This second set in The Collected Writings of Daniel Defoe brings together some of his best-loved and most ambitious works, together with others which reveal the extraordinary range of his intellectual interests Three volumes are devoted to major historical writings by Defoe. His Memoirs of the Church of Scotland and History of the Union of Great Britain are included here.

Isabella Bird's account of her journeys in Korea in 1898 represents one of the very rare accounts of that country in the latter part of the nineteenth century. At that time Korea was virtually a forbidden land and had only been open to foreigners for about ten years. It was and had been under Chinese influence for centuries. The trip was very difficult but so fascinating that, true to character, Isabella adored it. She undertook many arduous jouneys by land and river, observed the breathtakingly beautiful countryside, visited the Buddhist monasteries and had many audiences with the Korean king and his soon to be assassinated queen. While Isabella was on her journey the Japanese invaded Korea and she had to leave hastily, ending up in China, penniless.

'We had climbed a mountain and crossed a pass; been wet, cold, hungry, frightened, and withal happy. One more Himalayan season was over. It was time to begin thinking of the next. "Strenuousness is the immortal path, sloth is the way of death".' First published in 1946, the scope of H.W. 'Bill' Tilman's When Men & Mountains Meet is broad, covering his disastrous expedition to the Assam Himalaya, a small exploratory trip into Sikkim, and then his wartime heroics. In the thirties, Assam was largely unknown and unexplored. It proved a challenging environment for Tilman's party, the jungle leaving the men mosquito-bitten and suffering with tropical diseases, and thwarting their mountaineering success. Sikkim proved altogether more successful. Tilman, who is once again happy and healthy, enjoys some exploratory ice climbing and discovers Abominable Snowman tracks, particularly remarkable as the creature appeared to be wearing boots - 'there is no reason why he should not have picked up a discarded pair at the German Base Camp and put them to their obvious use'. And then, in 1939, war breaks out. With good humour and characteristic understatement we hear about Tilman's remarkable Second World War. After digging gun pits on the Belgian border and in Iraq, he was dropped by parachute behind enemy lines to fight alongside Albanian and Italian partisans. Tilman was awarded the Distinguished Service Order for his efforts - and the keys to the city of Belluno, which he helped save from occupation and destruction. Tilman's comments on the German approach to Himalayan climbing could equally be applied to his guerrilla warfare ethos. 'They spent a lot of time and money and lost a lot of climbers and porters, through bad luck and more often through bad judgement.' While elsewhere the war machine rumbled on, Tilman's war was fast, exciting, lightweight and foolhardy - and makes for gripping reading.

The Romantic Period saw the advance of the massive British imperial expansion that was to make it dominant for most of the 19th century. There was a corresponding expansion in travel writings, which, highly popular in their own time, seemed to bring exotic realms within the grasp of the reading public and were a source for ethnographic and cultural information about other societies.

However many times it has been done, the act of casting off the warps and letting go one's last hold of the shore at the start of a voyage has about it something solemn and irrevocable, like marriage, for better or for worse. Mostly Mischief's ordinary title belies four more extraordinary voyages made by H.W. 'Bill' Tilman covering almost 25,000 miles in both Arctic and Antarctic waters. The first sees the pilot cutter Mischief retracing the steps of Elizabethan explorer John Davis to the eastern entrance to the Northwest Passage. Tilman and a companion land on the north coast and make the hazardous crossing of Bylot Island while the remainder of the crew make the eventful passage to the southern shore to recover the climbing party. Back in England, Tilman refuses to accept the condemnation of Mischief's surveyor, undertaking costly repairs before heading back to sea for a first encounter with the East Greenland ice. Between June 1964 and September 1965, Tilman is at sea almost without a break. Two eventful voyages to East Greenland in Mischief provide the entertaining bookends to his account of the five-month voyage in the Southern Ocean as skipper of the schooner Patanela. Tilman had been hand-picked by the expedition leader as the navigator best able to land a team of Australian and New Zealand climbers and scientists on Heard Island, a tiny volcanic speck in the Furious Fifties devoid of safe anchorages and capped by an unclimbed glaciated peak. In a separate account of this successful voyage, Colin Putt describes the expedition as unique - the first ascent of a mountain to start below sea level.

This collection of Daniel Defoe's travel and historical writings brings together some of his best-loved and most ambitious works, together with others which reveal the extraordinary range of his intellectual interests. His Tour thro' the Whole Island of Great Britain, which came out between 1724 and 1726, drew on Defoe's own travels throughout England and Scotland - often as a political agent and spy.

The Romantic Period saw the advance of the massive British imperial expansion that was to make it dominant for most of the 19th century. There was a corresponding expansion in travel writings, which, highly popular in their own time, seemed to bring exotic realms within the grasp of the reading public and were a source for ethnographic and cultural information about other societies.

From the moment Karen Blixen arrived in Kenya in 1914 to manage a coffee plantation, her heart belonged to Africa. Drawn to the intense colours and ravishing landscapes, Karen Blixen spent her happiest years on the farm and her experiences and friendships with the people around her are vividly recalled in these memoirs. Out of Africa is the story of a remarkable and unconventional woman and of a way of life that has vanished for ever.

In 1869, Hayyim Habshush, a Yemeni Jew, accompanied the European orientalist Joseph Halévy on his archaeological tour of Yemen. Twenty years later, Habshush wrote A Vision of Yemen, a memoir of their travels, that provides a vivid account of daily life, religion, and politics. More than a simple travelogue, it is a work of trickster-tales, thick anthropological descriptions, and reflections on Jewish–Muslim relations. At its heart lies the fractious and intimate relationship between the Yemeni coppersmith and the "enlightened" European scholar and the collision between the cultures each represents. The book thus offers a powerful indigenous response to European Orientalism. This edition is the first English translation of Habshush's writings from the original Judeo-Arabic and Hebrew and includes an accessible historical introduction to the work. The translation maintains Habshush's gripping style and rich portrayal of the diverse communities and cultures of Yemen, offering a potent mixture of artful storytelling and cultural criticism, suffused with humor and empathy. Habshush writes about the daily lives of men and women, rich and poor, Jewish and Muslim, during a turbulent period of war and both Ottoman and European imperialist encroachment. With this translation, Alan Verskin recovers the lost voice of a man passionately committed to his land and people.

The 'memsahibs' of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women's travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women's Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives - here reproduced for the first time in reset scholarly editions - were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women's interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women's passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women's writing, travel writing, colonial and postcolonial studies, the history of women's educational and missionary work, and Romantic-era and nineteenth-century literature. This second volume includes two texts, Harriet Newell, Memoirs of Mrs Harriet Newell (1815) and Eliza Fay, Original Letters from India (1817).

The 'memsahibs' of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women's travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women's Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives - here reproduced for the first time in reset scholarly editions - were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women's interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women's passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women's writing, travel writing, colonial and postcolonial studies, the history of women's educational and missionary work, and Romantic-era and nineteenth-century literature. This volume includes 2 texts, Jemima Kindersley, Letters from the Island of Teneriffe, Brazil, the Cape of Good Hope, and the East Indies (1777) and Maria Graham, Journal of a Residence in India (1812).

From "Roughing it with the Men" to "Below the Border in Wartime" Mary Roberts Rinehart's The Out Trail features seven tales from her adventures in the West from fishing at Puget Sound to hiking the Bright Angel trail at the Grand Canyon. Though she was best known at the time for her mystery novels, Rinehart's travel writing, starting with her 1915 travels to the then young Glacier National Park, offers observations and insights into the fun and difficulties of early twentieth-century travel and her fellow travelers with humor and clarity of detail that makes them vivid for today's travelers.

First quality reprint of this famous travelogue. Relevant for anybody interested in Asia travels and colored plate books of the 19th century We were six white men in all - Our intention was to march from Simla due north to Le, the capital of Ladak; thence west-ward to Sree-nuggur, the capital of Kashmir; thence in a south-easterly direction via Chumba, and Kangra back to Simla, - in all, a circuit considerably over one thousand miles. This scheme was carried out in its integrity by only two of the party. For travellers who, like us, were anxious to see as much as possible in three short months, and were not disinclined to rough it, I can conceive no better route, leading us as it did through every vicissitude of Himalayan scenery, over the high table-lands of Thibetan Tartary, into the verdant vale of Kashmir, and so back through the tamer but scarcely less beautiful scenery of the lower ranges of the Himalaya, to the, tea-planted slopes of the Kangra valley, at which point the traveller may consider his wanderings in what has been called the Alpine Punjab at an end.' This excerpt from the opening of "Travels in Ladakh, Tartary, and Kashmir" by Lieutenant General Sir Henry D'Oyley Torrens offers a taste of this extraordinary book , originally published in 1862. Studio Orientalia's edition of this famous travelogue is based on the rare first edition published by Saunders Otley & Co. The text has been retyped and newly formatted according to the original, with 12 coloured plates, 2 of them folding panoramas in original size, numerous line-drawn illustrations and decorations to the text, included.

In 1866, worn out by fighting in the American Civil War, the writer Samuel Hazard arrived in Cuba to begin work on a guidebook to the island. Over a period of several months, as his health recovered, he travelled throughout what was then still a Spanish colony, observing and recording daily life. The result is one of the most complete and evocative portrayals of colonial Cuban life, written in the decade when the first concerted struggle for independence was already under way. Hazard's sympathies were clearly with the pro-independence "patriots", but his main aim was to produce a complete overview of the island's sights and customs, aimed at visitors. He is informative on hotels, restaurants, and transport and sightseeing, but is also intrigued by the people he meets and the idiosyncrasies of Cuban social life. Illustrated with hundreds of the author's own sketches, "Cuba with Pen and Pencil" takes the reader through the historic fortresses and mansions of Havana, the tropical city of Santiago de Cuba and the plantations and mountains of the island's countryside. With a keen and often quirky eye for detail, Hazard explores the sugar industry - still largely powered by slave labour - and Cuba's other economic activities. He describes the island's flora and fauna, its varied topography, and its varied social life, ranging from upper-class balls to slave compounds. First published in 1871 and now reissued with an introduction by acclaimed historian Richard Gott, "Cuba with Pen and Pencil" is a unique portrait of an island and a society on the eve of fundamental and historic change.

HOW THE GOLDEN AGE OF TRANSATLANTIC TRAVEL BETWEEN THE WARS TRANSFORMED WOMEN'S LIVES ACROSS ALL CLASSES - A VIVID CROSS SECTION OF LIFE ON-BOARD THE ICONIC OCEAN LINERS FROM BELOW DECKS TO THE CAPTAIN'S TABLE. 'In this riveting slice of social history, Sian Evans does a brilliant job of describing the unexpected textures of life at sea...By deep diving into the archives, Sian Evans has discovered a watery in-between world where the usual rules didn't quite apply and a spirited woman could get further than she ever would on dry land. - Mail on Sunday Migrants and millionairesses, refugees and aristocrats all looking for a way to improve their lives. After WW1 a world of opportunity was opening up for women ... Before convenient air travel, transatlantic travel was the province of the great ocean liners and never more so than in the glory days of the interwar years. It was an extraordinary undertaking made by many women. Some traveled for leisure, some for work; others to find a new life, marriage, to reinvent themselves or find new opportunities. Their stories have remained largely untold - until now. Maiden Voyages is a fascinating portrait of these women, and their lives on board magnificent ocean liners as they sailed between the old and the new worlds. The ocean liner was a microcosm of contemporary society, divided by class: from the luxury of the upper deck, playground for the rich and famous, to the cramped conditions of steerage or third class travel. These iconic liners were filled with women of all ages, classes and backgrounds: celebrities and refugees, migrants and millionairesses, aristocrats and crew members. Full of incredible gossip, stories and intrigue, Maiden Voyages has a diverse cast of inspiring women - from A-listers like Josephine Baker, a dancer from St Louis who found fame in Paris, Marlene Dietrich and Wallis Simpson, Violet 'the unsinkable' Jessop, a crew member who survived the sinking of the Titanic, and entrepreneur Sibyl Colefax, a pioneering interior designer. Whichever direction they were travelling, whatever hopes they entertained, they were all under the spell of life at sea, a spell which would only break when they went ashore. Maiden Voyages is a compelling and highly entertaining account of life on board: part dream factory, part place of work, independence and escape - always moving.

Unpublished for 90 years, Agatha Christie's extensive and evocative letters and photographs from her year-long round-the-world trip to South Africa, Australia, New Zealand, Canada and America as part of the British trade mission for the famous 1924 Empire Exhibition. In 1922 Agatha Christie set sail on a 10-month voyage around the British Empire with her husband as part of a trade mission to promote the forthcoming British Empire Exhibition. Leaving her two-year-old daughter behind with her sister, Agatha set sail at the end of January and did not return until December, but she kept up a detailed weekly correspondence with her mother, describing in detail the exotic places and people she encountered as the mission travelled through South Africa, Australia, New Zealand, Hawaii and Canada. The extensive and previously unpublished letters are accompanied by hundreds of photos taken on her portable camera as well as some of the original letters, postcards, newspaper cuttings and memorabilia collected by Agatha on her trip. Edited and introduced by Agatha Christie's grandson, Matthew Prichard, this unique travelogue reveals a new side to Agatha Christie, demonstrating how her appetite for exotic plots and locations for her books began with this eye-opening trip, which took place just after only her second novel had been published (the first leg of the tour to South Africa is very clearly the inspiration for the book she wrote immediately afterwards, The Man in the Brown Suit). The letters are full of tales of seasickness and sunburn, motor trips and surf boarding, and encounters with welcoming locals and overbearing Colonials. The Grand Tour is a book steeped in history, sure to fascinate anyone interested in the lost world of the 1920s. Coming from the pen of Britain's biggest literary export and the world's most widely translated author, it is also a fitting tribute to Agatha Christie and is sure to fascinate her legions of worldwide fans.

WITH A NEW INTRODUCTION BY TARAN KHAN, author of Shadow City TRANSLATED FROM BENGALI BY NAZES AFROZ An intrepid traveller and true cosmopolitan, legendary Bengali writer Syed Mujtaba Ali spent a year and a half teaching in Kabul from 1927 to 1929. Curious to explore Afghan society, Mujtaba Ali had access to a cross-section of Kabul's population, and in In a Land Far from Home he chronicles his experiences with a keen eye and a wicked sense of humour. Mujtaba Ali's travels coincided with a critical point in Afghanistan's history: when the reformist King Amanullah tried to steer his country towards modernity by encouraging education for girls and giving them the choice of removing the burqa. Branded a 'kafir', Amanullah was overthrown by the bandit leader Bacha-e-Saqao. With striking parallels to twenty-first century events in the region, In a Land Far From Home is the only first-hand account of this tumultuous period by a non-Afghan. Providing a unique perspective, Mujtaba Ali's fascinating account is brought to life by contact with a colourful cast of characters at all levels of society -- from the garrulous Pathan Dost Muhammed and the gentle Russian giant Bolshov, to his servant, Abdur Rahman and his partner in tennis, the Crown Prince Enayatullah.

Prize-winning Spanish author Juan Pedro Aparicio follows the route of the old narrow guage railway that runs between Bilbao and Leon, through the provinces of Vizcaya, Santander, Burgos, Palencia and Leon. The description of the train journey is illuminated by the watercolours of Jose S. Carralero and Maribol Fraguas."

A century ago, northern Thailand (or Siam as it was then known) was home to small communities of Westerners, many of them British diplomats and foresters (like Reginald Le May and Reginald Campbell) or American missionaries (like Lucy Starling and Mary Lou O'Brien). Though few in number, they left behind a considerable written legacy. The writing is invariably personal and often vivid, describing their hopes and aspirations, the challenges they faced in their work and daily lives, and their attachment to this enchanted land. This book makes a selection of that writing accessible to a wide readership, much of it for the first time. The texts are illustrated by 65 evocative photographs, many of them contemporary.

The past quarter-century has seen a number of biographies and anthologies on women travelers but to date there has been little comprehensive reference work done on the travellers themselves. Some of the women were eccentric, many very adventurous, some were in search of a different world. British women make up the largest portion of the book's focus--these particular adventurers being backed in many cases by family money, scientific inquiry, and the ready availability of the British seafaring tradition. Entries feature biographical information including the woman's family background, her educational history, and a brief summary of her world travels, with in many cases evocative extracts from their writings (many are literary gems).

In 1960, when he was almost sixty years old, John Steinbeck set out to rediscover his native land. He felt that he might have lost touch with its sights, sounds and the essence of its people.

Accompanied only by his dog, Charley, he travelled all across the United States in a pick-up truck. His journey took him through almost forty states, and he saw things that made him proud, angry, sympathetic and elated.

All that he saw and experienced is described with remarkable honesty and insight.

'One of the non-fiction books of the year.' Andrew O' Hagan A powerful, evocative and deeply personal journey into the world of missing people When Francisco Garcia was just seven years old, his father, Christobal, left his family. Unemployed, addicted to drink and drugs, and adrift in life, Christobal decided he would rather disappear altogether than carry on dealing with the problems in front of him. So that's what he did, leaving his young wife and child in the dead of night. He has been missing ever since. Twenty years on, Francisco is ready to take up the search for answers. Why did this happen and how could it be possible? Where might his father have gone? And is there any reason to hope for a happy reunion? During his journey, which takes him all across Britain and back to his father's homeland of Spain, Francisco tells the stories of those he meets along the way: the police investigators; the charity employees and volunteers; the once missing and those perilously at risk around us; the families, friends and all those left behind. If You Were There is the moving and affecting story of one man's search for his lost family, an urgent document of where we are now and a powerful, timeless reminder of our responsibility to others.

"No city preserves the memory and signature of so many men. The past and the dead have here as it were, a corporate life..." Edward Thomas is now best known for the poetry he wrote between 1914 and his untimely death at Arras in 1917. But during his lifetime his reputation was based on the extraordinary body of travel writing, reviews, and critical books he produced against intense deadline pressures in order to feed his growing family. His travel books, most notably Oxford and The South Country have had an enduring appeal for all lovers the English countryside. Through these and his later poems, Thomas has come to be regarded as the quintessential English writer. And yet he was Welsh, observing and loving England as a semi-outsider. Oxford, published three years after he completed his degree, was Thomas's first major commission. In it, he gives an evocative account of Oxford's architecture, history, and customs, drawing on personal memories of undergraduate life at Lincoln College. His prose was written to accompany the paintings of Fulleylove, who shared his interest in juxtaposing Oxford's grandeur with the ordinary details of domestic life. Between them, the artist and the writer catch the beauty of this "city within the heart" at a pivotal moment in pre-war history, and give it to us as though it could last forever in that form. In a Critical Introduction, Lucy Newlyn examines the importance of Oxford as a historical record. But she also argues that it is a piece of vivid experimental prose, in which much of Thomas's later greatness is anticipated. Her analysis of his prose style shows how Thomas tries out the voices of the past, defining his own particular brand of Modernism by creating a kind of "bricolage" through allusion and imitation. Running steadily beneath the text's elaborate ventriloquism is the quiet ruminative voice of the authentic Thomas, edging ever closer to the simple speech rhythms of his lyric poems. This is the first critical edition of Oxford, giving long overdue credit to the book as an early masterpiece in the Thomas oeuvre.

"The spread of the towns, the disforesting of the hills, and other causes are conspiring to destroy many of the conditions which made the Riviera of former days so happy a resort for the lovers of Nature. But there will always be much to observe and much to study in so favoured a region." Quirky, erudite and eminently readable, the fifty-four essays comprising Riviera Nature Notes give an astonishingly clear picture of plant and animal life in the South of France at the turn of the twentieth century--not to mention a fascinating insight into the social mores of the time. A hundred years later the book is as fresh, topical and inviting as when it was first published. Preferring to remain anonymous as a naturalist, not only out of modesty but to guard the integrity of his liturgical writings, its clergyman author speaks of olives and pines, myrtles and figs, mosquitoes and rare butterflies--to name but a few of his subjects--with such passion and verve as to bring the land from the Ligurian coastline to the Maritime Alps vividly alive. Published first at the expense of Sir Thomas Hanbury, master of the famed gardens at La Mortola, Italy and benefactor of the Royal Horticultural Society's sixty-acre estate at Wisley, a second edition incorporated photographs taken by the temperamental and extravagant heiress Ellen Wilmot, in many ways a greater figure in the plant world than her close contemporary Gertrude Jekyll. Our anonymous author moved in the best horticultural and botanical circles, wore his learning lightly, and unusually for the time, spoke to the common man and the general reader on equal terms. With an engaging, sometimes acerbic, always entertaining and informative voice speaking effortlessly across the years, he will once again garner admirers among nature lovers, gardeners and travellers alike.