Lose yourself in this classic prize-winning memoir of life in 1950s Cyprus on the brink of revolution by the legendary king of travel writing and real-life family member of The Durrells in Corfu. 'Stunning.' Andre Aciman 'Masterly ... Casts a spell.' Jan Morris 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Exceptional ... Revelatory ... A master.' Observer 'He writes as an artist, as well as a poet . Profoundly beautiful.' New Statesman Cyprus, 1953. As the island fights for independence from British colonial rule, ancient conflicts between Turkish and Greek Cypriots trouble the glittering Mediterranean waters. Into the brewing political storm enters Lawrence Durrell, yearning for the idyllic island lifestyle of his youth in Corfu. He settles into a dilapidated villa, and with his poet's eye for beauty - and passable Greek - vividly captures the moods and atmospheres of island life in a changing world. Whether collecting folklore or wild flowers, describing the brewing revolution or eccentric local characters, Durrell is a magician with words: and the result is not only a classic travel memoir, but an intimate portrait of a community lost forever. WINNER OF THE DUFF COOPER MEMORIAL PRIZE 'Brilliant ... Never for a moment does Durrell lose the poet's touch.' New York Times

Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose. It shows that eighteenth-century social and political interest groups contested spaces through maps, geographical commentaries and travel literature; and that by configuring 'utopian' landscapes Wordsworth himself participated in major social and political controversies in post-French Revolutionary England.

Complete Gentlemen is the first study to look beyond the Italian Grand Tour to the wider culture of educational travel that thrived among British and Irish landowners between 1650 and 1750. Ansell reconstructs dozens of encounters with continental Europe, revealing how the varying means, ambitions, and obligations of families produced widely differing experiences of educational travel. Where historians usually isolate time abroad, he pays unprecedented attention to what families thought and did before, after, and instead of foreign travel, stages that uncover its true significance for British and Irish society. This innovative approach requires a deep source base over several generations, provided by the manuscript archives of four clusters of families from England and Ireland. Ansell uses these archives to relate travel, too often a stand-alone topic, to broader questions in social and cultural history, exploring the meanings of time abroad for social mobility, elite formation, landed identity, masculinity, and Englishness.

This volume prints for the first time the 'perambulation' of Cumberland compiled by the lawyer, Thomas Denton, for Sir John Lowther of Lowther in 1687-8. Denton's manuscript provides the most detailed surviving description of the county in the seventeenth century. Taking the methods of earlier antiquaries as a framework, and incorporating much of the text of the history of Cumberland written c.1603 by John Denton, the perambulation includes a wealth of contemporary detail for almost every parish and township in the county, including particulars of land tenure, valuations of estates, population estimates, descriptions of buildings and the histories of landed families. Appended to the description of Cumberland, are a perambulation of Westmorland, and the texts of two important tracts, the genealogy of the Clifford family and a treatise on customary tenantright. The volume is rounded off by descriptions of the Isle of Man and Ireland, taken in part from Camden's Britannia but including detailed topographical accounts of Man and Dublin, based on Denton's own observations. ANGUS J.L. WINCHESTER is Senior Lecturer in History, Lancaster University.

In 1973, the Afghans still had a King who ruled from a palace in Kabul with his own resident court of musicians when Veronica set up home in Herat. This Afghan city sat close to the Persian frontier and was fully cognizant of its glorious history as the capital of a once vast Central Asian Empire. Veronica was not a casual traveler but a young musician married to a scholar. She was determined to make use of her time in Afghanistan and break out of the charmed circle of the expatriate academic and make real friendships with local women. The tentative story, the growth in these very different friendships, takes the reader into a rare, deep, and privileged insight into the hidden world of Afghan female society. This is more than enough to make this book remarkable, but it has an afterlife of its own. For a Communist coup, then the Russian invasion, a long guerrilla war of Resistance is followed by Civil War and the rise of the Taliban. Veronica was separated from her friends: feared the worst, sought to assist but was also aware that contact from a westerner could be lethal to them. Then a fragile peace allowed her to meet them again and pick up their stories. It is a most exceptional work, which reads like a novel.

Richard Hakluyt and Travel Writing in Early Modern Europe is an interdisciplinary collection of 24 essays which brings together leading international scholarship on Hakluyt and his work. Best known as editor of The Principal Navigations (1589; expanded 1598-1600), Hakluyt was a key figure in promoting English colonial and commercial expansion in the early modern period. He also translated major European travel texts, championed English settlement in North America, and promoted global trade and exploration via a Northeast and Northwest Passage. His work spanned every area of English activity and aspiration, from Muscovy to America, from Africa to the Near East, and India to China and Japan, providing up-to-date information and establishing an ideological framework for English rivalries with Spain, Portugal, France, and the Netherlands. This volume resituates Hakluyt in the political, economic, and intellectual context of his time. The genre of the travel collection to which he contributed emerged from Continental humanist literary culture. Hakluyt adapted this tradition for nationalistic purposes by locating a purported history of 'English' enterprise that stretched as far back as he could go in recovering antiquarian records. The essays in this collection advance the study of Hakluyt's literary and historical resources, his international connections, and his rhetorical and editorial practice. The volume is divided into 5 sections: 'Hakluyt's Contexts'; 'Early Modern Travel Writing Collections'; 'Editorial Practice'; 'Allegiances and Ideologies: Politics, Religion, Nation'; and 'Hakluyt: Rhetoric and Writing'. The volume concludes with an account of the formation and ethos of the Hakluyt Society, founded in 1846, which has continued his project to edit travel accounts of trade, exploration, and adventure.

'All those interested in South Asia and its complex politics and culture should read this book' - Pankaj Mishra The demise of Pakistan - a country with a reputation for volatility, brutality and radical Islam - is regularly predicted. But things rarely turn out as expected, as renowned journalist Declan Walsh knows well. Over a decade covering the country, his travels took him from the raucous port of Karachi to the gilded salons of Lahore to the lawless frontier of Waziristan, encountering Pakistanis whose lives offer a compelling portrait of this land of contradictions. He meets a crusading lawyer who risks her life to fight for society's most marginalised, taking on everyone including the powerful military establishment; an imperious chieftain spouting poetry at his desert fort; a roguish politician waging a mini-war against the Taliban; and a charismatic business tycoon who moves into politics and seems to be riding high - till he takes up the wrong cause. Lastly, Walsh meets a spy whose orders once involved following him, and who might finally be able to answer the question that haunts him: why the Pakistanis suddenly expelled him from their country. Intimate and complex, unravelling the many mysteries of state and religion, this formidable book offers an arresting account of life in a country that, often as not, seems to be at war with itself. 'Thrilling, big-hearted' - Memphis Barker, Daily Telegraph 'Sets a new benchmark for non-fiction about the complex palace of mirrors that is Pakistan' - William Dalrymple

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.

First published in 1937 this is a collection of articles written by the author under the pseudonym 'Waseda Eisaku' for the Japan Tourist Bureau's magazine over twenty five years. Intended to satisfy the intellectual curiosity of cultivated tourists from abroad by giving the insider's view of all things Japanese, it was published as a book just before the outbreak of World War II.

Writing in the first person, Katsumata becomes both guide and confidante, writing about his own travel experiences in Japan and about Japanese customs and practices that interest him, such as traditional incense ceremonies, or fishing with rod and creel. This personal approach results in an unusual selection of topics and itineraries including tray landscapes, old Japanese clocks, hot springs, Japanese humour, sumo wrestling, pines in Japanese scenery, the Japanese sun flag and Buddhist temple bells. The author not only describes, but draws the reader into his own experiences - his joy on buying an antiquarian book he cannot really afford, the monotony he feels when travelling too long through snowy landscapes, the delight he takes in telling you that the best bait for carp fishing is sweet potato. Katsumata's unconventional choice of subjects and his informal and individualistic writing style make this a refreshingly different guide to Japan, and a valuable record of the period in which it was written.

A classic of travel writing, A Short Walk in the Hindu Kush is Eric Newby's iconic account of his journey through one of the most remote and beautiful wildernesses on earth. It was 1956, and Eric Newby was earning an improbable living in the chaotic family business of London haute couture. Pining for adventure, Newby sent his friend Hugh Carless the now-famous cable - CAN YOU TRAVEL NURISTAN JUNE? - setting in motion a legendary journey from Mayfair to Afghanistan, and the mountains of the Hindu Kush, north-east of Kabul. Inexperienced and ill prepared (their preparations involved nothing more than some tips from a Welsh waitress), the amateurish rogues embark on a month of adventure and hardship in one of the most beautiful wildernesses on earth - a journey that adventurers with more experience and sense may never have undertaken. With good humour, sharp wit and keen observation, the charming narrative style of A Short Walk in the Hindu Kush would soon crystallise Newby's reputation as one of the greatest travel writers of all time. One of the greatest travel classics from one of Britain's best-loved travel writers, this edition includes new photographs, an epilogue from Newby's travelling companion, Hugh Carless, and a prologue from one of Newby's greatest proponents, Evelyn Waugh.

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations.

While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.

George Sand recounts the story of her 1838 winter in Majorca, a winter she passed in the company of Frederick Chopin. She describes the natural beauties of Majorca as well as the rumblings of approaching war.

This largely unknown travel book, written by a sporting and hunting enthusiast in 1896, recalls his journey with his wife and two dachshunds in what was then a largely unknown part of Europe. Not even Thomas Cook had conducted tours east of Trieste, and our two travelers were exploring territory less well known to the Victorian traveler at the time than Egypt or Brazil.

Carl Peter Thunberg studied at Uppsala University in Sweden where he was a favourite student of the great Linnaeus, father of modern scientific classification. He determined to travel the world and enlisted as a physician with the Dutch East India Company. He arrived in Japan in the summer of 1775 and stayed one year, the maximum continuous term permitted for a European at the time. He travelled to Edo (modern Tokyo) where he became friends with the shogun's private physician, Katsuragawa Hosshu, a notorious rake. They maintained a correspondence even after the Swede had returned to his homeland. Thunberg's 'Travels' appeared in English in 1795 and was never reprinted. This edition makes available once again Thunberg's extraordinary writings on Japan, complete with illustrations. Fully annotated and introduced by Timon Screech.

As well as including Sherley's own account of his journey into Persia in 1600, this valuable edition includes the main works dealing with Anthony Sherley and his life. Original inaccessible texts are reprinted in full and the critical bibliographical introduction provides excellent guidance for the understanding of the various sources (and their merits and limitations), and the context in which Sherley's own account was composed.
When first published in 1933, Sherley's narrative (1613) had never before been reprinted.

First published in 1930. The wandering Jew is a very real character in the great drama of history. He has travelled as nomad and settler, as fugitive and conqueror, as exile and colonist and as merchant and scholar. Of necessity bilingual and therefore the master of many languages, the Jew was the ideal commercial traveller and interpreter.
Based on the volume of 24 Hebrew texts of Jewish travellers by J D Eisenstein, this volume begins with the ninth century. After the sixteenth century geographical discoveries had made the whole world familiar to most people. Consequently, the wandering Jew becomes less the diplomatist or scientist but still remains a link between the scattered members of the Diaspora. The volume ends in the middle of the eighteenth century and taken as a whole provides a survey of Jewish travel during the Middle Ages. For this translation, some of the texts have been abridged, whilst retaining many of the original notes.

First published in 1927. John Macdonald (1741-96) was born, and died, a Scottish Highlander. First published at the time of the French Revolution, these memoirs of his days in service provide a rich panorama of life in the company of blind fiddlers, maid-servants, the Scottish aristocracy, soldiers, historians, Oriental Princes, servants of the East India Company and men of great wealth, including James Coutts the banker. In 1768 - as the result of an errand - it fell to Macdonald to witness the death of Laurence Sterne.
'Simply packed with interest' Sunday Times
'..a model of genuine writing' Evening Standard
'Deserves a high place among autobiographies.' Nation

First published in 1928.
'Lescarbot was a man of lively wit, and a practical sagacity and breadth of view far in advance of his time.' Spectator
'This admirable edition reveals to be a lesser-known Montaigne, and Erondelle a second Florio' Daily News
'One must be singularly hard to entertain if Lescarbot fails' Birmingham Post
Nova Francia is an account of the foundation of the first French colony in Acadia in 1606. The author, Marc Lescarbot, had an inquisitive mind and an independent outlook, with a special faculty for clear thinking, and it is this authorial style which gives the work its unique value. To read Lescarbot is to enter again into the outlook of an intelligent Frenchman of the sixteenth century.