This work undertakes a re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides dramatic and cultural critique of the whole of Seneca's corpus, analyzing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind.

This study explores why women in the English Renaissance wrote so few sonnet sequences, in comparison with the traditions of Continental women writers and of English male authors. In this focus on a single genre, Rosalind Smith examines the relationship between gender and genre in the early modern period, and the critical assumptions currently underpinning questions of feminine agency within genre.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English Studies New Medieval Literatures - now published by Boydell and Brewer - is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Topics in this volume include the political ecology of Havelok the Dane: Thomas Hoccleve and the making of "Chaucer"; and Britain and the Welsh Marches in Fouke le Fitz Waryn. Contributors: Alexis Kellner Becker, Emily Dolmans, Marcel Elias, PhilipKnox, Sebastian Langdell, Jonathan Morton, Marco Nievergelt, George Younge.

This book explores cases of decapitation found in sources on the reign of Alexander the Great. Despite the enormous literature on the career of Alexander the Great, this is the first study on the characterisation of violent deaths during his hectic reign. This historiographical omission has involved the tacit and blind acceptance of the details found in the ancient sources. Therefore, this book seeks to illustrate how cultural expectations, literary models, and ideological taboos shaped these accounts and argues for a close and critical reading of the sources. Given the different cultural considerations surrounding decapitation in Greek and Roman cultures, this book illustrates how those biases could have differently shaped certain episodes depending on the ultimate writer. This book, therefore, can be especially interesting for scholars focused on the career of Alexander the Great, but also valuable for other Classicists, philologists, and even for anthropologists because it represents a good case of study of cultural symbolism of violent death, semantics of power, imperial domination and the confrontation between opposite cultural appreciations of a practice.

What is consolation and why is mourning so often bound up with erotic desire? This collection of essays explores consolation and mourning in the varied, sometimes provocative, readings of Boethius and of Stoic consolation by French, English, Italian and German authors, including Dante, Petrarch, Boccaccio, Machaut, Chaucer, Wyatt and Queen Elizabeth I. The contributors consider how they remodeled the discourse of consolation through parody and satire, interrogating the limits of a consolatory rhetoric.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

In Environmental Legacies of the Copernican Universe, Jean-Marie Kauth shows how counter-ecological metaphors sprung from the cosmology of the Copernican Revolution influence us still in unexpected, maladaptive ways, nurturing conceptions of the world that are not only incorrect but enabling of ecocide. She argues that although, of course, no one cause can be responsible for the kinds of environmental degradation we are seeing, grasping these underlying paradigms may help us to alter our thinking and make the radical transformations needed to counter the forward motion of our capitalist, post-industrial society, which continues hurtling toward civilizational suicide. She further argues that although not offered as a simple antidote, and with the potential evils of medieval hierarchy acknowledged, there is merit in re-envisioning the cosmos with the holistic, spherical imagination of the Middle Ages, figured in circles, cycles, epicycles, equants: a whole, enclosed, integrated world. This book offers a new perspective on the power of images and metaphors to shape the way humans see the universe and their own role in it.

Uncovering important links between acting and authorship in early modern England, Nora Johnson traces the careers of Robert Armin, Nathan Field, Anthony Munday and Thomas Heywood, actors strongly interested in marketing themselves as authors and celebrities. However, the authorship they imagined had little to do with modern ideas of control and ownership. Shakespeare's famous silence about his own work is one strategy among many available to writers for the stage. Johnson provides an alternative to the debate between traditional and materialist readers of dramatic authorship.

Linked by their common setting in Thebes, Antigone,Oedipus the King, and Oedipus at Colonus stand at the fountainhead of world drama. This volume presents a new, and accurate yet poetic and playable translation by playwright Don Taylor, who has also directed plays for a BBC-TV production.

What happened to Adam and Eve after their expulsion from paradise?
Where the biblical narrative fell silent apocryphal writings took up this intriguing question, notably including the Early Christian Latin text, the Life of Adam and Eve. This account describes the (failed) attempt of the couple to return to paradise by fasting whilst immersed in a river, and explores how they coped with new experiences such as childbirth and death.
Brian Murdoch guides the reader through the many variant versions of the Life, demonstrating how it was also adapted into most western and some eastern European languages in the Middle Ages and beyond, constantly developing and changing along the way. The study considers this development of the apocryphal texts whilst presenting a fascinating insight into the flourishing medieval tradition of Adam and Eve. A tradition that the Reformation would largely curtail, stories from the Life were celebrated in European prose, verse and drama in many different languages from Irish to Russian.

Gender, Violence, and the Past in Edda and Saga is the first book to investigate both the relation between gender and violence in the Old Norse Poetic Edda and key family and contemporary sagas, and the interrelated nature of these genres. Beginning with an analysis of eddaic attitudes to heroic violence and its gendered nature through the figures of Gudrun and Helgi, the study broadens out to the whole poetic compilation and how the past (and particularly the mythological past) inflects the heroic present. This paves the way for a consideration of the comparable relationship between the heroic poems themselves and later reworkings of them or allusions to them in the family and contemporary sagas. The book's thematic concentration on gender/sexuality and violence, and its generic concentration on Poetic Edda and later texts which rework or allude to it, enable a diverse but coherent exploration of both key and neglected Norse texts and the way in which their authors display a dual fascination with and rejection of heroic vengeance.

This book sheds light on the complexity of medieval German literary culture as it evolved in the course of the thirteenth century (c. 1220-1290) by analysing the attitudes of narrative poets towards the issue of authorship. It describes the various ways in which vernacular writers could address the theme of their own authorship within their literary works, and explores the tensions that arose between such authorial strategies on the one hand and their subsequent manuscript transmission on the other. The first part of the book deals with the presentation of authorship in the works of two poets who stand at the heart of literary tradition (Rudolf von Ems; Konrad von Wurzburg), and involves discussion of such topics as authorial signature, acrostics, author portraits, and patronage; the second part deals with two genres (heroic epic; short story) that evince a rather more problematic relationship with the figure of the author.

This volume in the series gathers together a body of critical sources on the literary figure of Thomas Malory. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.

These volumes gather together a body of critical sources on the major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.

The study of gender in classical antiquity has undergone rapid and wide-ranging development in the past two decades. This collection of new assessments has been written by some of the most influential experts in this field from all over the world. The contributors reassess the role of women in diverse contexts and areas, such as archaic and classical Greek literature and cult, Roman imperial politics, ancient medicine and early Christianity. Some offer original interpretations of topics which have been widely discussed over the last twenty years; others highlight new areas of research.

Women in Antiquity: New Assessments reflects and expands on existing scholarly debates on the status and representation of women in the ancient world. It focuses on methodology, and suggests areas for research and improvement. It is invaluable and engaging reading for all students and teachers of ancient history.

This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.

This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Oxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

"Drawing on new historicist principles, this book examines literary and historical narratives, legal statutes and records, sermons, lyric poetry, and biblical exegesis circulating in England between the 11th and 16th centuries. Jones theorizes the figure of the outlaw in Medieval England and uncovers the legal, ethical, and social assumptions that underlie the practice of outlawry"--

Comprehensive survey of the legend of Charlemagne in the medieval German-speaking world. The legend of the Frankish emperor Charlemagne is widespread through the literature of the European Middle Ages. This book offers a detailed and critical analysis of how this myth emerged and developed in medieval German and Dutch literatures, bringing to light the vast array of narratives either idealizing, if not glorifying, Charlemagne as a political and religious leader, or, at times, criticizing or even ridiculing him as a pompous and ineffectual ruler. The motif is traced from its earliest origins in chronicles, in the Kaiserchronik, through the Rolandslied and Der Stricker's Karl der Grosse, to his recasting as a saint in the Zurcher Buch vom Heiligen Karl.

Aeschylus' Persians is unique in being the only extant Greek tragedy on an historical subject: Greece's victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play's relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today. The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

Aristotle's treatise De Interpretatione is one of his central works; it continues to be the focus of much attention and debate. C. W. A. Whitaker presents the first systematic study of this work, and offers a radical new view of its aims, its structure, and its place in Aristotle's system, basing this view upon a detailed chapter-by-chapter analysis. By treating the work systematically, rather than concentrating on certain selected passages, Dr Whitaker is able to show that, contrary to traditional opinion, it forms an organized and coherent whole. He argues that the De Interpretatione is intended to provide the underpinning for dialectic, the system of argument by question and answer set out in Aristotle's Topics ; and he rejects the traditional view that the De Interpretatione concerns the assertion and is oriented towards the formal logic of the Prior Analytics. In doing so, he sheds valuable new light on some of Aristotle's most famous texts.