -- from the garrulous Pathan Dost Muhammed and the gentle Russian giant Bolshov, to his servant, Abdur Rahman and his partner in tennis, the Crown Prince Enayatullah.

This account shows the full range of Hugh Miller's interests - the lyrical description of the scenery and accounts of beautiful fossils show a deep affection for the Scottish landscape, while his role as a serious religious journalist and social crusader is highlighted in his discussions on the Disruption and the Highland Clearances.

This title was first published in 2001: Hundreds of European travelogues produced by British travellers between 1750 and 1800 remain out of sight in most libraries and have generally been out of print since the 18th century. While many people with a working knowledge of the 18th century are familiar with works including Sterne's "A Sentimental Journey" and Smollett's "Travels through France and Italy", those produced by less "literary" travellers are largely unknown. This study aims to recreate the world of 18th-century travel writing in order to illuminate its central role in shaping Britain's emerging sense of national identity - an identity which proves to be more complex an less homogeneous than some cultural and historical studies would suggest. The author finds that the developing discourse of national character is bound up with questions of gender: national and authorial virtue are projected in terms of appropriately gendered behaviour, for male and female travel writers alike. In turn, gender intersects with class, most obviously in the tendency to denigrate aristocratic travellers as effeminate and celebrate the more manly activities of the middle-class traveller. These then - national identity, authorship and gender - are the central preoccupations of the study

This summer holiday vintage classic exploring the mystery of a buried Cornish hotel invites us to solve the puzzle as detectives: perfect for Agatha Christie fans, with a dash of Richard Osman ... 'I am loving it!' Nigella Lawson 'Hilarious and perceptive ... Perfect.' Daily Mail 'Entertaining, beautifully written, and profound.' Tracy Chevalier 'Tense, touching, human, dire, and funny ... A feast indeed.' Elizabeth Bowen 'Kennedy is not only a romantic but an anarchist.' Anita Brookner 'Oh boy, what a treat; wonderfully sharp and funny ... Page-turningly good!' Lissa Evans 'So full of pleasure that you could be forgiven for not seeing how clever it is.' Cathy Rentzenbrink (foreword) Cornwall, Midsummer 1947. Pendizack Manor Hotel is buried in the rubble of a collapsed cliff. Seven guests have perished, but is it murder, and what brought this strange assembly together for a moonlit feast before this Act of God - or Man? Over the week before the landslide, we meet the hotel guests in all their eccentric glory: and as friendships form and romances blossom, sins are revealed, and the cliff cracks widen .. Reader Reviews: 'One of the best books I have ever read ... Viva Ms. Kennedy, you were truly marvellous!' ***** 'The best book I've ever read. Yes, I know that's a big statement! Kennedy is quickly becoming my all-time favorite author ... A first-rate literary genius.' ***** 'This is bar none, one of the best books I have ever read.' ***** 'Offers us the chance to solve a very unusual kind of mystery ... An unexpectedly engaging literary game.' **** 'A magnificent rediscovery ... Kennedy's masterpiece is a searing and unflinching look at postwar England ... Elegantly and tartly written, this smart and haunting novel offers one of the most unforgettable endings ... A brilliant and moving literary feast to be enjoyed without any moderation! ***** 'I'm longing to read this again! Clever Kennedy! Is it a thriller? Is it a morality play or an exploration of divine justice? Or is it a family/village saga and maybe even a romance? ... Terrifically readable with a marvellous cast.' ***** 'Such a good idea, and brilliantly executed ... I was unable to stop reading, absorbed completely in the company of the motley group. It's almost like you're eavesdropping on them. After finishing it, I find myself still thinking about it ... A fabulous read.' ***** 'One of my favorite kinds of books: a forgotten treasure..' *****

Indian Travel Writing is a new five-volume collection co-published by Routledge and Edition Synapse. Hitherto, the paucity of readily available travel writing produced by imperial subjects themselves has long been apparent, and this anthology addresses that lack. A veritable treasure-trove, it brings together scarce documents which are currently widely dispersed or very difficult for scholars, researchers, and students across the globe to locate and use. The collection confirms the deeply cosmopolitan sensibility possessed by many Indian travellers, and their narratives provide insightful contemporary critiques of the British Empire and of Euro-American culture more generally. The gathered works often exhibit considerable expertise in local cuisine, politics, and poetry, as well as a keen interest in political theory, human rights, and class conflict. Beyond Britain, continental Europe, and the USA, the collection also includes writing by Indians who travelled to Russia, China, the Far East, Australia, and Africa. Indian Travel Writing draws on the narratives of a diverse range of writers, including Indian princes, statesmen, lawyers, reformers, sportsmen, artists and curators, politicians, and merchants. Each piece is reproduced in facsimile, giving users a strong sense of immediacy to the texts and permitting citation to the original pagination. The collection will be particularly welcomed by historians and those working in colonial-discourse studies. It will also be of interest to anthropologists and literary scholars. Each volume is supplemented by a substantial introduction, newly written by the editor, Pramod K. Nayar. The collection also includes a detailed appendix providing data on the provenance of the gathered materials. *********************** Pramod K. Nayar is also the editor of the five-volume Women in Colonial India (2013) (978-0-415-52555-8), another Routledge and Edition Synapse co-publication.

This is a lavish pictorial record produced in collaboration with the Royal Geographical Society (with IBG). It features 200 unique photographs taken by Isabella Bird that transport the reader to the China of the late 19th century. It includes supporting text by travel photography expert Debbie Ireland. Ammonite Press is proud to collaborate with the Royal Geographical Society (with IBG) in celebrating the achievements of Isabella Bird in this lavish pictorial record of her last great journey through China, in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. Bird was in her mid-sixties when she undertook her travels, to a land that was largely unknown and largely misunderstood in the West, where a woman travelling alone was greeted with incredulity and, occasionally, hostility. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.

This collection includes the first critical editions of both Anne Grant's Letters from the Mountains (1806), one of the Romantic era's most successful non-fictional accounts of the Scottish Highlands, and Elizabeth Isabella Spence's Letters from the North Highlands (1816), a work that, while influenced by Grant's Letters, attempted to move the genre of the Scottish travelogue in new directions. Read together, these volumes offer complementary views of Scottish Highland life at a time of major historical transition: Grant was offering outsiders her perspective as a long-time resident of the region, while Spence was, unapologetically, writing as a tourist. The Highlands were central to Romantic-era debates on subjects ranging from landscape and aesthetics to national identities, and, as this collection demonstrates, women were making significant contributions to those debates. The four volume set, edited by Kirsteen McCue and Pam Perkins, is accompanied by new editorial material including a new general introduction and headnotes to each work.

Over twenty years ago, Sven Lindqvist, one of the great pioneers of a new kind of experiential history writing, set out across Central Africa. Obsessed with a single line from Conrad's The Heart of Darkness - Kurtz's injunction to 'Exterminate All the Brutes' - he braided an account of his experiences with a profound historical investigation, revealing to the reader with immediacy and cauterizing force precisely what Europe's imperial powers had exacted on Africa's peoples over the course of the preceding two centuries. Shocking, humane, crackling with imaginative energies and moral purpose, Exterminate All the Brutes stands as an impassioned, timeless classic. It is essential reading for anybody ready to come to terms with the brutal, racist history on which Europe built its wealth.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This book is one of the first studies of twentieth-century travel literature in French, tracking the form from the colonial past to the postcolonial present. Whereas most recent explorations of travel literature have addressed English-language material, Forsdick's study complements these by presenting a body of material that has previously attracted little attention, ranging from conventional travel writing to other cultural phenomena (such as the Colonial Exposition of 1931) in which changing attitudes to travel are apparent.
Travel in Twentieth-Century French and Francophone Cultures explores the evolution of attitudes to cultural diversity, explaining how each generation seems simultaneously to foretell the collapse and reinvention of "elsewhere." It also follows the progressive renegotiation of understandings of travel (and travel literature) across the twentieth century, focusing in particular on the emergence of travel narratives from France's former colonies. The book suggests that an exclusive colonial understanding of travel as a practice defined along the lines of class, gender, and ethnicity has slowly been transformed so that travel has become an enabling figure--encapsulated in notions such as James Clifford's "traveling cultures"--central to analyses of contemporary global culture. Engaging initially with Victor Segalen's early twentieth-century reflection on travel and exoticism and Albert Kahn's "Archives de la Planete," Forsdick goes on to examine a series of interrelated texts and phenomena: early African travel narratives, inter-war ethnography, post-war accounts of Citroen 2CV journeys, the travel stories of immigrant workers, the work of Nicholas Bouvier andthe Pour une litterature voyageuse movement, narratives of recent walking journeys, and contemporary Polynesian literature. In delineating a francophone space stretching far beyond metropolitan France itself, the book contributes to new understandings of French and Francophone Studies, and will also be of interest to those interested in issues of comparatism as well as colonial and postcolonial culture and identity.

Jacob Gotfried Haafner (1754-1809) was a writer of great talent, and an early dissenting voice from within the colonial enterprise. Haafner was orphaned in the Dutch East Indies, and lived in South Africa, Sri Lanka, India and Mauritius for more than 20 years. On his return to Europe he transformed himself into one of the most popular Dutch writers of the early 19th century, for his travel writing in the Romantic mode. Books like his popular Travels in a Palanquin were translated into the major European languages, and his essays on the havoc wrought by missionaries worldwide stirred up great controversy, particularly in his home country of the Netherlands. He was a fierce critic of English machinations in India: "Had I to write the history of the English and their deeds in Asia", Haafner once said, "it would be the spitting image of hell". But there was a scholarly side to him to complement the pamphleteer and travel writer, working to promote European understanding of Indian literature, myth and religion, including through his translation of the Ramayana into Dutch.With the help of generous excerpts from Haafner's own writings, including material newly translated into English, van der Velde tells an affecting story of a young man who made a world for himself along the Coromandel Coast, in Ceylon and Calcutta, but who returned to Europe to live the last years of his life in Amsterdam, suffering an acute nostalgia for Asia: "No, in Europe and especially in its northern climes, no one enjoys their life..." This will be compelling reading for anyone interested in European response to the cultures of Asia.

A vogue for travel 'stunts' flourished in England between 1590 and the 1620s: playful imitations or burlesques of maritime enterprise and overland travel that collectively appear to be a response to particular innovations and developments in English culture. This study is the first full length scholarly work to focus on the curious phenomenon of 'madde voiages', as the writer William Rowley called them. Anthony Parr shows that the mad voyage (as Rowley and others conceived it) had surprisingly deep and diverse roots in traditional travel practices, in courtly play and mercantile custom, and in literary culture. Looking in detail at several of the best-documented exploits, Parr situates them in the ferment of such ventures during the period in question; but also reaches back to explore their classical and mediaeval antecedents, and considers their role in creating a template for eccentric English adventure in later centuries. Renaissance Mad Voyages brings together literary and historical enquiry in order to address the implications of an interesting and neglected cultural trend. Parr's investigation of the rash of travel exploits in the period leads to extensive research on the origins of the wager on travel and its role in the expansion of English tourism and trading activity.

In 1821, Catherine Hutton published 'The Tour of Africa', a three-volume work covering the entire continent. Although the book is framed as a first-person narrative and told in the voice of 'the son of an English country gentleman of good family', it is in fact a compilation of existing travel accounts, including those of Pococke, Bruce, Denon, Barrow, and Sonnini. Here, extracts from these accounts are woven together without attribution, creating a text which is both factual and fictional.

Samuel Johnson and James Boswell spent the autumn of 1773 touring through the Lowlands and Highlands of Scotland as far west as the islands of Skye, Raasay, Coll, Mull, Inchkenneth and Iona. Both kept detailed notes of their impressions, and later published separate accounts of their journey. These works contain some of the finest pieces of travel writing ever produced: they are also magnificent historical documents as well as portraits of two extraordinary men of letters. Together they paint a vivid picture of a society which was still almost unknown to the Europe of the Enlightenment. Entertaining, profound, and marvellously readable, they are a valuable chronicle of a lost age and a fascinating people. For the first time, Ronald Black's edition brings together Johnson's and Boswell's accounts of each of the six stages of the two men's journey - Lowlands, Skye, Coll, Mull and back to the mainland. Illustrated with prints by Thomas Rowlandson, it includes a critical introduction, translations of the Latin texts and brief notes.

** Winner of the RSL Christopher Bland Prize ** Uncovering the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents - the critically acclaimed biography with never-before-seen letters detailing the affair. For readers who were swept up in Laura Cumming's On Chapel Sands, Daniel Mendelsohn's An Odyssey and Francesca Wade's Square Haunting. A death in the family delivers Julia Parry a box of letters. Dusty with age, they reveal a secret love affair between the celebrated novelist Elizabeth Bowen and the academic Humphry House - Julia's grandfather. So begins a life-changing quest to understand the affair, which had profound repercussions for Julia's family, not least her grandmother, Madeline. Julia traces these three very different characters through 1930s Oxford and Ireland, Texas, Calcutta in the last days of Empire, and on into World War II. With a supporting cast that includes Isaiah Berlin and Virginia Woolf, The Shadowy Third opens up a world with complex attitudes to love and sex, duty and ambition, and to writing itself.

First published in 1735, this account focuses on the customs, food, languages and religions of the peoples in the islands and settlements visited. It also has remarks on the gold, ivory and slave trades.

This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that 'idleness' is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of 'the Victorians' as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to 're-subjectification' and the assertion of a 'late-Romantic' sensibility. Attentive to the historical and literary continuities between 'Romantic' and 'Victorian', the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.

H.W. Tilman's Two Mountains and a River picks up where Mount Everest 1938 left off. In this instalment of adventures, Tilman and two Swiss mountaineers set off for the Gilgit region of the Himalaya with the formidable objective of an attempt on the giant Rakaposhi (25,550 feet). However, this project was not to be fulfilled. Not one to be dispirited, Tilman and his various accomplices - including pioneering mountaineer and regular partner Eric Shipton - continue to trek and climb in locations across China, Pakistan, Afghanistan and other areas of Asia, including the Kukuay Glacier, Muztagh Ata, the source of the Oxus river, and Ishkashim, where the author was arrested on suspicion of being a spy ... Two Mountains and a River brims with the definitive Tilman qualities - detailed observations and ever-present humour - that convey a strong appreciation of the adventures and mishaps he experiences along the way. With a new foreword from prominent trekker, climber and lecturer, Gerda Pauler, this classic mountaineering text maintains Tilman's name as a unique and inquisitive explorer and raconteur.

A collection of the greatest women's travel writing selected by journalist and presenter Mariella Frostrup. From Constantinople to Crimea; from Antarctica to the Andes. Throughout history adventurous women have made epic, record-breaking journeys under perilous circumstances. Whether escaping constricted societies back home or propelled by a desire for independence, footloose females have ventured to the four corners of the earth and recorded their exploits for posterity. For too long their triumphs have been overshadowed by those of their male counterparts, whose honourable failures make bigger news. In curating this collection of first-hand accounts, broadcaster, writer and traveller Mariella Frostrup puts female explorers back on the map. Her selection includes explorers from the 1700s to the present day, from iconic heroines to lesser-known eccentrics, celebrating 300 years of wild women and their amazing adventures over land, sea and air. Reviews for Wild Women: 'A stirring whistle-stop tour, led by women who often risked disapproval in leaving home to roam the world' Vanity Fair 'Like any good travel book, Wild Women succeeds in casting the reader's mind off on journeys of its own, inspiring fresh plans and what the Germans call Fernweh, or a longing for faraway places' TLS 'Required reading for anyone who assumed that 'the road less travelled' was a solely masculine preserve' Sunday Independent

This eight-volume set in two parts gives voice to some intrepid women travellers touring post-Napoleonic France. The volumes are facsimile editions and are introduced and edited by experts in their field.

'For most men, as Epicurus has remarked, rest is stagnation and activity madness. Mad or not, the activity that I have been pursuing for the last twenty years takes the form of voyages to remote, mountainous regions.' H.W. 'Bill' Tilman's fourteenth book Ice with Everything describes three more of those voyages, 'the first comparatively humdrum, the second totally disastrous, and the third exceedingly troublesome'. The first voyage describes Tilman's 1971 attempt to reach East Greenland's remote and ice-bound Scoresby Sound. The largest fjord system in the world was named after the father of Whitby whaling captain, William Scoresby, who first charted the coastline in 1822. Scoresby's two-volume Account of the Arctic Regions provided much of the historical inspiration for Tilman's northern voyages and fuelled his fascination with Scoresby Sound and the unclimbed mountains at its head. Tilman's first attempt to reach the fjord had already cost him his first boat, Mischief, in 1968. The following year, a 'polite mutiny' aboard Sea Breeze had forced him to turn back within sight of the entrance, so with a good crew aboard in 1971, it was particularly frustrating for Tilman to find the fjord blocked once more, this time by impenetrable sea ice at the entrance. Refusing to give up, Tilman's obsession with Scoresby Sound continued in 1972 when a series of unfortunate events led to the loss of Sea Breeze, crushed between a rock and an ice floe. Safely back home in Wales, the inevitable search for a new boat began. 'One cannot buy a biggish boat as if buying a piece of soap. The act is almost as irrevocable as marriage and should be given as much thought'. The 1902 pilot cutter Baroque was acquired and after not inconsiderable expense, proved equal to the challenge. Tilman's first troublesome voyage aboard her to West Greenland in 1973 completes this collection.