A sparkling new translation of one of the greatest travel books ever written: Marco Polo's seminal account of his journeys in the east, in a collectible clothbound edition. Marco Polo was the most famous traveller of his time. His voyages began in 1271 with a visit to China, after which he served the Kublai Khan on numerous diplomatic missions. On his return to the West he was made a prisoner of war and met Rustichello of Pisa, with whom he collaborated on this book. His account of his travels offers a fascinating glimpse of what he encountered abroad: unfamiliar religions, customs and societies; the spices and silks of the East; the precious gems, exotic vegetation and wild beasts of faraway lands. Evoking a remote and long-vanished world with colour and immediacy, Marco's book revolutionized western ideas about the then unknown East and is still one of the greatest travel accounts of all time. For this edition - the first completely new English translation of the Travels in over fifty years - Nigel Cliff has gone back to the original manuscript sources to produce a fresh, authoritative new version. The volume also contains invaluable editorial materials, including an introduction describing the world as it stood on the eve of Polo's departure, and examining the fantastical notions the West had developed of the East. Marco Polo was born in 1254, joining his father on a journey to China in 1271. He spent the next twenty years travelling in the service of Kublai Khan. There is evidence that Marco travelled extensively in the Mongol Empire and it is fairly certain he visited India. He wrote his famous Travels whilst a prisoner in Genoa. Nigel Cliff was previously a theatre and film critic for The Times and a regular writer for The Economist, among other publications, and now writes historical nonfiction books. His first book, The Shakespeare Riots, was published in 2007 and shortlisted for the Washington-based National Award for Arts Writing. His second book, The Last Crusade: Vasco da Gama and the Birth of the Modern World appeared in 2011 and was shortlisted for the PEN Hessell-Tiltman Prize.

In mid-career, Michael Frayn took up his old trade of journalism, and wrote a series of occasional articles for the Observer about some of the places in the world that interested him. He wanted to describe 'not the extraordinary but the ordinary, the typical, the everyday', and his accounts became the starting point for some of the novels and plays he wrote later. From a kibbutz in Israel to summer rains in Japan, bicycles in Cambridge to Notting Hill at the end of the 1950s, they are glimpses of a world that sometimes seems tantalisingly familiar, sometimes vanished forever. Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize. "All writers of fiction should be required by law to go out and do a bit of reporting from time to time, just to remind them how different the real world in front of their eyes is from the invented world behind them." Michael Frayn 'Whether he's on a kibbutz or a bicycle, Frayn makes acute observations and the writing is enchanting.' Conde Nast Traveller

The first English translation, presented with pictures and a piece by De Amicis's contemporary Louis Laurent Simonin

As a first-time visitor to London, De Amicis was awestruck by the bustle and magnificence of the Victorian metropolis and wrote a number of sketches in his trademark witty, observational style, which made him one of the bestselling travel writers of his age. Originally conceived as a series of newspaper articles and later published in volume form, "Memories of London" brings back to life all the bygone charm of the capital of the British Empire. De Amicis's impressions are paired here with a piece written by the French writer Louis Laurent Simonin, which leaves the city's opulence and grandeur behind and offers an uncompromising look at the poverty and squalor of its most deprived areas.

Nobel Prize-winning author Canetti spent only a few weeks in Marrakesh, but it was a visit that would remain with him for the rest of his life. In The Voices of Marrakesh, he captures the essence of that place: the crowds, the smells - of spices, camels and the souks - and, most importantly to Canetti, the sounds of the city, from the cries of the blind beggars and the children's call for alms to the unearthly silence on the still roofs above the hordes. In these immaculately crafted essays, Canetti examines the emotions Marrakesh stirred within him and the people who affected him for ever.

Shortlisted for the NSW Translation Prize Discover a realm of travel writing undreamed of in the West - a richly literary tradition extending through a thousand years and more, whose individual works together weave a dense and beautiful brocade of repeated patterns and motifs, tones and textures. Here are asobi, the wandering performers who prefigured geisha; travelling monks who sleep on pillows of grass and listen to the autumnal insects; and a young girl who passionately longs to travel to the capital and read more stories. Taking in songs, dramas, tales, diaries and above all, poetry, this wonderful anthology roams over mountains and along perilous shores to show how profoundly travel inspired the Japanese imagination.

The charm of Madrid is elusive, but for those who know how to find it, Madrid has magic. Its magic can be found in the shadow cast over the present by the past. In this Traveller's Reader, a city that was once the seat of power for perhaps the most ambitious political enterprise the western world had seen since the fall of Rome, the Spanish Empire, is brought to life in vivid diaries, letters, memoirs and histories. The Earl of Clarendon describes seventeenth-century bullfights; Salvador Dali plays a surrealist joke on a snooty barman at the Ritz; Rubens visits the Alcázar; Manet is at the Prado; generals and anarchists meet in the Puerta del Sol. The many stories included here evoke for today's tourist the dramas and personalities of a city's past, by drawing on the eyewitness accounts and commentaries of visitors and residents of earlier centuries. Hugh Thomas has chosen these and other vivid snapshots of Madrid's history from diaries, letters, memoirs and novels across five centuries to delight and fascinate the armchair and prospective traveller alike.

'After all that - how, you might wonder, could one not become a fatalist?' Lermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery. This new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Edith Wharton journeyed to Morocco in the final days of the First World War, at a time when there was no guidebook to the country. In Morocco is the classic account of her expedition. A seemingly unlikely chronicler, Wharton, more usually associated with American high society, explored the country for a month by military vehicle. Travelling from Rabat and Fez to Moulay Idriss and Marrakech, she recorded her encounters with Morocco's peoples, traditions and ceremonies, capturing a country at a moment of transition from an almost unknown, roadless empire to a popular tourist destination. Her descriptions of the places she visited - mosques, palaces, ruins, markets and harems - are typically observant and brim with colour and spirit, whilst her sketches of the country's history and art are rigorous but accessible. This is a wonderful account by one of the most celebrated novelists and travel writers of the twentieth century, and a fascinating portrayal of an extraordinary country. Stanfords Travel Classics feature some of the finest historical travel writing in the English language, with authors hailing from both sides of the Atlantic. Every title has been reset in a contemporary typeface to create a series that every lover of fine travel literature will want to collect and keep.

Poems for Travellers transports the reader to lands far and near in the company of some of our greatest poets such as Walt Whitman, John Keats and Christina Rossetti.

Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

As internationally acclaimed author Paul Theroux writes in his introduction, ‘Here is a collection of travel poetry composed by real travellers, weekending tourists, feverish fantasists, bluffers, dreamers, brave adventurers and resolute stay-at-homes. It succeeds in what poetry does best – inspires and consoles, reminds us of who we are, where we’ve been, and where we might want to go next.’

The diary of Anton Reiff Jr. (c. 1830-1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera Troupe, a company run by English sisters Susan and Louisa Pyne and their business partner, tenor William Harrison, hired Reiff, then freelancing in New York, to serve as musical director and conductor for the company's American itinerary. The grueling tour began in November 1855 in Boston and then proceeded to New York, Philadelphia, Baltimore, Pittsburgh, and Cincinnati, where, after a three-week engagement, the company boarded a paddle steamer bound for New Orleans. It was at that point that Reiff started to keep his diary. Diligently transcribed and annotated by Michael Burden, Reiff's diary presents an extraordinarily rare view of life with a foreign opera company as it traveled the country by river and rail. Surprisingly, Reiff comments little on the Pyne-Harrison performances themselves, although he does visit the theaters in the river towns, including New Orleans, where he spends evenings both at the French Opera and at the Gaiety. Instead, Reiff focuses his attention on other passengers, on the mechanics of the journey, on the landscape, and on events he encounters, including the 1856 Mardi Gras and the unveiling of the statue of Andrew Jackson in New Orleans's Jackson Square. Reiff is clearly captivated by the river towns and their residents, including the enslaved, whom he encountered whenever the boat tied up. Running throughout the journal is a thread of anxiety, for, apart from the typical dangers of a river trip, the winter of 1855-1856 was one of the coldest of the century, and the steamer had difficulties with river ice. Historians have used Reiff's journal as source material, but until now the entire text, which is archived in Louisiana State University's Special Collections in Hill Memorial Library, has only been available in its original state. As a primary source, the published journal will have broad appeal to historians and other readers interested in antebellum riverboat travel, highbrow entertainment, and the people and places of the South.

15 years later he had, in 'Upper Egypt: its Peoples and its Products', produced a comprehensive account of the manners, customs, superstitions and occupations of the people of the Nile Valley, desert region and Red Sea Coast. Written some 40 years after Edward William Lane's influential 'Manners and Customs of the Modern Egyptians', it is with the latter book that Dr. Georg Schweingurth, in his prefatory note, compares Klunzinger's achievement. Recalling how, on first meeting the author, he had urged him to develop the field of Egyptian culture and produce 'an appendix to the Baedeker of the future', he predicted that Klunzinger's book would become 'an indispensable addition to the library of every Nile tourist, however small it may be'. 120 years later, 'Upper Egypt: its People and its Products' retains both its interest and its power to delight, and will appeal to the expert and casual reader alike.

He did not return to Morocco for another twenty-nine years, travelling instead through more than forty countries on the modern map, covering seventy-five thousand miles and getting as far north as the Volga, as far east as China and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian and occasional botanist and gastronome.

With this edition by Mackintosh-Smith, Battuta's "Travels" takes its place alongside other indestructible masterpieces of the travel-writing genre.

Europe has been widely acclaimed as among the finest achievements of 'one of our greatest living writers' (The Times). A personal appreciation, fuelled by five decades of journeying, this is Jan Morris at her best - at once magisterial and particular, whimsical and profound. It is a matchless portrait of a continent.

Worlds of Knowledge in Women's Travel Writing rediscovers the works of a wide range of authors from the eighteenth to the twentieth century. A stowaway on a voyage circumnavigating the globe; a nineteenth-century visitor to schools in Japan; an Indian activist undertaking a pilgrimage to Iraq-these are some of the women whose experiences come to life in this volume. Worlds of Knowledge explores travel writing as a genre for communicating information about other cultures and for testing assumptions about the nature and extent of women's expertise. The book challenges the frequent focus in travel studies on English-language texts by exploring works in French and Urdu as well as English and focusing on journeys to France, Spain, Turkey, Iran, Iraq, India, Ethiopia, Japan, Australia, and the Falkland Islands. Written by experts in a wide range of fields, this interdisciplinary volume sheds new light on the range, innovation, and erudition of travel narratives by women.

In his perfectly crafted haiku poems, Basho described the natural world with great simplicity and delicacy of feeling. When he composed The Narrow Road to the Deep North he was a serious student of Zen Buddhism setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He wrote of the seasons changing, of the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These travel writings not only chronicle Basho's perilous journeys through Japan, but also capture his vision of eternity in the transient world around him.

In the autumn of 1870, Nikolai Miklouho Maclay, a young marine biologist, left his home in St Petersburg to travel to the remote territory of New Guinea. It was the start of an adventure that was to test his courage and determination and force him to examine the ideals that had inspired his quest for a people not yet spoiled by European civilisation. A beautifully told adventure story and a fascinating reconstruction of Maclay's own account of his efforts to survive, the book follows him from his home in Russia into the jungles of New Guinea and the sophisticated Vice-Regal circles of the Dutch East Indies -- a journey that would see him mistaken for a god and enshrined as a legend. Maclay's great courage and impetuous character inspired much of what has been written about his life and work. He was also a man of great personal charm and integrity, succeeding as well with Papuan warriors as he did with people of the highest rank in government and empire. In his choice of New Guinea as the primary area for his anthropological studies, Maclay was searching for nothing less than the 'probable cradle of the human race'. While he did not subscribe to the theory of the 'noble savage', Maclay longed to discover, somewhere in the steamy jungles of this racially unique island, an innocence and purity long departed from the 'civilisation' of the Europeans. His hopes and dreams, his triumphs and failures make up this fictional account of Maclay's time in New Guinea and the Dutch East Indies.

'The Natural History Museum, South Kensington, supply full directions for preparing animal skins, which should be carefully studied, and a mouse or two should be skinned by the would-be collected before leaving England...' Such is the advice given to fellow hunters by the author of this work, C.V.A Peel, the celebrated Victorian writer, traveller and big-game hunter. In an age when conservation of wildlife stands at the forefront of zoological study, it is sobering to recognise that so much of our knowledge stems from the writings of men who would sooner have an animal's head on the wall than its photograph in an album. Nevertheless, men such as peel were acute observers of nature and this account of hunting in Somaliland provides a unique record of the flora and fauna of that region in East Africa which lies between the Equator and the Gulf of Aden. First published in 1889, and here republished in facsimile, complete with photographs, drawings and diagrams, the book is a fascinating study of East Africa through the eyes of a hunting man.

Soon after returning from his celebrated journey to Mecca disguised as an Arab, Burton set out on a similarly perilous trip to the city of Harrar in the heart of little-known Somaliland. As related in the Preface to his journal: "He disappeared into the desert for four months...The way was long and weary, adventurous and dangerous, but at last the 'Dreadful City' was sighted, and relying on his good Star and audacity, he walked boldly in...His diplomacy on this occasion, his capacity for passing as an Arab, and his sound Mohammedan Theology, gave him ten days in the city, where he slept every night in danger of his life."His journey to Harrar, the account of his stay, and the gruelling story of his return across the desert, are here contained in this fine facsimile of the two-volume memorial edition of 1894, complete with maps, plates and diagrams.

"Here H.V.Morton begins his wandering in the City, where Roman London began, and follows, westwards, the course of London's seventeenth and eighteenth-century expansion. He describes the London he has himself known, from the rich and arrogant city of his youth to the battered and shabby London of today. He gives vivid pictures of great Londoners of the past. He takes the reader with him about the famous streets and squares and buildings with an infallible eye for the odd, entertaining and interesting things to be found in the great city. In all, there are few aspects of London he does not touch upon. Here is a lasting memento for the overseas visitor, for Londoners in their thousands, and for all those readers for whom Mr. Morton has long been the perfect guide and the most entertaining companion." Contents Include: I Go in Search of London In Which I Go to the Tower of London I Go to London Bridge in the Early Morning Describes St. Paul's Cathedral and the Great Man Sir Christopher Wren, Who Built it A Walk Along the Strand from Temple Bar to Charing Cross I Turn on the Fountains in Trafalgar Square In Which I Go to Westminster Abbey I Visit the Houses of Parliament and See the New House of Commons I Go to St. James's Palace and Remember the Day When it Was a Refuge for Female Lepers How Piccadilly Became the Heart of the West End I See Regent's Park Visit the Zoo and Madame Tussaud's A Few Words About the Treasure Houses of South Kensington

Soon after returning from his celebrated journey to Mecca disguised as an Arab, Burton set out on a similarly perilous trip to the city of Harrar in the heart of little-known Somaliland. As related in the preface to his journal: 'He disappeared into the desert for four months...The way was long and weary, adventurous and dangerous, but at last the 'Dreadful City' was sighted, and relying on his good Star and audacity, he walked boldly in...His diplomacy on this occasion, his capacity for passing as an Arab, and his sound Mohammedan Theology, gave him ten days in the city, where he slept every night in danger of his life.' His journey to Harrar, the account of his stay, and the gruelling story of his return across the desert, are here contained in this fine facsimile of the two-volume memorial edition of 1894, complete with maps, plates and diagrams.

The name of John Muir has come to stand for the protection of wild land and wilderness in both America and Britain. Born in Dunbar in the east of Scotland in 1838, Muir is famed as the father of American conservation, and as the first person to promote the idea of National Parks. Combining acute observation with a sense of inner discovery, Muir's writings of his travels through some of the greatest landscapes on Earth, including the Carolinas, Florida, Alaska and those lands which were to become the great National Parks of Yosemite and the Sierra Valley, raise an awareness of nature to a spiritual dimension. These journals provide a unique marriage of scientific survey of natural history with lyrical and often amusing anecdotes, retaining a freshness, intensity and brutal honesty which will amaze the modern reader. This collection, including the never-before-published Stickeen, presents the finest of Muir's writings, and imparts a rounded portrait of a man whose generosity, passion, discipline and vision are an inspiration to this day.