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Books > Travel > Travel writing > Classic travel writing
What was the purpose of representing foreign lands for writers in the English Renaissance? This innovative and wide-ranging study argues that writers often used their works as vehicles to reflect on the state of contemporary English politics. Through critical discussions of fictional and non-fictional texts, Hadfield explores representations of Europe, the Americas, Africa, and the Far East, as well as some of the problems involved in the usual assumption that we can make sense of the past with the categories available to us. His work offers fresh readings of Shakespeare, Marlowe, More, and many others.
'Who could read the programme for the excursion without longing to
make one of the party?'
The era in which Ibn Battuta traveled to the East was exciting but turbulent, cursed by the Black Plague and the fall of mighty dynasties. His account provides a first-hand account of increased globalisation due to the rise of Islam, as well as the relationship between the Western world and India and China in the 14th century. There are insights into the complex power dynamics of the time, as well a personal glimpse of the author's life as he sought to survive them, always staying on the move. The Ri?la contains great value as a historical document, but also for its religious commentary, especially regarding the marvels and miracles that Ibn Battuta encountered. It is also an entertaining narrative with a wealth of anecdotes, often humorous or shocking, and in many cases touchingly human. The book records the journey of Ibn Battuta, a Moroccan jurist who travels to the East, operating at high levels of government within the vibrant Muslim network of India and China. It offers fascinating details into the cultures and dynamics of that region, but goes beyond other travelogues due to the dramatic narrative of its author - tragedies and wonders fill its pages - shared for the greater glory of Allah and the edification of its contemporary audience in the West.
This open access book provides an analysis of human actors and their capacity to explore and conceptualise their own agency by being curious, gathering knowledge, and shaping identities in their travel reflections on Asia. Thus, the actors open windows across time to present a profound overview of diverse descriptions and constructions of Asia. It is demonstrated that international and transnational history contributes to and benefits from analyses of national and local contexts that in turn enrich our understanding of transcultural encounters and experiences across time. The book proposes an actor-centred contextual approach to travel writing to recount meaningful constructions of Asia's physical, political and spiritual landscapes. It offers comparative reflections on the patterns of encounter across Eurasia, where from the late medieval period an idea of civilisation was transculturally shared yet also constantly questioned and reframed. Tailored for academic and public discussions alike, this volume will be invaluable for both scholars of Global History and interested audiences to stimulate further discussions on the nature of global encounters in Asia.
Lose yourself in this classic prize-winning memoir of life in 1950s Cyprus on the brink of revolution by the legendary king of travel writing and real-life family member of The Durrells in Corfu. 'Stunning.' Andre Aciman 'Masterly ... Casts a spell.' Jan Morris 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Exceptional ... Revelatory ... A master.' Observer 'He writes as an artist, as well as a poet . Profoundly beautiful.' New Statesman Cyprus, 1953. As the island fights for independence from British colonial rule, ancient conflicts between Turkish and Greek Cypriots trouble the glittering Mediterranean waters. Into the brewing political storm enters Lawrence Durrell, yearning for the idyllic island lifestyle of his youth in Corfu. He settles into a dilapidated villa, and with his poet's eye for beauty - and passable Greek - vividly captures the moods and atmospheres of island life in a changing world. Whether collecting folklore or wild flowers, describing the brewing revolution or eccentric local characters, Durrell is a magician with words: and the result is not only a classic travel memoir, but an intimate portrait of a community lost forever. WINNER OF THE DUFF COOPER MEMORIAL PRIZE 'Brilliant ... Never for a moment does Durrell lose the poet's touch.' New York Times
Lose yourself in this dazzling travelogue of the idyllic Greek Islands by the king of travel writing and real-life family member of The Durrells in Corfu. 'Incandescent.' Andre Aciman 'A magician.' The Times 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'Nobody knows the Greek islands like Durrell.' New York Times White-washed houses drenched in pink bougainvillea; dazzling seascapes and rugged coastlines; colourful harbours in quaint fishing villages; shady olive and cypress groves; terraces bathed in the Aegean sun ... The Greek islands conjure up a treasure-chest of images - but nobody brings them to life as vividly as the legendary travel writer Lawrence Durrell. It was during his youth in Corfu - which his brother Gerald fictionalised in My Family and Other Animals, later filmed as The Durrells In Corfu - that his love affair with the Mediterranean began. Now, in this glorious tour of the Greek islands, he weaves evocative descriptions of these idyllic landscapes with insights into their ancient history, and shares luminous personal memories of his time in the local communities. No traveller to Greece or admirer of Durrell's magic should miss it. 'Masterly ... Casts a spell.' Jan Morris 'Charming ... Delightful.' Sunday Times 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Like long letters from a civilized and very funny friend - the prose as luminous as the Mediterranean air he loves.' Time
In 1909, while dreaming of the Himalaya, Norwegian mountaineer Alf Bonnevie Bryn and a fellow young climber, the Australian George Ingle Finch, set their sights on Corsica to build their experience. The events of this memorable trip form the basis of Bryn's acclaimed book Tinder og banditter - 'Peaks and Bandits', with their boisterous exploits delighting Norwegian readers for generations. Newly translated by Bibbi Lee, this classic of Norwegian literature is available for the first time in English. Although Bryn would go on to become a respected mountaineer and author, and Finch would become regarded as one of the greatest mountaineers of all time - a legend of the 1922 Everest expedition - Peaks and Bandits captures them on the cusp of these achievements: simply two students taking advantage of their Easter holidays, their escapades driven by their passion for climbing. As they find themselves in unexpected and often strange places, Bryn's sharp and jubilant narrative epitomises travel writing at its best. Balancing its wit with fascinating insight into life in early twentieth-century Corsica, the infectious enthusiasm of Bryn's narrative has cemented it as one of Norway's most treasured adventure books. Peaks and Bandits embodies the timeless joy of adventure.
People have been attracted to the lure of distant, exotic places throughout the ages, and over the centuries a vast store of legends and lore relating to travel have grown up. This encyclopedia represents a complilation of travel legends and lore of civilizations throughout the world.
The writer Frances Trollope's Domestic Manners of the Americans, complemented by Auguste Hervieu's satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope's two years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy which would earn her ""more anger and applause than almost any writer of her day."" Auguste Hervieu's twenty-six original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.
Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.
The small island archipelago of St Kilda, which rises majestically from the stormy waters of the North Atlantic, has a magic and allure which is both enduring and inexplicable. For centuries, St Kilda's remoteness (it lies sixty miles west of the Scottish Hebrides), together with the way of life of its inhabitants, has attracted huge attention from outsiders, who have been fascinated by this small community literally clinging to the edge of the world. Although St Kildans were always few in number (the population was under 100 when Hirta, the only inhabited island, was evacuated in 1930), their society was extraordinarily well developed - they famously had their own daily 'parliament', at which the men of the island would meet and discuss the tasks of the day. This remains a work of vital importance for the understanding of this fascinating island society.
'All those interested in South Asia and its complex politics and culture should read this book' - Pankaj Mishra The demise of Pakistan - a country with a reputation for volatility, brutality and radical Islam - is regularly predicted. But things rarely turn out as expected, as renowned journalist Declan Walsh knows well. Over a decade covering the country, his travels took him from the raucous port of Karachi to the gilded salons of Lahore to the lawless frontier of Waziristan, encountering Pakistanis whose lives offer a compelling portrait of this land of contradictions. He meets a crusading lawyer who risks her life to fight for society's most marginalised, taking on everyone including the powerful military establishment; an imperious chieftain spouting poetry at his desert fort; a roguish politician waging a mini-war against the Taliban; and a charismatic business tycoon who moves into politics and seems to be riding high - till he takes up the wrong cause. Lastly, Walsh meets a spy whose orders once involved following him, and who might finally be able to answer the question that haunts him: why the Pakistanis suddenly expelled him from their country. Intimate and complex, unravelling the many mysteries of state and religion, this formidable book offers an arresting account of life in a country that, often as not, seems to be at war with itself. 'Thrilling, big-hearted' - Memphis Barker, Daily Telegraph 'Sets a new benchmark for non-fiction about the complex palace of mirrors that is Pakistan' - William Dalrymple
Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have travelled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture-the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvellous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatan to Angkor Wat, Fagan follows in the footsteps of the great archaeological travellers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.
In 1951 the Australian writers Charmian Clift and George Johnston left grey, post-war London for Greece. Settling first on the tiny island of Kalymnos, then Hydra, their plan was to live simply and focus on their writing, away from the noise of the big city. The result is two of Charmian Clift's best known and most loved books, the memoirs Mermaid Singing and Peel Me a Lotus. Mermaid Singing relays the culture shock and the sheer delight of their first year on the tiny sponge-fishing island of Kalymnos. Clift paints an evocative picture of the characters and sun-drenched rhythms of traditional life, long before backpackers and mass tourism descended. On Hydra, featured in the companion volume, Peel Me a Lotus, Clift and Johnston became the centre of an informal community of artists and writers including the then unknown Leonard Cohen who lodged with them, and his future girlfriend Marianne Ihlen.
Eastward bound looks at travel and travellers in the medieval period. An international range of distinguished contributors offer discussions on a wide range of themes, from the experiences of Crusaders on campaign, to the lives of pilgrims and missionaries and traders in the Middle East. It examines their modes of travel, equipment and methods of navigation, and considers their expectations and experiences en route. The contributions also look at the variety of motives - public and private - behind the decision to travel eastwards to lands of strange and unfamiliar peoples. Other essays look at the attitudes of Middle-Eastern rulers to their visitors. In so doing they provide a valuable perspective and insight into the behaviour of the Europeans and non-Europeans alike. There have been few such accessible volumes, covering such a broad range of material for the reader. The book will be of use to students and scholars involved in the history, literature and historical geography of the period.
Open boat cruising has never been more popular, in the doing or the reading of it; magazines, websites, associations and events around the world attest to this, and of course the countless sailors who just 'get on with it' in their own unassuming manner. Two such, some fifty years ago, long before today's explosion of activity, were Ken Duxbury and his wife B; Ken's three books recounting their adventures in the eighteen-foot Drascombe Lugger 'Lugworm' delighted many on their first appearance, yet they became unavailable for years. 'Lugworm on the Loose' describes how Ken and B quit the 'rat race' and explored the Greek islands under sail. 'Lugworm Homeward Bound' recounts their voyage home from Greece to England. 'Lugworm Island Hopping' has Ken and B exploring the Scilly Isles and the Hebrides. The light touch of Ken's writing belies the sheer ambition, resourcefulness and seamanship which infuse these exploits. And beyond pure sailing narrative, his books convey the unique engagement with land and people which is achieved by approaching under sail in a small boat.
Smelling the Breezes is an inspiring adventure, that throws down a gauntlet about what can be achieved in a family holiday. Rather than give a leaving party, Ralph and Molly Izzard had their own plans about how to say goodbye to their home in the Middle East. They would walk the three-hundred mile spine of the Lebanese mountains, camping where ever they stopped with their four children, two donkeys and Elias (their gardener-nursemaid-friend) as their sole travelling companions.
Henrietta is a true original. Clever, vivacious and interested in everything, she managed to balance the demands of high profile public life with that of a caring mother. She was the home-schooled daughter of a bankrupt Earl and more than just a little bit in love with her handsome wayward brother, but had been married off to a plump pudding of a man, the nabob Edward Clive, governor of Madras. And her partial escape was to ride across southern India (in a vast tented caravan propelled by dozens of elephants, camels and a hundred bullock carts) and write home. For centuries this account, the first joyful description of India by a British woman, remained unread in a Welsh castle. Fortunately it was transcribed by a Texan traveller, who went on to splice this already evocative memoir with complementary sections from the diary of Henrietta's precocious daughter, the 12-year old Charly and images of their artist companion, Anna Tonelli. The resulting labour of love and scholarship is Birds of Passage, a unique trifocular account of three very different women travelling across southern India in the late 18th century, in the immediate aftermath of the last of the Mysore Wars between Tipoo Sahib and the Raj. Half a generation later, the well travelled Charly would be chosen as tutor for the young princess Victoria, the First Empress of India.
Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose. It shows that eighteenth-century social and political interest groups contested spaces through maps, geographical commentaries and travel literature; and that by configuring 'utopian' landscapes Wordsworth himself participated in major social and political controversies in post-French Revolutionary England. |
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