This study shows how contemporary theory can serve to clarify structures of identity and economies of desire in medieval texts. Bringing the resources of psychoanalytic and poststructuralist theory to bear on Chaucer's tales about women, this book addresses those registers of the Canterbury project that remain major concerns for recent feminist theory: the specificity of feminine desire, the cultural articulation of gender, the logic of sacrifice as a cultural ideal, the structure of misogyny and domestic violence. This book maps out the ways in which Chaucer's rhetoric is not merely an element of style or an instrument of persuasion but the very matrix for the representation of de-centered subjectivity.

Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.

Collects together fragments and texts from the key female writers in one place, making it ideal for structuring a course around the book. Includes the Greek and Latin texts, with vocabulary, so the book can be used for language teaching as well as for students not learning Greek and Latin.

The British Romantic poets were among the first to realize the centrality of the "Divine Comedy" for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats, and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This volume explores and calls into question certain commonly held assumptions about writing and technological advancement in the Islamic tradition. In particular, it challenges the idea that mechanical print naturally and inevitably displaces handwritten texts as well as the notion that the so-called transition from manuscript to print is unidirectional. Indeed, rather than distinct technologies that emerge in a progressive series (one naturally following the other), they frequently co-exist in complex and complementary relationships - relationships we are only now starting to recognize and explore. The book brings together essays by internationally recognized scholars from an array of disciplines (including philology, linguistics, religious studies, history, anthropology, and typography) whose work focuses on the written word - channeled through various media - as a social and cultural phenomenon within the Islamic tradition. These essays promote systematic approaches to the study of Islamic writing cultures writ large, in an effort to further our understanding of the social, cultural and intellectual relationships between manuscripts, printed texts and the people who use and create them.

This work explores the role of canon law in the ecclesiastical reform movement of the eleventh century, commonly known as the Gregorian Reform. Focusing on the Collectio canonum of Bishop Anselm of Lucca, it explores how the reformers came to value and employ law as as means of achieving desired ends in a time of social upheaval and revolution.

Historical research into emotionality is at present generally enjoying an heightened level of interest. This bilingual volume documents the proceedings of an international conference, discussing current paradigms and perspectives in historical literary research into emotions and heightening awareness of the mediality of cultures of emotion in historical change. The discussion of methodological questions opens up avenues for interdisciplinary research.

Xenophon's many and varied works represent a major source of information about the ancient Greek world: for example, about culture, politics, social life and history in the fourth century BC, Socrates, horses and hunting with dogs, the Athenian economy, and Sparta. However, there has been controversy about how his works should be read. This selection of significant modern critical essays will introduce readers to the wide range of his writing, the debates it has inspired, and the interpretative methodologies that have been used. A specially written Introduction by Vivienne J. Gray offers a survey of Xenophon's works, an account of his life with respect to them, a brief discussion of modern readings, reference to modern scholarship since the original publication of the articles, and a critical summary of their content. Several articles have been translated for the first time from French and German, and all quotations have been translated into English.

This study focuses on the character, literary precursors and effects of the language in Virgil's Eclogues. It is divided into four major sections: word formation, linguistic models, style level, personal names. Each section examines the influence of earlier poets (Theocritus, Callimachus, Ennius, Lucretius, Catullus et al.), the reception by later poets of the Augustan Age (Propertius, Tibullus, Ovid) and in particular the relationship of the Eclogues to Vergil's later work (Georgica, Aeneis).

Comprises of individual volumes on: Dante, Geoffrey Chaucer (2 volumes), Sir Thomas Malory, John Skelton and Edmund Spenser. The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. Publication: October 1995.

The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest. The understanding of myth as a phenomenon imbued with social and historical nuances allows for more than one methodological approaches. Within the wider context of interdisciplinary exchange of ideas, the present volume returns to origins, as it traces and registers the association and interaction between myth and history in various literary genres in Greek and Roman antiquity (i.e. an era when the scientific definitions of and distinctions between myth and history had not yet been perceived as such, let alone fully shaped and implemented), providing original ideas, new interpretations and (re)evaluations of key texts and less well-known passages, close readings, and catholic overviews. The twenty-four chapters of this volume expand from Greek epos to lyric poetry, historiography, dramatic poetry and even beyond, to genres of Roman era and late antiquity. It is the editors' hope that this volume will appeal to students and academic researchers in the areas of classics, social and political history, archaeology, and even social anthropology.

This study of Early Christian literature and its influence on European thought and culture brings much to bear on a subject often overshadowed by the study of ancient Greek influences. The book, which begins with an excellent introduction by the author, covers Christian literature from its earliest manifestations in the first century to the Middle Ages. The author describes the lives of numerous writers (including Tertullian, St. Isidore of Seville and Arnobius) as well as their works and the ideas that shaped them, allowing readers to appreciate the rise of Latin literature and the historical circumstances that surrounded it.

Im Spatmittelalter bildete sich ein transmediterranes Netzwerk von Heiligen Orten, die mit der Seefahrt verbunden waren und sich durch ihre Lage am symbolischen Treffpunkt zwischen Meer, Land und Himmel hervorhoben. Die Aufsatze diese Bandes beschreiben die besondere Sakralgeographie der entlang der mittelalterlichen Seewege gelegenen Heiligtumer und erforschen deren Charakteristiken aus historischer, religions- und kunstgeschichtlicher Sicht."

Learn why Cicero is considered one of the most important individuals in all of Western culture! Marcus Tullius Cicero (106-43 BC) was a poet, philosopher, writer, scholar, barrister, statesman, patriot, and the linguist who helped make Latin into a universal language. His many influences in rhetoric, politics, literature, and ideas are seen throughout Western civilization. Cicero, Classicism, and Popular Culture explores the fascinating man behind the eloquence and his monumental effect on language, morality, and popularity of Western culture. One of the leading authorities on popular culture, Dr. Marshall Fishwick discusses the multifaceted man who may be, besides Jesus, the central figure in all of Western civilization. The author recounts his own personal quest of traveling the land and ancient cities of Italy, gleaning insights from people he met along the way who have knowledge about Cicero's life and times. However, Cicero, Classicism, and Popular Culture is more than a simple search for the man and his accomplishments, a man whose mere words changed the way people think. This book shows in each of us the roots of our own ideas, beliefs, and culture. Cicero, Classicism, and Popular Culture discusses: Cicero's rise to acclaim his affect on the language of popular culture common traits Cicero shared with Thomas Jefferson rhetoric, the art of oratory community two pivotal essays on friendship and old age vision of his reputation the search for peace Marshall McLuhan, Ciceronian Cicero's Rome Cicero's ancestral home of Arpinum Julius Caesar, politics, and the influences of Cicero the Roman republic and its downfall America as the new Rome much more! Cicero, Classicism, and Popular Culture is a startling, entertaining examination of the man who made Western culture what it is today. The book is insightful reading for educators, students, or anyone interested in one of the major forces in popular culture.

This book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary's use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard's position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge - prophecy, the vision, monastic theology, allegorical hermeneutics - in startlingly innovative ways by combining them and by revising them for her own time.

Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.

This book is a study of the ways in which classical Athenian texts represent and evaluate the morality of deception. It is particularly concerned with the way in which the telling of lies was a problem for the world's first democracy and compares this problem with the modern Western situation. There are major sections on Greek tragedy, comedy, oratory, historiography and philosophy.

"Envisaging Heaven in the Middle Ages" considers medieval notions of heaven in theological and mystical writings; in visions of the otherworld; and in medieval arts such as drama, poetry, music and vernacular literature.
The volume considers the influence of images and visions of heaven on the secular literature by some of the greatest writers of the period, such as Chretien de Troyes and Chaucer. The coherence and beauty of these notions make heaven one of the most impressive medieval cathedrals of the mind.
The book shows that the idea of heaven in the Middle Ages was as varied as those who wrote about it, and reveals the extent to which the Christian afterlife was (as it is today) a projection of human hopes and fears.
The book also reveals the extent to which the Christian afterlife was (as it is today) a projection of human hopes and fears. Because "the reality" of heaven was one based on speculation, as well as fancy, medieval heavens were products both of ingenious thought and of creative, wishful imagination.
With contributions from such experts as Peter Dronke, Robin Kirkpatrick, Peter Meredith, Bernard McGinn, Barbara Newman and A.C. Spearing, this collection will be essential reading for all those interested in medieval religion and culture.

This volume contributes to the ongoing scholarly debate regarding the reception of Cicero. It focuses on one particular moment in Cicero's life, the period from the death of Caesar up to Cicero's own death. These final years have shaped Cicero's reception in an special way, as they have condensed and enlarged themes that his life stands for: on the positive side his fight for freedom and the republic against mighty opponents (for which he would finally be killed); on the other hand his inconsistency in terms of political alliances and tendency to overestimate his own influence. For that reason, many later readers viewed the final months of Cicero's life as his swan song, and as representing the essence of his life as a whole. The fixed scope of this volume facilitates an analysis of the underlying debates about the historical character Cicero and his textual legacy (speeches, letters and philosophical works) through the ages, stretching from antiquity itself to the present day. Major themes negotiated in this volume are the influence of Cicero's regular attempts to anticipate his later reception; the question of whether or not Cicero showed consistency in his behaviour; his debatable heroism with regard to republican freedom; and the interaction between philosophy, rhetoric and politics.

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Annals Book I sections 16-30 and the A-Level (Group 2) prescription of Annals Book I sections 3-7, 11-14 and 46-49, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Annals I starts with the death of Augustus and the beginning of Tiberius' principate. Tacitus chronicles the uneasy and unprecedented transition from one to the other, in the context of a political elite shaken by years of civil war and unsure as to how best to protect their own interests and the stability Augustus had brought to Rome. With damning references to the servile nature of the new regime, Tacitus vividly paints scenes of confused senatorial debates, and Tiberius' own uncertainty over his own position and the best decisions to make. Opportunistic rebellions in the army are described with dramatic brilliance.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume engage with real and metaphorical relations between humans and nonhumans, with particular focus on spiders, hawks, and demons; discuss some of the earliest Middle English musical and, it is argued, liturgical compositions; describe the generic flexibility and literariness of medical discourse;consider strategies of affective and practical devotion, and their roles in building a community; and offer an example of the creativity of fifteenth-century vernacular religious literature. Texts discussed include the Old English riddles and Alfredian translations of the psalms; the lives of saints Dunstan, Godric, and Juliana, in Latin and English; Piers Plowman, in fascinating juxtaposition with Hugh of Fouilloy's Aviarium; medical remedybooks and uroscopies, many from unedited manuscripts; and the fifteenth-century English Life of Job. LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX is University Lecturer in English and Fellow of Trinity College, Cambridge; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; DAVID LAWTON is Professor of English at Washington University in St Louis. Contributors: Jenny C. Bledsoe, Heather Blurton, Hannah Bower, Megan Cavell, Cathy Hume, Hilary Powell, Isabella Wheater

New approaches to a range of Old English texts. Throughout her career, Professor Katherine O'Brien O'Keeffe has focused on the often-overlooked details of early medieval textual life, moving from the smallest punctum to a complete reframing of the humanities' biggest questions. In her hands, the traditional tools of medieval studies -- philology, paleography, and close reading - become a fulcrum to reveal the unspoken worldviews animating early medieval textual production. The essays collected here both honour and reflect her influence as a scholar and teacher. They cover Latin works, such as the writings of Prudentius and Bede, along with vernacular prose texts: the Pastoral Care, the OE Boethius, the law codes, the Anglo-Saxon Chronicle, and AElfric's Lives of Saints. The Old English poetic corpus is also considered, with a focus on less-studied works, including Genesis and Fortunes of Men. This diverse array of texts provides a foundation for the volume's analysis of agency, identity, and subjectivity in early medieval England; united in their methodology, the articles in this collection all question received wisdom and challenge critical consensus on key issues of humanistic inquiry, among them affect and embodied cognition, sovereignty and power, and community formation.

This work covers the history of the text of the invectives of Sallust against Cicero and of Cicero against Sallust. Though these speeches seem unsophisticated to some, they are in fact of considerable importance. The question of the authenticity of both invectives, especially of the invective against Cicero, considered in the book diachronically, has long troubled scholars, commencing with Quintilian's quotation from the text as though it were authentic. This dispute continues down to our own time. In all probability, both invectives are a product of the rhetorical schools of Rome, as students at such schools might have been set the task of writing a speech against Cicero imitating Sallust, or of responding to Sallust in the style of Cicero. Thus, we possess a sample of rhetorical school exercises, preserved due to their similarities to the prototypes on which they were modelled. The work covers: the full manuscript tradition of the text and also the history of the changes which arose during its transmission, the history of the printed text and the text itself with an apparatus criticus and also a translation. This work should be of interest to classicists, philologists interested in the history of medieval and renaissance texts, and also to those erudite readers concerned with rhetorical style and the functioning of the rhetorical schools of Rome.