Since it was written by tragedians and employed a number of formal tragic elements, satyr drama is typically categorized as a sub-genre of Greek tragedy. This categorization, however, gives an incomplete picture of the complicated relationship of the satyr play to other genres of drama in ancient Greece. For example, the humorous chorus of half-man, half-horse satyrs suggests sustained interaction between poets of comedy and satyr play. In Satyric Play, Carl Shaw notes the complex, shifting relationship between comedy and satyr drama, from sixth-century BCE proto-drama to classical productions staged at the Athenian City Dionysia and bookish Alexandrian plays of the third century BCE, and argues that comedy and satyr plays influenced each other in nearly all stages of their development. This is the first book to offer a complete, integrated analysis of Greek comedy and satyr drama, analyzing the details of the many literary, aesthetic, historical, religious, and geographical connections to satyr drama. Ancient critics and poets allude to comic-satyric associations in surprising ways, vases indicate a common connection to komos (revelry) song, and the plays themselves often share titles, plots, modes of humor, and even on occasion choruses of satyrs. Shaw's insight into this evidence reveals the relationship between satyr drama and Greek comedy to be much more intimately connected than we had known and, in fact, much closer than that between satyr drama and tragedy. Satyric Play brings new light to satyr drama as a complex, artful, inventive, and even cleverly paradoxical genre.

This collection of essays by a leading authority on Suetonius, one of our most significant historical sources for the early Roman Empire, provides an in-depth examination of his works, whose literary value has in the past been overlooked. Although Suetonius is well known for his Lives of emperors such as Caligula and Nero, he is rarely studied in his own right, aside from grammatical or textual commentaries. This is the first volume by an expert on the author to make him accessible to a wider audience, looking at his biographies not only of emperors but also poets, and discovering new contemporary evidence for Jesus from one of Suetonius' first-century sources. Other writers discussed include Homer, Sophocles, Catullus, Virgil, Horace, Curtius Rufus, Josephus, Plutarch, Pliny the Younger, Tacitus, Juvenal, and Cassius Dio. The book contains thirty-two papers in all, eleven of which are new, which examine Suetonius' neglected historical value and literary skills, and offer textual conjectures on both the Illustrious Men and Lives of the Caesars. It also has a new introduction and represents over a dozen years of research on an essential Latin source for Roman history. Collected Papers on Suetonius provides an invaluable resource for students and researchers working on Suetonius. It also has broader significance for anyone studying Roman imperial history and culture, Latin literature, and classical historiography.

The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion. Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin. Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona. Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona. Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.

Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies. Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies via six essays that directly address how the Middle Ages have been put in play with regard to Alice Munro's 1977 short story "The Beggar Maid"; David Lowery's 2021 film The Green Knight; medievalist archaisms in Japanese video games; runic play in Norse-themed digital games; medievalist managerialism in the 2020 video game Crusader Kings III; and neomedieval architectural praxis in the 2014 video game Stronghold: Crusader II. The approaches and conclusions of those essays are then tested in the second section's six essays as they examine "muscular medievalism" in George R. R. Martin's 1996 novel A Game of Thrones; the queering of the Arthurian romance pattern in the 2018-20 television show She-Ra and the Princesses of Power; the interspecies embodiment of dis/ability in the 2010 film How to Train Your Dragon; late-nineteenth and early twentieth-century nationalism in Irish reimaginings of the Fenian Cycle; post-bellum medievalism in poetry of the Confederacy; and the medievalist presentation of Israeli Prime Minister Benjamin Netanyahu's 2020-21 Covid inoculation.

Early medieval Britain saw the birth of England, Scotland and of the Welsh kingdoms. Naismith's introductory textbook explores the period between the end of Roman rule and the eve of the Norman Conquest, blending an engaging narrative with clear explanations of key themes and sources. Using extensive illustrations, maps and selections from primary sources, students will examine the island as a collective entity, comparing political histories and institutions as well as societies, beliefs and economies. Each chapter foregrounds questions of identity and the meaning of 'Britain' in this period, encouraging interrogation and contextualisation of sources within the framework of the latest debates and problems. Featuring online resources including timelines, a glossary, end-of-chapter questions and suggestions for further reading, students can drive their own understanding of how the polities and societies of early medieval Britain fitted together and into the wider world, and firmly grasp the formative stages of British history.

Dante's Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante's masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives-polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution- that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante's Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante's Comedy.

The post-classical compilation known to modern scholarship as the Latin Anthology contains a collection of a hundred riddles, each consisting of three hexameters and preceded by a lemma. It would seem from the preface to this collection that they were composed extempore at a dinner to celebrate the Roman Saturnalia. The work was to have a defining influence on later collections of riddles; yet its title (probably the Aenigmata) has been debated, and almost nothing is known about its author: questions have even been asked about his name (Symphosius?) and date (4th-5th centuruy AD?). In this edition of the riddles, the Introducion discusses the work's title and its author's identity: as well as his name and date, it considers his national origin (North African?) and intellectual background (a professional grammarian?), and argues that he was not Christian, as has been suggested. It examines the Saturnalian background to the work, setting it in its sociological context, and discusses the author's literary debts - especially to Martial. The Introduction also explores the author's ordering and arrangement of the riddles, discusses his literary style, Latinity and metre, and comments briefly on his Nachleben. It concludes with a survey of the textual tradition. The commentary on each riddle includes a translation, general notes on the object it describes (with reference, as necessary, to museums and artefacts), and discussion of how it fits into the ordering of the collection, of variant readings and, with suitable illustration, of literary, stylistic and metrical considerations. Other areas, such as history and mythology, are also covered where relevant.

William Langland's poem Piers Plowman is one of the most popular and widely-studied Middle English works. This comprehensive, readable guide leads the student chronologically through the entire text and is designed to be read alongside it. Assuming no previous knowledge, readers are introduced to characters, plot and argument in way that enables them to enjoy and analyse the text for themselves. A Guidebook to 'Piers Plowman': * clarifies and explores Langland's thinking * contextualises the religious, political and social issues he raises * details the genres and sources the poet uses * employs up-to-date bibliographical knowledge to offer alternative critical interpretations and suggest ways of relating these to the poet's key concerns * explains Langland's historical, theological and psychological assumptions in helpful inserted text boxes * features illustrations and suggestions for further reading. Concise and approachable, this is an invaluable tool to help students appreciate the originality and modernity of Langland's poetry.

This volume, the first in a major new series which will provide authoritative texts of key non-canonical gospel writings, comprises a critical edition, with full translations, of all the extant manuscripts of the Gospel of Mary. In addition, an extended Introduction discusses the key issues involved in the interpretation of the text, as well as locating it in its proper historical context, while a Commentary explicates points of detail. The gospel has been important in many recent discussions of non-canonical gospels, of early Christian Gnosticism, and of discussions of the figure of Mary Magdalene. The present volume will provide a valuable resource for all future discussions of this important early Christian text.

This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

This book is an edition of the Athenian Constitution, the only one to survive of 158 Constitutions written in the school of Aristotle in the fourth century B.C., of which a text on papyrus was found at the end of the nineteenth century. Based on an edition commissioned by the Fondazione Lorenzo Valla in Italy, it provides an introduction, a re-edited Greek text with a facing translation, and a commentary. The editor has been engaged with this text throughout his working life, and published a large commentary on it in 1981 and a Penguin Classics translation of it in 1984: since then scholarly advances have continued, and he has been able to take advantage of them to bring the material in this book up to date. The translation aims at an accurate rendering of the Greek text; the commentary is based on the translation, and should be accessible to readers with little or no knowledge of Greek.

Monsters in Greek literature are often thought of as creatures which exist in mythological narratives, however, as this book shows, they appear in a much broader range of ancient sources and are used in creation narratives, ethnographic texts, and biology to explore the limits of the human body and of the human world. This book provides an in-depth examination of the role of monstrosity in ancient Greek literature. In the past, monsters in this context have largely been treated as unimportant or analysed on an individual basis. By focusing on genres rather than single creatures, the book provides a greater understanding of how monstrosity and abnormal bodies are used in ancient sources. Very often ideas about monstrosity are used as a contrast against which to examine the nature of what it is to be human, both physically and behaviourally. This book focuses on creation narratives, ethnographic writing, and biological texts. These three genres address the origins of the human world, its spatial limits, and the nature of the human body; by examining monstrosity in these genres we can see the ways in which Greek texts construct the space and time in which people exist and the nature of our bodies. This book is aimed primarily at scholars and students undertaking research, not only those with an interest in monstrosity, but also scholars exploring cultural representations of time (especially the primordial and mythological past), ancient geography and ethnography, and ancient philosophy and science. As the representation of monsters in antiquity was strongly influential on medieval, renaissance, and early modern images and texts, this book will also be relevant to people researching these areas.

This book argues that Paradiso - Dante's vision of Heaven - is not simply affirmative. It posits that Paradiso compensates for disappointment rather than fulfils hopes, and where it moves into joy and vision, this also rationalises the experience of exile and the failure of all Dante's political hopes. The book highlights and addresses a fundamental problem in reading Dante: the assumption that he writes as a Catholic Christian, which can be off-putting and induces an overly theological and partisan reading in some commentary. Accordingly, the study argues that Dante must be read now in a post-Christian modernity. It discusses Dante's Christianity fully, and takes its details as a source of wonder and beauty which need communicating to a modern reader. Yet, the study also argues that we must read for the alterity of Dante's world from ours.

Achieved at the height of the Crusades, the Christian conquests of Santarem in 1147 by King Afonso I, and of Alcacer do Sal in 1217 by Portuguese forces and northern European warriors on their way by sea to Palestine, were crucial events in the creation of the independent kingdom of Portugal. The two texts presented here survive in their unique, thirteenth-century manuscript copies appended to a codex belonging to one of Europe's most important monastic library collections accumulated in the Cistercian abbey of Alcobaca, founded c. 1153 by Bernard of Clairvaux. Accompanied by comprehensive introductions and here translated into English for the first time, these extraordinary texts are based on eyewitness testimony of the conquests. They contain much detail for the military historian, including data on operational tactics and the ideology of Christian holy war in the twelfth and early thirteenth centuries. Literary historians too will be delighted by the astonishing styles deployed, demonstrating considerable authorial flamboyance, flair and innovation. While they are likely written by Goswin of Bossut, the search for authorship yields an impressive array of literary friends and associates, including James of Vitry, Thomas of Cantimpre, Oliver of Paderborn and Caesarius of Heisterbach.

We are living in an age in which the relationship between reading and space is evolving swiftly. Cutting-edge technologies and developments in the publication and consumption of literature continue to uncover new physical, electronic, and virtual contexts in which reading can take place. In comparison with the accessibility that has accompanied these developments, the medieval reading experience may initially seem limited and restrictive, available only to a literate few or to their listeners; yet attention to the spaces in which medieval reading habits can be traced reveals a far more vibrant picture in which different kinds of spaces provided opportunities for a wide range of interactions with and contributions to the texts being read. Drawing on a rich variety of material, this collection of essays demonstrates that the spaces in which reading took place (or in which reading could take place) in later medieval England directly influenced how and why reading happened.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Hrafns saga Sveinbjarnarsonar is a prime source of information about people and affairs in Iceland from the 1180s to 1217, the beginning of the Sturlung Age, and the great period of creativity in Icelandic saga-writing. The first critical edition based on all the manuscripts currently available, the saga offers insightful information about daily life, seafaring, law, feud, medicine, superstition, and "sacramental" and "secular" attitudes. The volume is furnished with full textual notes, a detailed introduction, and a substantial commentary that clarifies points of content, language, and style.

This collection investigates the wide array of local antiquarian practices that developed across Europe in the early modern era. Breaking new ground, it explores local concepts of antiquity in a period that has been defined as a uniform 'Renaissance'. Contributors take a novel approach to the revival of the antique in different parts of Italy, as well as examining other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They consider how real or fictive ruins, inscriptions and literary works were used to demonstrate a particular idea of local origins, to rewrite history or to vaunt civic pride. In doing so, they tackle such varied subjects as municipal antiquities collections in Southern Italy and France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian Peninsula, and Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of Giants. -- .

Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.

Originally published in 1934, this book contains the first volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins begins his history with a look at the styles of literary criticism prevalent in ancient Greece, and includes the responses of figures such as Aristophanes, Plato and Callimachus to changes in the literature of their day. This work is aimed primarily at those with little to no classical background and will be of value to anyone with an interest in literary criticism.

Originally published in 1934, this book contains the second volume of Atkins' 'sketch' of the development of ancient literary criticism. Atkins concludes his history with a look at the styles of literary criticism prevalent after the rise of the Roman Empire, and includes the responses of figures such as Cicero, Tacitus and Lucian to changes in the literature of their day.

Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one's own time? To answer that question, this volume focuses on polyphony as an index of modernity. In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries - some making their alliances with the past and others betting on the future - but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837

A study of cadence in Chaucerian and Medieval verse with particular attention to often-neglected marks of punctuation in the manuscripts.

A comprehensive survey of Malory's Morte Darthur, one of the most important texts of the Middle Ages. Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieux:textual, literary, cultural and historical. This volume adds to and updates the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte. MEGAN G. LEITCH is Senior Lecturer in English Literature at Cardiff University; CORY JAMES RUSHTON is Associate Professor in the Department of English at St Francis Xavier University, Canada. Contributors: Dorsey Armstrong, Thomas Crofts, Sian Echard, Rob Gossedge, Daniel Helbert, Amy Kaufman, Megan Leitch, Andrew Lynch, Catherine Nall, Ralph Norris, Raluca Radulescu, Lisa Robeson, Meg Roland, Cory Rushton, Masako Takagi, Kevin Whetter.

Letters were an important medium of everyday communication in the ancient Mediterranean. Soon after its emergence, the epistolary form was adopted by educated elites and transformed into a literary genre, which developed distinctive markers and was used, for instance, to give political advice, to convey philosophical ideas, or to establish and foster ties with peers. A particular type of this genre is the letter cast in verse, or epistolary poem, which merges the form and function of the letter with stylistic elements of poetry. In Greek literature, epistolary poetry is first safely attested in the fourth century AD and would enjoy a lasting presence throughout the Byzantine and early modern periods. The present volume introduces the reader to this hitherto unexplored chapter of post-classical Greek literature through an anthology of exemplary epistolary poems in the original Greek with facing English translation. This collection, which covers a broad chronological range from late antique epigrams of the Greek Anthology to the poetry of western humanists, is accompanied by exegetical commentaries on the anthologized texts and by critical essays discussing questions of genre, literary composition, and historical and social contexts of selected epistolary poems. Chapters 3 and 4 of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution (CC BY) 4.0 license available at https://www.taylorfrancis.com/books/10.4324/9780429288296