Ibn Battuta, the greatest of all the medieval travellers, was in Tangier in 1304. At the age of nineteen he set out on his travels that were eventually to take him over 75,000 miles through all of the Muslim world. His book, in which he describes the cultural life and beauty of those times, remains one of the most famous of all travel narratives. The value of the work to historians and students is beyond question, but perhaps its true worth lies in the freshness of its narrative style. Throughout, we are aware of the author's own human and compassionate insights and, even after six centuries, it remains a delight and pleasure to read. This fine facsimile edition, originally published in 1929, is enhanced by the inclusion of several exquisite prints, with maps of the journeys undertaken during Ibn Battuta's remarkable life.

This anthology aims to challenge stereotypes of women travellers. Rather than simply presenting writings by Victorian women who travelled bravely around the world disregarding social convention and danger, the editors present a range of writing and possible ways of being a woman traveller. As well as the 'eccentric' woman traveller, the editors have included writings by those who might be seen as failed travellers, cautious and conventional travellers and those who did not conform to the adventurous heroine stereotype. Because travelling as a woman and writing as a woman presents the author with a number of textual problems which must be negotiated, Foster and Mills have chosen to include writings which confronted these problems and which resolved them (or did not resolve them) in different ways. These textual problems include the depiction of other women, the representation of spatial relations, the negotiations undertaken in relation to the adventure heroine narrative and character and the position taken by the author in relation to the representation of knowledge. These issues are all crucial in relation to travel writing by women , and the women, whose writing has been collected together in this anthology have made bold decisions in relation to them. -- .

First published in 2013. Routledge is an imprint of Taylor & Francis, an informa company.

History of a Six Weeks' Tour (1817) is a travelogue by Mary Shelley and Percy Bysshe Shelley. Composed of journal entries, letters, and a poem, History of a Six Weeks' Tour was published anonymously with a preface by Percy. Detailing their stay in Switzerland during the legendary "year without a summer," the travelogue was Mary's first published work and remains an invaluable text for the study of English Romanticism. When Percy Bysshe Shelley met Mary Godwin, he had initially planned to acquaint himself with her father, a famous philosopher. Soon, however, the pair fell in love and eloped with Claire Clairmont, Mary's stepsister. They journeyed through France, Switzerland, Germany, and the Netherlands before returning home with little money and without the support of their families. In 1816, following the death of their first child, Percy and Mary travelled with Claire to Geneva, Switzerland, where the infamous Lord Byron had rented a villa along the shores of Lake Geneva. Due to a volcanic eruption in Indonesia, temperatures in Europe and throughout the world plummeted, creating the conditions for the "year without a summer." Forced to remain indoors for much of their stay, the group soon grew tired of telling one another folk tales and ghost stories to pass the time. On a whim, Byron suggested they all write their own works of fiction, igniting the spark for some of the defining texts of the Romantic era. Having never published her own writing before, Mary unwittingly began mapping out her masterpiece. Frankenstein: or, The Modern Prometheus appeared in print two years later, changing the course of English literature forever. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Shelley and Percy Bysshe Shelley's History of a Six Weeks' Tour is a classic of English literature reimagined for modern readers.

Set in 1867, The Innocents Abroad is a travel book that follows a group of Americans from New York City to the renowned Holy Land. Throughout the journey, author Mark Twain uses humor and wit to make astute observations about the diverse people and legendary locales. Described as the "Great Pleasure Excursion," Twain and his traveling companions visit some of the most illustrious cities in the world. They make stops in Italy, France, and Greece as well as modern-day Israel and Ukraine. With each trip, the author notes the contrast between expectation and reality. He critiques the misrepresentation of cultural sites and events with notable irony and disillusion. The retelling of a worldly expedition through an American lens made >The Innocents Abroad a massive commercial success. It's one Twain's best-selling books and became a staple within the travel genre. Readers will thoroughly enjoy the author's enlightening take on the Old World and public perception. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Innocents Abroad is both modern and readable.

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

He did not return to Morocco for another twenty-nine years, travelling instead through more than forty countries on the modern map, covering seventy-five thousand miles and getting as far north as the Volga, as far east as China and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian and occasional botanist and gastronome.

With this edition by Mackintosh-Smith, Battuta's "Travels" takes its place alongside other indestructible masterpieces of the travel-writing genre.

The past quarter-century has seen a number of biographies and anthologies on women travelers but to date there has been little comprehensive reference work done on the travellers themselves. Some of the women were eccentric, many very adventurous, some were in search of a different world. British women make up the largest portion of the book's focus--these particular adventurers being backed in many cases by family money, scientific inquiry, and the ready availability of the British seafaring tradition. Entries feature biographical information including the woman's family background, her educational history, and a brief summary of her world travels, with in many cases evocative extracts from their writings (many are literary gems).

Three men and three women: a plant collector, a merchant and his novelist wife, a military officer, and two famous women travelers went to China between the Opium War and the formal end of the opium trade, 1842-1907. Their range of perspectives, their acquaintance with one another and their similar scope of travel to Hong Kong, the treaty ports, and Sichuan lend intensity to their picture of China and the Western presence there.
What the travelers record reveals is a continuity in the response of the West and China to each other. Susan Schoenbauer Thurin's study of these writings presents a rich tapestry of impressions, biases, and cultural perspectives that inform our own understanding of the Victorians and their views of the world outside their own.
The strange mix of opium and missionaries, the aura of fabled "Cathay" and its valuable trade items, the attraction and repulsion of the exotic otherness the travelers experience, reflect the political, religious, and racial views of their era, and explain the allure of the Orient that, in part, characterized their age. "Victorian Travelers and the Opening of China, 1842-1907," is a remarkable look into the cultural past.

First published in 1937, this collection presents a series of vignettes on Japanese life and thought, taken from 25 years of the author's work for the Japanese tourist board between 1912 and 1937. Dealing in subjects as diverse as wrestling, singing insects and Japanese humour, this reissue offers a fascinating insight into the life and culture of pre-World War Two Japan which is of great historical interest, not only to students of Asian studies but to all those interested in Japan, its people and its heritage.

This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book.

The last great wilderness America has to offer...Alaska. Many people have longed to leave the hustle and bustle of everyday life and journey into the great unknown to hunt for big game and survive by their wits. In the Shadow of Mount McKinley brings all of this excitement to life with riveting stories by one of the world's most famous big game hunters. The thrill of the hunt, the exhilaration of forging through uncharted territory, and illustrations by Carl Rungius (one of the most important wildlife artists of the 20th century) make In the Shadow of Mount McKinley unforgettable reading.

This edition makes available once again Thunberg's extraordinary writings on Japan, complete with illustrations, a full introduction and annotations. Carl Peter Thunberg, pupil and successor of Linnaeus - of the great fathers of modern science - spent eighteen fascinating months in the notoriously inaccessible Japan in 1775-1776, and this is his story. Thunberg studied at Uppsala University in Sweden where he was a favourite student of the great Linnaeus, father of modern scientific classification. He determined to travel the world and enlisted as a physician with the Dutch East India Company. He arrived in Japan in the summer of 1775 and stayed for eighteen months. He observed Japan widely, and travelled to Edo (modern Tokyo) where he became friends with the shogun's private physician, Katsuragawa Hoshu, a fine Scholar and a notorious rake. They maintained a correspondence even after Thunberg had returned to his homeland. Thunberg's 'Travels' appeared in English in 1795 and until now has never been reprinted. Fully annotated and introduced by Timon Screech.

Travel and tourism 'stories' have been told and recorded within every culture, in every period of oral and written history, and across the breadth of the fact/fiction continuum. Taking two broad themes as its starting point - travellers and their narratives, and place narratives in travel and tourism - the book has a deliberately wide scope, with different chapters addressing the subject through various relevant 'lenses' and in relation to a number of different contexts. The narratives discussed include both historical and contemporary, as well as 'real-life' and fictional, narratives contained within travel writing, travel and tourism stories and different types of media. In relation to the principal themes of the book, some chapters also explore the importance of collecting memorabilia and image making in the recording, remembering, writing, telling or disseminating of stories about travel and tourism experiences and some examine the ways in which travel and tourism narratives may construct and reinforce personal, collective and place identities. The whole book is marked by an over-arching concern for narrative interpretation as a means of understanding, and providing a new perspective on, travel and tourism.

First published in 1985, this is a history of the Grand Tour, undertaken by young men in the eighteenth century to complete their education - a tour usually to France, Italy and Switzerland, and sometimes encompassing Germany. Rather than being another popular treatment of the theme, this is a scholarly analysis of the motives, purposes, activities and achievements of those who made the Grand Tour. The book considers to what extent the Grand Tour did fulfil its theoretical educational function, or whether travellers merely parroted the observations of their guidebooks. It also indicates the importance of the Grand Tour in introducing foreign customs into Britain and extending the cosmopolitanism of the European upper classes.

First published in 1985, this is a history of the Grand Tour, undertaken by young men in the eighteenth century to complete their education - a tour usually to France, Italy and Switzerland, and sometimes encompassing Germany. Rather than being another popular treatment of the theme, this is a scholarly analysis of the motives, purposes, activities and achievements of those who made the Grand Tour.

The book considers to what extent the Grand Tour did fulfil its theoretical educational function, or whether travellers merely parroted the observations of their guidebooks. It also indicates the importance of the Grand Tour in introducing foreign customs into Britain and extending the cosmopolitanism of the European upper classes.

Open boat cruising has never been more popular, in the doing or the reading of it; magazines, websites, associations and events around the world attest to this, and of course the countless sailors who just 'get on with it' in their own unassuming manner. Two such, some fifty years ago, long before today's explosion of activity, were Ken Duxbury and his wife B; Ken's three books recounting their adventures in the eighteen-foot Drascombe Lugger 'Lugworm' delighted many on their first appearance, yet they became unavailable for years. 'Lugworm on the Loose' describes how Ken and B quit the 'rat race' and explored the Greek islands under sail. 'Lugworm Homeward Bound' recounts their voyage home from Greece to England. 'Lugworm Island Hopping' has Ken and B exploring the Scilly Isles and the Hebrides. The light touch of Ken's writing belies the sheer ambition, resourcefulness and seamanship which infuse these exploits. And beyond pure sailing narrative, his books convey the unique engagement with land and people which is achieved by approaching under sail in a small boat.

“This is the most important of my books, and the one by which I most hope to be remembered – if I may hope to be remembered at all!” Amelia B Edwards, 1877. A chance visit to Egypt in 1873 by Amelia Edwards changed the future of British Egyptology forever. Her travelogue, A Thousand Miles up the Nile, would inspire generations to take up her cause to support and promote Egyptian cultural heritage. This modern reprint is accompanied by a new introduction by Carl Graves (the Egypt Exploration Society) and Anna Garnett (The Petrie Museum, UCL) reflecting on Amelia’s life and its legacy in Egyptology today. The original text is complimented by colour images of Amelia’s artwork made during or shortly after her travels, which have only previously been reproduced as black and white engravings. This is no ordinary reprint, but an essential companion to the best-seller.

Isaac Titsingh was intermittently head of the Japan factory (trading station) of the Dutch East India Company 1780-94. He was a career merchant, but unusual in having a classical education and training as a physician. His impact in Japan was enormous, but he left disappointed in the ability of the country to embrace change. After many years in Java, India and China, he came to London, and then settled in Paris where he devoted himself to compiling translations of prime Japanese texts. It is one of the most exciting anthologies of the period and reveals the almost unknown world of eighteenth-century Japan, discussing politics, history, poetry and rituals. The Illustrations of Japan appeared posthumously in 1821-1822 in English, French and Dutch. This fully annotated edition makes the original English version available for the first time in nearly two centuries

Captain Joshua Slocum's solo circumnavigation aboard the 37-foot sloop SPRAY in 1895 stands as one of the greatest sea adventures of all time. This classic account of his 46,000-mile voyage continues to enjoy immense popularity all around the world, and Sheridan House is proud to preserve the original edition in this attractive, affordable hardcover.

This critical study analyzes major concepts in the travel literature of Mark Twain and notes how his ouvre (including his classic works of fiction) revolves around travel as a central issue. The book focuses especially on his representations of time, place, and identity in the travel works ""Roughing It"", ""A Tramp Abroad"", ""The Innocents Abroad"", ""Life on The Mississippi"", and ""Following the Equator"". All receive an in-depth analysis, nothing Twain's strong sense of nostalgia for the disappearing American frontier, his growing concern over the assimilation of Native American cultures, and his continual search for a sense of personal and national identity. One appendix provides a complete list of the travel literature contained in Twain's personal library.

A century ago, northern Thailand (or Siam as it was then known) was home to small communities of Westerners, many of them British diplomats and foresters (like Reginald Le May and Reginald Campbell) or American missionaries (like Lucy Starling and Mary Lou O'Brien). Though few in number, they left behind a considerable written legacy. The writing is invariably personal and often vivid, describing their hopes and aspirations, the challenges they faced in their work and daily lives, and their attachment to this enchanted land. This book makes a selection of that writing accessible to a wide readership, much of it for the first time. The texts are illustrated by 65 evocative photographs, many of them contemporary.

"Off at last! Farewell comfort, ease, good food, snug beds! Welcome hard riding, rain and cold, scanty diet and the ground for a couch!" So begins Sabine Baring-Gould's account of his journey on horseback around Iceland in 1862. Aged twenty-eight, the young writer and teacher was fascinated by the tradition of the Icelandic sagas, and this was the catalyst for his adventure and the book that emerged from it. His voyage took him from the then tiny settlement of Reykjavik through remote and hostile terrain, passing through the empty expanse of Iceland's countryside. He observed mountains and glaciers, volcanoes and geysers, wondering at the wild beauty of the landscape. He also recorded the rich flora and fauna that he saw--and, to his chagrin, that his companions shot. But Baring-Gould's account is more than a travelogue. Throughout he recreates and interprets Icelandic sagas, bringing to life the extraordinary characters and events of these age-old stories. Evoking a world of trolls, witches and magic, he explores the mythology and language of Icelandic lore. He also turns a critical eye on his fellow travellers and the Icelanders he meets, passing judgment on food such as stuffed puffin, pungent fish and ptarmigan. By turns amusing and acerbic, Baring-Gould provides a detailed and colourful account of an Icelandic society that has long since disappeared. Illustrated with Baring-Gould's own drawings, Iceland: Its Scenes and Sagas is an entertaining and eccentric insight into a world of myth and legend as well as a classic of natural and human observation.

The American Diaries of Count de Berlaymont is the first-ever English translation of a nineteenth-century French travel narrative, outlaying the adventurous travels of Count Guy de Berlaymont throughout the United States and Cuba. Perhaps most interesting are de Berlaymont's descriptions and observations on travel, culture, and politics, which serve as firsthand historical accounting of the two countries. Young de Berlaymont was a frequent traveler and his American adventure remained important to him throughout his life. Publication of travel accounts-particularly popular in Europe and America in the mid- to late nineteenth century-helped fulfill two needs: (1) They served as surrogates for participation for those unable to travel; and (2) They acted as authoritative descriptions of places and historical events. The value of de Berlaymont's travel diary lies in its important source material as well as the Count's commentaries on the distinct flavor of American life.